18+ Language

Eight Reasons Why I Kissed Hayden Beaufort (Part 1/8) - *Edited*

Warning: This work has been rated 18+ for language.

#1: PUGNACIOUS DOGMA’S DRUMMER

“Whaddya think?”

“Honestly?”

“Of course.”

“Well frankly, you look like a bit of a tosser.”

“Oh.” Eugene’s face fell.

“Sorry, but you said I should be honest,” I said, trying to tell if he was genuinely hurt.

“Yeah, but…” he grimaced, “You weren’t supposed to be proper honest. Like, the truth but in the nicest possible way.”

We started walking. I glared at one of the primary school mums after she nearly ran me over with her gigantic pram, then turned back to Eugene.

“Would you be offended if I said that was the nicest version of the truth?” I teased, trying to reconcile the image of my friend that existed in my head with the one that stood before me. For a guy with such a dorky name, Eugene had always been pretty rock ‘n’ roll – unkempt and loutish, with a veritable aura of cool – but sometimes his taste did leave something to be desired. Like now.

“Jeez, Liv, it’s just a haircut. How bad can it be?” He subconsciously ran a hand up to fix his hair, as though he could change how I felt about it by ruffling it slightly. And it wasn’t the haircut itself that was the problem really, more the fact that it made him look like every other guy in the school. Short on the sides, longer on the top; a wimpish version of a mohawk. It suited him, in a way, but nothing like the shoulder-length brown mop of hair he had the last time I’d spoken to him, and it just didn’t feel right to me. Maybe it was just too drastic a change, and I’d get used to it after a while, I tried to convince myself, but there was something else that was niggling at my attention.

“Is there some girl you’re trying to impress?” I asked, when I noticed what was different. “I mean, the haircut’s one thing, but you actually look like one of those respectable students today. And, crap, did you iron your pants?”

“So?” He looked at me tersely, and straightened his school tie. His shirt was tucked in for the first time since we’d started high school, and his pants, for once, didn’t look like he’d picked them up from his floor. Even his tie looked like it had been done up tight enough to restrict his airways. With his brochure-perfect uniform and newly short hair, Eugene was going to give Mr Whitfort a heart attack when he walked into maths. “Stop looking at me like that, Liv. Come on, we’re going to be late.”

“Late?” I gasped, as we entered the school gates, pushing past a group of year eight girls who stood in the middle of the path. “Since when have you cared about being late?”

He shrugged and kept walking, and I hurried to catch up. I could tell he was hiding something from me, which wasn’t an entirely new experience, but it still stung. Maybe it was one of those guy things. I wasn’t getting anywhere with him so far in conversation this morning, so I decided to change the subject. Whatever the problem was, he would tell me later. He always did.

“You guys ready for the gig on Sunday?” I asked.

Eugene stopped walking and frowned. He didn’t answer me for a lengthy minute, just stared me down with an unreadable look on his face. This bugged me; not because he wasn’t answering, but because this was what I usually used on him. And, more often than not, it worked, too. As annoyed as I was, I glared back, determined not to let him win using my technique. Eventually he crumbled and said, “Yeah, I think so. Depends on if Freddie stops acting like a friggin’ diva and agrees to get off his high horse and play at a pub.”

“What’s he expecting? To perform at a bloody stadium?”

Eugene rolled his eyes. With this movement, I knew I was forgiven, because there was nothing I could do that could measure up to Freddie’s antics. The only reason that Freddie was still a part of Eugene’s life was that he was the drummer of the band they were both in, and since decent drummers were such a rare commodity around where we lived, this made him kind of irreplaceable. I knew how much Eugene and Theo, the band’s bassist slash singer, wanted him gone, and hearing that he had kicked up a fuss again came as no surprise.

“Doesn’t he get that you guys are underage?” I asked. Some kid’s football sailed towards my head, and I ducked, cringing as it bounced off the glass of one of the science block’s windows. “There aren’t exactly stacks of places that’ll let you in.”

“Liv, he thinks that we should pick and choose where we play so we can get a reputation.” I’d heard this story before. Eugene seemed to spend half his time complaining about Freddie’s misguided views on the band. “Apparently, we should be serious, and not spend our time playing for small-town drunks. His words, not mine.”

“That’s my parent’s pub he’s talking about,” I grumbled, “We’re doing you guys a favour by letting you perform. Maybe I’ll see if Audrey can knock some sense into him. It isn’t like there are gonna be many other places ‘round here that’ll let you perform.”

