Land of Sky, Land of Rain (Chapter Two)

(Quick note: The first chapter can be found here: http://www.youngwriterssociety.com/post124654.html?highlight=#124654

I know it's been awhile since I posted... I really am shy about sharing my work on here, I just don't have much confidence in it. But a friend made me promise to post LoSLoR on YWS so he would start typing his story, and I said okay... so here I am. It is just a first draft, though the books had been finished for about a month now. Getting the typing done is the part that's a drag.)

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{Part II:Straw Windmills and Golden Streets}

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[Interlude One]

“We didn’t make it?”

“No. We had precious little chance anyway. Time was not on our side.”

“So the spell... failed?”

“No. It simply did what it was supposed to do.”

“Then…?”

“Exactly. Subject 13’s power has exceeded our efforts to contain.”

“Do we terminate it?”

“Of course not. That’s the whole point. We’re sending it to Hanora.”

“What? Why?”

“Considering the precedents, they will attack it, and it will strike back in self defense. Hanora grows weary of this war, and citizen unrest is spreading. With the fall of a city, we will be able to keep her fighting spirit up just a little longer… Kagami insists upon at least another year.”

“And so, Subject 13’s power?”

“Overloaded everything, yes. We weren’t able to remove it safely beforehand…”

“And that won’t affect it…?”

“There are chances of a powerful mental imbalance, possibly leading to insanity, but we’ll have to risk it. We got it out very quickly, so chances are slight…as long as it doesn’t find out.”

“So then, now that it has the power, it’s ready?”

“…Yes.”

Chapter Two- Straw Windmills

The first thing I notice is the ground beneath me.

Specifically, the fact that it is softer than concrete, but doesn’t feel all sharp and prickly, the way grass does. Or at least, the way dying, yellow Arizona grass does. For a moment, I just enjoy being there, in the calm and the quiet for a bit. I have a headache; I need to calm down-

But from what?

No, don’t think, don’t think about all that

Why though?

You just shouldn’t, that’s all. Just let me stay here, just let me lay in the soft grass for a little while longer

Grass? But wasn’t I indoors?

I force myself to sit up.

Well, Toto, I guess I’m not in Phoenix anymore.

The weather is calm, faintly warm, like a normal springtime or an Arizona February. Big blue sky, fluffy white clouds, a stretching field of impossibly green grass. It looks like one of those TV ads for vacationing in Ireland.

Okay. So…

How the hell did I get here? The last thing I remember is being in Social Studies, and then…

My memory comes rushing back to me, bringing back the empty room, the walls, the blood… and then nothing, blackness. My mind fights away the memory as if it’s poisonous. I feel a little sick. My head throbs, and I rest it in my hands.

Did I pass out…? I wonder. How did I get here, then? Someone must have… brought me here, I guess. But… how? Why? More importantly, who? The room was empty when I…

Again I get the feeling that I don’t want to think about it, that I should forget as fast as possible and get on my way. I stare at the ground. My first thought is one of faint incomprehension, and underneath that, a sense of rising panic.

I feel like I have to get out of here, like there’s something lying in wait, lurking in the corners of my vision and the shadows on the ground, coming closer and closer from behind me. My heart pounds, and I feel cold, physically cold, but wasn’t it warm here just a second ago…? The cold spreads through my being, piercing me, until I can’t ignore the sense of danger anymore.

I whirl around.

And freeze.

I had expected to see someone (or something) standing behind me, and, if no one, than another stretch of grass and blue sky.

Instead, I am looking at a town.

