~1108 words
(split POV again. I kinda like this format tbh)
Ivy began to look forward to her evenings in the workshop. There was always something new to learn or discover there, and spending time with Grey… Ivy blushed, even though there was no one around. She had liked her quiet simple life at the flower shop—she still did. But Nikki had been right. Her days had become monotonous and Ivy had become complacent. Not that she was ever really wild at all. But she did used to have a keen sense of adventure she had stolen mostly from the novels she read. That had settled down when she’d begun to work.
--
It was night again, and Grey was skulking around the city after lighting his final lamp. He had stolen a few things since the bread. He felt a little guilty, but he knew no one would ever miss those tiny things. He’d been missing a button on his coat for months, so he had stolen a silver button to match. He’d nabbed some spare, discarded parts from a metalworking shop: stripped screws and bent plates that weren’t worth the effort of repairing. He’d also nicked a spool of copper wire from the same shop, since he was there.
--
Now that there was something new and adventurous in her life, Ivy picked up a hobby she had left behind in her schooldays: daydreaming. She’d carefully watch the behaviors of customers in her shop and construct stories for them.
“The woman in the green hat buying lilies must be attending a funeral,” Ivy thought, “but she isn’t too sad about it. She must have killed her husband to be with her lover. But she must put on airs so no one suspects it was her.
--
Grey found himself, quite by accident in the food district. The bakery he had taken the bread from wasn’t too far away, but Grey wasn’t hungry. He wasn’t sure where exactly he was going, but his feet seemed to know something he didn’t.
--
“The old man buying one of the very colorful bouquets is taking it to his wife’s grave. His wife loved color and excitement, dances and parties, bright dresses and flashy gems (even if they weren’t real). He knows people at the graveyard see the explosion of orange and yellow and pink and think it inappropriate for the solemnity of the place. But the old man knows better. He knows what flowers his late wife would want on her grave.”
--
Grey found himself outside the window of a meat shop. There was a picture of a smiling pig with a knife it its back on shop’s wooden sign. Inside, Grey swore there was an entire cow’s worth of meat hanging from hooks in the window. The meat was pink and shining. Grey’s mouth watered, imagining the smell that cooking it would bring to the workshop.
--
“The little boy buying a blue-dyed daisy with his pocket change during lunch time must have a crush on the girl who sits in front of him in class. She has red hair she wears in braided pigtails and bright blue eyes. He’s buying the blue daisy because he wants to compare her eyes to the brilliant blue of it. He doesn’t know it’s dyed. But when the boy finds her again at lunch, she’s sitting next to a different boy. The boy with the flower will throw it away and sulk for the rest of the week before falling in love with the blonde in the back of the class.”
--
The smell inside the meat shop was not the smell he had imagined earlier. The meat was preserved, mostly by drying or salting, but it wasn’t cooked. The odor of the butcher’s discarded trimming stank rancidly from the back room, and Grey couldn’t help but gag. He was used to the open-air market.
Grey scanned the butcher shop for something that wouldn’t be missed. It was dark, and he couldn’t see the meat very well. He pulled the lightstick from his lightbox and turned the box to its lowest setting. A dim light glowed from the end of the lightstick. He spied a shelf of salted poultry, with whole quail, pheasants, ducks, chickens, and turkeys. He grabbed a small chicken and moved the remaining birds around so it didn’t look like anything was missing. He flicked off his lightbox, hid the chicken under his coat, and slunk out of the shop.
--
These were the stories that filled Ivy’s head as she worked through the day. She also had Ghost to keep her company. He had grown quite attached to her in just a short amount of time, and Ivy wondered how she’d survived without him. Now he sniffed at flowers as he limped around the shop—he wasn’t quite healed yet. When there were customers, he scampered up shelves to lie on the rafters and watch people with his yellow eyes. He watched so intently that Ivy wondered if Ghost made up stories for them too.
--
Grey ran all the way back to the workshop and stuffed the chicken in the coldbox. He was on edge, and he couldn’t figure out why. What made this time so much different from the other times he had stolen? He still felt the euphoric rush of getting away without getting caught, but there was something bitter gnawing at his stomach.
Checking his scuffed pocket watch, Grey saw there were still a few hours until he needed to put out the streetlamps again. He pulled Gidgit from under his lapel. “Thanks for picking the lock again, Gidg,” he said.
The little arachnoid robot shook a spindly leg at Grey.
“I know you don’t like to do it, but I…” Suddenly Grey realized why he was feeling so morally gross. The other times he had stolen something, he had done it because he had needed or wanted something. But this time, he hadn’t even wanted the meat. He had done it only to impress Ivy and Nikki. So they wouldn’t think he was a disgusting urchin living on rancid tuna. That was it.
