dark
three black horses, hooves on the shining ice
skies red as the blood our pistols show
burn
naproxen nightmares & fiery terrors
waves of alprazolam, chlorpromazine
hush
clearing jars filled with rainfall & absence
while eyes motionless sketch the willow trees
howl
layerings of the sod & snow & stars
creating flashing prickles in the lungs
void
potholes in an ivory stem, your spine
eyes, salt water dishes you left alone
gone
moon erasing wrinkles around her eyes
while she dances to stop her own breathing
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Hello beautiful fortis!
I love the spirit of this line, but I feel like it could be phrased in a more elegant fashion. What about "pistols shooting the sky red" or something like that? It just feels a little clumsy as it is.Spoiler
I totally have some wine in my system but I will review this beautiful poem to the best of my ability. I'm more honest with wine. It's like a truth serum.
I read this three times through. I really appreciate your imagery and general wonderfulness. The pattern is nice as well. You use strong words to start each stanza that also define the stanza. Or rather, the single words are what are defined by the stanza, which comes together to form a definition of the word "Hollow."
I feel like these single words create the motion in the poem. If you read only the single words, they're a process. Dark is something bad that happens to you, burn is how you feel after the bad thing, hush is the thing you try to do after that (people will wonder if you don't get over it), howl is what you finally have to do after you suppress it for so long, and then you see the void. It's just a premonition at first, but then you are gone. You probably did that on purpose but if you didn't, that's how it reads.
The second stanza takes us to a real place, which is different from the rest of the poem. I think it matches the sequential order of the single line words in the poem well, but I don't know if it really gets a message across. I had to google every medicine you mentioned. I don't think it's bad, necessarily, but readers lazier than I might not get the point (not that you should pander, but I don't think that it's getting the thought across in the most immediate fashion).
I think the imagery in the hush stanza is my favorite. I don't know how you came up with eyes sketching willow trees but I really appreciate it. However, I feel like silence could be changed to something with less of a link to "hush." I mean, still link it, but don't make it a synonym. Pick something that is quiet and fill the jar with that (snowfall comes to mind, but you already have ice in the first stanza and snow in the next, so I'm not sure if you would want to put so much winter into the poem).
Don't change anything about the howl stanza. A+ section.
I understand what you're saying, but the wording doesn't really do the idea justice. What about "potholes in ivory spines" or something like that? It's just a little less polished than it could be.
I feel like this is a typically good thing, but then you end with the implication of death. You could have meant it that way, which honestly is pretty effective, but if you were aiming for total sadness at the end, this isn't giving off the vibe I feel you're looking for.
Altogether, I really enjoyed reading and reviewing your poem. I hope that this review proves useful to you! Happy poeting, fortis! <3
Thanks for the review mags <3
So the line about the blood our pistols show is saying that there is blood on the pistols, which I know is a kinda weird way to say it, but that particular line was part of the inspiration of the poem. I was listening to a song and the real line was "she splutters pistol shots" but I kept hear it as "it's red as pistols show" which I thought was an interesting and pretty phrase, even if a little convoluted.
And yes, the progression you mentioned of the single words was intentional, but only after I had written the poem and moved some stanzas around. I realized that it created an order, and I always like putting things in order. c:
I agree about the spine line, and I'm working on thinking up something that could replace it. One thing you might not have noticed is that every non-single-word line has ten syllables in it. That was one rule I imposed on myself while writing this, so that's why that line seems a little awkward. I'm working on it though. c:
And the ending was supposed to be bitter sweet with a stronger emphasis on bitter in total but more on sweet when you take into account image
(death = total bitter outweighing, but dancing moon young = 3 good things and stopping breathing = only 1 bad thing)
Which I thought was an interesting combination.
Anyway, thanks for the kind words, and I'll look into the other things you mentioned I could change <3
Ah, I didn't notice the ten syllable thing. Good job on keeping that constant. I should have noticed. I took the pistols showing blood line as if the pistols had shown the blood by injuring something. I'm glad you explained some of the motivation! I always just try to analyze the poem as best I can to show the author what meanings they are getting across ^_^
I changed "silence" to "absence" because I totally agree with you on that part. I changed around the wording a bit on the spine line while keeping it essentially the same. But I do think it's less awkward now.
And I did a typo on my first comment. I heard the song's line as "she bruises cold, she's blood as pistols shows" when it is "she bruises coughs, she splutters pistol shots." anyway, I wanted to clear up what I actually heard because I still think it's interesting.
