The Chair of Wind & Darkness: Draft Two [1-4]: Closed

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... No more chance for haikus...? O.o

(Imp's "quirked eyebrow of vaguely dubious inquiry"... :wink:)
Last edited by Dream Deep on Mon Sep 18, 2006 7:50 pm, edited 6 times in total.




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Oop, just editing Chapter 2 and I was re-reading your crit... Here.

Myth wrote:
Some words were exchanged, some grabbing and shoving occurred before the meth-maratime started to pull back his arm to hit Livny across the face.

...Livny? Damn, Shan thought as he recognized the fair hair, the tall figure, long jacket hanging unimpressively opened and crooked. I took Aeiso for you.


Since the last sentence is a thought, it should be in italics.

Plus, as Livny was introduced 'suddenly' I think you should think about Shan seeing him (from behind, the side?) and thinking the Kasimov was familiar and then realises it was Livny. That's just a thought, cos I was reading and thinking "Where did he come from?"


Yeah... what I was trying to do with that was make the reader remember the flashback scene to Shan's relief. The political officers mention that a 'Kasimov Livny' (whom the reader has not yet met) could have handled the situation. Shan counters by informing them that the Livny was in no state to command. So I guess I wanted it to be something of an Aha! moment, where the reader goes: Livny! Ooh... that guy! That guy from the flashback! ...since here you get to suddenly meet him in the flesh.

Lol, not so much? ^_~
Last edited by Dream Deep on Sun Sep 10, 2006 8:27 pm, edited 1 time in total.




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Well, I got that. :P
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Ah, after re-reading I see your point. Well.. the suggestions there if you decide to change things around at a later stage. =)
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Sure thing, Myth, thanks. ^_^

*gives Myth cookies*
Last edited by Dream Deep on Fri Sep 15, 2006 3:33 pm, edited 1 time in total.




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DD, I might just do a chapter by chapter crit since I literally have no time! OMG I feel soooo guilty in not having critted it yet...and you being the awesomest person you are...*head/desk* I'll get to it....woe is me, geometry let me be!!!!
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Livny seems to be making a sincere effort to make the ritual waste of cigarettes a national event, because he reached up to the kid for another one and smiled at Shan.


Livny seemed to be …

I didn't see much to critique but mind the typos.

I've read C4 and it definately has a lot of action. Since no one else has got to that part yet I'll take a close look and get back to you. All I can say is things are certainly going downhill for Shan.
Last edited by Myth on Wed Sep 13, 2006 9:10 am, edited 1 time in total.
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Soldier: We’ll have the medals sent along after you, they need to be redocumented first so they can write you up temporary papers.


I’m debating whether ‘redocumented’ is a word or not.

Shan stared at the reflections, the epitome of clam and control as his hands trembled uncontrollably at his belt and he tried to breath.


Is that meant to be calm?

A hand crept up to his chest; he could feel his heartbeat through his shirt, pounding in a rythmic frenzy under threat of extinction, as if it was going to help somehow.


... a rhythmic frenzy ...

He was very aware of his coaat, of his stars, so easy to mark, so easy to follow.


Typo: coat

The Strazhas leaned against the corner of tehir building and talked a bit, nonchalantly, never once looking at him.


... the corner of their building ...

The memory of his dream tugged at him in the blistering heat and breeze, like a mockery of his current conditions.


I’m sure it should be ‘condition’ and not the plural ‘conditions’.

Shan tried to imagine the impossible, how many of them he could hold off before the killed him in a deserted street, got him right where they wanted him.


... before they killed him ...

Instead he walked with even measured footsteps, kept his eyes on the windows and his figners clenched around the hilt of his saber.


... his fingers ...

Which was when he lost it competely. And ran.


... lost it completely ...

And he knew that there was no way to win: you stayed where you were, surrendured?


... surrendered ...

He stared wide-eyed at the intersection of alleys ruther down.


... alleys further down.

His fingers blundered off concrete and into thins air as he discovered the end of the wall and its corner.


... into thin air ...

They beat him to it, five pistols snapped up and steel hissed on steel - he had his pistol to the first asassin’s forehead and the fist that held his saber far out from his side was shaking fiercely.


... first assassin's ...

“Empty,” one of them said, sounding amused. Shan flung his saber up but the Strazha, quicker, got his wrist and snapped it around, took his legs out from under him. The impact on the pavement bruised Shan’s cheekbone and for a moment he could almost swear that every one of his teeth had just gone right up through his head.

