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Butterfly heart

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The skeletal trees stretch to vacant skies, a pale gray. Cracks and crevices divide the asphalt streets that stretch to what seems to be forever like rays, always searching but never finding anything. And those cracks are only cracks now but they will grow into faults. I am the rock that slips down the mountainside when someone steps on top of me. All I needed was a gentle push to go over the edge.

I thought that it would last forever, my days spent like coins. Spent anticipating and anticipating, always waiting for the future but I realized that I wasn't participating.

I didn't anticipate this.

Days wasted, and now my mouth tastes like copper. I will beg for them back, making calls on the landline phone that are never returned, just like the days that are never refunded. I remember when he used to tell me that now is a single thread and I never understood what he meant. But now, I know the future will never come.

I try to get through my head that nothing lasts forever, even though I wanted to preserve it in ice, but that ice melted and . Like the days and like the seasons I'll never last. I say I'm like a lot because I don't like much about me. I always use like or as because I am a simile, not a metaphor, and I will never be anything. I'll never be.

What I did for him, I can't do again. I'm done waiting for something to come or to last because I can only donate so much blood to him before it all spills out. These words that I dedicate to him only feeds the hunger.

My blood is my ink and the ink of all the ballpoint pens I own are my blood, but that doesn't matter because they dry up just the same. I can only rip off so many layers of skin before it becomes flesh and I can only tear so many layers of flesh off before it becomes bone and my bones can only-- Break so many times, before I amount to nothing.

I go through the photo album that we made, flipping through all the pages, leaving the door wide open. I can smell the smoke from my mother's cigarettes from downstairs. I can smell the anxiety she exhales for different reasons than me. When I leave the door open, it's like I've unzipped my skin like it is a jacket, chest open for everyone to see.

I keep the doors and windows shut because I feel like my soul is escaping from the room, even if by the cracks. In liquid form, I drip down the stairs, all the way to the bottom. I become a puddle on the kitchen floor; I need to be mopped up so that my being is whole again.

I can already feel the regret before I've even done anything. I take a cigarette from its pack that's hidden in the back of a cupboard, the last one, along with the lighter on the counter and go back upstairs. I know my mother has gone back to work now so I know she won't smoke another cigarette because she's worried about me. I can feel the flutter-stop in my chest as I walk up the stairs. I can feel the heart palpitations. All of my life is built in patterns that I've memorized and figured out yet I can't figure out the tempo of my heartbeat.

I close the door behind me so that I'm hidden from the world and I close the cracked window so none of my essence can escape. I light the cigarette and inhale a single breath so that maybe my paper bag lungs, filled with apprehension, will start to tear. I hope like my mom does that the pain will start to heal me but no amount of tar will fully coat over the scars in my lungs.

Or even better, fill them with the brim with it so that they are like cheap stress balls. The ones that always tear open because they were filled with sand in the first place. The smoke is not enough to feed my body so that tiny glass fragments start to form. I guess I don't intend to heal if I'm putting glass in my lungs that will form to break. When I walk it rattles in my chest; when I walk, the unease rattles in my chest.

I take the pictures out of their sleeves and place them on my bed. With the end of a cigarette, I burn his face and I feel better knowing I can say he isn't in the picture anymore. I start to regret and it builds in my throat but I swallow it back down. When I burned his body I burned the edges of mine too. I caught my mother once, looking at her old photos with her old partner, remembering their old times, and I know she wouldn't do the same.

I guess we both got screwed over. 

The cocoon of where my butterfly heart came out of still dangles from one of my ribs, tapping against the inner wall of my chest. And it is the jar that my heart is kept in and my throat is the holes made in the coffee filter so it can breathe. I know it too well; it will still try to flutter and fly away only to drop dead in my stomach. 

The photo album is empty of all the pictures that once filled it; I can remember a time when wear and tear didn't erode its edges. I feel okay for now. "For now", because I know my butterfly heart will start to pulsate again. I open the window to let the smoke out. I let my thoughts pollute the air so that I don't have to breathe them anymore. I exhale and let the anxiety leave my body. I open the door. I put the lighter down on the bedside table. I crush what I hope to be the last cigarette in-between my fingers.

And even though I say he is out of my life, I still see him at the gas station sometimes.

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amelie
Review
amelie wrote a review · Fri Nov 25, 2016 8:30 pm

Hey Ats! I read this the other day and really loved it, so I wanted to come back and review it. Apologies if I screw something up, I have a tenancy to misunderstand things.


The first thing that I noticed was the comparison of trees to skeletons. I could be wrong, but I feel like I have seen you use this a few times before. Not a big deal, but you might be able to get more creative with it.

but that ice melted and . Like the days and like the seasons I'll never last.

