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Strawberry Lake

by Cailey


David Francis Johann was terrified of water. That was the first most important thing about him. The second most important thing about David Francis Johann was that he had always dreamed of becoming a hero. After that there were plenty of other things about him, such as his love of strawberries, his dislike of people his age, his fear of death, his fascination with the outdoors, his determination to get what he wanted, and his tendency to go on picnics every Saturday. All this mashed together to form the blue eyed, blonde haired boy who sat on a patch of grass staring at Strawberry Lake on that fateful Saturday morning.

A basket of freshly picked strawberries was now sitting by David´s feet. His shoes were flung off to the side, and he was letting the sun warm his pale skin. Normally, David would be devouring the berries that had already caused his fingers to turn a deep shade of pink, but on this day his gaze was glued to Strawberry Lake. Somewhere in the distance his parents walking along the park, enjoying the morning and each other. David didn't waste much thought on them, for Saturday was his day, and he was going to enjoy it. He reached for a strawberry and lifted it to his mouth, but the whole time he was transfixed by the shimmering lake.

Not many people were lounging about or swimming that day, but one young boy was splashing near the shore. It was this boy who held David´s gaze. Laughing and jumping, the boy seemed oblivious of the fears that came with water. To the boy, the water was a playground and a best friend; to David it was a starving monster waiting for prey. David frowned and dropped the strawberry, getting ready to tell the boy not to wander so far into the lake; it got deeper.

Quite suddenly, the boy was gone. David had seen him running further from the shore with a great shout of enjoyment. Then he was gone. Just like that; swallowed by the water. David was now on his feet, staring at the spot where seconds ago there had been a child. He glanced around, expecting to see worried adults come from some direction or other to help. Instead, no one came. What could have been seconds or hours passed before David started running. His heart beat frantically, and his blood swooshed around his veins like the waves he hated so much. Before long he was closer to Strawberry Lake than he ever had before, but he couldn't stop running. Even with his first most important thing flashing repeatedly before his eyes, he tried to focus on the second most important thing. The boy needed a hero, and only David could be that hero.

Soon, David was standing at the edge of the lake. He was biting his lip so hard that little drops of red stained his lips, and his breath was that of a dying animal. His eyes were wide and terrified and the little waves that touched his feet made him cringe as though he were being burned. In a moment of intense bravery David charged forward, making his way to the exact location of the boy's disappearance. He flung his head under the monster and opened his eyes against the stinging. The flailing body could barely be made out against the water, but David reached a hand and grasped the child's arm.

A short struggle followed, but David was able to stand on his toes to reach the surface and throw himself backwards until he was able to run the last few steps to shore with the boy dragging behind. They both collapsed in a fit of coughing and crying and gasping. At last other people began to arrive, but David could not hear their worry or congratulations. Slowly they led the other boy away; he was shaken but alive and unharmed. A voice managed to get through David's blurred mind, assuring him that he had saved the younger boy, who was safely with his mother.

David closed his eyes against the people and the voices and let two thoughts overcome all else. One: the most important thing about David Francis Johann, he was a hero. Two: the second most important thing about David Francis Johann, he was terrified of water.


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Mon May 28, 2012 3:12 am
fantasywolf wrote a review...



First thing is you should really indent I almost lost interest and the story just doesn't have that... WOBAM!! To it, sure he saved the kid and he was a hero but I just don't really care. You have really good writing but it was just a boring story, I could tell that he was going to save the kid even before it happened and the beginning was just dull. And kind of weird, what does his love for strawberries have to do with anything? And the parent sentence should just be kicked out. I don't really mean to sound harsh and hope you don't think so but still you need to work on it.




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Fri May 25, 2012 1:47 am
Kafkaescence wrote a review...



Your prose in this piece bordered on aggravating.

Let's review. You dedicate the first paragraph to listing David's somewhat dull idiosyncrosies, such as his love of strawberries. Relevance to story: none. Fascination with outdoors. Relevance to story: zilch. Determination to get what he wants. This, I suppose, isn't wholly irrelevant, but it is a trait that should be backed up with context, not left to stand on its own. It carries very little weight without any tangible foundation.

In a short story--especially this, which is somewhat shorter than the norm--it is imperative that one be as economic in phrasing and information as possible, because extraneities do very little besides distract the reader. Unless you revise this to incorporate strawberries as a larger knot in this thread (excuse the clumsy metaphor)--that is, a reinforcement of the ultimate moral, if you will--they must be cut. They do nothing. They sit there and draw wasted attention.

