16+ Language

Eight Reasons Why I Kissed Hayden Beaufort (Part 5/8)

Warning: This work has been rated 16+ for language.

#5: THE DIFFERENCE BETWEEN PHOTOS AND REALITY

“Ah, Liv, there you are!” I whirled around to see Freddie standing near me once more, his expression, as always, unreadable.

“There I am? I asked, glowering with what I hoped was a suitably lethal amount of disdain. “I’ve moved all of two centimetres. You’re the one who wandered off.”

“Yeah, but, you’d turned around, and you’re hard to recognise from behind. Your fringe is, like, your defining feature, or whatever, and makes you easy to spot, and, well, yeah.” Freddie furrowed his brows, as though he was trying to work out where exactly he’d lost track of his sentence.

I blew said fringe out of my eyes in frustration. I was teetering on the line between being pissed off, and full-blown exasperation. “Freddie, are you drunk or what?”

“Nah,” Freddie replied, but didn’t elaborate, leaving me less than convinced. His eyes suddenly focused – so sharply that his features all seemed to realign. His bemused expression was replaced by a cunning smirk. “Who was that guy you were talking to?”

It then occurred to me that I hadn’t found out the name of the boy with the almost-orange eyes. I swivelled to see if he was still standing beside me, but his leather-jacketed self had vanished, the spot where he had been standing already filled up by other partygoers.

“I don’t know,” I said truthfully. I felt strangely untethered by the discovery of his absence. “I have no idea.”

Freddie gave a low, mocking whistle. “Weren’t about to put what we talked about into action, where you Liv?”

“No, Freddie, I was not planning on kissing that boy.”

“Sure.” Freddie nodded slowly, one eyebrow raised sceptically.

I narrowed my eyes at him. Rationally, I knew that all Freddie was doing was demonstrating his knack for pushing people’s buttons, but I couldn’t help but snap, “Could you not be a total prick for five seconds?”

“Possibly,” Freddie said with a shrug. I exhaled through my teeth and pulled my gaze away from him. Partially, this was to make sure that I didn’t bite his head off – I knew there was nothing I could say that would hurt Freddie’s feelings, but making a scene was hardly high on my list of priorities for the night. But as I did so, I realised that I was simultaneously searching for him. I wished that I’d asked him his name. But in that brief conversation, it hadn’t even occurred to me. Somehow, who he was hadn’t seemed important, not at the time.

I felt a bit ridiculous. I’d spoken to him for a few minutes – not long enough to give a rat’s arse about him, I told myself. Freddie continued to look at me expectantly, so finally, finally, I did what I should have done when I’d first laid eyes on him tonight.

“Screw you, Freddie,” I said, “Why’d you friggin’ call me if you had no intention of leaving? Is messing with me how you get your kicks?”

“No,” he replied, sobering, a hint of anger in his frown, “It’s not that.”

“And all that talk about hooking up with people? You thought I’d like that?” When he didn’t reply, I continued, “I’m going home. If you want to come, follow me, but if you’d rather not you can find your own way home.”

I pushed my way out of the room. Behind me, Trifecta finished up another song with a loud drum fill, and I almost wanted to stay and listen – to recapture the magic of their first song. But I didn’t let my pace slow until I was off the property and halfway down the street, when I turned around to see if Freddie was coming with me.

He was walking slowly, hands in his pockets. When he reached me, he pursed his lips thoughtfully, then grimaced. “Hate for you to come all this way for no reason,” he muttered.

“Fine,” I said. I turned around and continued down the street, and we walked the rest of the way to the bus stop in silence.

* * *

By the time I reached my front gate, it was almost ten o’clock and dark. The driveway was empty, which meant my parents weren’t home yet. I let myself breathe out a sigh of relief as I hurried up the garden path to the front door. As I turned the handle, I remembered telling Eugene to lock the door on his way out. As irresponsible as he could be, it wasn’t like Eugene to leave without locking the door behind him, but the door swung open as I pushed it.

