Hullo DD...a critique at last, or most of one. ^_^ The tension in this bit is tangible, and is involving enough that I tend to dismiss the idea of critiquing. An irrelevant sidenote to reading.
It was more disbelief than the actual threat they posed that caused Shan to hesitate in the street. To an observer, it wouldn’t have looked like much: a Kasimov walking cold and distant, which they habitually were, straight and collected. A Kasimov looking briefly up, catching a glimpse of a reflection out of the corner of his eye, head coming up as he did a double-take. A Kasimov stopping dead in the street, pulling up short so abruptly that for a moment his coat billowed out in front of him, thrown by the breeze and his momentum. A Kasimov who didn’t run - why would he? An observer would not be able to see what was fifteen yards back, what the Kasimov saw because he was trained to. A casual observer would pay it no mind.
Fragments and repetition here set the dissonant tone. Without the structure, you might have a laundry list--but instead you've got an eerie distance, and the staccato breaks in fragmented foreshadow a certain violence.
It is something to be painstakingly careful on; fragments and the distancing of "...to an obvserver..." come out by an unthoughtful reader as hackjobs. But I don't think anyone will ever have a case against DD for being thoughtless. ^_~
A Kasimov stopping dead in the street, pulling up short so abruptly that for a moment his coat billowed out in front of him, thrown by the breeze and his momentum.
The briefest of suggestions here: Though pulling is perfectly correct, it flows more smoothly than much of the rest. The above is one of the longer sentences--to keep the staccato sharpness, change to 'pulled'?
Five Strazhas on sunny Pershozhen Street that no one saw because no one wanted to see them.
Recalled to mind an ironic contrast to his dreams. ^_^ Here--in no phantom fear--he is in fact being followed, but 'tis on 'sunny Pershozhen...' with plenty of passers-by; and no one notices. Intentional? Apt, either way.
Shan stared at the reflections, the epitome of calm and control as his hands trembled uncontrollably at his belt and he tried to breath. A hand crept up to his chest; he could feel his heartbeat through his shirt, pounding in a rhythmic frenzy under threat of extinction, as if it was going to help somehow.
This chapter manages to be present--rather unpleasantly for a reader who is sympathetic to Shan. ^_~ Shan's distress is painful. And you keep that consistent in the steady referral back to his thoughts and sensation/feeling.
Second sentence in the paragraph above pushes immediacy in length. The ending trails. Perhaps:
A hand crept up to his chest; he could feel his heartbeat through his shirt, pounding in a rhythmic frenzy under threat of extinction, as if it would help [somehow].Maybe even drop 'somehow'--up to you.
In a dream, if you ran they were not encouraged to pursue; if you fell in the street they did not kill you; sunlight came to the rescue. While here it was his enemy, was exhausting, made thinking difficult.
Fragment here - while dramatic - almost misses connecting to the previous thought. A dash (--) might prove more clear, still convey the broken off violence.
They were moving again. A casual shove off the wall and they were walking again, slipping between clumps of pedestrians without so much as a glance at them.
Descriptions of the strazhas--vivid throughout without breaking from Shan's experience. ^_^
Fingers run though the hair once, a curse and the urge to look over his shoulder and around the corner back down the street repressed
Oy, and present tense break for a sentence before back to past. I love the idea of it; but does it draw too much attention to itself? It might make the same impression with less to be bewildered by, were you to leave 'run' --'ran'. To be especially jolting, it could be made its own paragraph. It sits rather between the two at the moment, middle of the paragraph anomaly.
He took out his pistol with shaking fingers and realized that he had removed the clip that morning in Kier. Which was when he lost it completey. And ran.
...Builds to breaking-point, and Shan snaps. Fragments hit the action perfectly. ^_^
(and to be finished soon... my time runs shorter than I thought. !_!)