“You think a Kasimov can stalk Strazhas, yeah?” one of them asked in bemusement and flung a cigarete down in the dust by Shan’s face.


The repetition of ‘one of them’ ruins the flow of the sentence. Try something like: “You think a Kasimov can stalk Strazhas, yeah?” one asked in bemusement and flung a cigarette down in the dust by Shan’s face.

“Put my damn sword down,” Shan told him, the effect somewhat ruined by a strangeld gasp and curse as a boot slammed into his ribs, a voice that made obvious his effort to hold back tears.


... a strangled gasp ...

So there are five Strazhas and two seem to be ‘invisible’. One is talking to Shan, one is holding him down and another takes his sabre. What about the other two? Is Shan able to see/hear them? And try and give the mentioned Strazhas something to identify them like the one with the Peremidian accent.

The Peremidian ignored him. “A Kasimov should know,” he said the difference between Strazhas Elite and Street Strazhas...


And what is the difference? Or are we not told?

his voice started to rise uncontrollably, a shrill whisper: “I can’t fucking breathe...”


His voice started ...

so if you particularly value your hearing, you’re going to want to choose your answer very carefully.”


So if you ...

He tried to wrestle a pistol away from on but a booted foot slammed down on his arm once, twice and again, and then on his hand.


... from one but ...

“Don’t kill him,” the Peremidian told them, as if reminding them of their orders.


How about a exclamation mark there?

When they were done making their point sufficiently, the Peremidian got him by the collar and the arm and halued him outside again just to throw him against the Capital Wall.


... and hauled him ...

The infuriated him for some reason, even more than the beating.


Did you mean to use ‘this’ or ‘that’ instead of ‘the’? : This infuriated him for some reason, even more than the beating / That infuriated him for some reason, even more than the beating.

One of them said, “To such humilities the Kasimovs bend nowadays.” He kicked Shan’s empty pistol toward him, a move which had the intense flavor of mockery.


How about: One added, “To such humilities ...”

Or: “To such ... bend nowadays,” one added.

Training did it finally - he was vunerable, predictable, enemies could come back and find him.


... he was vulnerable ...

He saw his papers abandoned near the corner of a deserted building, fluterring a bit in the hot breeze.


... fluttering a bit ...

People affected not to notice - they didn’t want to see the fallen Kasimov, the bloody, dishevled Kasimov, the dust on the jacket that muted the brilliance of the three silver stars.


... disheveled Kasimov ...

He passed a handful of Kaimovs on their way out of the meth-maritime lecture - the kid stared.


... Kasimovs on their way ...

Shan didn’t look at him, just walked on down Pershozhen with his weapons and flithy stars.


... filthy stars.

Oh, what a way to end. I’m really hooked on The Chair. It was so sad reading that chapter, Shan goes through so much on his own, I mean, being beaten up by FIVE Strazhas!

You might want to shorten the action sentences, make a few choppy. I’ve pointed out the typos and such that I’ve noticed – it’s not a very big problem but it helps to take care of them.

Please write more!
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Argh, the typos... Curse my typing skills! :wink: And thank you very much for pointing them out, they shall be edited directly.

Myth wrote:
“Put my damn sword down,” Shan told him, the effect somewhat ruined by a strangeld gasp and curse as a boot slammed into his ribs, a voice that made obvious his effort to hold back tears.


... a strangled gasp ...

So there are five Strazhas and two seem to be ‘invisible’. One is talking to Shan, one is holding him down and another takes his sabre. What about the other two? Is Shan able to see/hear them? And try and give the mentioned Strazhas something to identify them like the one with the Peremidian accent.


Good idea, that. The seeming non-existance of two of the Strazhas did occur to me writing this, but for some reason I was so convinced that the reader would forget that in the midst of the action that I never took the time to edit it. I'm not sure how I duped myself into this belief. ^_~ I shall try to work a mention of them in... with distinguishing characteristics, if you think it would add. The reason I stopped the indentifying uniqueness at the Peremidian was because I was taking into account Shan's personality and thought process. He's being hunted by Strazhas, he's not really going to notice the differences between them. I put in the Peremidian accent because I wanted a little subtley in there... Shan fought a war in Peremid remember. He still regards these people as the enemy.