And a lot of the single words are song titles of songs I was listening to at the time (like gone, hollow, howl) or lyrics in the song (dark was in the song Gone, as were the horses I mentioned, though the song mentioned three black carriages, which I always hear as three black cabbages. hah!) And the jars in hush came from another song. Basically how I wrote this was I listened to a bunch music and picked the words that stood out and sewed them together. c:
Hello, fortis. This was very cool. I was taken into a void myself with just me and this poem in front of me. The imagery is very creative and the words are just captivating. I do have to throw some criticism out there though.
1st: You didn't capitalize anything which made it look like you didn't care at all whether someone took you seriously.
2nd: No periods, no dashes, semicolons, colons. Only commas. And then you used the & symbol. Why? You are supposed to write out "and" in a work because it's proper English.
3rd: Fragments. Yes, fragments.
4th: The end wasn't satisfying. If I knew what this poem was going to be like before hand I honestly wouldn't have read it.
That's all I have to say though. It was amusing but it needs more than commas and words. Sorry...
~Keepwriting
Poetry does not have to follow the conventions of English such as grammar, complete sentences, etc. Many famous poems have no punctuation or capitalization. That's kind of the modern style of poetry these days. I actually did care a lot when I didn't put in capitals because I wanted to give the poem a feeling of brokenness and fragmented-ness. Capital letters are too harsh for this, to finalizing that This Is Important or This Is The Beginning. I actually had to go in and remove some of the capitals I put in there by instinct, and some punctuation too. The commas that I do have I only left because they would change the intended meaning if they weren't there. And I always like ampersands. They're so pretty. C:
Thanks for the review! Just letting you know that formatting and punctuation and such have no specific rules in poetry as it is an art form quite unbound by rules unless you're putting the rules on yourself. So next time you review, you may want to focus on the content of the poem more than the punctuation etc.
Keep reviewing ^^
Maybe in your book but I'm still in school and my teacher takes away points if I don't capitalize the first word in every stanza of poetry so yeah it is important. And no punctuation just makes you look lazy.
Your teacher is incorrect! Sorry! Many famous poets such as E.E. Cummings wouldn't use punctuation or capitalization. Many of his most famous poems don't. I'm in school still too and thankfully I've had teachers that are open to the art form that is poetry and the fact that you can stylistically make any choices you want to in poetry.
Here's a quote about E.E. Cummings
And here's one of his famous poems:
So believe me, this poem of mine is pretty tame compared to some of the most famous modern poetry, and some of my other poems too!
Some other famous writers who defied the widely-accepted rules of punctuation were James Joyce, William Faulkner, Gertrude Stein... there's plenty.
I could write a letter to your teacher about why her teaching style is restricted and out-dated when dealing with modern poetry, and since we are living in modern times, you should know how to write modern poetry!
It's okay if you follow her rules for points (we all like getting A's, right?), but just because your teacher says something doesn't mean it's law or that it's even very important.
Hey! EverWinter here for a review!
Although your poem is short, it holds a lot of reflection and emotions for readers. I think that is brilliant.
There are a few spots that feel a little weird. Like "salt water dishes you left alone" I think that a comma should be in there unless it is supposed to be one phrase.
Also, howl. I don't really feel the whole "sod & snow and stars" thing. I don't really see how that relates to howl. (Explain it to me, because I know there must be a reason xD ) Also, two different ways of saying "and" in one sentence doesn't feel natural. Maybe you should just pick one?
Anyways, I liked this poem and think it is marvelous. I like the imagery and emotion that the reader gets from this poem. All in all, wonderful job.
Ever
Hello there, AnimeGirl here to give you a review! ^_^
I don't have much to talk about with this and anything I say is mostly my own opinion, so lets jump in.
I will start with how the poem is set up, while I personally don't like this set up for poems it seems to work with yours. The way its set up also helps it flow nice. I did want to talk about a few lines in some of the stanzas. In the fourth stanza the line
"layerings of sod & snow and stars"
The line was good but it didn't sound right to me when it has the '&' in there along with the word 'and'. Maybe try some different wording?
Also the last stanza says,
"gone
moon erasing wrinkles around her eyes
while she dances to stop her own breathing"
While I liked this stanza I didn't really like the wording of it. It almost ends the nice flow of the whole poem, I get it literally is the end of the poem but it would(to me) flow better with some word changes.
Like I had said before I don't really like this set up for poems but it does go nicely with the theme of the poem if that makes any sense at all. And the over all theme is really amazing, I loved the way this poem worked out(though like I said maybe a few word changes here and there). Over all great job on this poem, thank you for sharing this with YWS and allowing us all to read it and enjoy it. Bye now! ^_^
~AnimeGirl