No, it was a partial truth, but it went deeper. Grey had always considered himself to be a good cook, especially for what he had to work with. Alder had never complained about Grey’s cooking. Nikki’s comment had hit a sore spot in Grey. He wanted to prove to her and Ivy that he was talented.
“It’s all just a pride show,” he murmured to Gidget absently. The disgust gnawing at his stomach raged to a full-on storm. He couldn’t believe how petty he really was, deep down.
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Canary word: Present
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*Bounces from cannibalism essay to here*
Nit-picks and nice moments:
You forgot to close the speech marks here.
That's a really amusing little setting detail.
Wait, is it night-time? I figured it would be the same time for both Grey and Ivy. Ivy's business is open, therefore I'd have thought the butchers' would be open. It doesn't appear to be.
Maybe have him say something like "That would certainly taste better than the garbage tuna he was forced to serve" but like a while before he actually steals it. Like, maybe as soon as he sees the butchers'. It's just a wee bit tell-y to say that that is the reason with no build-up.
Overall:
I am really, really enjoying this format. It's so atmospheric and cool. Like, if nothing else, the aesthetics are great.
Luckily enough, other parts are good too. This is an interesting way to establish that these are your two main characters and that they're equally as important as each other. This is the story of Grey and Ivy, which you have accomplished without having to tell me. That doesn't mean I don't want more Nikki characteristion at some stage though.
I also really like the subtle way in which you have Ivy come out of her shell, ie actually pay attention to her customers. It might be useful to have had some previous encounters with customers before she met Grey to compare this to. (Unless you did do that and I've just forgotten; I've reviewed a lot of different novels this month xD)
One last thing about the aesthetics, they are what make it okay that not that much happens in this chapter. Or at least, not plot-wise. It's characterisation. Normally characterisation chapters feel very fluffy, but you are able to keep me engaged through my brain going ooh look at this cool structure fort's trying which is extremely useful.
Hope this helps,
Biscuits
hay there fortis, with Grey… Ivy and a gen the three fill stops is in the wrong plase,
He had stolen a few things since the bread. with this bit I just think steeling should not be machined, so he had stolen a silver button to match. He’d nabbed some spare, discarded parts from a metalworking shop: this to I just think that means steeling and that is not nise, He grabbed a small chicken and moved the remaining birds around so it didn’t look like anything was missing. this with the steeling a gen I rely think that you nee to take that out, and that is a bout all.
you know, stealing is a part of real life and a part if the character and plot. I can't just take out parts of the story that "aren't nice". and the ellipses ("three full stops" as you put it) are perfectly placed.
I see what you are sailing, and by the way I am following you now.
I like the split-scene style, too, because it kind of asks me to compare the characters' actions and emotions. You seem inclined to take the time to slow down and share the characters' personalities and inner thoughts, as well, which I like. You also have a good sense of balancing out action-packed present scenes with these dreamy, more inward scenes, and that's awesome.
I really appreciate Grey's thoughts in this section, and they feel much more genuine to me than Ivy's. For example, I think a guy can want to impress new people in his life without necessarily thinking "I have a crush on this person" -- and that would probably slowly develop into something more. Ivy, on the other hand, is blushing just thinking about this guy. I might believe it if I saw more interaction from them.
And that's the biggest point I'd like you to consider -- how is this pacing? I feel like because we're on YWS you're tempted to make the chapters fast and bite-sized, right? But I am thinking about if this were in book form -- how many pages would these chapters take up? I feel like we've moved too far into the plot without knowing enough about the characters, and that there are slower paced scenes missing here. Because to know about the characters, we don't need to be told about them -- we need to see them act. There are so many opportunities to see that: longer interaction at the flower store in the very first chapter, more detail step-by-step description of their first meeting with Grey. You skim right over their day working down in the workshop, which could be a whole, honking chapter in a book-form novel!
This doesn't mean you have to go back and write them now!!! Maybe just take notes that these are places you can come back and expand on later when you move back to editing!
Hope these thoughts are helpful! I'll go on to the next~
Hannah
Hey RavenBlack here!
:
And she loves books!


This was very interesting and unique read, I don't think I've read a split POV story before which was refreshing.
Let's start with the positives
- Unique way of writing a story (split POV)
- Interesting characters. Ivy was my favorite out of the two, her stories for her customers gave me the impression she's very creative and wants a adventure of her own. They were also really funny
- Description was great, it was easy for me to envision the surroundings but the characters' appearance wasn't really described much, probably because they were in the previous chapter.
Time for the negatives
- Not quite sure what the plot is, nothing was really going on in this piece. It just felt like you were describing two characters daily lives.
- Not sure in this piece a split POV was the right choice, as when I was reading it I was expecting something to accumulate because of the dark setting in Grey's POV and the isolated, bored mood Ivy was in but- nothing.
Keep Writing!
Well this is a novel and these things will accumulate into something more later. This chapter isn't meant to stand alone as a plot :p
Thanks for the review!