Walking into the hallway, I frowned. Ahead of me, I could see that the light in my bedroom was still switched on. When he was thirteen, Eugene had gone through a phase where he’d been fixated on saving the environment, and ever since he’d been totally anal about turning off the lights when he left a room. My frown deepened, amplified by a sense of uneasiness that added to my already edgy mood.

I peered into my room. I rapped my knuckles against the door frame and hung my head, relieved, when I saw Eugene huddled on one corner of my bed, his head resting against the wall. From the sound of his steady breathing, I could tell he was asleep. I crossed the room, dumping my bag at the foot of my bed and knelt on the mattress, next to him.

“Nmmph,” he grumbled as I shook him awake. He stared at me hazily for a moment, still looking half-asleep.

“Wake up,” I said. My voice felt strangely loud. After having to shout to be heard over the music at the party, speaking in the hush of my empty house was off-putting – especially since I was still keyed up from being annoyed with Freddie, and talking to the boy with the orange eyes, and listening to Trifecta.

“You’re back,” Eugene said, blinking. “I wanted to stay, make sure you got home alright. Guess I fell asleep.”

“You guess right.” I gave him a small smile.

“Freddie get home before pumpkin time?” Eugene asked. His tone of voice made him sound as though he was asking because it was obligatory, not because he’d really been wondering.

“Yeah, didn’t even lose a shoe.” I shifted position, already feeling one of my legs fall asleep. “The thing is, I don’t get why he called me, of all people. Surely someone there could’ve given him a lift.”

“He didn’t say anything, then?”

“Nothing constructive.”

Eugene nodded slowly, hugging his legs to his chest and resting his chin on his knees. He looked straight ahead at the mural of photos I’d put up there. I adjusted myself so that I was following his gaze.

A good fifty per cent of the photos were of the pair of us – a few from when we were little, a few awkward pre-pubescent photos and stacks of recent pictures. I looked at them every day, but this time, my gaze lingered on a picture of Eugene and me from the end of last year. Theo’d taken it on his phone, so the quality was pretty crappy, but it was one of my favourite photos. My face was half cut-off, , so the focus of the photo was Eugene. He had an ecstatic smile on his face – a look of completely unrestrained, giddy delight. He was alight with happiness and exhilaration, his hair as unruly as ever, and his arm slung around my shoulder. The photo had been taken at some pop-up gig in town, featuring a bunch of artists we’d never heard of. Somehow, Theo managed to bluff his way backstage, and ultimately ended up performing with one of the bands, who had apparently had their bassist call in sick. Eugene and I had cheered and screamed the whole time Theo had been on stage, and as he walked off after their set, he snapped the picture of us. It was only a few months ago, but the Eugene in the photo looked scarily different to the boy sitting beside me now.

I shifted again, deciding that perhaps kneeling wasn’t the most effective position when it came to being comfortable. Restlessness raced through my veins as I adjusted my weight on the bed. Eugene turned his head to look at me.

“Geez, Liv, quit fidgeting.” He placed a hand on my shoulder, as though to anchor me. I turned towards him and grimaced. He sat up straighter, and our eyes met. When we were in primary school, this would have turned into a lengthy staring contest – there had been so many times when we’d spend ages trying to make the other look away, or to crack up laughing.

This time, though, it felt different. This time, meeting his gaze triggered something in my brain, something that made me lean in closer.

I could, I thought. I so could. My heart hammered in my chest. I moved my hand to run my thumb along his jawbone. He looked up at me, his eyes locked on mine. His grip on my shoulder softened slightly, then he clenched the fabric of my sleeve, as though it was now me anchoring him, from drifting away. In my peripheral vision, I could see the movement of his shoulders as he breathed in and out.

I wanted to talk to him. I wanted to find out what he wasn’t telling me, and then to tell him that I’d fix whatever the problem was. But I also wanted to know what would happen if I kept moving closer, until our lips met, and what would happen after.

I closed my eyes, and pressed my forehead against his. With his other hand, Eugene took a few strands of my hair, and I felt him twirl it between his fingers. Slowly, I placed my hands on his shoulders, my pulse still frenetic.

