‘Remind me why we’re here again?’ asked Jannah, stirring her lemon juice. She sat at the corner of the small Subway restaurant--smaller than the classroom, in fact--with Rachelle and Manisha sitting in front of her.
‘We’re here because I’ve something important to say,’ said Rachelle between bites of chicken tandoori wrap--they all decided to buy that one because it was the cheapest. ‘Also, I’ve been starving since I used my second recess to speak with Zafuan.’ And Subway was her favourite because of the foods they sold. All meats packed in wrappings or breads were her preference.
Manisha was staring at her wrap, considering whether it deserved a bite or not. ‘The food here is expensive.’ This was true since the twelve-ringgits wrap (roughly four US dollars) costed more than Malaysian’s regular foods.
Rachelle rolled her eyes. ‘It's the nearest restaurant from school. We can’t talk at the library, classroom or canteen because there’s no guarantee no one wouldn't eavesdropping our conversation. This Subway is small, we can see the door here. We know who’s in or out.’
Jannah took a slurp and smiled. ‘Well, out with it.’
‘He’s not going to stop, Jannah,’ said Rachelle. She laid her food on the wooden table. If she knew she was going to the Subway today, she would have brought her favourite brown jacket. ‘He wasn’t even ashamed of what he was doing, even when facing a student representative.’
Rachelle, despite her dislike of school in general, was chosen to be one of the many student representatives, part of a student organization that was in charge in handling the orientation for new students as well as considering complaints or suggestions by the rest of them. Unfortunately, she was not like a prefect; she did not have the authority to punish a student when said student did something against the rules. Now that she thought about it, perhaps that was why Zafiq was not afraid of her.
Jannah sighed. ‘Let him be. If you can’t persuade him to stop, and if Dafina doesn’t do anything about him, then there’s nothing we can do. It’s better to focus on more important things.’ She brushed away a strand of hair falling over her forehead. ‘And one of the things happened to me last night.’
Rachelle gasped. ‘What was it? Don’t tell me--was it about the "protective force" that’s done unnatural things to you? I’ve made some research. I think the force is actually a spirit stuck on Earth, unable to pass over until whatever business he or she has here is resolved.’ She paused, then whispered, ‘There’s a ghost clinging to you, Jannah. ’
Manisha snorted.
Rachelle looked at her and Jannah. ‘What? It’s the most likely scenario, isn’t it?’
‘The most absurd one,’ said Manisha, smiling at her.
Jannah joined her. ‘I agree with Manisha. It’s ridiculous.’ She held up her hand to stop Rachelle from saying anything. ‘Just let me tell you guys what happened last night. You know I like writing in my diary at the middle of the night, right?’
Rachelle and Manisha nodded. ‘Yeah, something about you can’t sleep early,’ said Rachelle, looking at Jannah's panda eyes. ‘I’m still wondering how can you go to school early, lacking sleep like that.’
‘That’s not the point,’ said Jannah. ‘When I was writing...’ she trailed, and frowned. Rachelle could see her shake her head slightly before she continued. ‘When I stopped writing, the pencil moved on its own.’
Rachelle was about to spurt the drink in her mouth when she heard that. ‘You’re kidding me!’ said she. ‘Pencil can’t move by it’s own; it’s impossible.’
‘So did the hovering glass, but that didn’t stop it from hovering, did it?’ asked Jannah, raising an eyebrow.
‘Well, yeah... but -’ Rachelle hesitated. ‘I mean, it was funny with the glass, Dafina certainly deserved it, but the pencil moving by its own is just creepy.’ He eyes widened. ‘Are you saying it wrote stuffs on your diary, though? That’s exactly what a stuck-up spirit would do!’
Manisha giggled, but she still did not say anything. She semeed to be content with listening to both of them.
Rachelle continued with her point; her wrap was, unsurprisingly, gone. ‘What did it write to you? It must have given you a message!’ To emphasize, she nodded, hopping for her tone to persuade Jannah and Manisha.
‘Rejected souls...’ Jannah shook her head. ‘I don’t believe in them. When a person dies, he goes to barzakh, a barrier between the physical and spiritual worlds, and waits for his resurrection in qiyamah. There’s no exception.’