It is small, and circled by a haphazard wooden fence, exactly like the one around my grandmother’s yard, the kind of fence that is made of only two horizontal beams for each section, nailed between a few vertical posts about two feet high, the kind of fence that couldn’t keep out a blind, polio-infected rabbit, much less bandits or invaders or whatever they think it will save them from. There’s a three-foot gap in the fence, not too far from where I’m standing, through which a dirt road leads to the town. I’m using “town” in the loosest sense possible here, of course. The entrance is flanked with twin windmills, and then the road loops out into a circle that passes eight small houses, a large building that must belong to the mayor or something, and one structure that I suppose could be some sort of general store. I can’t see the possible general store so well because inside the circle (the dirt road is very narrow) is a farm. At least, I think it’s a farm. What they are growing looks like wheat to me, but hey, I’m an Arizona native, think I know how to recognize crops? So, it’s possible that they just suffer from an overwhelming infestation of cattails. Whatever. If it’s an infestation, then they are actually progressing quite well with getting rid of it. If it’s meant to be a crop, then they aren’t doing so good. Most of the field is bare, and the dirt is a sickly yellowish color.

As I scan the village, I notice something else. Far in the corner is a cluster of tall, bushy pine trees. Call me paranoid, whatever, but they look a bit suspicious, like they were put there to hide something. I tilt my head a little, and… oh! I do see something. A grey, stone tower, plain and unadorned, a little shorter than the pine trees, but about 30 or 40 feet in diameter. Weird… why hide that tower? Considering the thatch-and-mud houses on the road, it’s probably the greatest architectural achievement of their civilization.

I glance at a sign set up by the entrance. The signposts are withered and ancient, but the sign itself looks brand new:

Yoake Village

Pop. 72

Huh what? I blink. Then I pinch my arm. It stings. Not a dream, then. There goes my “reading to much weird fantasy” theory…

72 people? That makes the term “village” seem a little overly generous. Some of my classes at Boulder Ridge are bigger than that. Or were bigger than that. Speaking of which, just where is the school? I look around on all sides of me, doing a kind of stupid pirouette. No Boulder Ridge. Not even the slightest signs of civilization, apart from two-corners-and-a-traffic-light-ville over here.

Well, what do I have to lose? A town would probably be the most likely place for figuring out where I am and where I need to go. I take a step forward, and fall flat on my face.

Behold, you all now why I am always picked last in gym. I’m probably the clumsiest person you’ve ever had the misfortune to meet. As evidenced by this, I can trip over thin air, and do so with embarrassing regularity.

I glance over to see if popular legend has come true and I’ve actually become the world’s first person to trip over untied shoelaces. Instead, I realize my foot has caught something on the ground. I roll over, sit up, and, because I’m an idiot, I pick the object up.

It looks like some kind of sword. The scabbard is of a strange iridescent-blue metal, with a silvery looking flower petal design on at either end. I carefully take hold of the handle and draw the blade.

It slips from the scabbard with a satisfying metallic hiss, its bright, pale metal glinting coldly on the late-morning sunlight. The bladed and its hilt are unadorned, but it looks very sharp.

Alright then. This is getting we-ird.

Well, since it hasn’t exploded or started speaking of its own volition or tried to bludgeon me to death yet, I deduce that it’s probably not possessed or booby-trapped in any way, so I don’t put it back down. Hey, maybe one of the townspeople needs it back or something, you never know... and if not, well, hey, it’s a sword, for pity’s sake. I can sell it to the Smithsonian or something.

Well, that’s solved, at least. Now to see if I can get any real answers from the town itself.

* * *

Believe it or not, entering the town / village / smattering of itty-bitty houses isn’t quite as dramatic as all my hesitation made it seem. I simply walk past the big gap between the windmills. (Honestly, why do these people even have a fence?) Once there, I pause to look around again. It doesn’t look all that different from the inside.

“Halt! Someone cries, jumping out from behind the windmill on the left,

“Who goes there?”

I blink. What’s with the corny medieval-English phrases? This guy is dressed funny, too, wearing a gleaming coat of armor. I would rather like to ask why he looks like a cosplayer, but it’s probably not a good idea to bug someone who appears to be a guard, no matter how ridiculous and/or anachronistic he seems.

Wait a minute... guard? Why would a failing farm village need a guard?

“Halt!” he repeats, interrupting my thoughts, “State your name and business!”