I didn’t move any closer. I just sat there, holding him close. I didn’t want Eugene, not like that. And I especially didn’t want things to change between us – although it was starting to feel like I didn’t have the choice.

I’d never gotten it when people described their friends as being like a brother or like a sister. Maybe this was because I was an only child, but even though I’d known him since I was four years old, Eugene had never felt like a family member. It was a different sort of bond. It came down to the fact that I hadn’t chosen my family – but I’d chosen Eugene. Four year old me had chosen him over all the other kids in our kindergarten class, and I’d continued choosing him every day since.

Now, it felt like he was fading away from me.

“I’m so sorry, Liv,” he murmured.

“What for?” I replied.

He pulled back and looked at me blankly, as though he hadn’t realised that he’d spoken. He took his hands from my shoulder and hair and rubbed his face.

“Something I haven’t told you about,” he eventually said. “Something that I don’t want to ever tell you about.”

I got up off the bed and frowned at him. “Eugene, what is it? What’s with the secrecy? It’s me. There’s nothing that you could say that would stop me from being your friend, and you know that.”

“Maybe not,” he said, fiddling with a loose thread on his jeans, “But there might be something that would change the way you look at me, and I don’t want that.”

“What do you mean?”

“The way you look at me, Liv,” he began hesitantly, “It’s different to how others see me. I like who I am in your eyes.”

I sat back down, my back to him, I looked back at my photo mural – the visual history of the pair of us. “Maybe it’s not your choice, how I look at you,” I said.

“Yeah,” he sighed. I felt him move behind me, and then he was next to me. I rested my head on his shoulder, just as he had done to me earlier this evening. I took his hand and threaded my fingers though his. He squeezed my hand in turn and leaned against me.

“I love you. You know that, right?” I asked quietly.

“Of course,” he said. “And I love you too, more than anybody.”

“I know.”I straightened up and gave him my most pointed stare. “But it doesn’t mean I’m not angry with you. I don’t like it when you keep things from me.”

“I know. But I just can’t…” He stood up, still holding my hand. “I’m sorry.”

I remained still, then let my arm drop into my lap.

“Good night, Livvy,” he said. He turned and walked out of my room. A few seconds later, I heard the sound of my front door slamming shut.

I fell backward, and stared up at my ceiling. Eugene hadn’t called me Livvy in years – no one had. A rush of fatigue swept over me, and too late, I replied, “Night, Eugene.”

Comments & reviews · 8
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User avatar
Carlito
Review
Carlito wrote a review · Mon Nov 02, 2015 9:56 pm

Hello again! I think my comments are becoming less and less :)

glowering with what I hoped was a suitably lethal amount of disdain

I love her voice :)

I exhaled through my teeth

New paragraph because you’re switching from Freddie’s words to her actions.

Partially, this was to make sure that I didn’t bite his head off – I knew there was nothing I could say that would hurt Freddie’s feelings, but making a scene was hardly high on my list of priorities for the night. But as I did so, I realised that I was simultaneously searching for him

I think you could combine these sentences and make it a little more streamlined and to the point. “…didn’t bite his head off and partially to search for the boy”. Again, I would specify who the “him” is because there are two boys in this scene.

so finally, finally, I did

I think “so I finally did” would sound better.

His tone of voice made him sound

I think you could simplify this by saying “He sounded as if…”

He had an ecstatic smile on his face – a look of completely unrestrained, giddy delight. He was alight with happiness and exhilaration

This feels repetitive.

I looooooove the sexual tension between Liv and Eugene <3 <3

“Maybe not,” he said, fiddling with a loose thread on his jeans, “But there might be something that would change the way you look at me, and I don’t want that.”

I feel silly saying this now because I know how it ends, but when I first read this I was CONVINCED the big secret was the Eugene is gay. :p

And that's all for now! Let me know if you have any questions or if anything I said was confusing! :)

Thanks again! That's interesting that you thought Eugene was gay, I'd never thought much about it, and to be honest, at this stage even I didn't know what his secret was. XD

User avatar
LittleFox
Review

Your writing is perfection! I'm surprised by how captivated I am by your story since I usually only stick to historical fiction.

