Rachelle complained about the Business Study assignments they needed to do. She wrote that she did not understand why the subject needed to be difficult, and that she would not be a businesswoman anyway, or any other job that was related to business. She blamed the Ministry of Education for putting her in Arts. The chosen subjects were frustrating; she hated all of them, especially Business Study. Manisha ended the conversation by saying it was time for them to go sleep, although Jannah suspected she meant differently.
Jannah went to her study table, switched on the light, and grabbed her diary at the edge of the metallic table. It was time.
Today proved itself to be interesting, she wrote, and read it. It did seem a bit formal, but she liked it. Dafina stopping to give the supposedly lethal stares were odd and convenient, as I barely escaped from having my clothes attached to the chair as Manisha warned me there was glue spread at the seat. It was caused by Hairi, a small guy I was sure I had done nothing wrong at. My theory was that Dafina forced him to do this to me (Dafina and I are not in the same class), though I could not figure out what did she threaten him with.
There was a part of me wishing her to fear me instead of loathing me, as I was sure she remembered the last time she tried to touch me, a glass hovered over her head and poured water at it. It seemed to me her suspicion of me being the cause of her seemingly problematic relationship with Zafiq erased whatever fear she should inhibit. Jannah hesitated. But, knowing her, this was not surprising.
She did not want to write any further, seeing the direction of her writing was towards Dafina, or rather, her relationship with the girl. She bit her lips, and realized her worry was unfounded. It was not like someone would read her diary; its existence was entirely for her pleasure to read when she wanted to recall the past. But the reason for its creation itself was ironic to what she was going to write. She did not want to remember her past with Dafina. The pencil laid on the notebook.
And then its butt moved upward as if it was being pulled by an invisible force, making the tip of the pencil pointing to the paper. Jannah’s eyes widened; she froze. Her focus to it was intense; a part of her urged her to jump on her bed and shielded herself with blanket, while the other insisted her to observe, to find out what would this unusual event be. They, like demon and angel, fought each other, until Jannah decided to just watch, and if something bad happened, to run and seek shelter under the thickness of her blanket.
The tip made contact with the paper, creating a black line, and stopping for a moment to made another. It was making words. The letters were badly written, but readable. The tip pressed to make a period, and fell.
Why is it not surprising?
Oh my god, she thought idly. I’m speaking to the dead.
Well, so far, the tip was not pointing at her, which meant she would be safe from being pierced by it for now. What would happen if she played along? Jannah reached for the pencil before holding back her hand. What if that was what the force wanted? To suddenly spun and punctured her hand once it was close enough? But then again, had she not conclude already whatever it was was of protective nature? Curiosity won over doubt as she picked it, and sighed in relief as nothing happened.
She decided it was too time-consuming to ponder whether she should tell the truth or not, and so avoid making up a lie that would waste certainly waste more of her time. I have known her since primary school, she wrote. She was my best friend - she felt a pang of longing - and so, I know her well. She has changed, of course, but some of her personalities remain.
She put the pencil the pencil on the table, and waited expectantly. After a few seconds, the pencil moved by itself - or by outside force - again.
Yes. This is interesting. Can you tell me why you broke up with her? I saw what she did to you in the school. Thank goodness I intervened. The pencil dropped.
Jannah’s eyes widened and focused on the last word. ‘Intervened’. Whatever it was that made the pencil move was the same thing that made the glass pour its water onto Dafina’s head. At least, that was what she inferred from what it wrote. She took the pencil and wrote.
I can’t tell you - it was too painful to write it down - but there is a reason. What I think we need to focus right now is you. What are you? Why are you doing this to me, and how?
The pencil laid on the table a little longer this time, taking a few minutes. Jannah glanced at her clock, and saw it was past eleven. She really could not get to sleep early. Father always mentioned it when they - including Mother - ate dinner. She was reminded to the one she had tonight. Mother was quiet. It had been so since he died. She heard scratches and turned to the paper. The pencil was writing.
I am one of the others who are here to help you. You are in danger. All of you. You need to understand this.
One of the others? Jannah thought. Does this mean there are more? And what does it mean about me being in danger? How was she supposed to understand when she was not given enough context?
Elaborate, she wrote. I am not sure what to make of you, but I know you are not evil. At least, what you have done cannot be deemed so. However, I am not sure I can believe you. You have to prove yourself.
Very well.