Woohoo, it’s the library security guard all over again. Well, can’t hurt to be honest.

“Emma Bering.” I tell him, and... um... I’m lost.”

The guard gives me a decidedly skeptical look.

“Lost.” he repeats.

“Yes,” I say “And I found this town, so..." So far, so true. Which isn't to say anyone's going to believe me.

"Just where did you come from? You're dressed strangely."

No freaking duh. I can't help but think, looking down at my faded secondhand sweatshirt, faded secondhand jeans, and ancient, coming-apart-at-the-soles tennis

shoes. Even my fellow students think I'm "dressed strangely," so this guy who looks like he took a wrong turn heading to the San Diego Comic Convention is certainly not going to think I'm normal-looking.

“You aren’t by any chance, here from Sareil, are you?” he says in an altogether different tone.

You aren’t, by any chance, going to let me answer your first question, are you? But something about the way he says “Sareil,” like it’s a curse word and he just wants to get the saying of it over with and get the taste out of his mouth, makes me think that the correct answer is “no.”

“No, sir.”

“Hm.” is the only answer I can get for that. The guard still looks skeptical. Well. This isn’t going my way at all. I have not idea what I’m going to do if he doesn’t believe my story. My best idea so far has been to point somewhere over his head, yell, “Look, a five-headed man on a donkey!” and run like hell.

“Listen,” I say slowly, “I just need to come into this town and ask for directions. Once I know where to go, I’ll leave right away. So is the interrogation really necessary?”

“We’ve suffered several recent Sareilian attacks.” the guard answers, which is, of course, a totally useless piece of information. Sareil... that was the place he mentioned before, so perhaps they are fighting with this village... over what, though? Half dead crops? Despite my clever and fascinating analysis, none of this is helping me obtain directions, none of this is getting me out of here...

“I can understand that.” I say, as calmly as I can manage at the moment, “but if I were here to break in to your village, wouldn’t I have done that already? I mean, no offense, but you guys aren’t exactly Fort Knox.” I point out the fence that’s low enough to step over, but high enough off the ground to crawl under, with a few of it’s beams rotting or splintering or hanging by a thread. To my surprise, but relief nevertheless, the guard nods and moves aside.

“You have a point.”

Silently thanking the 3rd grade English teacher who refused to let us go a week without writing a persuasive essay, I take a step forward onto the Yellow Dirt Road of Yoake Village.

The mayor’s house looks like my best bet. I’d guess an officially elected leader to be the most educated person in a farming village, after all, though, I’ve certainly been wrong before.

But standing in front of the edifice gives me the feeling that I should have picked somewhere else to start my noble quest. Not that it’s particularly imposing- in fact, it’s really just a two-story version of the other houses, only whitewashed so you can’t tell that the walls were crafted out of mud and cow you-can-guess-what. I just have a bad feeling about it, is all. The little Doom Radar in my head is going ”blipblipblip.” But, hey, it’s the only idea I’ve got, so I knock on the door.

Within a few minutes, it swings open. On the other side is a man dressed in something that again makes me wonder when I stepped into the 1400's.

“Er... sir? I was wondering if you could help me? Y’see, I need directions to a place called ‘Phoenix, Arizona’? I’m kind of lost.”

The door slams in my face. I can hear the sound of running footsteps through the house’s thin outer walls.

Ookay. Something else for my list of “things that don’t make sense today”

I’m about to leave and go find another random townsperson for help when I hear the sound of a clanging bell coming from the house behind me. Some kind of alarm…?

I don’t have time to wonder why this guy even has a method to raise the alarm in this beautiful town of “freaking nowhere,” because at that moment, a lot of people are coming out of the front doors of the cluster of houses.

A lot of people carrying pitchforks.

Great. An angry mob. Just what I need today. And of course, since the layout of the houses is roughly circular, I’m pretty much surrounded, and getting surrounded-er as they close in. From this angle, I can only see one avenue of escape. So of course, I take it without hesitation.