The reason I usually would stay away from modern stories is because they have always seemed faked or forced to me. Like they writer tries to hard to make it feel fresh. You, however, have created a very authentic feel with this story. The characters feel very real. In fact, Eugene reminds me so much of one of my good friends; kind of edgy on the outside, but sweet on the inside.

Anyway, I still don't have any negative comments to make. I really love this story a lot :)

-LittleFox

User avatar
StellaThomas
Review

Hey!

So I'm meant to be studying today but I got an excited Whatsapp from @Demeter telling me you'd posted the last parts and I thought "hm I should go read some more."

I'm so glad I made that life choice.

Ah. Aaaaaaaaah. Liv and Eugene. That scene. That was amazing. It was so electric. I love how you described the eye contact, how there is a difference between normal eye contact and "we are going to kiss omg" eye contact. I love the description of each slow, deliberate movement. I love how Liv's brain is working during the whole thing, because we think of all sorts of things when we should really only be thinking about one. It was so human, and realistic, and yet so full of emotion and tension and guh. Good job. I wish I could write near-kisses like that.

(The last near kiss I wrote was between a boy and a giant spider. So maybe there's a reason for that.)

OKAY, review time.

I guess the first thing that bothered me was WHERE DID MYSTERY MAN GO? He was there at the end of the last chapter and then he's gone! Even though you mention her looking around for him, I didn't get a sense of "omg he just vanished". Also, I didn't think it was that big a crowd, or that at the very least she'd be able to spot his back. I get that he's a mystery man so it's cooler if he vanishes, but I think that it should be addressed that people *don't* just vanish. And also, how does Liv feel that their conversation got cut short?

Freddie. Oh Freddie. I kind of love him and hate him. I loved the fringe comment. Harsh, Freddie, harsh. What did they talk about on the bus home? Or did they not talk? I always find timeskips like that a little weird, where they should have chatted on the way home, but they apparently didn't.

I also felt like some more description of leaving the party, of leaving the music and letting it get quieter and quieter and the smell of alcohol fading and the cold of the evening as they step out (if it's cold. I don't know! But you could tell me ;)), that kind of thing. At the moment the pace there seems a little off, and I think some more description to flesh it out- and also to put us in that situation - would be wonderful.

Ugh. This is so good. I wanted her to kiss Eugene. But I knew she wouldn't. I guess we'll see what happens!

Hope I helped, drop me a note if you need anything!

-Stella x

User avatar
Demeter
Review
Demeter wrote a review · Wed Jan 28, 2015 3:13 pm

Hey-again-Sarah!

I love “a suitably lethal amount of disdain”!

“Freddie, are you drunk or what?”


This made me laugh a bit, because it’s exactly what crossed my mind when I read his line!


But as I did so, I realised that I was simultaneously searching for him.


Perhaps in this sentence, the “him” could be turned into something that would make it clear from the start that it means the mystery boy? I know that it’s pretty obvious anyway, but since you just finished talking about Freddie, this threw me off for a couple of seconds.


If you want to come, follow me, but if you’d rather not you can find your own way home.


I was thinking, maybe this could be compressed a little, seeing as Liv’s quite angry at Freddie and this seems quite a mouthful. Not much, maybe just something like “Follow me if you want, but if not you can find your own way home.”


Maybe I’m just seeing symbolism where it shouldn’t be, but I thought it was really cool that Freddie followed Liv after she stormed out, while Eugene didn’t. O:

When Liv sees that her bedroom light is still on (and before she sees Eugene in the room), her feelings aren’t clear to me: she does say that Eugene is “anal” about turning the lights off, but is Liv annoyed that they’re on for nothing or does she just think it’s odd, since Eugene would normally turn them off?


especially since I was still keyed up from being annoyed with Freddie, and talking to the boy with the orange eyes, and listening to Trifecta.


Here, I think the list of the things she’s annoyed with should be reordered so that the most important one is at the very end. I’d say out of these three, listening to Trifecta would be the least significant one, and probably the orange-eyed boy the most important one, so that would look best at the end.


Liv and Eugene action! The wordless scene between them was electric. Beautifully written.