A bright blue light appeared on the book, brighter than the study lamp. Jannah squealed and retreated from it, forcing the chair to fall. The light was spherical - it seemed to illuminate a portion of the room. But that was not the point. It was floating.
‘Do you believe me now?’
It speaks, she thought, gulping to the sultry voice. Ya Allah, it speaks. This. This might be a good enough reason to rush under the shelter of her blanket, to shake her head and think this was all dream. This would disappear, be forgotten, when she woke up and went to school. That would be nice - that would be wonderful.
‘You’re not real,’ whispered she, and went slowly to her bedroom, her eyes fixed on the light. She realized she had not finished today’s entry, which she had never done. More proof this was a dream. In a normal circumstance, she would not be satisfied if she did not finish. Once she was on the bedroom, she threw the blanket over herself, and looked at the light. ‘You’re not real.’ She then put the fabric over her head, shutting her eyes tight, her back against the study table, and forced herself to sleep.
She could not, of course.
Her minds were reeling. Had the light gone? Was it - was it behind her, being silent so that when she turned around to check, she would be freaked out to see it still there? What had happened to her mind? This is a dream, she thought firmly. This thing is normal in a dream. Clinging on that, she let her head out of the blanket and looked at the study table.
It was dark. The light was gone. She sighed in relief. It dawned on her the window was still open. She She went hurriedly to it and closed it then went back to the bedroom in the same speedy state. She tried to sleep. Her fear had gone, but her mind was still functioning. It went back through time, to the moments of unusual events, playing them over and over. She could not stop it, and after half an hour, it tired itself, allowing her to sleep.
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Hey again! Sorry about taking a little longer to get to this than previous parts, I'm moving back to uni in a few days so things are quite hectic at the moment!
This scene reminded me of my own project, so I have a soft spot for it. You revealed what's been going on with Jannah at a good time, methinks. If you'd left it much longer, I think I might've become a bit restless. You wrote it well on the whole too, and I felt engaged throughout. Oh, and before I forget, good job on having Jannah note the formal tone of her diary. It makes the whole thing more believable now.
So! This is veeeery exciting stuff, and reminded me hugely of the novel I'm currently writing where my main character can communicate withe the dead, what with Jannah's initial. Both from the reveal of the light, and from what I know of/have read of your previous novel, I know it's not the dead. But still
As for critiques, I think some of Jannah's reactions in this extract could be worked on a little, and just the general mood and atmosphere of the scene. For example, I think this could have benefitted more from increased tension when the pencil started moving by itself. Despite the fact the scene went from Jannah sitting at her desk thinking about the day to her pencil suddenly writing by itself, the mood didn't really change at all. Take this paragraph:
Your sentence structure in this paragraph is much the same as the last, which is what I think is what's making the level of tension seem no different. One thing that always works well to create tension are short sentences, and they're easy. In that paragraph above, your sentences are quite long and monotonous, and so shortening some of them is easily doable.
Sticking to the theme of Jannah's reactions, she didn't seem awfully scared when the pencil started writing by itself, partly because of the reasons highlighted above. When the light appears, she reacts perfectly. She's clearly terrified, and you write her fear really well. I just find it a bit odd that it took her that long to get so scared. If it was me, the second I saw that pencil moving I'd be pretty damn scared. I don't want her to hide under her covers the second something weird happens, but I would like her to find it a bit more shocking initially. At the moment, she sort of just goes hm, okay, I'll just roll with this. I just want more hesitance on Jannah's part, y'know?
Oh, and something really small! Why would this light bother using the pencil and going through the hassle of it all when it can just speak?
Anywho, that's enough of my rambling. As always, let me know if you need me to clarify anything I've said in this review. And be sure to take everything I've said with a pinch of salt!
Keep writing,
xoxo S(k)ins
Hello hello! Back for more!
(Probably just because she was journaling and then the light communicated with her through the journal.) But, I liked it. I thought it was a creative way to bring this light into the story and make it really interactive. Speaking of interactive, I loved how you showed her emotions throughout that entire experience. You did a nice job showing her anxiety and her confusion about the situation and it felt really natural and organic to me. I can imagine if that ever happened to me, I would be freaking out just a bit too :p I thought all of her reactions to what the light was telling her were spot on (like when the light took responsibility for the cup incident). I'm very curious about what else the light has done and why, what the light's responsibilities are and why the light is here, how she's going to tell her friends, etc. And I'm sure all of that will come up in subsequent chapters 
If you feel like you want more help with the grammar or nit-picky English things, just let me know and I'll try to help!

