White Heron {2}

by faunafaun

Published June 4, 2015

In White Heron

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Moving is what affected me. I never stayed anywhere long enough to settle in comfortably. At a young age, the traveler's spirit was ingrained in me.

There weren't 'friends' in the places I lived. Only children I played with on frequent occasions and knew their names.

I never considered myself lonely. I had the expansive imagination and boredom of an only child while we were in the heat of our traveling days. If I had a shovel and a place to dig, I was set. A bonus if I had sticks and a water source at my disposal. Moats for a mud castle. Mud pies. Bury my feet in mud and walk on the sidewalk--pretend I was a swamp creature come from his smelly home to neighboring cities to cause mass destruction and decolonization.

I never had anyone other than my cousins to call friends. They lived in California with our grandmother and mom in the same house. My mom and I always moved there when we were in between houses. I always considered the West to be our "home base." It was always crowded, but homey.

My cousin Carlos was my right-hand man, and we always had great fun together in the backyard and at the park. His brother Antoine had autism, so I was never sure how to play with him. Antoine used the shows he watched to express his emotions, and he repeated certain quotes if his messages were not received by anyone close enough to hear him. Carlos and my aunt Val were very protective of Antoine.

Whenever our mothers agreed to take us to the beach, we were always so excited. 

By the end of those trips, there was always the smell of the sea filling the car. The sand in the seats of our swimsuits were the worst part, but totally worth it. The sun was setting, and the car rides were quiet and lazy. I liked those days.

__________________________________________________________________________________

Our last time living in California, we only stayed for about a month before we left for the colorful climate range of Michigan. 

We met William at the terminal, and I was surprised. I had believed he left like my dad.

He kissed my mom, spun me around and caressed baby David's face. He took us home to his parent's house.

Beatrice was his mother. John was his father. I liked John. Beatrice cussed too much for my liking. John was always using his hands to whittle thick figurines into blocks of wood. He had a collection of carefully crafted people. I told him that he should sell them in a store, he was that good. He said no.

Two weeks of living in that crowded space that housed William's brother (who lived in the basement), his brother's girlfriend (who lived upstairs and had to use oxygen), his parents, and us.

Then John died.

Everyone acted like it didn't happen. Like he wasn't taken to the hospital and couldn't breathe. Like he wasn't turned into ashes. I had never experienced anything close to death before and that it wasn't addressed, confused me to tears.

__________________________________________________________________________________

I made acquaintance with the girlfriend. Her name was Eliza and she had a hamster named Hamtaro after the anime hamster. I liked to hold Hamtaro, and Eliza liked me. She said he had a lot of brothers and sisters. Kind of like I had David, except a whole lot more. She taught me how to draw, and that was something I'd never forget as long as I live. She introduced me to my first real love. The love of feeling and expressing in a way where you don't have to say anything. The way of an artist's hand.

She got tired easily, so I never got to be with her or Hamtaro too long.

__________________________________________________________________________________

We left that house finally. I hated it there. William and my mom rented a new house not too far from his mother's. I had my own room. My own bed. It was freedom.

Comments & reviews · 2
User avatar
Carlito
Review
Carlito wrote a review Review · Jun 19, 2015

And now the next installment :)

Descriptions:
Overall I liked the writing in this part a lot. I thought this was your best use of descriptions so far and I had a stronger sense of what was going on than I have had in previous chapters. I could picture things a lot more (especially the beginning section). I think towards the end your descriptions started to taper off though. Think about the senses. What is your narrator seeing, hearing, smelling, feeling? Paint us a picture. Take us there. Make us feel what your narrator is feeling.

Characterization:
I got a stronger sense of who your MC is here because I got to see how she (this is Marisol right?) interacts with others. That's one of the best ways (if not the best) to help your reader get to know your characters - put them in situations and make them interact with people so your reader can see what they do and how they react.
Towards the end, you started introducing a lot of people and I completely lost track of who everyone was. When you said John died I had no idea who that was or why it should matter. Then you mentioned a girlfriend and her hamster and I had no idea who that was either or why it should matter.
Keep it simple. When you introduce new characters - try to give us something about what they look like or a characteristic about them to make it easier to differentiate. Also, give us some time to get to know each new character before you introduce more - that helps with confusion, too.

The Plot:
I'm still not fully sure how all of this connects or what the plot here is. So far I feel like it's just been Marisol telling us her whole backstory. I want to know more about this girl she met in the introduction. Is that the plot or is telling her life story the plot?
All of this back story stuff, if it's important enough, will come out naturally on it's own as you move through the plot.
Think about who Marisol is, what she wants (what her goal is), what's standing in the way of her getting what she wants (or achieving that goal), and what will happen if she doesn't get what she wants (or achieves that goal). That's the basis of a plot right there. I could go on about story and conflict arc and character arcs (and I'll tell you more if you're interested). I'm just confused about where this story is going.

Technicalities:
Technically your writing and style are good. I think you could have an interesting story here. There's clearly a lot of potential for conflict and stuff within all this family drama and this mysterious girl from the introduction, but I want more action and more direction.

Let me know if you would like me to keep reviewing when you post more! Feel free to PM me or post in my Will Review for Food. And let me know if you have any questions or if anything is confusing :)

Okay. I love you sososo much! Your reviews are fantastic! Thank you so much! Yes! I would love for you to keep reviewing my work! Thank you so much for your good eye!! <3

No problem at all! I'll keep an eye out, but in case I forget feel free to bug me :)

User avatar
Lael
Review
Lael wrote a review Review · Jun 18, 2015

First, I'm not sure how Antoine ties into anything in the story, so that's a little strange.

Second, maybe you should explain why the girl and her mom keep moving around, and why she believed that William had left like her father.

Third, maybe you should express in more detail the feelings that she had about not getting to spend very much time with Eliza, because it seems like she admires or likes her very much. Also, it would be good to add a little more about John, and what the girl liked about him, and why it was so bad that everyone acted like he wasn't ever there. Like maybe he was always really nice to others, or something.

What I liked the best about this work was how you were able to convey the girl's feelings in such a way that it truly felt like a young child telling the story. Good job! ;)



As a former (and rather excellent) liar herself, Aru knew that, sometimes, speaking the truth felt like wrenching a thorn out of your side. But doing the opposite meant pretending it wasn't there. And that made every single step ache. It was no way to live.
— Roshani Chokshi, Aru Shah and the Nectar of Immortality