But I'll go over it again, if you like. :wink:

Oh, what a way to end. I’m really hooked on The Chair. It was so sad reading that chapter, Shan goes through so much on his own, I mean, being beaten up by FIVE Strazhas!

You might want to shorten the action sentences, make a few choppy. I’ve pointed out the typos and such that I’ve noticed – it’s not a very big problem but it helps to take care of them.

Please write more!


I will indeed. Thanks a million Myth! ^_^
Last edited by Dream Deep on Fri Sep 15, 2006 3:33 pm, edited 1 time in total.




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The seeming non-existance of two of the Strazhas did occur to me writing this, but for some reason I was so convinced that the reader would forget that in the midst of the action that I never took the time to edit it.


I've been known to notice tiny details. :wink: I get why Shan would still hate these people.

Now I just have to wait for more installments of The Chair. If you need anything else looked at PM me and I'll get onto it.
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Thank you Myth, I might just take you up on that offer. ^_~ I really appreciate your crits... heh, now I have to post more so I can drag you back here to point out the mistakes. :wink:

EDITED: the typos...

... still have yet to fix up the actual rewriting, the addition of the mention of the other two Strazhas, namely... ^_^

Chapter 5 to be posted by Monday, hopefully.

EDIT 2:> Make that Tuesday, or quite possibly Wednesday. :? *head/desk*
Last edited by Dream Deep on Thu Sep 14, 2006 6:59 pm, edited 1 time in total.




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Make that... two weeks from now. Promise. ^_^




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Heyla Dreamy,

Shall we begin on my Chair crit, eh? So this is how it works, cause my handwriting is near illegible on these things, instead of scanning it in I am typing it up into the story. Everything that I have to say is in brackets, bold, and dark blue. Also, being that I haven’t read everything everyone else has said on Chair, I probably will repeat something, forgive that.

:D

CL.


Chair of Wind and Darkness

Prologue


The very first Chair of Wind and Darkness was not so very different than the one you might be sitting in now. It was very simple, white wood and wicker, and it stood on four elegantly swooping legs before a desk so that it could spend its quiet days near the window that overlooked the lawn, the stone courtyard and the stately trees outside. [You have an elongated sentence here - I suggest trying not to rush everything into one sentence, or adjusting it so it was not so with maybe comma, semi-colon, colon. Something to think about…]

It sat, in all its years, in a little airy room [The two ‘in’(s) throw me, perhaps - all of its years, in a little, airy room… Oh and you forgot the comma after little; remember when there are two are more descriptors, there should be a comma separating them. It’s something I often miss or forget.] beside a small desk while the gauzy curtains blew in from the window and swept, billowing, against it.

It was such a chair that, looking at it, you could easily see yourself sitting in it, could easily imagine that the book on the desk was yours as it ruffled from page to creamy page, blown into a chaotic flurry by the breeze. [Hmm… something just doesn’t fit, this is my recast: It was such a chair that, looking at it, you could easily see yourself sitting in it; you could easily imagine the book on the desk was yours as it ruffled from page to creamy page, blown into a chaotic flurry by the breeze.] The feeling could arise that all those neat, black-inked, handwritten pages were yours, paragraphs and words that compounded to build personal secrets, dreams, hopes; all the good things in life and all the bad, unhappy things you only lived through by screaming your outrage at the sky - the things you’ve endured and looked back on and understood. [Again, another long winded sentence at the but of a long winded sentence. Recast - The feeling could arise that all those neat, black-inked, handwritten pages were yours; that paragraphs and words compounded to build personal secrets, dreams, hopes - all the good things in life and all the bad, unhappy things you only lived through by screaming your outrage to the sky - these things you’ve endured and looked back on, and understood. And forgiven.]

You could easily imagine that, to see the chair. [I r Confused. You could easily image that, sounds better, not so confusing.] What you could not imagine would be that this plain, serviceable, simple chair [cut down to two adjectives] reigning before an evenly plain [evenly plain?] desk and a single, beautiful book could be the Chair of Wind and Darkness, something that you’ve doubtless known about your entire life. Though likely never by that name. And likely never in that way.

Recap

1. Great prologue here, it brings your reader in, it does exactly what prologues are supposed to do, and it doesn’t introduce a character. Well another than the Chair, that is. *wink*

2. You have some great, flowy language here, but some of it seems scrambled. Make your sentences flowy-er, if that is even a word.

