Among Thorned Roses

by inksthewriter

Published September 14, 2025

In Short Stories

I.

"One word. My heart, my soul, my mind; the marrow in my enervated bones; the veins that flood beneath my burning skin; the unlovely breath which fills my aching lungs; with every pace, every reach, every gasp, I am whole in my undoing. This vessel of flesh and severed aspirations bears the unendurable weight of a thousand lives, a thousand souls, and one thousand loves. I am, completely and entirely, what I fulfill; simply, I am what I have accomplished, a mere shadow of human existence; and you, my love, are my everything else. In death, I fall bearing teeth and claws; feral to the end, and even as darkness takes me, we shall never part. My love, my love, my love; truly I shall always be by your side, here, quietly among the roses."

— Laurian, 1400, Of the Ashen Age

It was there, mingling among the blood red blooms and tangles of broad, sturdy vines of dark green, they, gathered and arranged by the benign hand of the earth, were shaped like a stole for the cobbled pavilion. There, two forms lay abreast, bathing in a pool of golden sunlight. One was adorned in silvery, glinting armor, secured tightly across his slowly rising chest, gleaming helm enclosing his fair features; he, of blood and steel; and the other clad in a pale, regal frock, draped with a sable cloak, clasped with gold at the throat, that fell in a billowing cascade upon the stone; she, of rose and star. A wistful quiet had befallen them, captivated into utter silence by the others’ enchanting presence. Though, neither spoke, for fear of bringing forth the reality of their swiftly nearing parting to existence, as if it were, that if they remained motionless, the stillness would simply remain, and time and space would simply cease completely, here in this bewitching place.

Lethargic beams crept leisurely across the broken stone, filtered through brightly colored stained glass in a prismatic luster of red and gold. Solemn effigies, whose faces were jutted and haggard from the cradling hand of countless centuries, rested upon arranged pedestals on grey slippered feet, arms graciously outstretched and discolored fingers curled, covered in a layer of mossy lichen. Their empty eyes were upturned to the arched glass roof above, as if searching faintly for the answer to the questions that fastened their cold, hardened lips to an eternal silence.

Viridescent fronds and dark blade densely ascended the cracked pillars, wrapping around in a tight, crisp embrace, lovely, green faces extending for the heavens, illuminating splendidly in the mid-afternoon light. Arches, broad and high, rose from the ground, humbly lining the fractured steps, which, entwining down, led out of the garden grounds to the gloomy towers of the Palace of Neádaín, and further on, the cragged slopes of Adroxí.

From the roiling clouds that loomed over the sharp cliffs, which protruded like the serrated fangs of a hideous beast, black ash and cinder drifted in a filmy haze in the sweet-smelling breeze. The only unlovely thing in this scene of tender tranquility, and a sinister sign of what was to transpire.

Coal-colored flecks fell upon pale cheek and curls of flaxen hair, a feeble attempt to soil the unveiled beauty of the trembling lady. A gauntlet covered hand reached over, seeking to gently brush the ash from her lip and brow, but was grasped desperately by her own quivering hand, and held to her slender bosom.

The maiden stirred, ‘My dearest,’ the words were uttered breathlessly, slipping past paled lips, tightly twisted, agitation dancing behind undertones of the melodical voice, ‘I cannot—and I fear—shall not, constrain my dread no longer, for my throbbing heart may shatter and bleed upon these very stones, in all my dismay. Swear to me, swear unto the honor for which you hold so dear, unto the faithful blade you carry by your side, whose shining steel hath slain a thousand foes, and swear unto the armor upon your back—Highest forbid any sword pierce its chain!—that truly, truly, you shall return to me, in the end, my love.’

So earnestly were these words expressed, that the knight was compelled to wretchedly gaze into the widened eyes of his beloved, stroking her fair head with a gloved hand. He held his helmeted head to her own, cradling her willowy form against his, and wishing away the battle he was bound, by his own word, to fight in.

