I smelled Greysmarsh before I saw it. And not the fishy scent I was expecting. No, it smelled of… fire.
“Come on, girl,” I muttered, tugging softly on Peaches’ reins and I guided her through the trees.
Something wasn’t right. A fuzzy sensation swept over my whole body as I emerged from the trees and looked upon my childhood hometown. Or, should I say, what was left of it.
Greysmarsh was never really a town; it had been more of a settlement. Buildings hastily cobbled together by the port, its streets narrow and twisting with wonky paving that were most definitely a trip hazard.
My hand slipped from Peaches’ reins as my pace slowed, eyes itching from the ash in the air. The blackened, charred remains of buildings creaked and moaned, their insides still crumbling and cracking. The streets were caked in soot; it coated my boots and the hem of my cloak instantly.
My mind was empty but my feet kept moving. Furniture scattered the streets, looking like it had been tossed absently aside. Singed clothes hung out of windows like ghosts reaching for help. It wasn’t until I saw the puddle at the foot of the steps of what had once been a florist that I stopped short. A thin layer of ash covered it but there was no mistaking the maroon hue. Blood.
Flowers had been trodden and mashed into the puddle and morbid trails of bloody petals littered the cobbles in every direction.
Once my eyes adjusted to the sight, I couldn’t stop seeing it. It was everywhere. Bloody handprints on the insides of the homes, on railings, on the discarded furniture. Wicked arcs of it sprayed up the sides of buildings.
“No.”
I was running then, skidding across the uneven stones. A window blew out, glass and fire exploding right before my face. The flames licked my cheek, singing my hair. I spun on my heel, darting in the other direction, my feet guiding me home.
The sign was hanging lose, held up by a single stubborn nail. The Clover. The same sign they had when I left, made by the resident sign maker. Strong, bold lettering over a simple outline of a four leaf clover, now blackened at the edges.
The building had been gutted. Broken chairs and tables had been dragged out onto the street. A bed half hung out of an upper storey window. The stairs had been eaten by the fire, the scorched remains looking like a mess of jagged, rotting teeth.
There was no blood that I could see within. I staggered back out into the street and collapsed against an upturned cupboard, loosening the mess of broken crockery inside. It all spilled out, smashing far too loudly against the stones.
Blood, but not a soul in sight. Not even bodies.
“What… what happened here?”
There was a crash behind me, most likely a roof falling in. I was too numb to even react.
“Nasty, isn’t it?” came a voice.
I stood and spun around, heart in my throat. My hood flopped in front of my eyes and I panicked, quickly shoving it back. My ash-covered palms scraped my face and I hissed in pain. My cheek – it was either burned or cut from the glass of the broken window.
Before me, a knight was making his way over from down the street, his head bobbing in and out of the buildings, clearly searching for something. The striking red and gold of his tabard against the dusty grey backdrop assaulted my eyes.
“What happened? Where is everyone?” I nearly tripped over what could have been a chair leg as I hurried over to him. This one also wasn’t wearing a helmet. He was tall and broad, dark hair cropped close. A smear of dirt or soot covered half his face.
“Raiders. They ransacked the place. Took whatever they could.” His lips pressed into a thin line. “We fought them off but not before they set the whole place ablaze.”
“The people.” I gestured to the emptiness all around us. “Where is everyone?” Are they all dead? was what I really wanted to ask but I feared the answer too much.
“We got most of them out. They’ve been taken to a village just north of here.” With his sword, he parted a set of curtains and peered into the building to his left. If my memory was correct, it was the home of a woman and her young daughter.
“Most?”
He peered at me, jaw set. “Yes. Some of the townsfolk fought back or got in the way and…”
Mrs. Treager. She would have fought back. There was no way she would have let them ruin her beloved business without doing something about it. There was no way she would have let them lay a hand on her husband.
Did she pay for her hot-headed ways?
“I can take you to where the survivors are, if you wish? I’m almost finished with my final search.”
I blinked and hot tears ran into the wound on my cheek and lip.
“No.” The word jumped out of my mouth. Clearing my throat, I shook my head. “No, that’s quite all right. But thank you for the offer.”
The knight shrugged and passed me, heading into another nearby building and ending our conversation.
I headed back to Peaches and found her where I left her, trotting anxiously on the spot and stirring up little clouds of ash.
“Sorry, girl.”
She whinnied softly in response, pressing her velvety nose against my chest. Taking her reins, I guided her around the back of the charred, skeletal buildings, making sure to avoid the boggy marshes nearby. The aching within me soon grew too heavy and sent my legs wobbling. Returning to the back of Peaches, I could feel the strain of her muscles shifting beneath me and I steered her in the direction of a lake I knew would be clean enough to drink from.