I was wondering when the lights would show up! Overall, I thought this was a well executed part of a chapter. There has been some nice build-up happening up until now with the weird things happening, and I think this is a great place to start to give some answers about what is going on. I really appreciated that you didn't info-dump us with a ton of information on the light and exactly what is going on here. This was enough to answer some preliminary questions but there is still a lot more I want to know.
The discovery of the light kind of reminded me of the 2nd Harry Potter book when Harry used Tom Riddle's diary to discover how Hagrid got expelled
One thing I was wondering as I was reading this, is where and when this occurs in relation to the previous segment of this chapter. We left off with an online conversation. Is she still sitting in her room and did she just sign off? Has some time passed? Where are we right now? I'm missing setting here other than I think she's in her bedroom.
I sort of feel like this part could stand alone as its own chapter. This is a pretty big event that is happening and a pretty pivotal plot point (because I'm assuming this novel is going to center around things regarding the lights like BL/GL). If I remember correctly, there were some important things that happened in the first segment as well. You don't want anything to become overshadowed or forgotten about once this big revelation happens and we meet the light. Length of chapters and how many scenes are included in each chapter are really up to the writer, so you do what feels best to you and what you think will work the best for this story. But, think about what you want the focal point of the chapter to be and make sure that is what's getting the most attention.
There were some little grammar and phrasing issues in this as well, but I see the ladies before me already hit a lot of stuff in that department so I won't go over anything a second time
This was kind of a short review... I hope there was something useful in there! :p I'll be back soon for more, but in the meantime let me know if you have any questions or if something I said was confusing!
Yay for finding out about the lights!
So, I love what you did about how she discovers the light. I just thought it was really cool.
I like how she's keeping a journal, but I do think it's just a little bit too formal. The thing is, your formal writing is quite easy to read, so I don't notice it as much, but it does seem a tiny bit too formal for a personal journal, especially since Jannah doesn't really come across as that sort of exacting person.
It should be "was odd and convenient," but overall the sentence structure is odd enough with using 'as' twice that I would just reword it entirely and/or break it up into multiple sentences.
"Ironic" is not used correctly here. You would want to say something along the lines of "But the reason for its creation was at odds with what she was going to write."
This didn't really fit for me - the reason she didn't finish her diary entry was because she paused, thinking about what to write, and then the light started moving the pencil. Since then, she's been a little preoccupied.
RacheDrache picked out the prepositions thing, and I didn't see much else that was a problem, so I'm going to leave the specifics at that.
Okay, so this is actually something I have as more of a question than an actual critique on your story, especially since Jannah only just found out about the lights. That question is: what about her religion? I'll freely admit I don't know everything about Islam, but I'm fairly certain it doesn't talk about floating lights with telekinesis anywhere. So how are you going to handle it with relation to her faith?
To be honest, as I'm quite religious myself, this is something that's always lurking in the back of my mind with fantastical stories set in our world. And it's something that's almost never really addressed - the characters involved are usually de facto atheist/agnostic or vaguely Christian but don't really care - and I wish it was addressed more. Do you ever think about that when reading books? I just kind of ignore it, because if I don't I get into all sorts of logical conundrums - because x aspect of the world almost certainly means God wouldn't exist as I know Him, that means Christianity wouldn't exist, but it clearly does in the world, which would mean it's a hoax, but I personally don't believe Christianity could be faked... is that something you've ever thought about? (Though, of course, replacing Christianity with Islam.)
Of course, if Jannah never really believed, then I'll guess it won't be something you'll address heavily. But if she did... it would honestly be something I'd love to see play out in a story. And preferably with an ending where she decides to believe anyway, but I know that would heavily depend on her as a character.
(Also, I'm sorry if I offended you in any way - if I did, it's because of ignorance.)
Anyway, hope this is helpful! I'll be back tomorrow to review the next part.
Thanks for the review!