‘Well, that’s what Islam says,’ said Rachelle. ‘I personally believe a soul goes to either Heaven or Hell after his death. But what if there is an exception? What if there’s a special case?’
‘The force is not a soul,’ said Jannah, her tone firm. ‘If it is, it wouldn’t reveal itself as a blue light.’
Rachelle opened her mouth in surprise while Manisha froze. ‘What are you talking about?’ asked Rachelle, leaning forward. ‘Are you saying it showed itself to you?’
Jannah nodded. ‘I didn’t believe it, of course, I thought it was a dream.... but when I woke up, I saw my diary on the table, unfinished, and the pencil on the floor. Those two could only happen if the light was real.’
Rachelle frowned, and took a long sip of her Coca Cola. ‘Well, maybe the ghost took light as his or her form...’ she trailed. She shook her head. ‘Or maybe it wasn’t a ghost. I don’t - I don’t know anymore.’ She sighed in surrender. This is still interesting, she thought. She could hear Mum’s voice, demanding her to seek what was real rather than what was fantastical. She mentally shooed it away.
‘What was more interesting,’ said Jannah, ‘was that it talked about helping me. And humankind, I think. I wasn’t sure about that. I freaked out. I went back to bed and forced myself to sleep. I checked for the light, a few minutes later, and it was gone.’
Seeing Jannah’s blushing cheeks, Manisha nodded. ‘Naturally you freaked out.’
‘There’s something wrong with all of this,’ said Rachelle, waving to her food, as if she was talking about it. ‘I saw, Jannah, Manisha, when I talked to Zafiq. I think - I think his eyes turned pitch black for a second.’
‘Full black eyes?’ asked Manisha, her voice dripping scepticism.
Rachelle nodded eagerly. ‘I’m pretty sure I wasn’t hallucinating. Maybe Zafiq’s sudden interest on Jannah has something more to it.’
Jannah finished her drink. ‘How can you know for certain, though? Perhaps it’s a trick of the sunlight.’
Rachelle gritted her teeth. Oh, so if it was Jannah, everything was possible and sure. But if it came to Rachelle herself, everything might be a trick. She could not blame Jannah for being doubtful, however. She was the only one who witnessed it, and she had to prove it. She groaned inwardly. If only Jannah and Manisha were with her at that time, they would also see how Zafiq’s eyes turned creepily emotionless.
She leaned back. ‘I’ll prove it to you guys. Just wait for it.’ She was not going to give up.
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Canary word: Present
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Hello again!
Oooh this one is in the green room! Fixing that 
This chapter is very dialogue-focused. Dialogue is a great tool, but there needs to be things happening outside of dialogue too. I don't think you've fallen into this trap the same way I did in a project of mine, but it's something to be mindful of as you continue to work on this story. Dialogue is a tool, but we also need some action. We need to see the characters (and especially this protagonist) taking action and doing things besides talking. So again, just something I noticed in this chapter and something to be aware of, but I don't think it's a major problem yet 
Okay, I'm very glad that this part of the chapter shows how she breaks this news about the light to her friends. I'm going to get into some specific thoughts about the dialogue and how everything broke down in this chapter, but I have one larger picture thing I wanted to point out to you as well. Someone recently pointed this out to me in one of my novel projects and I agreed completely so now I want to pass it along
Some specific thoughts:
I liked how you introduced the setting here, it was very simple but I can picture it well.
This sounded a bit too formal to me. I can't picture a teenage girl saying this to her teenage friends. I think softening the ending a bit is all you need - "something important to tell you", "something important to talk to you about", "something important to discuss".
Zafuan? Who's that? Did you mean Zafiq or did his name change or am I missing something?
"because of the foods they sold" is implied. If it's her favorite place to eat, I would assume it's because she likes the food
This felt very familiar to the inner monologue at the beginning of the last section when she was debating where to have her conversation with Zafiq. If you condense all of that in the previous section, I think you could get away with having it here. I wouldn't have it in both sections even though this is considerably shorter.
Why? Is it cold or something? Also, right before this quoted section, I would specify who "he" is. As we read on, I know it's about Zafiq, but still specify that they're talking about Zafiq.