Once I heard the soft babbling of the brooks, I hopped back off her and let her stroll at her own pace towards the water. Nostalgia struck me like a rock to the face as I weaved through the greenery towards the clearing and the expanse of water. Mirabelle and I used to play at this very spot in our childhood years, threatening to dunk each other in the water. But they were never just threats. The Treagers would always be furious when we returned sopping wet and leaving puddles in our wake.
My knees buckled at the water’s edge and I landed heavily on my bony backside. I cringed at the uncomfortable twinge in my back and took a swig from my water skin before quickly spitting it back out. It tasted of ash. Peaches stayed close to my side as she drank, tail swishing gratefully. I dunked my hands in the lake and washed my face, teeth slicing into my tongue to repress the yowl of pain. I kept forgetting about my sore cheek. The skin felt tight there and my heart was in my throat as I folded myself into a kneeling position and leaned precariously over the lip of the lake to catch my reflection. The water had a steady flow which meant catching a good look at myself was not possible, but I could just make out a striking redness that marred my left cheek.
It struck me then that this was probably the longest I had gone without looking upon my reflection, and I must say I was thankful it was obscured. Seeing myself… it was an unwelcomed reminder that I was, in fact, real. I was a person and I was hurting.
All this time I had just wanted to feel alive, but it had so quickly become a chore.
My inner compass had sent me straight to Greysmarsh, but why? I had no intention of seeing the Treagers, not like this. Perhaps I could have watched from the window as they went about their daily business. Would they have recognised me if they had seen me standing there? What would they have done?
A million expressions contorted their faces in my mind but perhaps it wouldn’t have been any of them because they were dead, too.
“Peaches.” My voice was a brittle thing; locked tears were barbs in my throat. “Peaches, I’m scared.”
Carefully, she buckled her legs slightly and then with a heavy, graceless thump, she was lying beside me, her large head seeking my lap. A laugh escaped me as I stroked her ears, hands coming up black with dust and ash.
“I agree,” I whispered. “Let’s just stay here for a while.”
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Hi MissGangamash,

Mailice back again with a short review!
What was only a teasing by Kaspar in the previous part, has proven itself strongly here. Wally has now finally lost everything that was dear to him and he realises again that it is too late. He clings too much to the past and yet he slowly moves forward.
I see this part in an interesting contrast to your last chapter because here a lot of it feels rather passive and Wally just goes where Peaches leads him and only afterwards, after realising what has happened and imagining what-if scenarios, does it become clear that it is now time to really throw himself into life, even if it means letting go of what he had loved most.
I think this is a good summary of how I would have to describe Wally's life. He hoped too much for something to come and didn't realise that this moment that was to come was already there. He was, as I mentioned, just a shell, a puppet that existed but didn't live. I think you emphasised that especially in the dialogue with the knight, that he is trying to reposition himself and also to present himself.
I find that part more emotional in parts than the point where Mirabelle was executed, although I still find it hard to think about that because Wally is now right there in the breakdown, whereas with Mirabelle, it was all told from a more passive voice.
I think it's a good way to bring the story to a conclusion. You still keep a good pace and manage to surprise the reader again and again and also to bring in emotion.
Have fun writing!
Mailice
Wallace is definitely a case 'not realising what you've got til it's gone' but what I think makes it more sad is that actually what he had was barely the scraps of a relationship with Kaspar, who he really had was Mirabelle and his parents who he didn't treasure as much as he should have.
Hi MissGangamash!
RandomTalks here with a short review!
I am starting to think that you really like inflicting pain on your characters. We just have a single chapter left and I think by this point, we have to simply accept the fact that things are going to end at a tragic point for Wallace. I really can't see where he will go from here or what he is going to do now that the last semblance of the life he used to know is burned to ashes.
Your descriptions in this chapter were harrowing to read. You have painted such a vivid picture of devastation in front of our eyes that I don't think we can unsee it if we tried to. I think what made the descriptions even more haunting for us was Wallace's personal take on the sight of his hometown now lying in shambles. He uses similes and imageries and draws comparisons that make us grieve along with him. Somewhere you described clothes hanging on the windows like they were ghosts reaching out for help. And there was this other scene where you were describing the florist. You used the imagery of 'bloody petals' and it was such a cleverly constructed description that I could see it clearly in mind. I say 'imagery' here, because at times the descriptions did feel a bit poetic to me.
There was another thing I really liked about the way you constructed this entire scene - when Wallace first reached Greymarsh, the destruction of his homeplace was the only thing he could see. You portrayed his disbelief and shock very well. But that aside, I really liked how he simply 'stumbled' upon the blood; how despite it being everywhere, his brain had completely blotted it out amidst all the other destruction. But the moment it registered this obvious sign of violence and bloodshed, it was all he could see. I thought that was a really humane reaction. It was portrayed very realistically and Wallace was suddenly very human and real to me in that moment.