Yours,
CL.
Fraser: Stop stealing the blanket.
[Diefenbaker whines]
Fraser: You're an Arctic Wolf, for God's sake.
(Due South)

Hatter: Do I need a reason to help a pretty girl in a very wet dress? (Alice)

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Looks who’s back… and so soon. You don’t know how lucky you are. ;) Well, here I am again. Hope this helps. If you need any clarification on any of my notes ask away.

Yours,
CL.


Chapter One

In the dream it was raining. Raining was not ordinarily [ordinarily: superfluous word, and it clouds your sentence with a large, tongue-stopper.] a bad state for the weather to be in, but in the downtown sector of the city [I don’t think you need ‘the city’] Barduev, it was an inconvenience which made the Agra-Wazir District particularly challenging to get through - the sunken sidewalks and muddy, flooding [flooding is superfluous because you already describe it as raining, so just - muddy gardens] gardens lay [nix lay] a level below the street. Shan Tefur’s boots and the bottom of his long black jacket were completely soaked as he stood beneath the looming columns of the Provincial Development Building, the only government building on this street and therefore the only one with a raised porch.

He ran thin, [comma here]]white fingers through his dripping, [again comma] dark hair and looked left down the avenue towards the Kier District, [another comma here] and the general direction of his apartment. A glance up the street towards his destination and [you need a transition word here, perhaps - then] he leaned forward a bit to glance up a the stinging misty curtain that wasn’t allowing him to see either. He stepped back a pace on the porch and paced for a moment in the pre-moonlight shadows, drying his hands uselessly on the soaking edge of his coat. [The drying gets me, if you say it’s useless because his coat is soak, then drying is not the right verb, perhaps wringing?]

As he turned once [nix once] he caught a quick glimpse of the guards who had been following him since the Academy Block. They were huddled under the porch roof of some dark [nix dark] house, miserable in water that was up to their ankles in the depressed stonework [another confusing syntax, the in the depressed stonework is the weird part] - five... no, six of them, right there across the street. Still, their presence irritated him, and he sighed, rubbed a hand across the back of his neck and took a step out from under the overhang.

“Strazhas!” he shouted across the street, cupping his hands around his mouth so that the noise carried through the rain.

[new paragraph]The call had an astonishing lack of volume through the downpour but still they heard him. Strazhas were trained to hear in the dark, in the rain. And [And, superfluous.] they had no choice now that he had seen them - they slipped around the corner of their building and disappeared into the alleyway as if they were just a handful of old friends out for a walk in the soaking night. [no need for - in the soaking night. Now, it just seems you are hitting us over the head with the weather.] They were still going to follow him, of course, they were just going to do it a little more discreetly. [Teeheehee, I like Shan already.]

He swore and looked right and left again sharply, up and down the street through the downpour. He ran a and [is that supposed to be hand?] down his dripping face, moving a bit and craning his neck to see down the now empty alley. [These actions seem rushed. Plus the moving a bit throws me. What is moving? Confused. Also Shan seems to do a lot of things involving hands to the face area. :P] It occurred to him that he was wasting time, that at this point getting wet was the least of his worries. [I would split up this sentence: It occurred to him that he was wasting time. At this point getting wet was the least of his worries.] Finally he went to the opposite side of the porch, turned and ran [ran? maybe there is a better word here: dashed, darted, scampered, rushed... towards] for the edge, with the mind to jump far enough so as to get to the area of semi-dryness under the next porch, [another wordy, scrambled phrase; the edge, with the mind to jump as far as the next porch,] sunken though it was. He tripped pushing off the edge [tense shift here - He tripped as he pushed off from the edge…] and landed on a [his rather than a] knee in the wide, soaking street in between, bruising his palms and getting himself thoroughly drenched. He pulled himself up with his long, once fastidious coat tangled around his leg and shin-deep in water, and he kicked the rain-water in an arch of spray towards the main street. [Again another long sentence that needs some clarification.] Shan saw the movement beyond the rain [erm… something can be beyond the rain?] as the inexpertly trained Strazhas dispersed and spread out, waiting for him farther up the avenue, drier than he and, for the moment, under a porch roof. [This also needs a little clarification, the connection between Shan and Strazhas comes off hazy.]



