You wake up slicked with sweat again. Your muscles are taut, perspiration streaming clammily down your cheekbones. You walk to the bathroom mirror, splash water on your face, and it occurs to you that you should probably shave. But staring at your gaunt, shaggy reflection in the mirror, you grimace. You think:
Normal people do not live like this. Because if they did, we'd all be dead.
But you try to be content with it; after all, you're responsible for your current state of mind. You should be satisfied with waking in the morning to dreary sleepiness and a cracked mug brimming with watery coffee; it should be sufficient to place your earbuds in your ears and lose yourself in the murky, droning depths of indie music.
Breakfast is orange juice and a stale granola bar. The juice is pungently citrus; when you think about it, you realize it's probably halfway past its expiration date. If you tried, you could do better. Sure, your job is only minimum wage, but you have sufficient money to scratch up a decent breakfast. But you don't want anything better; it's good enough for you. You're scum, remember? Good enough is okay for you.
Okay. You use that word quite frequently. It's okay. I'm okay. We're all okay.
You never were a good liar.
Then you've caught the bus and are headed to college. When it rains, you watch the raindrops sliding down the windshield and silently place wagers on which one will win because traffic is horrible and the bus is moving at a snail's pace. You even find yourself painting false dreams about capturing the victorious raindrop in a tiny glass vial, and proudly holding it up on the rare occasion you attend a social event.
"See this? This here's WaterMeDown. He won the Windshield Derby Five times running. He's a champ; he's got the heart of fighter..."
You think, Damn, I'm such a weirdo. But it doesn't bother you too much because it's actually a slightly intriguing concept.
When you exit the bus, you make the short walk to the only college class you're attending; it's based around the underlying messages concealed in artwork and literature. The majority of students would find it monotonous; however, it enthralls you. Lurking in the back corner with your eyes intently focused on the chalky blackboard and the spectacle-wearing teacher at the front, you're genuinely interested.
After class let out, you sling your bookbag over your shoulder and walk outside. Your classmates are walking off in groups, a few of the especially fortunate in pairs. It's almost lunchtime; they're going to eat. It strikes you that you should probably get food, but the mere thought of food makes your stomach lurch. You don't need it. Don't worry; you'll be okay.
You resort to your oldest standby: a trip to the library. A scruffy ascetic tucked away in a secluded reading nook, you plug into your earbuds and indulge in the literary genius of Hemingway.
A few hours later, you head to work and stumble through your job, accepting money from customers and punching numbers into the outdated cash register that malfunctions from time to time. You smile when it's appropriate because you want to hang on to your job even though it's minimum wage, and the last thing you need is for someone to complain about you. Your boss has already been on the edge about keeping you on the payroll for months, anyway. Probably the only reason he's kept you on is because you're at an impasse in your life, and he knows that you, like any needy underachiever, will do almost anything to hold onto your sole source of income.
After work lets out, around nine o'clock, you walk home. The streetlights shed pools of light on the sidewalk, and you find yourself moving hastily between pools. You're not exactly sure why. Maybe it's a childish impulse to avoid the creatures of the dark. People are most scared of what they can't see and don't understand, and who knows what's lurking in the darkness?
You reach your apartment safely. The key sticks in the door, just like it always does, but you jiggle it slightly and the lock creaks and the door swings open easily when you press against the knob. It's empty, the way it always is. You are suddenly desperate for the light in the corner to be on, to hear a slight clanging of pots and pans in the kitchen that signals her presence, to walk up behind her and wrap your arms around her and rest your chin on her shoulder. You want to inhale and smell the faint strawberry scent of her hair.
But you tell yourself to shut up and get over it. You were horrible to her, she got smart, and she left. Now it's time for you to be a man and accept the consequences for your actions.
The rationalization is fairly affective until after you've written a page in your journal and you've crumpled onto the bed, turned off your desk light, and pulled the sheets up. You think:
Was the bed always this big?
The pillow on the other side is achingly empty. In a moment of reminiscence, you reach over and pull up the blankets just like you always used to do when she was there with you.
There you go, babe. Nice and warm, so you won't get chilly.
You will yourself to sleep, attempting to sidestep thoughts that keep you awake, but it's futile. So, in an effort to bore yourself to sleep, you run over things in your mind. They're not significant; they're just things. They're things like the way the washing machines in the basement sound when they're rumbling during the rinse cycle, like the way the shadows in the corners of the ceiling resemble triangles, like the way her laugh sounded when she was drifting off to sleep and you said something she found funny.
As soon as you catch yourself leaning in that direction, you stop and try to redirect your thoughts. Sucking in a deep breath, you think about just things.
And eventually, you do drift off. Your mind whirls off into memories of her, and then you're truly gone. But she's there in the dreams, possessing startling realness.
You dream of when she would crawl over the covers to you in the mornings, when she'd kiss you on your jaw and run a finger through your hair. You'd crack your eyes open and she'd be smiling. The cool metal of her engagement ring would glance against your neck as she'd place her hand there, and then you'd feel a warm shiver run through your spine, the one that only her touch could provoke.