‘I can be valiant,’ she mumbled, ‘Oh heavens, knows I can. Through fire and flame, and through darkness and disease, I have held steadfast, fixated before the armies of Neádaín, as a pillar of peace and hope for the sake of our kingdom, if only to see the conquest of all our terrible foes come to pass. In spite of the adversity that seeks to smother everything which is good and pure and beautiful, I shall stay true as long as there is breath in my lungs and blood coursing through my veins. I do not fear death, nor does my own grim demise frighten me, whatever that may be; but, my dearest, there is only one thing for which I dread,’ her eyes darkened, and a shadow passed over her features, ‘your death, oh, that is my greatest fear. Surely, if you are slain upon the battle field, slaughtered in a way too gruesome to imagine, I shall fall to pieces, crumbled to thousands of sharp fragments; and as they prepare to bury us in the weeping, bloom covered knolls of Lerúinn, they shall not recognize my body, and say unto themselves, “Surely this is not the Princess Línnesma, whose figure is so impaired beyond recognition!”’

Letting out a woeful sigh, she squeezed her eyes shut, in a passion, unforbidden tears leaking past her lids, dampening her long lashes. She dried them quickly with the back of her hand, shaking her billowing curls in a bright halo about her cheeks.

The knight caressed her face, admiring her grace even in grief, ‘For sincere love such as ours,’ he said, finally, ‘I do not believe it would end in a hideous death, for even beyond the grave, our souls would at last, find their way back into each other’s arms, long after we are put to rest in a final sleep. No, my lovely, we must take heart, for we would not remain separated ever it may be. While I may yet be destroyed upon the fields of ruin, bound to return to the lands of our ancestors, I would bare my teeth, a gnashing, ugly beast, refusing to be whisked away from this world, and return shortly to your side, ever the haunt, until you, claimed by aging years, shed your vessel of flesh and mortality, ready to come back to me.’

‘You speak as though you do not believe you shall return home alive and well,’ said she, ‘as if your fate has already been decided, and revealed to you, and you wish to console and comfort me before your utter demise!’

‘Nay, my love, the course of my destiny is still yet unknown to me, and I must trust that there is still hope yet, hope for a victory and triumph against the wicked of the world. If it is in my power, I shall sever the head of the beast who has long tormented our lands, allowing s serenity to return to our cobbled walls and forests of towering oaks. Here, I shall swear, upon my honor, upon my sword, and upon the armor on my back—I, Laurian of the Knights of Neádaín, swear to return to you, my heart, my soul, my mind, to you here, among the thorned roses.’

A bugle blared in the distance, calling forth the swift assembly of the soldiers of the Palace of Neádaín, manifesting every ounce of courage and strength it could muster in a lone note. In a single moment, the stillness was broken, shattered like splintered glass, ending the final moments held between two souls so desperately in love. The lady began to weep bitterly into the folds of her cloak, burying her cheeks into the dark fabric.

The knight stood, wrapping his maiden in a tight embrace, smothering her closely to his breast, breathing in the smell of the sweet blooms that lingered on her skin, ‘If I could but remain here, cradling you for all eternity, Línnesma, I could die happily, knowing you were beside me.’

‘Oh, my dearest Laurian,’ she choked, resting her head upon his shoulder, ‘so would I. So would I.’

Another trumpet sounded, graver than the last. The knight reluctantly pulled away, head lowered in distressed agony. He straightened, then, and bowed low, bidding her an ardent final farewell. The lady held a trembling hand to her face, pressed tightly to her lips, curtseying deeply, flourishing her shimmering gown as bright red blossoms rained down from the ruffles.

‘My love, my love, my love,’ he whispered, voice strained, before swiftly turning, and descended down the cracked cobbled steps, as broken as the heart throbbing in his aching chest, leaving the only woman who held his heart captive standing lifeless, alone, among the thorned roses. 