I've never seen something like this before. The way you connected "and" and "like" is new to me, so it's either a mistake or I'm just unfamiliar. I'd also like to see a comma after "seasons". The run-on sentence here made things confusing.

My blood is my ink and the ink of all the ballpoint pens I own are my blood, but that doesn't matter because they dry up just the same. I can only rip off so many layers of skin before it becomes flesh and I can only tear so many layers of flesh off before it becomes bone and my bones can only-- Break so many times, before I amount to nothing.

I found the first sentence to be a bit awkward and it leaves you with a shortness of breath.

The second sentence is gold.

I go through the photo album that we made, flipping through all the pages, leaving the door wide open. I can smell the smoke from my mother's cigarettes from downstairs. I can smell the anxiety she exhales for different reasons than me. When I leave the door open, it's like I've unzipped my skin like it is a jacket, chest open for everyone to see.

I wanted to commend you on this bit here. I really, really love the imagery and the tone that it sets. Awesome job.

I become a puddle on the kitchen floor; I need to be mopped up so that my being is whole again.

I'm having trouble imagining how mopping said liquid you is going to restore you back to your original form. Because doesn't a mop just make liquid more separate? Splashing it all around and then mixing it back in with dirtier water in the end?

I know my mother has gone back to work now so I know she won't smoke another cigarette because she's worried about me.

This confuses me. What does mother going back to work have to do with her not smoking because she's worried about you? Perhaps a misunderstanding, but I can't see the link between the three. Besides that, the sentence itself is unnecessarily long, which messes with the flow significantly-- for me, at least.

Or even better, fill them with the brim with it so that they are like cheap stress balls.

I honestly can't see how this links to cheap stress balls. Could be that it's relaxing, but stress balls are more of a physical object and doesn't tie in very well. I don't really like the comparison between the two.

When I walk it rattles in my chest; when I walk, the unease rattles in my chest.

I'm thinking this is pretty redundant. Why did you repeat yourself?

The cocoon of where my butterfly heart came out of still dangles from one of my ribs, tapping against the inner wall of my chest. And it is the jar that my heart is kept in and my throat is the holes made in the coffee filter so it can breathe. I know it too well; it will still try to flutter and fly away only to drop dead in my stomach.

Your love for butterflies really comes through here :p I'm assuming this is where the title came from and I just wanted to say well done! I love that this has a sort of echo in the end, that silent crash that hits you.

I open the window to let the smoke out. I let my thoughts pollute the air so that I don't have to breathe them anymore. I exhale and let the anxiety leave my body. I open the door. I put the lighter down on the bedside table. I crush what I hope to be the last cigarette in-between my fingers.

Choppy. You seem to be in a rush to get through all the motions instead of taking time just as you did with the rest of the poem.

As for the last sentence, it makes for a great ending.
Very well done Kaos!

-amelie

The last part was choppy on purpose, and thanks so much for the review!

User avatar
JosephGeorge
Review

Hey Kaos,

First Impressions:

Positives: I love this realistic, gone bad romance you've built here and thrown at us. It feels very edgy, but with the presence of an actual relationship, whether or not it's broken now.

My blood is my ink and the ink of all the ballpoint pens I own are my blood, but that doesn't matter because they dry up just the same.


These two lines are great, and I love what the reader can pull from them. I think of love letters, as most would, but also of the fact that you're a writer, so possibly this girl is writing not to, but for this man, and now it's all come out, and there's nothing left to give.

Negatives: The beginning is great because it feels like a true opening to a story. You keep most of the important information hidden from me, and I can feel you tempting me forward into the deeper readings. Unfortunately, you keep going, and going, and eventually it gets to the point (around the fourth or fifth paragraph) that I just want you to get on with it. The whole mysterious thing isn't quite working anymore.

The skeletal trees stretch to vacant skies, a pale gray.


I know that everyone will always say this, but the opening line is very cliche and not original. Skeletal trees; gray skies. Seen it before. If you put this here on purpose, than that's fine, and I'll think about why. But if not, then I'll just move on.

Overall: I think this is a rather beautiful piece, if looked at from an abstract point of view rather than for what it actually is. There's some form and some fashion, and while it's not exactly the next blockbuster, it's good enough.

I give it:
ImageImageImage


Joseph Henry George

Thanks for the review. You went over a lot of what I thought with this and I think I may decide to cut some of it out to make it shorter because that was one thing that I was trying to do but it ended up being long.

User avatar
milabales11
Review

Great job! I could see everything clearly from the detail that you put into this piece. You did a great job at making the reader feel what the main character felt. Your style of writing was very enjoyable to read and I loved it. I especially liked the part where the main character drips down the stairs in liquid form. That was one example of how unique this piece was. Good job and keep writing!



Inspiration usually comes during work, rather than before it.
— Madeleine L'Engle, Author