A drop of blood dripped from his palm, to his keys, to the ground, catching onto a straw of yellow-green grass. The grass was long and stiff, rattling against his shins, and acres of it tumbled across the ground, untethered, wild, finally quelling at the foothills of a mountain range.
The air was crisp and cool, but Brett was too bewildered to shiver. He felt dizzy and feverish, and he staggered around in circles, gaping. Mountains behind him. Setting sun in front of him. Wild grass all around, with not another human being in sight.
What the hell?
Oh, and there was the dog. Don’t forget about the dog.
The dog was staring intently at an invisible spot in the air in front of her, cocking her head at every sound, whining. Her tail, characteristically frantic and playful, merely brushed the tips of the grass. She was waiting for someone.
Brett asked the dog where they were, and she didn’t even bother to look up.
He squeezed the lanyard in his fist, his palm stinging, and he held onto that pain like it was his only shred of sanity. Because surely he was insane. Or surely this was the afterlife, the white dog some sort of angel. But the stinging pain, the confusion, and the soft wind, which ruffled the curtain of black hair draped over his forehead - he felt them like he was conscious and alive. He knew he wasn’t dead. That’s the kind of thing you would be sure of.
The lanyard slipped from his hand and fell onto the ground, piercing the silence that surrounded them with an alien, metallic crash. The dog whipped her head toward the keys, her ears pricked forward like a fox. But evidently she wasn’t interested in them anymore, for in a moment she turned back to the invisible spot and sat down, straw grass poking at her belly, and stared.
He turned around and looked again at the mountain range. He was practically at the foothills - just the length of a few baseball stadiums and he’d be at the terra-cotta rocks, which were scattered among the trees. The mountains looked copper from the spotlight given by the setting sun, and its creases and folds stood out starkly against the indigo sky. From across the endless plains, long shadows were creeping forward, like a flood, the grass swept away into a bitter swathing of darkness as the sun withdrew its graces.
Brett started to wander toward the mountains but ended up sticking close to the dog. He did not like the idea of being alone on this dark, cold, prairie. He hugged himself and turned around in circles, sometimes walking out further in search of a road or something, but always returned to dog. He prayed to be home again. He could still smell the sawdust of the carpentry shop on his clothes.
He missed Matt. They had developed considerable distance over the recent years, but never before had he felt so far away from his twin.
Half of the mountain range now appeared to be blanketed in black. Brett glanced toward the sun again, expecting it to be at the very cusp of the horizon, but saw that still, after so many minutes, it still hovered at the same height. If anything, it had shifted to the side.
If the shadows were moving, the sun was moving, right? Was the sun moving sideways?
Brett didn’t think too hard about it. He didn’t know where he was or what had happened to him or what the deal with the sun was, but he just wanted to be back home.
He felt like a character in one of those fantasy novels that Matt used to read. Those always had a happy ending, right? He wouldn’t know. He was never much of a reader.
As another minute crept by and it got darker the dog grew noticeably more anxious; she would glance toward the shadows, whine, stand up, sit down, growl. Finally, she stood up, glaring at Brett and curling her lips up over her gleaming white teeth, her throat rumbling in a warning growl. Then, with a flick of her tail, she bounded away, following the narrow sliver of sunlight that was left and angling herself toward the mountains.
Brett panicked and immediately followed after her. He glanced behind him as he ran, hoping whom the dog was waiting for would arrive. Even that crazy old woman with the lighter he would welcome. She was probably tied up in this whole thing, anyway.
Brett was scared, lost, confused. He sprinted after the dog, who in turn felt as if she was being pursued and ran faster, harder. She was not the same irresistibly jolly dog who had, not too long ago, made a game of tug of war out of his keys.
Shoot - his keys!
Winded, he stopped. The dog was well ahead of him, reaching the trees, almost out of sight. He looked back. Wherever the keys were now was almost certainly draped in darkness. He watched the giant shadow roll closer and closer to where he was standing, the sun about ready to blink behind the mountains.
Standing there, catching his breath, he heard something. It was coming from the shadows, a hissing, whispering, rattling sound, growing louder and louder, as the straws of grass quivered and trembled in anticipation. It was if the giant shadow on the ground was speaking to him, tantalizing him, laughing at him.