Your character is as bland as they get, really. So was your conflict. I was waiting for some little twist or something in the plot, a creative divergence, say, from the hackneyed path concreted by the first couple paragraphs, but I was disappointed. It may have been mildly clever to at the end refer back to the opening, but it fell far short of what was needed to make this story worthwhile. So there you go: it was cute, and perhaps might pass as a children's story, but it was far from memorable.

To edit, expand this. Please toss the quirky narration, as that only goes so far and grows annoying quickly. Toss the ending, too, as it's the main factor preventing this story from getting anywhere. This scene has the potential to offer something extremely powerful by way of ethics. Don't smother it.

-Kafka of TNT




Cailey says...


Hey, this was pretty harsh, but thanks so much for it anyway. I'll work on it some more, I was writing this for class and one of the things I was working on was, well, keeping it short. Hence why I tried not to expand. But anyway, thanks for reviewing.



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Thu May 24, 2012 7:02 am
HibiscusBlush wrote a review...



That ending made me laugh! He accomplished his goal of becoming a hero but his fear of the water was cemented further into fact….Great stuff. :D I thought it was a great story. The suspenseful build was realistic. It wasn’t too intense but heightened enough to concern me about what would happened next, which I thought fit the style of the story. I got a clear overview of everything; David, lounging on the grass eating strawberries—even the bright, plumpness of the berries in the basket—David's facial expressions, his movements, the color of the water, the environment, absolutely everything! Great, great job!

-"getting ready to tell the boy not to wander so far into the lake; it got deeper."

I thought the line "It got deeper" to be disjointed from the rest of the sentence. At first, I didn't mind it, I thought it looked and sounded quirky actually. Then I rolled it over in my head a couple times and something just didn’t fit to me. Maybe some reworking of the sentence without the semicolon can provide a smoother inlet between the two thoughts. Like, adding "where" in place of the semicolon instead. If you want. =)

-"Somewhere in the distance his parents walking along the park, enjoying the morning and each other. David didn't waste much thought on them,"

the sentence talking about David's parents sounded incomplete as a sentence to me. I think it’s because the word “walking” ends with “i.n.g” followed by another "i.n.g" word. Perhaps, consider changing the word “walking” to “walked” for clarity. Although, the positioning of the entire sentence has me a bit stomped. A proper paragraph expresses a complete thought or idea, and this paragraph seems to be about David, what he’s doing and what he does. So, the sudden shift onto his parents in the middle of it comes out of nowhere, y'know?

Something like this can even work, "David didn't waste much thought on his parents, who were off doing who knows what, who knows where.” Of course, not in those words. :D It’s up to you to make any changes, though.

The way you crafted the very first paragraph blew my mind, it's so cool! The facts of important things about David and then what he likes and doesn’t like, what he’s afraid of, and how he looks; it was all wrapped up in a perfect little package tied with a bow!

It could normally come across as if it’s being told instead of shown, but, I think the way you wrote it having a bit of both gave the story character and made it quirky. It gave deeper meaning about David as a person, who he is and what he prefers. He comes across like he has a strong head on his shoulders and knows what he wants, and he may like things in precise order, not so much in neatness, but "just so" in the right places. If that makes any sense. =)

Ultimately, the story is beautifully written! It was very plentiful in information and description, which I loved, and David Francis Johann's story was so enjoyable I want to read it again.

Mahalo!




Cailey says...


Thanks a ton for your review. Yeah, I reread it and didn't like the line about his parents either. I will work on improving that. :)



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Wed May 23, 2012 7:47 pm
AdamBH wrote a review...



I like this story very much. It's a really cool idea. However, I felt like you explained the themes and spelled them out to the reader rather than allowing them to be revealed through the characters and plot. I also found that some of your descriptions were of things that were of little point to the story such as a the strawberries. So what I suggest you do is you try to rewrite this - treat this draft as a plan, because the ideas in it are excellent. Plan and write a story which will 'show not tell' the message, and see how it goes.

Write on my wall when you've done that because I'd love to read your story then! I like how you have a clear picture of what is happening in the story and you give the reader pictures. That's a really cool technique, but try to make it more emotively focused in order to keep the reader's attention. Maybe it would also be useful to make the story longer and more gradual, for the flow.

Well done! Keep writing! :D




Cailey says...


Thanks, again, it was for a class and I was supposed to keep it short. I was also trying to write more as if I were a younger kid. But I will think about it and work on it and let you know. Thanks for the review.




The roots of education are bitter, but the fruit is sweet.
— Aristotle