“I’ve tried telling him that.” Eugene shook his head and started walking again. I followed, and he continued, “He won’t listen. If you ever meet a drummer, tell me. Please.”

The bell rang before I could say anything else on the subject. As I waited for the electronic dong-dong-dong­ to become silent, I placed my hand on Eugene’s arm. Ever since we’d been little, we’d had a silent way of communicating, even though right now, I had no clue what I was trying to say.

“See you later?” he asked, as we parted ways towards our respective lockers.

“Uh-huh,” I replied, “See you then.”

* * *

That afternoon, I tidied my room: putting away odd pairs of underwear, shoving my school uniform into the wardrobe and rearranging my CD collection. Eugene and the rest of Pugnacious Dogma, as they had recently decided their band would now be called, were coming over, along with a couple of my other friends. The guise was studying, but we all knew that the most productive thing we’d end up doing would be deciding whose iPod we’d plug into my speakers. Even my parents knew this, but they still let us catch up every Friday night when they were off working at the pub. I think at some point they’d realised that we were all too unmotivated to cause any real trouble by the time it got to Friday night, or perhaps they just wanted to confine us all to a place where they knew where we were. Whatever the reason, I appreciated their trust, and the others appreciated the chance to get out of their own houses.

“I think we need to address the elephant in the room,” Theo said, after Tahlia, one of my only remaining friends that I’d known since primary school, had won the weekly battle to play her music as the soundtrack to our conversation. Speaking over the warbling electro-pop music, Theo continued speaking from where he was lying, spreadeagled, on my rug, “Eugene, what the fuck have you done with your hair?”

As pretty as his voice was, even when he was talking, Theo’s vocabulary was somewhat less enchanting. I couldn’t remember having a conversation with him that hadn’t involved him swearing at least once.

Eugene raised an eyebrow. “Got it cut.” He didn’t elaborate further, so I poked him in the shoulder. He’d been moody all day – far beyond his usually frustration with Freddie. In Maths, the one class we shared, he hadn’t mouthed off at the teacher once, which confused me far more than his grumpiness. Tahlia had shot me a questioning glance when she had arrived at my house, so she’d obviously picked up on it too. Under that bottle-blonde, flighty exterior, she was remarkably perceptive.

Theo began to speak again, but Tahlia cut him off, asking him from her position sitting on my desk, “Written anything new lately?”

He sat up onto his elbows and shrugged. “Eugene said he had something.”

“It’s nearly done. I’ll show it to Liv then you and Freddie check it out.” It was the usual process; Eugene would write the lyrics and come up with the tune, he’d show it to me, I’d work out the chords and then he’d show it to the others. Even though I had zero actual musical talent, my musical theory was pretty good, or at least, better than Eugene’s. And I liked being a part of the band, even in this anonymous form.

“Tell me when you finish it. But anyway, I hear there’s a new kid over at Henchley,” Tahlia said, “And, he’s a drummer.”

“Shit,” Theo swore, lying back down he stretched his arms out until he was taking up my entire rug. “He any good?”

Tahlia shrugged, “How should I know?”

“You brought him up.”

“All I know is what my friend told me. And that is that there’s a new kid in her year level and he plays the drums.” Tahlia leaned back and stared at the ceiling. I listened, as she started to sing along to the song playing over the speakers. Her breathy voice was captivating, even though she wasn’t trying. I don’t know how many times I’d wished that I’d had a voice half as good as hers.

“Speaking of drummers, where is Freddie?” I asked. As much as he drove all of us crazy, he was Audrey’s boyfriend, so I had been repeatedly told I was meant to give him a chance – which generally translated to him being invited over on Friday nights.

“Probably with Audrey. She told me they were coming,” she said. As soon as the words left her lips, her phone beeped. Looking at it, she announced, “That’s her. Just a minute. Hello?”

“Like it’s any mystery why they aren’t here,” Eugene said to me quietly, raising an eyebrow. He didn’t guffaw, like Theo would’ve, he just said it. I knew what he meant. We’d seen less and less of them since they’d started going out.

“What?” Tahlia exclaimed suddenly. “Well, come over here… I’m at Liv’s. Okay fine, I’ll come over to yours. Don’t argue with me, I don’t want you by yourself.”