I liked that you showed her emotion through this dialogue. You made it clear that she's not being rude or trying to dismiss her friend but she really doesn't think the Zafiq issue is that big of a deal compared to a light coming out of her journal last night
But I picked out this dialogue because I think it entered into that just a bit too formal for teenagers category. Give me some attitude here! Show me her personality! "We need to focus on more important things", or "there are more important things for us to worry about", or "We don't have time to worry about such trivial matters". And same with that second line of dialogue. Show me her. "Something crazy happened to me last night." or "You'll never believe what happened to me last night."
I would like some of her inner monologue and some of her thoughts about Rachelle's idea and showing her processing before she outright says I don't agree with Rachelle's idea.
This is another great time to show her personality. How does she say this? Does she laugh? Roll her eyes? Sigh? Show me more here.
Her wrap? What wrap? Why is it not surprising that it's gone?
Show us this action rather than telling. What is her tone? "She exclaimed" or "She shouted". Or show us the action that would show her tone - "She jumped up, eyes wide" (excitement) or "She furiously nodded" (excitement).
I mentioned this in BL/GL too but I love the little cultural details you add into your stories like this little detail here about their ideas about the afterlife and Islam. I'm a Christian but I wish I knew more about Islam. This was interesting to me
When you showed the scene with the light showing itself, it appeared that she thought it was real. If she thought she was dreaming, I would make that more apparent in the scene that the light comes out through her inner monologue and thoughts.
But she also thought it was a dream. This feels a bit contradictory. Did she check for the light to either confirm or deny to herself whether or not it was a dream?
This sudden switch back to Zafiq was a little jarring to me. The discussion about the light felt a little unfinished and I was confused about why Zafiq needed to be brought back in and what his eyes have to do with anything. If that's an important detail, I would include it earlier during the discussion about Zafiq and then finish out their conversation and processing about this light situation. What happens now? What are they going to do about it? Does Jannah think the light is going to come back? What will she do if it does?
Overall I thought this was a good second part of the chapter and it was a needed conversation to process this light business. I'm ready for the plot to take a step forward and learn about what the purpose of this light is and why it's important that the light is in the story. Looking forward to reading more, and let me know if you have any questions, if something was confusing, or if you want feedback about something I didn't mention!
Hey, thanks for the review! You've been very helpful.
I'm planning for chapter 6 to be told from Manisha's so that readers can know them more (the pattern is that every two chapters are told from Jannah's, while the third would be told by someone else).

Tbh, I'm still figuring out their characters. Rachelle is pretty much the easiest to figure out, because she's similar with Merah, but Jannah and Manisha are very new characters. I'm thinking of Jannah being an adventurer, Manisha being the sensible, professor type. So I need to really know them to know how they act and stuff. Still in the process of knowing.
Oh, and this chapter is told from Rachelle's PoV!
I'll take note on the things you mention. Thanks again!
I totally understand! First drafts are all about getting to know the characters and figuring them out! And it took me a while to notice the change in POV.
You might want to make those switches clear, like at the beginning say "Jannah" or something. But I'm glad the review was helpful! 
Back again! I know I 'liked' it last night, but I needed to go to bed so I didn't review it.
But I like that she grumbles about that - it's in character.
Another pretty good part overall. I enjoyed the discussion about whether or not it was a ghost, although I do think Jannah would have told them that it was a ball of light before the discussion had gone that far.
Also, as far as them not believe Rachelle, well, to be fair, black eyes are a lot more likely to be a trick of the light than a ball of light writing words in a diary.
This feels very much like telling, especially since Rachelle acts as if she already knows that. I think you could reword it as if Jannah is reminding her rather than telling her.
Small things:
We never use "said she." It just sounds weird. Also, it should either be "A pencil can't move on its own" or "Pencils can't move on their own."
"Stuffs" should be "stuff."
Overall, while none of this is inherently, it is all a bit slow and doesn't have a lot of conflict to it besides the superficial lighthearted arguing. Pretty much everything that was talked about in this chapter we already know as readers, and it's not like any of the others offer useful speculation or suggestions about it - so ask yourself, could this scene just be summarized in a paragraph or two without the reader missing anything important? If the answer is yes, then you should either change this scene to a summary or add something to spice it up.
That's all I've got for you this time! I'll come back at some point and review part 4.