You're trembling, but you reach for her hand. You pull yourself up over her in one smooth, well-practiced motion, and as you're about to kiss her mouth, everything screams and it's all blending and it looks like the footage you saw when the hurricanes were wracking New Orleans, until,
pop,
you're awake.
Your muscles are taut, you're breathing heavy, and your entire body is covered with a thin sheen of sweat. But you stand up, you walk to your bathroom mirror, and you think,
Normal people don't live like this. Because if they did, we'd all be dead.
And you pour yourself a watery cup of coffee because, before long, you'll have to leave for school.
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This was really good, you had a cool way of making it all sound so monotonous, and yet there was emotion and detail and enough feeling to interest the reader. I do think you could add more about the girl earlier on. It felt a little like you had just suddenly decided he needed a girl and that would be the reason for his lifestyle. It felt a bit disconnected.
Also, while your writing was excellent, you need to work on the story. There was no conflict- or at least no resolved conflict- and no climax. It just happened, without much action or story. I know short stories are different, but there should still be a conflict and then a climax where it's resolved. You didn't really have either, so you should work on that.
Yeah, I guess in short, work on the story and the plot. But you have a great style and can definitely paint pictures with your words.
Hi there, let's take a look at what you've got shall we? I'll start with anything I notice as I read through and then try to give you some more general feedback at the end:
First comment: great use of the second person and good descriptions. I so rarely see people use the second person and it's refreshing. You've got a nice, disconnected feeling toward the persona as well, slightly critical, slightly neutral. That fits in nicely.
Breakfast is orange juice and a stale granola bar. The juice is pungently citrus; when you think about it, you realize it's probably halfway past its expiration date. <<< Mmm I'm not sure about this. I barely notice expiration dates so I'm not sure that someone in such a flunk would? This persona is starting to seem a little too self-aware of their own situation. If you're going to have that, you need to make it clear that this is a special day. This isn't their usual zombie-walk to the fridge and grab a yoghurt day, this is one of those too bright days where you look around and start to see just how far you've fallen.
Third comment: good variation of sentence lengths.
Then you've caught the bus and are headed to college. When it rains, you watch the raindrops sliding down the windshield and silently place wagers on which one will win because traffic is horrible and the bus is moving at a snail's pace. [color=blue]<<< The cliche here through me. This doesn't seem like a persona who deals in cliches so to suddenly have one dropped in like that, I got shaken out of their head. Maybe if you expanded on it and showed that this was him just parroting what other people say, show him then going on to think about it properly: how fast does a snail actually move? That might work. Otherwise I'd say choose something more contemporary.
Fifth comment: I like the idea of a water derby. Good character building there.
At the first mention of her I wasn't surprised and I expect she's dead. What I don't get is where are his family in all of this? I thought at first he must be an adult since he was thinking about shaving but apparently school- age? In which case, where are his family, why does he seem to live alone? Oh and now they were engaged? Is he a university student? I think you need to make all of this a bit clearer in your set up. If he's university age then it's really easy, just by talking of rent or what a mess the student accomodation is. If he's school aged, we need to know what he was doing engaged at that age or some hints at least. Just give us a few more details so that we can pay attention to reading your story instead of sat here being confused, speculating over what age he might be.
Your muscles are taut, you're [color=blue]<<< Use your. It still makes grammatical sense and flows much better. breathing heavy, and your entire body is covered with a thin sheen of sweat. But you stand up, you walk to your bathroom mirror, and you think,
Alright so I've not much more to say about this. I expected there'd be something more to this than a break-up, like a death or something and I'm glad there wasn't. The mundane repetition at the end was pretty satisfying and in general it all worked quite well. What I would say is that you need to set the scene a bit more: more descriptions of where he's living, more descriptions of the landscape around him. I want to really see through a dead person's eyes, find out how the world looks through them. Because I've never been there myself, not quite as far as this persona and even if it's only your idea of how it might be, I want to really see that. More sections like the water derby would help, maybe extend the part where he's at work and show us how he deals with one of his customers?
That's about it from me but send a pm if there's anything you'd like me to go into further detail on and I hope you find this useful,
Heather xxx
Hey there, Creative!
So I'll be doing a quick review for this today. I'm going to say, I totally saw the end coming. However, I did not see the whole break-up aspect of it coming. I was actually quite excited in the beginning because this sounded like the day of a broken person possessed by nihilism which sorta kinda reminded me of "History of Human Decay" by Cioran.
You touched on some interesting places of the human psyche, I'll tell you that and I did enjoy reading this even if it was about becoming empty after a break-up and losing your path and falling into this oblivion. This was quite sad to read at some points and I think you did a pretty good job at explaining a break-up than I would have thought.
One thing though, I don't understand what he means by 'we'd all be dead'. I'm kind of chalking it all off to him speaking about it metaphorically and that he lives as a dead person and if they were all like him, they'd all be dead. Anyway, it's tricky because of that.
Overall, I enjoyed this. Let me know if you need anything and all the best,
-Pink