She hung up, a look of outrage on her face. She huffed once, then said, “Audrey just told me Freddie broke up with her. Dunno why. But…” Tahlia trailed off nervously.

“But what?” Eugene asked, looking over my shoulders at Tahlia. She bit her lip.

“He’s leaving the band,” she confessed with a groan. “I told Audrey I’d be there, so I’d better go. It’s too bad, guys.”

“I’ll tag along with you,” Theo said, and they left quickly, leaving Eugene and me alone together.

We regarded each other for a long moment, trying to understand what had happened. Eugene sighed, then swung his legs around so his was sitting on the edge of my bed. He was slouched over, and said, “This can’t be happening. I take back what I said about him… I didn’t want this.”

I looked at him. “Careful what you wish for.”

Comments & reviews · 7
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Carlito
Review
Carlito wrote a review · Sat Oct 31, 2015 9:38 pm

Hey! I think I'm going to end up reviewing each chapter (we'll see). I've read it all the way through and I'll do all of my general thoughts for the work as a whole at the very end. So each of my reviews will be focusing on the more nit-picky thoughts I had for each chapter. :)
(And I haven't read a single review on any parts of this so I apologize in advance if I repeat something!)

“Whaddya think?”

I’m not a big fan of stories starting with dialogue. I have no context about who this is or where we are or what’s going on.

Eugene’s face fell.

The opening with dialogue makes things move quickly, but I want a name and action and description happening before this point.

We started walking.

Walking where? Where are we?

I glared at one of the primary school mums after she nearly ran me over with her gigantic pram

I’d like a lot more description of setting here. This feels a little out of the blue because I have no context for where they are, how many people are around, and what’s going on.

And it wasn’t the haircut itself that was the problem really, more the fact that it made him look like every other guy in the school.

Why is this a problem for her?

Maybe it was just too drastic a change, and I’d get used to it after a while, I tried to convince myself, but there was something else that was niggling at my attention.


when I noticed what was different

Is this in reference to the hair or something else that’s different? If it’s the hair, I’m a little confused because she’s already noticed the hair. If it’s something else, I want to know what it is.

I could tell he was hiding something from me, which wasn’t an entirely new experience, but it still stung.

How does she know? Or what evidence does she have that he’s hiding something? I like the insight into their relationship here that this type of withholding has happened in the past. I might separate that part (starting at “which”) into a new sentence.

Eventually he crumbled and said, “Yeah, I think so. Depends on if Freddie stops acting like a friggin’ diva and agrees to get off his high horse and play at a pub.”

I would make this a new paragraph. What does his “crumbling” look like? Is there an eye roll or a sigh or does he go straight from staring to saying this?

“What’s he expecting? To perform at a bloody stadium?”

I feel like she’s sort of exasperated or annoyed (with Freddie) based on what she’s saying, but I’d either like some insight on her tone or what she looks like/does as she says this.

Eugene rolled his eyes. With this movement, I knew I was forgiven


The only reason that Freddie was still a part of Eugene’s life was that he was the drummer of the band they were both in, and since decent drummers were such a rare commodity around where we lived, this made him kind of irreplaceable.

Cut this sentence in half.

Liv, he thinks that we should pick and choose where we play


Throughout this whole conversation I want more action and description. Right now they feel like talking heads going back and forth. I want a lot more setting and action. Who is around them? What are they doing? What do they see and hear and they’re talking? What are they doing as they’re talking? What are their reactions to one another (like facial expressions and body language)? Stuff like that.

The guise was studying

I’d do a new paragraph here.

Speaking over the warbling electro-pop music, Theo continued speaking from where he was lying, spreadeagled, on my rug

I like the description of the music and what Theo is doing here, but this is a little repetitive. You say he’s speaking twice.

As pretty as his voice was, even when he was talking, Theo’s vocabulary was somewhat less enchanting. I couldn’t remember having a conversation with him that hadn’t involved him swearing at least once.

Not necessary.

Theo began to speak again, but Tahlia cut him off, asking him from her position sitting on my desk,

Here I would either show Theo’s speech – like “words words word…”
“Written anything new lately?” Tahlia cut him off from her position at my desk.
Or I would just have Tahlia’s speech without mentioning that Theo was trying to talk again.

It’s nearly done. I’ll show it to Liv then you and Freddie check it out

I’m confused about why Eugene has continued to write music and says he’s going to show it to people just like usual when he’s planning on having the band split up. (That was his plan that was revealed at the end, right?)