I dart to the left, cutting between the mayor’s wall and the nearest farmer, heading straight for the tower. The mob gets louder all the sudden, and I really can’t tell if that’s because I’m running or because I’m running towards the tower. Ah, well, no time to worry about it. I reach the shade of the trees with the footsteps still heard behind me. I run faster and faster, grabbing hold of the iron ring attached to the tall wooden door, and pulling with all my strength wrench it open. I slip through the crack in the door and give it a shove so that it swings shut fast enough to cut me off from the city of people who for some reason or other, want to kill me.

I don’t get much of a look at this room, though, because someone from the other side looks up in shock and cries, “What are you doing here? Don’t you know about the protective spells? You’ll be killed –“

I can’t hear the rest over the sound of a huge crash directly above us. A small shower of dust, followed by a rather bigger rain of rafter wood and stone, hits the floor with rather louder, more violent crash. I raise my eyes, oh so very slowly, heart thudding, to the roof above. My mouth goes dry as I look up to see, towering directly above me, white scales flashing, powerful wings flapping and sharp teeth snapping, the form of an enormous, serpentine dragon.

Next chapter: topic22468.html

Comments & reviews · 12
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tigs6969
Review

Not really a review just want to say after reading half of the second chapter I actually felt excited to continue and there is only one writer currently who can ever make me feel excited to continue their book and that is Agatha Christie!
As I said when I put my views down on someone elses chapters "This is better than pretty much half the stuff that most crime writers who write like 50 books have ever done as I cant even last long with them" so I say well done and I'm off to read chapter 3 :)
My review is as follows: actually read above cause I have no critisism IMO its fantastic and it makes me glad I randomly stumbled upon this site on google :)

User avatar
Dark Sploosh
Review

Well, now we have something happening to Emma. She's stuck in this medieval style village, wandering around and whatnot. This leads me to something which confused me: Emma is an avid fantasy nerd. She herself is always going on about how it makes her a loser, how much she likes anime (she actually knows what a cosplayer is, just to drive it home), and how she reads too much fantasy fiction. Adding all of that to her sarcastic personality, I would have thought she would have been genre savvy enough to realize what was happening to her fairly quickly. But she's wandering around this village, acting as if she doesn't have a clue. I would think someone as well-versed in fiction as her would, after teleporting to a medieval looking village, finding an ornate sword just lying around, encountering guards who speak in an archaic manner, and hearing such fantastic sounding names for countries or towns or whatever, be quite aware that something very fantastic was happening to her. At least to the point where she wouldn't just ask for directions to Phoenix and expect anyone around her to know what she's talking about.

About the archaic speaking guards: I know you address that the speaking is archaic, but that doesn't stop phrases such as "halt" and "who goes there?" from being really cliche guard-speak. Come up with your own archaic sounding phrases, especially since you're crafting your own fantasy world.

Also, I felt as if the ending was extremely abrupt. Not only do you cover the dragon bursting through the roof and Emma noticing it in just the one paragraph, but Emma doesn't seem to have trouble accepting that it's a dragon. This is what I was talking about earlier: as you were earlier describing her as not being very aware of her fantastic location, it seemed odd that she would immediately think 'dragon'. I would have expected her thinking at least about how she cannot believe what she's seeing. If she realized earlier that she was in some kind of fantasy world, I would have believed this a lot more.

Just one last nitpick: your description of Yoake village is huge. The size of that paragraph was way too big, and the amount of specific info we were given was just too much. You really don't need to say much more than pointing out the windmills, the small number of little homes, a sentence describing their medieval look, and something else about the fields. Your readers will fill in the rest on their own, and it's much more fun for them that way. I know a lot of the length was setup for Emma to have more sarcastic thoughts, but as anyone who's read this far will have understood a while ago that Emma is like that, I think you can sacrifice it here for the sake of conciseness.