I really liked this part. The fact that you actually explained the nostalgia by showing us a memory made the scene even more sad. Because now Wallace has nothing and truly no one. His best friend is gone. The Treagers are gone. His home is gone. And Kaspar is out of the picture, at least, for now. I liked the fact that you relied on nostalgia to express all that he has lost. I could imagine Wallace, the sad picture of a broken man, staring at his reflection on the water. His claiming that it was better he had gone all these days without seeing his reflection because it protected him from the sad reality of who he was now, struck a chord with me. Wallace is a person who is used to hiding behind facades. But now that he has nothing and no one standing in between to shield him from who he really is, maybe he will finally start to look inside himself and address those parts of him that only he can can fix. He has to face his emotions now, and I feel that it just might be too much for him.
This was another sentence that I think is going to strike a chord with a lot of readers. Actually, there were a lot of moments in this chapter that hit me with great intensity and made me pause a while to collect my thoughts and proceed.
It was also interesting how Wallace simply assumes that the Treagers are dead. I know it is a very big possibility, but he does not know for sure yet. But he talks about their faith with such finality that I wonder if that is just his way of protecting himself from holding any kind of expectations. At least, I hope so, because I really want something good to happen for this character and maybe if he still has the both of them, he won't be completely alone in the aftermath of all this destruction.
This part was not very clear to me. The expression 'swig from my water skin' confused me and I did not really understand what you were trying to say in that part. I feel that if you rephrase that part a little, the sentence might carry the meaning across more clearly. Either way, maybe you can just clarify it for your readers?
That's all!
Keep writing and have a great day!
Until next time!
I do like to write very raw things for my characters to go through, I will admit that. I like delving into the human pysche and really drawing on emotions.
I'm glad you liked all the descriptions and they painted a real picture! I really wanted to get this scene right, because because seeing the destruction really is the final nail in Wallace's coffin. And I'm glad you liked the nostalgia bit. Wallace isn't one to wear his emotions so openly, but it's his thoughts that show his slow deterioration.
Perhaps 'swig' is a british term, I didn't think about that. It just means like taking a quick mouthful of a drink. Like, 'can I have a swig of your water?' just means can I have a sip.
Next chapter's up! One more to go!
Hey! Salis here with a review!!
Is the description of everything in this chapter the best from you I've ever read? Yes, it certainly is. I've never enjoyed chapters with minimal dialogue and minimal story development, but I guess I've never read ones with descriptions as good as what you gave me here. It was like a journey through ruin, death and pain.
Considering there were even sprays of blood, some terrible things must have gone down in Greysmarsh. It's probably for the best Wallace didn't witness them directly, but only the aftermath as that would've been a lot more traumatizing. Not that this wasn't traumatizing enough, especially since lately all he's been able to do is watch helplessly as the things he loves are taken from him. The scale of destruction just feels so much bigger here, though, so maybe that's why it's so impactful.
When I read your announcement that the story's almost over, I couldn't believe it was actually ending, but seeing the state of the town (I'll keep calling it a town as I've grown used to thinking of it that way due to the large number of people that used to lie there) changed my mind. The end is definitely upon us. And I dread as to what that end will be exactly. Hopefully there will be some happiness in it? Even a little? At least for Wallace? I believe he's earned that much, but one never knows.
The torment you're putting the protagonist through reached the next level when he came upon the place where he and Mirabelle used to play as children. As if seeing his hometown brought to ruin wasn't enough, but he needed to remember about another precious thing he had lost recently – his closest friend. How you described the pain he was consumed with when he stopped by the water was of the highest quality as well. It made me wonder how this man is still holding on. Is he even holding on? Or maybe he's just doing things mechanically, driven only by the remains of his soul?
Honestly, if there's more horror awaiting him in the future (which I'd bet is the case), I'd like him to stay with Peaches right where he is for all eternity. But most likely that won't happen as I doubt the story will end at a place like this with the things that follow being an epilogue. Come what may, I'll be by the man's side as he reaches the end of his journey.
Hats off for how you depicted the town again. This can straight-up be a master class in writing descriptions. I only hope I'll be able to describe things as good as you one day as I feel that's one of the things my work is lacking in the most.
Thank you for the great chapter!! I'll be looking forward to the next one!
Ahh thank you so much! I really wanted to get this chapter right and really get across the despair and emptiness within Wallace at this point. The destruction of Greysmarsh is a physical representation of how his whole life has been completely ripped apart.
I'm glad you can sense that the story is coming to an end. I didn't want it to feel like it just randomly stopped. This is definitely the decline after Mirabelle's death. I hope you'll be satisfied with how it wraps up.