The clock on the mantel piece in the City Director’s office had a miniature pednulum [pendulum?] that swung back and forth, back and forth, tick tock, tick tock, [I’m not sure you need the tick tock, tick tock. Just - …back and forth, back and forth, a rhythmic…] a rythmic [rhythmic?] cheerfullness [ick, I hate -ness words, because they are tongue-stoppers among other things, use only if at last resort, maybe there is something else you can put here.] that seemed out of place in the middle of the night, with the rain pounding down on the city. Shan watched it almost furtively without so much as turning his head, watched it expressionlessly as back and forth it ticked and seconds, minutes, went by. [This sentence is fragmented.] He let his eyes flicker away from it, stared straight ahead at the water-logged window beyond the deserted desk and felt his jaw just barefly [barely?] from the strain of trying to stay absolutely still. He was well aware of the Strazhas over in the doorway, standing just behind him and to his right so he couldn’t quite see them - but their reflections shone clear on the bombarded [? Confusing?] far window. Shan realized he was rubbing his fingers up and down the one slowly drying edge of his jacket where it rested over his knee. He stopped; and after a moment’s consideration he flung in down and away from him to that it draped gracefully down over the edge of the cushioned chair. He sat back, sighing as if he was merely impateint [impatient?] and had not a care in the world. [Too much information - how about - sighing impatient(ly).] His jaw moved again. Still, he did not look at the Strazhas, who were still standing there, quiet breathing in the doorway. Instead, his eyes were drawn inevitably back to the clock, the pendulum that swung itself back and forth so zealously, and in it’s polished glass face he saw himself in the chair, saw the Strazhas over there beyond his shoulder. [Split up sentence - …forth so zealously. In it’s polished glass face he saw…]

He tried to keep his eyes on the time piece, but nervousness got the best of him and when he went to run his fingers back through his hair, he realized that his hand was trembling. He look [looked] at it for a moment as if it was some foreign thing, [comma here] that left unchecked could do him harm - he smiled for the Strazha’s sake, [put ‘and’ here after comma] pretended to be unconcerned and [exchange and for comma] even amused. He clenched and open his hand several times and shook it, but the trembling persisted. It fell down beside him to conceal itself amongst the folds of his jacket and gripped the fabic [fabric?] at his leg tight enough to whiten his hand and keep it from shaking. He pushed his hair back again, this time with his left hand and rested his elbow on the carved arm of the chair. [chair? where did this chair come from? Is it a magic chair? Did Shan summond the chair?] He put his head down and without moving his hand ran his fingers back and forth across his forehead, half to dry his face and half to disguise the fact that we [he?] was wide-eyed, studying the Strazhas in the glass reflection of the clock face.

These were not the Strazhas from the street. Those had been poorly trained, hastily conscripted; they were runners, which was to say that [nix which was to say that] their sole purpose was shadowing people in the streets. They reported on where their targets went and where they came from, and that was the extent of their duties. They were not, as a rule, well-trained to do this. [nixed everything after well-trained] Stealth was normally of little importance most days in busy Barduev, and what stealth was required the more experienced Strazhas could figure out on their own. [Recast: Stealth was of little importance most of the days in busy Barduev; what stealth was required, the more experienced Strazhas could figure out on their own.]

These were Strazhas Elite, the equivalent to military Kasimovs, and yet in amy [many?] ways more dangerous because they killed without discretion, [comma instead of period] without declaration of war. Shan had been a Kasimov, obvious to whoever noticed the slim, dark coat [a coat can be slim?] and the row of three silver stars on the collar. [Had been? That’s interesting….] That fact would not keep a handful of Strazhas Elite from killing him, if they had orders to do so. Especially if they had orders to do so. They had been waiting for him in the hallway, despite the fact that he had used the less frequented steps rather than the side portico. They had followed him up the steps without talking, never making a single noise on the red carpeted stairs. He had know thay [they?] were right there behind him the entire way up to the second floor. He hadn’t looked at them. An hour had gone past and still he had not looked at them. He just sat in his chair [again with the magic chair. Chair, where?] and stared unflinching at the clock, waiting for the Lord Sovereign while his right hand trmebled [trembled] uncontrollably amongst the folds of his damp coat.

There was light in his eyes...

He wished he had caught himself when he had fallen. He hated to fall.

There was light in his eyes...

There was bright glare coming from the window - it slid across the pillow and into his eyes, unwelcome sunlight that had come too early. He turned away from it but the light followed him, illuminated the white wall and made it reflect back. [tense shifting here - …followed him, illuminating the…] Morning - after all, there was no getting around it. [Hmm, not sure the fragment of ‘Morning’ works, perhaps: It was morning after all, there was no getting around it.] And there was light in his eyes. [Nice use of repetition. :D]

He sighed and kicked off the sheet, which somehow through the course of the night had gotten tangled around his leg. [Legs? Or any particular leg?] Stupid sheets. [heheheh] He pushed himself up and sat on the edge of the bed, running his hands through his hair and studying the long, slim [again slim coats?] military coat that lay in a mess on the floor, a black puddle of heavy fabric. The three silver stars on the high collar were just barely [barely, what? barely seen?] from under a carelessly thrown fold, identical points of light in a night sky. Some light from the window slid over it and momentarily illuminated [hmm, you used illuminate in the previous paragraph, maybe another word: illumed, defined? Unless you are drawing a metaphor between the wall and the stars.] them. Beautiful? Yes, he thought, yes it was. [it was? Aren’t there three stars? Wouldn’t it be: yes they were?] But it also stood for something in which he no longer believed, and he was beginning to wonder if through all the innumerable things he had done he had ever once believed it. [Split sentence: …he no longer believed. He was beginning to wonder if through all the innumerable things he had done if he had ever once believed.] The last time he had worn it; when was that? Well, he had worn it last night, but seriously went out and worn it as a uniform, worn it to show everyone who he was, what he stood for? [Sentence polishing: Well, he had worn it last night, but when had he seriously gone out and worn it as a uniform, wore it to show everyone who he was, and what he stood for?] Wearing something because it happened to be available and wearing something because you believed in what it stood for were two different things completely. He shook his head and chose not to think about it; of course he had believed it, so does everyone when they first start something. It’s not a condition of whether or not you go on believing it, [semi colon instead of comma] you begin something and you get used to it. You never sit around debating about it. He wasn’t without purpose to such an extent that he didn’t have better ways to spend his time than to sit here and carry on a one-sided debate about his life.

As if it would matter.

Shan stared at the jacket for a moment longer until it came to him that while he was staring, it was still on the floor. What the hell was he doing reminiscing when his coat was laying in the dust? He got down and picked the jacket up, irritated with himself for being careless enough to let it lie there the whole night, for taking so long to get it off the floor. [Again, rushing here. Take a look at these sentences and recast.] He laid it over the back of a nearby chair, picking a bit of whitish lint off of [nix of] the back with his finger nail, and the thick feel of the cloth brought back the memory of the dream. [hmm, I would have the following as it’s own sentence. The thick feel of cloth brought back the memory of the dream.]

Where had he been going? He couldn’t remember. It was the first coherent dream he had had in a long time, and now he couldn’t remember it. It had been raining, he recalled. Raining in Barduev. God, he wished it would rain. He wished the water would just pour down out of [hmm out of really doesn’t go with down, perhaps - down from the clouds…] the clouds, wash away the dust on the street, in the gardens, in the air. They said that this was the worst drought since the Academy was built, and in his dream it poured. What was the sense in that? No reason, he thought, no sense.

The rain, that brought him back to his coat, which had gotten soaked. [Recast: The rain had brought him back to his coat, which had been soaked.] The coat... ah the coat. Why couldn’t he forget about it? He fingered the silver stars on the collar, sighed, ran his hands over his face and sat back down on the bed. Stars. Three silver stars, the rank of a Kasimov. Three ranks down from a general, at the age of twenty-nine. [Recast: Three ranks down from a general, and at the age of twenty-nine.] Not as if it would matter. No more days of glory and war for him, just commendation from the government - you did well but the military has a better use for officers that aren’t from old money. Sit around and do something interesting. And because you’re a war hero, you get to keep the medals. Because you’re a war hero, you get to keep the coat. [HAHAHAHAHAHA! YES!]