This probably looks like I'm being a lot more critical than I was in chapter one, but I don't think it's because this chapter is bad. Actually, I'm invested in this story now, so I've shifted into my super critical mode of reviewing. I'm pointing out every little thing that even slightly bothers me, because otherwise I'm not going to find anything wrong with it. Not only would that lead to a shorter review, but I also wouldn't be being very helpful to you. And that's the entire point, now isn't it?

Good work. Looking forward to reading chapter 3 later.

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ATreeah
Review
ATreeah wrote a review · Thu Feb 26, 2009 3:28 pm

Behold, you all now why I am always picked last in gym.


Add a k to "now

petal design on at either end.


on itat either end


The bladed and


The blade and

User avatar
100xstupid
Review

oh, ohhh, ohhhhhhhhh! This is thrilling! I like the character of Emma, optimistic yet downtrodden at the same time, brilliantly original. I wasn't quite sure, however, that I understood why she decided to walk around with a sword like some kind of killer. And I also wondered how she tripped over it rather than kicked it, perhaps it is pinned down or something. Just a thought, I'm going straight onto the next chapter!

User avatar
scasha
Review
scasha wrote a review · Tue Dec 16, 2008 1:50 pm

Hey again!

Back for my critique number two! Now that school is out I can spend more time reading and writing so I decided to continue with your story.

I've put my general comments under the spoiler tag so it doesn't ruin the story for anyone. The line edits etc. are attached in the document.

[spoiler]Okay, here's the Overall:

What I loved: Your sense of humor! Love the character, she's as sarcastic as ever and I love it! The suspense of the plot itself is great! I loved it!

Stuff to work on:

A double-edged Blade: Okay, like I said above, I loved your sense of humur and your character. But here we have a bit of a problem. In order for you to make her so connected with the readers, you end up doing a lot of telling instead of showing, which hurts the story in general. It can be a bit tedious to read if this one girl is telling us all of this stuff "I feel" "I walk" "I think" kind of thing. It's okay to show us her thoughts and everything, but sometimes, it's hard to keep up with the general story because there is very little showing which brings us to number two.

Show us a Story: Showing versus telling! Showing always wins. It's okay to have some telling sprinkled here and there but if the entire story is made up of huge telling chunks, its hard to keep the reader entertained. I marked some of the places where you should show more than tell but I really think you need to go through the entire thing and really read it out loud. Compare it to other books you've read and try to capture the environment, her feelings, everything without directly telling us what they are.

Weed Stuff Out: I tried to weed out any unnecessary details that you put in but I really think you need to go through the entire thing and ask yourself, "do I really need this detail or this thought or this idea?" Cut pieces of your story out. Make sure everything flows just right, which is a huge thing that all stories need. Flow! Continuance! Try not to cut off the plot are make things abrupt!

[/spoiler]

Good continuation, but I think you can do better. Really go over everything and make this story absolutley epic!!!

Good job, and PM me if you have any questions!

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Dreamworx95
Comment

Ooh I wonder what happens next? Quite frankly, I'm happy someone has finally created a heroic tale with a girl.

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KJ
Review
KJ wrote a review · Mon Jul 28, 2008 2:10 pm

Another good addition. However - yes, there is ALWAYS a however - there were three problems. One, the punctuation. Yes, there is ALWAYS punctuation problems :). You forget quotation marks often, and when someone is speaking you should end with a comma. Two, her reaction to waking up and finding herself in an alien place. Far too mild, to be sure. If it had been me, I'd been freaking out and my heart would have stopped. Three, the "Fort Knox" comment. Would a guard in this seemingly olden-day village even know what that is?

Otherwise, liked it. Nice style of writing, love the MC and her view of things, and the plot is coming along nicely... maybe a bit too fast, but I don't know what to suggest to change that.

Moving on.

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NewWriter
Comment

YAH!!!! I did it again! Yay me! Anyway, on to the real part...




In the Interlude:

Yes.”

I don’t think you need the ellipsis.





In the main chapter:

Or at least, the way dying, yellow Arizona grass does.