It was the usual process

New paragraph here.

I hear there’s a new kid over at Henchley,” Tahlia said, “And, he’s a drummer.”

Once they realize they no longer have a drummer, why don’t they seek out this drummer they’ve heard about? (This drummer isn’t Hayden, right?)

Audrey’s boyfriend

And who is Audrey? You also never really define who Theo is. I assume he’s a member of the band, but what’s his role? And what’s Eugene’s role in the band?

We regarded each other for a long moment, trying to understand what had happened. Eugene sighed,


Let me know if you have any questions or if anything I said was confusing! I'll see you in the next part :)

Thank you! :) Much appreciated.

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Pompadour
Review

Hey~ I'm a little rough on reviewing, but I've been keeping up with this and have actually read it all the way through, so I thought I'd pay a little visit. ;) Also CONGRATULATIONS on finishing thiss!

Now that that's out of the way...

I kind of miss the italicised beginning you had before the edit; it was a great hook. I don't really think it was directly linking up to the course of events, though, in which case it was wise of you to cut it out. But you should re-write an intro/something that's on similar lines because I adored that beginning and just--okay I will try to be helpful now.

I'm not normally a fan of beginning stories with dialogue, but I think this is working for you and it didn't really bug me. It does feel slightly rough around the edges, though, for some reason. Perhaps it's because I don't have anything to immediately attach myself to except the dialogue, and it's not until the fourth paragraph that I get an idea of the scene--and settle down. So maybe work on making that beginning more grounded? Before, in the unedited version, that was what the intro was doing. It was allowing the reader to get a sense of the atmosphere, but without it everything's floating mid-air.

But, MAN, your dialogue has so much life.

Speaking of dialogue (haha, see what I did there?), I do have some technical shtuff I'd like to talk about:

“Yeah, but…” heHe grimaced, “You weren’t supposed to be proper honest. Like, the truth but in the nicest possible way.”


~ Since 'he grimaced' isn't a dialogue tag, the 'h' in 'he' ought to be capitalised. Besides that, that comma should really be a period.

“That’s my parent’s pub he’s talking about,” I grumbled, “We’re doing you guys a favour by letting you perform. ... that’ll let you perform.”


~ Again, the comma should be a period.

“Uh-huh,” I replied, “See you then.”


~ ^Same with the comma after 'replied', above. Ooor, you could keep the comma and change the 's' in 'see' to read as lowercase, rather than capitalise it. This article might help.

Short on the sides, longer on the top; a wimpish version of a mohawk.


~ Incorrect usage of a semicolon. Either change it to read as an independent clause (that is, by inserting 'it was' before 'a wimpish version ... mohawk.') or simply replace the semicolon with a dash.

This bugged me; not because


~^Same thing. Replace semicolon with a comma.

Besides the technical iffies I had with this, I like it. It's a bit sparse for a first chapter, but your characters more than make up for it, and I think for a novella, the pace and characterisation is really good. You have a lovely writing style; it's very inviting, and the exposition is solid. You've mapped your characters out in this one chapter, and mapped them out well. I'm not getting much of a view of their surroundings, though, and the lack of description bugs me slightly. I'm one of those people who don't believe you have to tell your readers what colour your characters' eyes are, or if they're 5'8" and a half on Saturdays. But I do believe that subtle expressions play a great part in your story, even if it's the tucking your hands in your pockets or the awkward fidgeting. Like, I know how the story ends, so I was a bit surprised that Eugene wasn't even slightly awkward with what he had to say; I think you could foreshadow his actions some more when you edit.

I also think Eugene wasn't nearly as upset over Fred leaving the band as he should have been and that you could expand on that scene nearing the end of the chapter. It could just be me, but it wasn't very realistic and Tahlia's dialogue felt very ... forced and insincere. Could just be me, though.

Aaaand I've run out of things to say. XD I'll try to be more helpful in the later chapters, where I think the pace is much too fast (because of you limiting yourself to eight chapters?) and also because I'm missing out on what those 'eight' reasons were, exactly!

Hope this was slightly-maybe-a-little-helpful!