He stepped backwards. He had a bad, bad feeling about this.
The ground trembled. The grass hummed like crickets.
“RUN!” someone screamed, suddenly, from the mountainside.
“Oh God,” Brett said, and he turned, and he ran.
-
A/N: I've been reluctant to write this chapter part because it's hard to accurately demonstrate how confused/lost/scared Brett really is at this point in the novel. How do you think I can work on showing his emotions better?
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Hello, Fea here to review

First: this is amazing. Your writing is well-paced, engaging, and easy to follow. You build the world without an info-dump but without leaving me with a billion questions.
"He was practically at the foothills - just the length of a few baseball stadiums and he’d be at the terra-cotta rocks, which were scattered among the trees. The mountains looked copper from the spotlight given by the setting sun, and its creases and folds stood out starkly against the indigo sky. From across the endless plains, long shadows were creeping forward, like a flood, the grass swept away into a bitter swathing of darkness as the sun withdrew its graces."
This, in particular, is a very good description. You don't use too many adjectives - rather, just enough to produce this imagery without it being too wordy.
"Even that crazy old woman with the lighter he would welcome." This feels a bit clunky to me. Maybe "He would even welcome the crazy old woman with a lighter" or something like that.
"'RUN!' someone screamed, suddenly, from the mountainside." The suddenly broken out of the sentence like that reads oddly to me. Maybe "'RUN!' someone suddenly screamed from the mountainside."
Awesome job!
~ Fea
Thanks a lot, Fea! I like those two recommendations. It makes me happy to know you're reading and enjoying this!
Dunno how good a job I'll do of keeping up but I'll try
I'm so bad at keeping up with novels on YWS so I can sympathize. Luckily for you, I'm a slow writer.
Lol yeah XD
Hey there! MJ back now to review
This might be personal preference, but I think that 'blade' would work better than 'straw' here to describe the grass.I reviewed the first two parts of chapter one, but now I'm back again to get caught up so I can get a few more reviews.
There shouldn't be a comma after 'cold'
As my final note relating to grammar and spelling and all that jazz, you did a lot of telling instead of showing in the beginning. It's a good first step to tell the reader what the MC is feeling, but you should take it beyond that and find a way to show that Brett was dizzy and feverish-- maybe saying "Despite the cool mountain air, Brett felt hot. He put a hand on his forehead, and felt that it was hot. The trees began to spin, and he staggered over to one and caught his balance before sinking to the ground."
The biggest problem I had with this scenario was how calm and in control Brett seemed to be. Personally, if I had been separated from my best friend and left alone in the cold mountains at sunset with only a dog for comfort, I would be screaming at the mountains and slamming my fists against trees and having all sorts of temper tantrums, so I think that Brett should panic a little bit more. He was very collected, almost as if he was having a dream, and I think that made it seem a little unrealistic.
Hopefully my note(s) were helpful, and if you need anything, let me know! I'm on my way to review a couple more chapters today, so hopefully I will get you a few more reviews before the end of tonight. Until next time, good luck with this story and keep writing! I'll be around, so let me know if you have any concerns or questions
Best wishes,
MJ
Yayyy, MJ's back!
Thank you so much. This is really helpful, particularly as I'm not a fan of this chapter part and it needs a lot of work!
Oh look at this, I'm finally coming back for more
I was totally with you until
Up until this point, your descriptions are super on point, really vivid, I get a really good feel for where we are and what he's experiencing and it's all working for me. I was going to quote my favorite parts and just gush for a second, but then it was going to be that whole beginning section so.... :p The tone/style/verbiage everything is just yum.
I got pulled out a little more when he talks about missing Matt. I get why he would miss Matt because they're close and he cares about Matt. What I don't get is why he misses Matt right now. He's been gone from his world for ten seconds. He has much bigger fish to fry right now than missing people. He needs to figure out where he is and what he's going to do and how he's going to get home.
I think the rest didn't work for me as well because the timing felt weird to me. I'm not quite sure :p So they sky is changing and he's noticing the changing sky, but how long does he stand there and take everything in before he starts to move? And the dog just sits there too? I liked that he followed the dog because what else is he supposed to do - he had good logic there. But then everything happens really fast. It gets dark right away and he's following the dog but the dog is going too fast and then oh no my keys and then the dog is gone and then the scary warning at the end. It just didn't have the same lovely feel as the first half for me.