He sighed, rubbed the back of his neck and noticed the pistol that was lying on the bed-side table. Damn. It occurred to him and not for the first time that it was incomprehensibly stupid of him to leave it out like that. He wasn’t an officer anymore; he wasn’t in enemy territory - what was he thinking, that some assassin was going to creep into his apartment in the middle of the night? He removed the clip and threw it in the drawer, irritated with himself and whatever drunken recklessness had prompted him to leave it out in the first place. For the love of God, no one was interested in killing the pointless Kasimov who had been relieved of command. Lovely, he thought, you lose rank and you become paranoid. [*glee*]

He had fought so many battles in heavy, long black. [Uh confused by the heavy, long black…] So many men had saluted him that day they had taken Peremid. And now here he was, waking up too late in an apartment that was too small, dreaming about rain in Barduev and wasting his life away. Three identical starts in the night sky indeed. And here he was sitting down again, back in a circle. [Oooo…]

Disgusted, he got up and turned to go wash up in the cramped bathroom. As he washed his face over the sink, he thought about the falling in the street. He hated so much to fall. He hated more to fall in the street. Everyone could see you in the street. Of course, everyone would be right there, ready to offer help and to get you up and on your way again. Ready to embarrass you. Private falls did not hurt so much. When you fell alone, in your apartment, in a deserted alley, your pride did not fall as hard. You didn’t have to get right up, dust yourself off and pretend it didn’t hurt. You could take your time. You could stay where you were, right where you were, until you could get your shocked muscles to stop hurting. First it would be the knees. Then it would be the arms. Then the legs. And you could put your trust in the ground until you could stand up again. [Magnifico! I love the ending.]

Recap

1. Long sentences! It seems your crutch to have prettyful, long sentences, but your problem is that you have too many of these. The same syntax is being used, try changing up the structure of your sentences to make it more fun. Also many of these long, descriptive sentences are hazy about what is actually going on.

2. The use of the word ‘trembled’. Hah, a crutch word of yours, please for the love of Shan’s hair and hands find another verb. *wink* Another crutch word is ‘sigh’. Shan does a lot of sighing.

3. You know that part in books where it’s just blocks of printed text, and you end up skimming them, or skipping over them because they are full of long, complicated sentences. Yeah, those. (or maybe it’s just me) But that is what I felt some of your paragraphs in Shan’s dream were, skip worthy on the sole purpose of the structure.

4. Well, you have some sentence structure issues, but overall I heart Shan, and lurve your ending.


Until next time,
CL.
Fraser: Stop stealing the blanket.
[Diefenbaker whines]
Fraser: You're an Arctic Wolf, for God's sake.
(Due South)

Hatter: Do I need a reason to help a pretty girl in a very wet dress? (Alice)

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All right, DD, I promised I'd start to crit it, so here's the crit for the introduction! lol My crits are in italics.

The very first Chair of Wind and Darkness was not so very different than the one you might be sitting in now. Nice opening. It draws the reader in immediately, as to [i]why they chair is so special.[/i] It was very simple, white wood and wicker, and it stood on four elegantly swooping legs before a desk so that it could spend its quiet days near the window that overlooked the lawn, the stone courtyard and the stately trees outside.

It sat, in all its years, in a little airy room beside a small desk while the gauzy curtains blew in from the window and swept, billowing, against it.

It was such a chair that, looking at it, you could easily see yourself sitting in it, could easily imagine that the book on the desk was yours as it ruffled from page to creamy page, blown into a chaotic flurry by the breeze. The feeling could arise that all those neat, black-inked, handwritten pages were yours, paragraphs and words that compounded to build personal secrets, dreams, hopes; all the good things in life and all the bad, unhappy things you only lived through by screaming your outrage at the sky - the things you’ve endured and looked back on and understood. That was a long sentence-I'd suggest breaking it down into two, even though the semicolon does help a little. And forgiven.

You could easily imagine that, to see the chair. What you could not imagine would be that this plain, serviceable, simple chair (For some reason, this description seemed really wordy to me. I'd suggest maybe taking out one of the adjectives, preferably serviceable.)reigning before an evenly plain desk and a single, beautiful book could be the Chair of Wind and Darkness, something that you’ve doubtless known about your entire life. Though likely never by that name. And likely never in that way. Loved those last few lines. Compels me to read more! :D


DD, you are such a talented writer it isn't funny. I really had to nitpick for those last few crits. I'll do more when I can. Hey, slow but steady wins the race! Maybe I'll even have the whole thing critted by the time you get back! :D

Wiggy ;)
"I will have to tell you, you have bewitched me body and soul..." --Mr. Darcy, P & P, 2005 movie
"You pierce my soul." --Cpt. Frederick Wentworth

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I was weeping as much for him as her; we do sometimes pity creatures that have none of the feeling either for themselves or others.
— Emily Bronte, Wuthering Heights