PM me if you have any questions~

~Pomp

Thank you for the review! 'Twas very helpful. Description's definitely the big thing I want to add more of in the rewrites. There are quite a few scenes where I've noticed that there needs to be more.
The 'eight reasons' are the bolded title things at the start of each chapter, by the by.
Thanks again. 8)

User avatar
Alpha
Review
Alpha wrote a review · Sun Jan 25, 2015 5:38 pm

So I'm a late follower but I've been seeing this title being thrown around and it has this funky vibe to it, so I thought Why the hell not? and clicked. Glad to say I liked what I read- you have a great opening chapter.

But before I get on with the not-quite-the-review, I'd like to ask- should I just keep to the *Edited* versions of the story? And how often do you upload the chapters? If you like, I can also read the other draft that is posted in its entirety, and review those as well. (Ha, that might kick me off my ass and get me reviewing. :3) no promises though ;-;

One little thing I want to mention is how perfect the timing was in action sequence: a new drummer arrives in town just when Freddie decides to leave it. It makes me slightly uncomfortable. I remember reading a quote that says something to the like of, "When coincidences happen in real life, you just roll with it. But when it happens in a story, then it's the writer being lousy." I'm totally sure I butchered the quote but oh well, I'm typing this on my phone haha.

Now, I should mention that I really enjoy your style. Your characters are very well-rounded writing-wise, and I like how you were able to tell us a lot about Freddie without even introducing him yet. Yup, so far I have no issues, maybe just a little with Liv not actually doing anything yet, but hey, it's still the first chapter! I like reading about active characters (they're so fun to write!) so I hope the coming chapters would give me some of that.

That's it for now. :3
Keep on writing!
Alpha~

Thanks for the review! This is the only edited version I have of this story (it exists because after posting the original part one I changed some of the dialogue. It isn't majorly different to the original), so following the other chapters would be fab.
I see what you mean about the drummer thing... it was originally an attempt at foreshadowing, but it does feel a little too convenient, now I think about it. :-)
Thanks again!

User avatar
Noelle
Review
Noelle wrote a review · Sat Jul 19, 2014 1:48 pm

Hi there!

Ah, my first review of my adopted novel! <3 I can't wait to start reading.

So, I can't decide if I like the beginning being italicized or not. I mean, this is all based of my personal opinion (of course), but I figured I'd bring it up anyway. Is there a reason that it's in italics? Like, is it a letter? A memory? A dream? It seems like just an introduction to me. Obviously it's your MC talking to whomever it is that they hurt, but what is so special about it that it needs to be in italics? Basically what I'm saying here is that if it's not a letter or a dream, it really shouldn't be in italics. You already have it before the start of chapter 1 so it's obviously an introduction.

Short on the sides, longer on the top; a wimpish version of a mohawk.

This is a fragment. Now, usually I'm not one to harp on fragments 'cause I use them all the time. But I just don't think this one fits. I think it'll work well if you connect it to the previous sentence or make it it's own. Remember, semi-colons are your friends ;)

“He’s leaving the band,” she confessed with a groan. “I told Audrey I’d be there, so I’d better go. It’s too bad, guys.

So after reading this whole bit of dialogue here, I think this last thing she says is out of place. It just seems like such a timid response to something that's such a huge problem. Obviously she's really into the band since she hangs out with everyone involved and she's interested in the new songs that the guys are coming up with. So to hear that Freddie is leaving the band, leaving the drumming position open right before the show, has to be something bigger then "It's too bad".

I really enjoyed this chapter. Really, I did. Sometimes first chapters get a bit boring because it's the first time that the readers get a look at the story and the characters. Sometimes those first chapters get a bit boring because of that reason. But the way you introduce this story and the characters is wonderful. You've got me interested and really pulled into the story. For example, I don't really know much about Freddie, but I already hate him for leaving the band. It's great that I can feel that kind of way about a character that I don't really know.

If anything you can improve upon in this chapter, it's the descriptions. We get a lot of information about the characters and the story, but what do they look like? I think the only character I really know looks like is Eugene. He has that crazy haircut. But what about the rest of the kids? What do they look like? And what exactly does the school look like? Descriptions are always important, no matter how boring it seems to write.

Alrighty then, I'm gonna head over to the second chapter now!

Keep writing!
**Noelle**

I'm a bit late, but thank you for the review! :-D
On the bit at the start, I italicised it because it's set after the events of the bulk of the story, so I just wanted to highlight the difference. I am tossing up whether to turn it into a letter or not, but now it's sort of a thought thing in Liv's mind.

I think descriptions are the big thing for my rewrite (I plan on extending the length to novel-size once I'm done) of this cos there are a few places where I want more detail. I agree with what you're saying completely.