Comments & reviews · 5
User avatar
Tikaya
Review
Tikaya wrote a review Review · Mar 2

Rolled the dice on what to do next and they chose this story =D

It’s a testament to how well it is written, that I had to check if the Laurian quote is really some famous monologue I just don’t know about or not @.@

I think having your first non-italics sentence having “OF broad vines OF dark green” doesn’t start with the best food, sentence-melody-wise. In addition to relying very heavily on adjectives too.

I really like the description of the two figures 😊

Stumbled over this phrasing: “as if it were, that if they remained” Had a hard time deciphering that @.@

That said the long flowery descriptions are definitely not my cup of tea. Lovely and easy-to-understand as they might be 😊

I don’t think the formatting is correct here? “ stirred, ‘My dearest,’ the words”
Shouldn’t it be surrounded by periods not commas? Same with the continuation of her speech.
Her speech is pretty good tho :3

The correct formatting here would be this:

‘I can be valiant,’ she mumbled. ‘Oh heavens, knows I can.
With the second comma being a period 😊

And since the dialogue is a complete sentence, it should be periods here like this:
I dread.' Her eyes darkened, and a shadow passed over her features. ‘Your death,

And it should be “boom-covered” with a dash ^^

In general, you should really look up how to do dialogue formatting. You sometimes to it correctly and sometimes not and that really takes me out of the moment :/
And also this lost little s in this sentence: “allowing s serenity to return”

Over all a story that is tonally consistent :3

User avatar
CH33RYB0MB Review
CH33RYB0MB wrote a review Review · Sep 16, 2025

I loved this, as this being one of my first things read on yws, I think this is wonderful! I loved the use of the older words and the description of the lands around. And I definitely liked how much emotion you were able to convey in such a short story. I would definitely read this if this was a choice of a book or a novella available at a library!

I'm so honored and thrilled that you chose to read my little story and enjoyed it! <33

User avatar
Messenger
Review
Messenger wrote a review Review · Sep 15, 2025

Hi there ink. This is my first time reviewing your work, but the title and genre caught my eye and I was looking for one more piece to review tonight, so here we are.

I have a lot of thoughts on this piece, both things I think you can work on, and some likes and general thoughts. The biggest thing to stick out to me is your refusal to write short sentences xD I am a fan of the semicolon, and wish more people with use them, but in the opening soliloquy you use a ton of them, and this extends to an extent in the rest of the work. It feels intentional, but I am not sure why the decision was made. It feels like no thought can ever breathe because it is attached to things before it and after it.
On the note of this, I think there are way too many sentences that are way too long. I get that this piece of somewhat flowery and very purple prose which is fine since it's a self-contained little thing, but that doesn't make reading it easier. You already have some large paragraphs and big chunks of dialogue, and it makes it hard to keep concentration with how long some sentences are.
I do think a positive is that you kind of hit a classical novel feel, especially in the beginning. This is also true in your dialogue which I think really nails the Old-English faux style that we like to represent older styles, such as what we see in Lord of the Rings. It does a lot to set the tone and vibe and aids with the setting.
The story itself is simple enough: man leaves maiden to slay monster, and I do love the way they profess their undying (or dying as may be the case) love for each other so directly. That again feels classical and avoids the more modern, silent seriousness and head-nodding we sometimes get.
Overall, I like this piece. I commend your command and variety of the English language. Sometimes it feels like you sink a bit too deep into it however, and it takes a while to get to the point of why we are here. I think finding a balance of your style (which I am happy to say is unique in a good way) and yet keeping it smooth enough to understand is the goal here. The setting is cool. The outfits are cool. The italicized names was weird and random though.
I am also unsure why we got the first italic paragraph if it was only to be what the entire rest of the story tells us in a more compelling manner. Was it representing letters from war? Unprofessed love? I'm not sure. But it was a jarring way to start the story that had me debating if I wanted to continue because of how flowery and run-onny the sentences got.
I hope this helps

~Messy

Thank for taking the time to read my story and to write out a review. I shall take what you have said into consideration, and tweak it just a tad so it's a little easier to read :)



Obsessing over what you regret won't get you anywhere.
— Steggy