Four year old me had chosen him over all the other kids in our kindergarten class, and I’d continued choosing him every day since.


This is really nice :)

(I knew there was something Eugene wasn’t telling Liv!)

**

Aww. This was kind of heart-breaking and so beautiful. You’ve mastered the bond between Eugene and Liv, I just can’t get my head around how well you’ve got that “not just friends but not a couple” thing down.

I’m really enjoying this story :)


Demeter
x

User avatar
Noelle
Review
Noelle wrote a review · Wed Jan 28, 2015 1:20 am

Hi there!

I'm here finally! I'm so proud of myself :3

Partially, this was to make sure that I didn’t bite his head off – I knew there was nothing I could say that would hurt Freddie’s feelings, but making a scene was hardly high on my list of priorities for the night. But as I did so, I realised that I was simultaneously searching for him. I wished that I’d asked him his name. But in that brief conversation, it hadn’t even occurred to me.

Sorry for pulling out a big chunk. The word 'but' is used here three times close together. I'm one of those people that want to use that word everywhere so I find myself doing it too. Try and mix it up. Find other words you can use so it doesn't sound so repetitive. They won't be as fun and effective, but they'll work :)

By the time I reached my front gate, it was almost ten o’clock and dark.

Personally, I think this would sound better if you mention it was dark before you mention the time. Having it after like this just makes it sound obvious. Super nitpicky I know, but I wanted to point it out.

So, does this mystery turn out to be Hayden? ;) I think it's awesome how you haven't mentioned Hayden yet, especially because of the title. When I started reading this, I knew that the story would eventually lead up to the narrator kissing this Hayden. I kept it in mind as I read too, trying to find any hint of Hayden. It's a mystery to us, really. On the contrary, if you had introduced us to Hayden in the beginning, it would've been completely different. We would've seen him over and over again, anticipating a kiss every time he was close to the narrator. It really wouldn't have worked. I can't really explain it, but it would've been much more different. And I, for one, wouldn't have enjoyed it as much.

I peered into my room. I rapped my knuckles against the door frame and hung my head, relieved, when I saw Eugene huddled on one corner of my bed, his head resting against the wall.

There are a few things I wanted to mention about these two sentences. First, they both start with 'I'. Usually I wouldn't point this out because it's not that big of a deal, but it just doesn't flow well here. I think it's because you have two actions so close to each other, the peering and then the rapping. Second, the part about her hanging her head in relief is a bit confusing to me. When someone hangs their head, it's usually in shame or embarrassment. The action just doesn't seem to match the emotion. Unless of course, this is something that people say and I'm just out of the loop xD

Awww. The scene with Eugene and Liv is just so adorable. Hits me right in the feels! I'm not really fond of romance because it's always so sappy and all mushy gushy. This scene though, is nothing like that. I think the part I really like about it is seeing what Liv is thinking throughout. It was interesting to read because she was doing something, but completely negating it in her mind. She wanted it, but she didn't at the same time, maybe more than she wanted it. That made it dynamic. It wasn't just Liv being with Eugene. It was Liv trying to figure out what the heck is going on between her and Eugene. I loved that scene.

Overall another great chapter here. This is pretty different than anything else I've read on here. It's a novella, yes? (I don't know the real definition of a novella so I'm just guessing xD) There's less that we get to know because of it's length. But what we do know is enough for us. You've done a good job finding things to really focus on and what to leave be. Your writing is very consistent throughout as well.

I'm really enjoying this. Two more parts until it's done :) I'm glad you've stuck with this. It's a good story and I can't wait to read the rest.

Keep writing!
**Noelle**

Good to see you again! XD Thanks for the review!

User avatar
artemis15sc
Review

I think this is my favorite chapter. And considering what's happening between her and Eugene, the stakes just got so much higher. Your pacing for this story, and this chapter, is wonderful. I only have little things for you.

Yeah, but, you’d turned around, and you’re hard to recognise from behind. Your fringe is, like, your defining feature, or whatever, and makes you easy to spot, and, well, yeah.”
I love how your displaying his speech patterns, but I would reccomend experiment with em-dashes and ellipsis instead of just commas, it might read better.