Punctuation OCD: just my suggestion.
Or at least the way that the dying yellow Arizona grass does.






For a moment, I just enjoy being there, in the calm and the quiet for a bit.

Only pick one, because they mean the same thing. I prefer “for a moment,” but it’s definitely up to you.




No, don’t think, don’t think about all that.


You just shouldn’t, that’s all. Just let me stay here, just let me lay in the soft grass for a little while longer.

Periods needed at the end.




Well, Toto, I guess I’m not in Phoenix anymore.

Oh! Oh! Oh! Good! Amazingly good! Stupendous, wonderful…**runs out of adjectives and realizes she’s rhapsodizing**




It is small, and circled by a haphazard wooden fence, exactly like the one around my grandmother’s yard, the kind of fence that is made of only two horizontal beams for each section, nailed between a few vertical posts about two feet high, the kind of fence that couldn’t keep out a blind, polio-infected rabbit, much less bandits or invaders or whatever they think it will save them from.

Okay, I think I understand what you’re trying to say, but please, for pity’s sake, don’t say “polio-infected.” Say “lame” or “three-legged” or something like that. “Polio-infected” causes the reader to stop reading and go look up what polio means.




I can’t see the possible general store so well because inside the circle (the dirt road is very narrow) is a farm.

Is the part in the parentheses really necessary? It confuses me. Why is it important that the dirt road is narrow?




Considering the thatch-and-mud houses on the road, it’s probably the greatest architectural achievement of their civilization.

Ha ha.




Huh what? I blink. Then I pinch my arm. It stings. Not a dream, then. There goes my “reading too much weird fantasy” theory…


Not even the slightest signs of civilization, apart from two-corners-and-a-traffic-light-ville over here.

Good.




Behold, you all now why I am always picked last in gym. I’m probably the clumsiest person you’ve ever had the misfortune to meet. As evidenced by this, I can trip over thin air, and do so with embarrassing regularity.
(missing this space-not really important, but I obsess about minutiae)
I glance over to see if popular legend has come true and I’ve actually become the world’s first person to trip over untied shoelaces. Instead, I realize my foot has caught something on the ground. I roll over, sit up, and, because I’m an idiot, I pick the object up.

This is good, but I would reword the last sentence. It’s quite choppy and awkward. Try something like:
I roll over and sit up. Then, because I’m an idiot, I pick the object up.

It might flow better.




The scabbard is made of a strange iridescent-blue metal, with a silvery looking flower petal design 1) on at either end. I carefully take hold of the handle and draw the blade.

It slips from the scabbard with a satisfying metallic hiss, its 2) bright, pale metal glinting coldly on the late-morning sunlight. The blade and its hilt are unadorned, but it looks very sharp.

1) Either do “on it” or cut the “on” completely.
2) Serious nitpick: “pale bright metal” sounds better in my head than “bright, pale metal.”





Hey, maybe one of the townspeople needs it back or something, you never know... and if not, well, hey, it’s a sword, for pity’s sake. I can sell it to the Smithsonian or something.

Only use “hey” once per sentence. I would choose the second one.





“Halt!” someone cries, jumping out from behind the windmill on the left. “Who goes there?”






I would rather like to ask why he looks like a cosplayer, but it’s probably not a good idea to bug someone who appears to be a guard, no matter how ridiculous and/or anachronistic he seems.

NO. Do not use that word. My guess is that it’s a British term, and people might be able to figure out what it means, but it interrupts the flow of your sentence. Use something different.




“Halt!” he repeats, interrupting my thoughts. “State your name and business!”




“Emma Bering,” I tell him. “And... um... I’m lost.”




“Lost,” he repeats.




“Yes,” I say. “And I found this town, so..."




No freaking duh, I can't help but think, looking down at my faded secondhand sweatshirt, faded secondhand jeans, and ancient, coming-apart-at-the-soles tennis shoes.




“You aren’t by any chance[s],[/s] here from Sareil, are you?” he says in an altogether different tone.




