His sister never came in front of him.
She was always behind him, with the wisps of her white dress hesitantly brushing against the nape of his neck. When they did, the man would uncurl from where he lay limp against the door of his room. For the man knew that she would fade away in an instant, he didn’t glance back. Instead, he was content with attempting to reach back for an embrace, yet feeling the cold nothingness rush through his fingers, as if it had never been there. And he felt his chest dry with the scorching heat of summer.
He hated the summer.
The heat that bounced off of the concrete ground weakened him, and it was always nearly impossible to handle the freezing cold. Every time he lay down on his bed, the icy, choking fingers would find him. So he would tremble, alone in an empty house that rang with the nostalgic whispers of the past.
Then, when he realized that he was dying, he would stumble away from the bed and into the kitchen to fish out a box of liquor from the icebox. After emptying a dozen bottles, he would take a few pills, and stand out in the night among the light of a pack of cigarettes.
It had been a summer day.
On the day, many years ago, too painful to count, the man had been trying to find his sister. His father left his mother’s grave, and was now a person that the man didn’t know. So the man also passed by his father like a stranger, numbly staring off into the blue summer sky, craving someone to lean onto. He had to see his sister.
When he came back to his house, the living room was steamy, heated up with the sunlight coming through the windows. He searched the kitchen, and his sister’s room, and his room. The last place that he had to look into was the bathroom. Yet, his fingers hesitated, freezing. He knew that something would end. Something would leave him. And the something was too cold to touch, stark in the murky heat of the summer.
He fell when he finally opened the door. His back hit the slippery tiles, yet he couldn’t feel it. Breathing faintly, he reached up to wrap his stiff arms around his sister’s legs.
She dangled from the ceiling by a black string. Her legs were blue, with dark veins that popped out like spiderwebs. The man ran a numb hand over her skin. It was cold. It was too cold.
He remembered scratching at the string. The ends of his fingers began to bleed. The feeling didn’t reach his brain. Instead, it seemed to be pouring out of him along with the blood. After a while, he stumbled out of the bathroom for a knife, and managed to cut through the rope.
The hardened body dropped onto the floor like a sack of sand. The man hugged it to his chest, frantically rubbing the blue legs, trying to warm them. “It’s too cold,” he murmured helplessly, “you’re too cold.”
After a while, the man made his way to his room, and sat slumped against a wall, tightly holding the unfolding body of his sister to his chest. For a time, he didn’t move, half conscious. It was where a friend had found him crying.
Now, after years, she wouldn’t let him look at her.
She hung behind him on the hottest summer days, when the man emptied a bottle or a pack, alone, fearing for the icy night that would find him. The alcohol burned his chest, and the smoke covered his eyes. And on some days, he would come to a realization that he needed a rest such as death.
Yet, he feared that maybe, death would be nothingness.
Then the moment that he craved would never come. He had to tell her that everything was fine, that he would love her even if she were a murderer. If he failed to reunite with the only person he could lean upon, he feared that the light would finally disappear, leaving him in the darkness.
The darkness didn’t disturb him. It was what he had been walking in for his entire life. He was only afraid that the darkness would show through his skin, and his sister would shy away from him.
The summer would kill him.
Inside the house in which only he was left, the laughing sunlight beat against the windows and slammed into his lungs. When the sun was up, it was hard to breathe from the heat. Whenever he looked in the mirror, he would see only the shell of a living thing, pale, thin, seeking for comfort that wore the mask of an end.
When it became night, the sly cold found him instead. Not only when he attempted to sleep - wherever he was, the ice would seep into his bones, and when he realized what he was doing, he was opening the liquor bottle, pushing an empty one under the bed along with a couple dead cockroaches.
And on some days, he cried for he had imagined he couldn’t.
Feeling his sister disappear through his fingers, he would weep and sob without tears. Beg for her to come back, just once, so that he’d know he hadn’t been dreaming everything. Promise that he still loved her, so much, so hard, he didn’t think that he was alive anymore.
Then a part of him would wonder if he truly needed light.
Light is useless now, it said. This darkness is what you’re used to. So just walk in it, and simply hope that it will comfort you some day.
His emotions flew like a waterfall.
They erupted all at once. All his life, he had taught himself how to hold back. Not how to take it out. He didn’t know. So he beat his fist into his chest, wondering if the dress was back behind him again, and he just couldn't feel it.
Yet the rock in his heart wouldn’t disappear, or crack.
Save me.
And the summer was giggling, snatching at his hair, clawing at his lungs, telling him that one day, it would kill him. It would strangle him in the day and cut him in the night. Until all his senses died, and pain couldn’t reach him.
Sometimes he knew that she wasn’t hearing anything that he said. She couldn’t. Then his chest would sink so painfully, that he had to beat it until bruises formed and blood beaded. The burning heat was his only company then.
After a while, in the house that had iced over a long time ago, he would wait again for another whisper of the white dress.
One day, the liquor, cigarettes and sleep would all disappear, and he would lie with chattering teeth on his bed. The cold would freeze onto him under the thin covers, whispering for him to await the choking grasp of heat.
And on another day, the heat burning his heart gray, he would die with the parasite of summer.
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Hi there! Let's jump straight into the review.
Just to start, I agree with pretty much everything Firestarter said, especially the passivity. Your story could work in the format it is now, saying what the man "would" do instead of what he is doing, but the main thing it needs to make that work is more emotion right about here:
If you sell this scene, the whole rest of your piece should fall into place. If you can properly convey the utter horror the man felt at his sister's death, if you can make us feel the terrible pain he is going through, then the empty passivity of the rest should work because of the contrast. After having gone through an emotional storm, readers will see the emptiness that remains and be much more horrified than they would be otherwise. This scene should be the most dynamic and detailed of the entire piece.