Thanks again!

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rawrafied
Review

Hiya~~~! Rawrafied here, representing Team Rugido Sol. Let me just say, your title caught my eye and I'm excited to check this piece out. I'm going to go line by line and pick out anything that catches my eye. :3

So, just from the italicized intro, I'm pretty sure I'm going to give you the least helpful review. Chances are, it'll be a mixture of nitpicks and me gushing. Then again, this is your edited piece and I have yet to see your raw material. Your grammar is great in this section and that last bit is great. You've already got us wondering about Hayden and this eventual kiss and the reasons behind it, but you've also tossed in more things for us to question about Naomi's clothing. And I love the logic of the main character mentioning it wasn't 'premeditated'. The wording of that along and the line 'please believe me' already demonstrates her guilt over the ordeal.

You beginning speech is great. I love speech with minimalist tags. It makes it flow so nicely, so long as we can recognize each character (which we can once you've given introductions). Also, loved the word 'tosser'. xD There's actually a lot of good vocab here, like 'unkempt', 'loutish', and 'veritable'.

Short on the sides, longer on the top; a wimpish version of a mohawk.
This is an incorrectly used semi-colon. A semi-colon should be used like a period, but it's a shorter pause and brings more of a connection between the two phrases. The two phrases must be complete sentences. This looks more like a list, so I would suggest changing the period of the previous sentence into a colon, change the semi-colon to a comma, and add an 'and' before 'a wimpish' since this whole section is more of a concluding thought to the last sentence.

And, crap, did you iron your pants?
I literally 'lol'd at this. I don't even know how to iron my own clothes. I just make sure all my jackets are hung up to keep them from wrinkling. He really is trying to impress someone. xD

Tahlia shrugged, “How should I know?”
This comma should be a period since it's not a speech tag.

I will admit, the amount of characters introduced in thus chapter did get a bit overwhelming. I mostly got confused around Audrey and Freddie, but it's done well enough that it's not the big of deal.

Overall, definitely loved this. Not only was it grammar friendly it was also an engaging read with a personality to your writing. Will definitely be back for more. :3 Hope this review was helpful.

Go Rudigo Sol! XD Thank you so much for reviewing this!

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artemis15sc
Review

Hey there, I really like this beginning. It's a great way to introduce us to your main character and the conflict of the story. It's a very creative and intriguing format.

Now, here for the nitpicks:

There's a couple of phrases that get a little wordy

"and being able to have any control over how things turned out." Could just be "having any control over how things turned out.

Another way you can be more concise is getting rid of thats, take this sentence.

"and I don’t want you thinking that I set out to surprise you like I did." without the that it's, "And I don't want you thinking I set out to surprise you like you did." I would advise going through your work and seeing if there's any thats you can take out, and looking for long sets of "weak words" or non-verb/adjective/nouns that you can cut down to one or two weak words.


"I didn’t use you, and it wasn’t premeditated to fulfil some ulterior motive." should it by I in this sentence?

" But each of these events are the reason why things turned out the way they did." Another example of a potentially wordy sentence.


"We started walking. I glared at one of the primary school mums after she nearly ran me over with her gigantic pram, then turned back to Eugene." Be careful of thesis statements in your writing. They work great in essays, but in fiction they pull the reader out of the story and remind them it's not a real story, just something someone wrote. If you really need a thesis statement, try putting it at the end. You're actually better about this than most people, but see which ones you can delete.

"or perhaps they just wanted to confine us all to a place where they knew where we were. " Wordy.

"Her breathy voice was captivating, even though she wasn’t trying. I don’t know how many times I’d wished that I’d had a voice half as good as hers." Your writing style is pretty solid, but here's one sentence where I think you could show us how Liv reacts to Tahlia's voice rather than tell us, and then find a way to say, " I wish I had a voice as good as hers" or something like, without the preamble.



Overall, it was hard to stay in reviewer brain because of how much I was enjoying your story. Your writing flows beautifully, and your voice and pacing is engaging. Amazing work!

Thanks for the review! (sorry that it has taken a while to get back to you) Tis very much appreciated, and everything you said is very helpful.
Quick question - were you able to pick up on the main character's name being Liv? Just because that was a problem in my previous draft that I was hoping to fix here.
Thanks again!

I don't remember being confused about her name, so I'm going to go with yes.



something about rain makes you want to be in love
— canopy