I have no idea what I’m going to do if he doesn’t believe my story. My best idea so far has been to point somewhere over his head, yell, “Look, a five-headed man on a donkey!” and run like hell.

Good.




“We’ve suffered several recent Sareilian attacks,” the guard answers, which is[s],[/s] of course[s],[/s] a totally useless piece of information.




“I can understand that,” I say, as calmly as I can manage at the moment, “but if I were here to break in to your village, wouldn’t I have done that already? I mean, no offense, but you guys aren’t exactly Fort Knox.” I point out the fence that’s low enough to step over, but high enough off the ground to crawl under, with a few of its beams rotting or splintering or hanging by a thread.






Silently thanking the 1) 3rd grade English teacher who refused to let us go a week without writing a persuasive essay, I take a step forward onto the 2) Yellow Dirt Road of Yoake Village.

1) Wouldn’t a higher grade be more realistic?
2) Very, very funny and good and excellent etc.




The little Doom Radar in my head is going ”blipblipblip.”

Mwa ha ha.




Y’see, I need directions to a place called ‘Phoenix, Arizona.’ I’m kind of lost.”





I run faster and faster, grabbing hold of the iron ring attached to the tall wooden door, and pulling with all my strength wrench it open. I slip through the crack in the door and give it a shove so that it swings shut fast enough to cut me off from the city of people who, for some reason or other, want to kill me.

Okay. This sentence needs rewording. It just doesn’t make grammatical sense. “I run faster and faster” is all good. But you need to change the predicate. Delete the comma and change the participle (“grabbing”) to “and grab.” Break of the sentence after “door.” Take the remaining part and make it its own sentence, maybe like: “By pulling with all my strength, I manage to wrench the door open.” Or something like that.




I don’t get much of a look at this room, though, because someone from the other side looks up in shock and cries, “What are you doing here? Don’t you know about the protective spells? You’ll be killed—”

If Emma can see well enough to tell that the person looked up, wouldn’t she be able to tell if it’s a boy or a girl or whatever?


Very good. Very good. You have done an excellent job of drawing the reader in and leaving them panting for more. Not a very helpful conclusion, but whatever. ;-)

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NewWriter
Review

Mwa ha ha. I shall be back with another huge critique within a week. (Like the one I did on Chapter 12.) Providing it's huge. If it's not, I shall be back with a medium-sized or small critique within a week. You get the point. See ya!

EDIT: it shall look huge but be small.
EDIT 2: I might not be able to post it until Monday or Tuesday.

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BigBadBear
Review

Again, way to go! This story is rockin me sockins off!

Anywho:

The mayor’s house looks like my best bet. I’d guess an officially elected leader to be the most educated person in a farming village, after all, though, I’ve certainly been wrong before.


How does Emma know that it's the Mayor's house? Does it have a large sign saying, "Here Ye Olde Mayor"

Xd

That was funny!

Another anywho:

Like I stated before in the last chapter, Emma is a great character. She is well developed, and I think that there is only one thing that you can do to make her just a little more... real.

Give her faults. Right now, everything seems to be working smoothly for Emma. She persuaded the guard to let her through. Maybe the guard wouldn't let her go in on her own. Then there would be an excuse for taking her to the Mayor's house.

( I still think the Here Ye Olde Mayor is a good suggestion too!)

Lol

Anyway, great chapter! This is really good. The prelude doesn't make very much sense, but I suppose that's what you wanted.

This is a great story, and I can't wait to read more!

Keep writing!

BBB

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jonny911
Review

The interlude was confusing but interesting, and that's probably how you wanted it.

"reading to much weird fantasy”


make it too much

Overall, it was great, had a Heroes feel to it (I haven't watched that show, but I know It's awesome) Something about it made it not really have the excellence of chapter 1; I don't really know, because it was all pretty awesome!

*claps loudly*

Bravo, very good.



It takes me deciding to write on YWS in the late hours...to realize how many members are most active while I'm unconscious
— RavenAkuma