That's my main advice to you. My other piece of advice is to make the hot vs. cold part of it a bit clearer. I understand why he would hate heat/summer, since that's when his sister died, but I don't quite understand why he is cold and why he can't deal with it. I think I understand what you're trying to say, but somewhere the meaning is being lost.
That's about all I have time for right now. I hoped this helped, and feel free to PM me if you have any questions.
Hi mephistophelesangel,
I'm here as requested. Forewarning: I thought this story has a lot of problems at the moment, so I've been quite tough in this review. Please don't lose heart because of this! I simply want you to end up with the best draft possible for this story. I hope you find that my comments make sense and if you have questions about what I've said, please ask.
This is a poor first line – it is ambiguous and italicised and negative. It is ambiguous because I am unsure what the “came” is referring to – is it movement, are we talking about a placing in a tournament, or something more sexually graphic? It is negative because it would better to simply say “His sister was always behind him.” That removes the “never” and also removes some ambiguity. Ambiguity is not necessarily a bad thing as it can bring mystery, but the lack of context makes the sentence dull irritating. Where are they? Use their surroundings to build a better voice to hook your reader. In fact, I failed to work out where they were throughout several paragraphs.
A bad first line can sour a good piece, because the reader is already put off. You need a better start.
Let’s hear from Stephen King about why opening lines are important:
(from The Atlantic, July 23 2013, available here)
He says it a lot better than I can and his advice you should apply to constructing your next draft!
I disliked the way this is written. I felt like I was held away from the story and never let in properly to experience the man’s feelings. I think this is because it was incredibly passive. The story does not happen in the moment but is constantly described as what the man “would” do on certain days, but we are rarely given an actual day where it actively occurs. The only time the story is active is in the past, somewhat ironically.
Let me give you some examples:
First up: this paragraph is confusing and you do not give the reader much help. “When they did” – when they did what? You haven’t given us an action of what they are doing. Embracing? Cuddling? Or something even more? I have no idea. I’m instantly confused because you have failed to insert a verb to even describe what the man is doing with his sister. Also, who or what is the “it” in “as if it had never been there”? Be careful with your pronouns as I am confused again.
“For the man knew that she would fade away in an instant, he didn’t glance back” is a passive sentence. It’s better worded as “He never glanced back because he knew she would fade in an instant.”
“Instead, he was content with attempting to reach back for an embrace, yet feeling the cold nothingness rush through his fingers, as if it had never been there” is also poorly structured (and worded. I do not know what the “it” in “as if it had never been there” is referring to. The sister?) Better structured like this: “When he resigned himself to reach back for an embrace, he felt a cold nothingness rush through his fingers as if he was grasping at thin air.”
The last line is your best in this example because it actually gives us sensory information about how the man feels.
Here’s another example:
First, I don’t understand how he is at once hot and cold, and this just is not clear. I understand the concrete ground is hot (although why is he near concrete? Is he outside? He was just near a door in his room wasn’t he? There is no context for where is at any point and it is bewildering, apart from then you suddenly talk about a bed. Is his bedroom floor made of concrete?)
Furthermore, are we talking about genuine icy fingers, or metaphorical icy fingers? Whose fingers? Where are the fingers coming from? There is also no need put “of the past” at the end of the first paragraph there because you have already described the whispers as nostalgic, which is by its very nature of the past.
Things like “and it was always nearly” and “every time” and “he would tremble” and “when he realized” and “he would stumble” are so irritatingly passive it started to get on my nerves. Let me rewrite your passage as if it was active and happening in the moment and let me know if you think it is better:
“The summer heat weakened him, so he hid inside his house. But as he lay down on his bed, the icy, choking fingers found him and he trembled. Alone in the empty house he felt suffocated by the nostalgia so he stumbled from the bed and into the kitchen to fish out liquor from the icebox. Only after several bottles mixed with pills and cigarettes could he survive standing outside again.”
To me, that makes more sense and is more powerful as it is active. The man is doing things. We are not being told what he “would” do “every time” and it just reads a lot better. I’ve also clarified where he is a little bit better.
Obviously, this is not my story and I am unsure where he really is or what he is really trying to escape because what I read confused me. But I am trying to give you an example of how else you could voice your writing to give it more punch and impact.
As to the content itself, I found it engaging enough. But I was disappointed in the ending because it gave no resolution. We are presented with a conflict the story goes nowhere. It simply presents what is happening but this is no forward progress or change to the present situation. I therefore found the main character a bit pathetic and useless. I wanted him to ACT and DO SOMETHING to resolve his crisis. But instead I get a character who just passively plods around and the story stagnates because of this. The writing in the story reflected this and I found it just didn’t work for me.
So to sum up:
- Write a stronger first line.
- Avoid confusing sentences and give the reader more context for where your character is and what he is doing.
- Fix the passivity. Make it more active.
- Make the story go somewhere. Think of a beginning, middle, and end. Consider what the character wants. Your story should create CONFLICT, emotionally involve the reader in this CONFLICT, and then build it up into a CLIMAX. And then you should RESOLVE the CONFLICT to end. It does not need to be a happy ending, it can be a tragedy! There can be a negative end to the conflict. But it needs one nonetheless.
Thank you so much! And don't worry about it, I love critiques, and your review is simply amazing
Yeah... I should probably work on this story a lot. Thank you for pointing out a lot of things 