“I don’t know,” I said truthfully.
I don’t know May not be necessary, as we know from her thought process she’s being truthful. Honestly, I don’t think you need a dialogue tag at all. I think it be fine like this.
“I don’t know.” I felt strangely untethered by the discovery of his absence.



“Weren’t about to put what we talked about into action, where you Liv?”
Should be were, not where.

“Sure.” Freddie nodded slowly, one eyebrow raised sceptically.
I would advise against using two adverbs in the same sentence, as it slows the story down. Consider deleting either slowly or skeptically .

Rationally, I knew that all Freddie was doing was demonstrating his knack for pushing people’s buttons, but I couldn’t help but snap,


Generally speaking, you don’t need a that following a verb, if you delete the sentence makes sense without it. Ex:"Rationally, I knew all Freddie was doing was..." There a several times when you have a verb followed by a that where I think the that could be deleted, but this is coming from the mouth of the word-slashing ninja, so beware.

I peered into my room. I rapped my knuckles against the door frame and hung my head, relieved, when I saw Eugene huddled on one corner of my bed, his head resting against the wall. From the sound of his steady breathing, I could tell he was asleep. I crossed the room, dumping my bag at the foot of my bed and knelt on the mattress, next to him.


Something people have started using in my writing is the overuse of I statements. It makes your story harder to read when you have some sentences that start with the word I in a row. To fix this problem, I picked up some published first person novels to see how they avoided it, something I highly recommend. Some easy fixes are combing sentences, adding description, Or saying something like, “Clearly, he was asleep.”

When I’m writing in first person, I try to avoid using words like saw, heard, felt, decided, etc… unless I need to for clarity’s sake. I find them to be unnecessary for example, this sentence:

I shifted again, deciding that perhaps kneeling wasn’t the most effective position when it came to being comfortable.


Could be this sentence:
I shifted again. Perhaps kneeling wasn’t the most effective position when it came to being comfortable.


It helps you get to the point faster and use less words, which is always good.

And that's all I got. Something amazing happened to me while I was reading this. I started thinking about what you were writing. I connected to the words, and the characters, in a way I don't always do. This writing meant something to me, which I loved.

I'm thrilled that you've decided to expand this story. I think it works as a novella, but I'd love to see these characters more, and see where else this story goes.

Thanks for sharing!

-Art

Thanks for the review! Helpful as always. :)

User avatar
BluesClues
Comment

DASH IT ALL, EUGENE. Omg, the suspense. I apologize that this is not helpful, but at least I can tell you how much I love this chapter. Especially the sexual tension when she thinks about how she could kiss Eugene, and then the kind of let down about that when it doesn't happen. (Not so much let down like "dash it all, they didn't kiss," but more of like that build-up and then no relief. Like the kind of arc that repeats throughout romance novels before the big moment, you know.)

BUT OMG WHAT IS HE HIDING?

Thanks :-) I was a bit worried with this that this scene would feel like a build up to nothing, like there's all this tension then it turns into a total cop out. But no relief is good! XD.

User avatar
beans
Review
beans wrote a review · Thu Dec 04, 2014 10:07 am

Well hey, this was a delightful read! I must confess, I hadn't read any other parts of the story, but I might be inclined to now that I've gotten a taste of your writing. You must do very well in school.

A few nitpicks, and I'll be on my way...

I could, I thought. I so could.


Generally, thoughts are italicized.

You also have this weird thing going on where your paragraphs are triple spaced? I don't know. Maybe its the way YWS formats stuff. No idea. Either way, I kept getting thrown off because I assumed the scene was shifting. Anyway. Keep writing!

Thanks for the review! Something weird has happened to the formatting when I've posted it, it looks like. Thanks for pointing it out because I didn't realise it had happened (I uploaded it differently this time to how I usually do, so I guess there's a learning experience there XD). I'll go through and try to fix all that.
:-D



There’s always a story. It’s all stories, really. The sun coming up every day is a story. Everything’s got a story in it. Change the story, change the world.
— Terry Pratchett