Hmm, I have two people commenting on the diary part. I guess I'll have to make it less formal next time. :'D
Interesting question! Well, for me, it's simply. Magic is forbidden in Islam because it's done with the help of devils and demons (this fact is illustrated by the many cases in which Muslim followers ask for the devil's help to be rich, powerful, etc.) If there is something fantastical made by someone, and it's not done by the influence of demon, we call this someone 'wali', someone who has been given help by Allah Himself (let's go with Himself, since English language is rather specific when it comes to pronounce - Allah has no gender) because of his devotion to Islam. Walis and prophets are two kind of Muslims who have been given help from Allah because of their devotion (prophets is a broad term, by the way; some of them are nabis - plural form of nabi, given to those people who are given guidance for themselves - and some of them are rasuls - plural form of rasul, given to those people who are given guidance for themselves and others, which mean they have to lead others to the right path).
The lights here are neither helps from the demons or Allah. They come from a fictional world I created, and they're more like aliens in the sense that they're not from Earth, and are here only to help mankind to fight their corrupted others. So... Jannah can believe this is some kind of destiny Allah has given her, that she has to adapt with these fantastical creatures to help humanity, because at the end, these lights depend on humans to use their abilities in the maximum).
Interesting! That makes sense about what Jannah will believe. Thanks for the reply.
Lightsong, my friend! 'tis Rache, here to review!
would be "clinging to" in this instance. "Cling on" tends to be for things in the physical world rather than abstracts.I figured out partway through reading this that English isn't your first language. To which I made a massive surprised face because I had no clue! Which is a credit to you and whatever you've done to become so fluent. What "gave you away" (I hate the phrasing of that, as it stigmatizes speakers of additional languages when there should be nothing but celebration for people who learn more than one) initially was the prepositions.
Here and there, you've got some prepositions that worked--they weren't wrong--but they were a little off:
and this one would be "in." That certainly goes for all rooms in a house or building. Possibly any physical space with boundaries. Except not. It'd be on the football field[/i] but in the football stadium. Because you can physically stand on the field? Maybe. #English
And last one before we'll go on to more interesting things:
would be "reminded of." And in this case I don't think I have a rule to generalize.
Anyway, there were some more of those and I could certainly find them if you are interested in them. In general, Googling is probably the best way to test any prepositions you aren't sure of, particularly if it's a preposition attached to a verb. I really hope I haven't bummed you out by pointing them out, either. If I did bum you out, I am so sorry
The only other thing I picked up in terms of You're-Not-A-Native-English-Speaker-And-So-All-The-Haters-Can-Just-SHOVE-OFF was that your writing is fairly formal. At first I was just like, "Oh, this is pretty formal in tone, that's interesting," and then after I saw the prepositions, I realized it might be a product of learning proper English.
The fastest thing you could do to relax your tone a bit (if you so decide) is to use contractions. Instant formality killer, those can't/couldn't/wouldn't/won't/didn't/shouldn'ts and we're/they're/I'm/you'res.
And now onto the important things FOR REALS: story stuff.
I parachuted into this chapter without reading any of the others because of the magic of the Green Room. Nevertheless, I wasn't lost. I liked the subtle politics of the girls at the beginning especially. I almost want more of that, to be in the scene rather than just told about it. Maybe. Don't quote me on that.
I did find Jannah's diary entry a bit convenient, I have to say, and I wonder, was this a way for you to tell the reader various bits of information? Granted, I know some people do explain everything to their journals as if they're outside third parties. But some people also write in their diaries and journals as if the diaries and journals already know what's what.
The American stereotypical mean girl version might read, "OMG you won't believe what Dafina did today, what a jerk. She made Hairi put glue in my chair and I almost got stuck! GRR! Or at least that's my theory. Who knows what she threatened him with."
Anyway, what I mean is that right now, it seems as if Jannah is writing partly at the reader and partly at the diary. I want her writing all at the diary, because if she is aware that I, the reader, am there that's just creepy and breaks the fourth wall and gets into all this postmodern stuff and you probably don't want to go there.
In positive news, I thought her reaction of surprise and curiosity at first and then freakout was realistic and believable.
I wonder what's to come.
This feels like the worst review I've ever written. I hope it was helpful somewhere along the line, deary. Please let me know if you have any questions or if I should just shut up and forever hold my peace or something.
Rache
o: Thanks!
Anyway, yeah, this is kinda an experiment to me, the formalized writing. This novel is a new version of the original one, Bad Lights, Good Lights (you can find the first chapter right at the bottom of the Related Items). BLGL is more informal (it's written in the first PoV, and use all the contractions you mention about). So yeah, the formality is 100% intentional and experimental... and maybe is failing? >.>