How to show his emotion better? It's hard because this is third so we don't have that automatic advantage of being in his head all the time. I want more of his thoughts. I still want that inner monologue of oh crap. where am i? what's going on? what happened? where's that woman? my head hurts. what's with the sun? and much more interesting thoughts than that? I think if you can somehow show us that inner monologue as he takes in the scenery we'll be able to get a much better sense of how he's feeling.
And you just had to leave us with a cliffhanger so now I have to come back and read more tomorrow
Overall, a good segment to start to get us acquainted with Ordadus and build in all that juicy suspense! I'll leave things there for now, but let me know if you have any questions or if there's something you'd like feedback about that I didn't mention!
Thank you so much Carlito! I feel like this chapter part is generally awkward and I greatly appreciate the advice - internal monologue is a good idea. I agree that the Matt thing is out of place. I wanted to mention him whenever I could because he's important, but it just doesn't fit here. It can wait for a more boring chapter. Thank youuu <3
Hey there Wolfical. Birdman dropping by to help rescue your work from the green room.
I'm just trying to jump into this novel from the middle of nowhere, so hopefully I haven't missed out on too many key plot details. The chapter opens up to some very thick imagery combined with (what I assume is the main character) bleeding in some manner. While I'm enjoying the imagery, it may be half over powering anything else going on, which attributes some to dampening the emotions.
Like gosh these are fabulous but what is going on with how the character is reacting to this crap?
There were parts of this that I laughed at and considering I find something to laugh at in every piece I read, this shouldn't be too surprising. When it go to him asking the dog something, I thought it was going to take a different turn but instead it sounds like the dog actually does answer questions, just couldn't give one. And I will continue to bring these things up as I go along because they're what I like to call peak points. They're places where the reader's interest can be revitalized by something small but powerful.
The next one comes after the note about his twin, how the fantasy novels always had happy endings. This does carry over some of the nervousness of your main character, trying to come up with a similar situation where everything turned out alright. This part went by rather quickly but it is a part of a chapter, so not sure why I didn't see that coming. It's hanging off of a slight cliff, which should provide some interesting discussion for me in the next review.
See you soon then.
Happy review day.
Birdman out.
Thanks for your review, Birdman! I'm glad at you laughed at some parts d:
The dog can't talk, no. Brett's just so hungry for human contact at this point. Thanks for the recommendations!
Hello and happy Review Day!
I thought you did a really good job in this chapter of giving the reader a clear vision of Brett's surroundings as well as what he's thinking or feeling in relation to them, eg the way he's confused at the sun, and how he tries to talk to the dog since there's no one else there to talk to, and the way he's thinking out the woman's involvement and becoming more sure about it. You say you want to show his emotions better, and my suggestion for that would be too maybe not have him just stand there waiting so long but moving around sooner and trying to figure out what's going on, or being afraid to move lest he lose sight of the dog. He's just kind of chilling comfortably at the beginning, taking everything in, and I feel like someone who was really stressed or confused would either be frozen still or would be rushing around, even if it was about as effective as pacing in helping him get anywhere.
When you're describing things, you can rely a bit too heavily on adjectives, especially in pairs eg "the grass was long and stiff", "the air was crisp and cool", "he felt dizzy and feverish".
"He knew he wasn't dead. That's the kind of thing you can be sure of." is a really funny part; it's just the sort of dry humor this scene needs and it's really well delivered.
I'm not sure tantalizing is quite the right word for what the giant shadow is doing. Tantalizing usually has connotations of being teased with something that you want, and I feel like what's happening to Brett is a more general teasing.
I really enjoyed this piece. The descriptions were really well done, the conflict was really well established and was infused in every paragraph so that the reader constantly felt the tension of how lost Brett was in the foreign surroundings, and the writing feels really professional and like you've put a lot of thought into the images. I hope this review helps, and can't wait to read the rest of the chapter!
-tgirly
Danggg, this is really good advice. Thank you so much for reading and reviewing!
I don't know why I went with tantalizing because I remember thinking the same thing. I must have been tired. d: