16+

Eight Reasons Why I Kissed Hayden Beaufort - Part 4/8

Warning: This work has been rated 16+.

#4: A TRIFECTA OF TWO

“Why?” I asked. Looking around, it was clear I wasn’t the only one who hadn’t been expecting the music to stop so suddenly. It was far too early in the night for the party to be over, and a few people started muttering in annoyance.

“Follow me.” Freddie led me into what appeared to be a rumpus room – it was a wide open space with couches crammed into one corner and beanbags littering the floor, as well as walls covered with shelves and photo frames. On the wall farthest from the doorway there was a massive widescreen TV, with a pretty impressive looking sound system, which was, I assumed, the point of origin for the ridiculously loud music which had, up until a minute ago, been giving me a thumping headache.

But my gaze quickly skipped over these, instantly drawn to the drum kit and microphone stand which had been set up in front of the big screen. A shaggy-haired boy of about my own age played a few notes on his sunset-orange guitar, and glanced at his phone, which looked like it was open to the same tuning app that Eugene used. Meanwhile, the other, this time with red hair, tapped out an absent-minded beat against the side of his drum kit. All their equipment looked battered and second-hand, much like the rental amps Theo and Eugene used to practise with, until they’d forked out for something flashier.

“Who are they?” I asked Freddie quietly. A crowd had begun to gather in the rumpus room, watching with varying expressions as the band finished setting up. I could see that a few people, like Freddie, were watching as if they were unsurprised, but most looked confused and just a little pissed off.

“They’re called Trifecta.” Freddie watched them almost reverently, as they finished setting up.

“There’s two of them. Doesn’t trifecta mean three?”

“You don’t have to be so literal, Liv.” Freddie tore his eyes aware from the drum kit, which he had been ogling at to give me a withering glare. “Anyway, there used to be three of them. Old drummer quit and their bassist filled his shoes.”

I paused. It took me a moment to grab onto the significance of what Freddie was saying. At least, I was pretty sure what he was alluding to.

“Well, in that case, if you were thinking of dumping us for them, he looks pretty comfortable up there. Theo’d stand a better chance of joining them.” Now it was my turn to glare at him – it felt like an even bigger betrayal if that he’d been so ready to diss and ditch Pugnacious Dogma, all for the remote chance of joining up with some other band.

“That’s not why I left,” Freddie said with a hard edge to his voice, but he didn’t elaborate. I briefly considered demanding an explanation, but with Freddie, that would involve making a scene, and I didn’t want to give him the satisfaction.

As much as I really wanted to storm out in a fit of righteous anger, and leave Freddie to find his own way home, the presence of a band with music that didn’t involve dropping the bass was more than slightly irresistible. I was curious to see if they were any good, if they could compensate for only having two members, if they were worth Freddie’s awed stare. So I swallowed my anger, and said, “Tell me about them.”

Freddie looked taken aback for a moment, then replied, trying to sound indifferent, “They’re one of those real ‘lo-fi’, garage rock bands. The kind that has music that sounds like it was recorded with equipment that’s crazy levels of shitty. Guitarist’s a prodigy, but the old drummer used to be a bit of an oddball. Talented, but man he had a weird sense of rhythm.”

“Why’d he leave?” I asked.

Freddie shrugged. Behind us, someone dimmed the lights, so that the room was illuminated by just a couple of lamps. The hubbub of chatter quietened in response, and a thrill ran through me. It always felt like this for me, the moment before a live band began a set. It was anticipation and a beating heart, because in that moment they could be startlingly brilliant or worthy of being pelted with rotten tomatoes. The guitarist began with a smile at the audience, then they began to play.

Admittedly, I’d been a little sceptical as to whether they’d be any good. With only two of them, I doubted that they’d sound like a proper band, with a full sound. But as their first song built up to the chorus, I had to admit that they were good. They had a sort of patchy sound, rough around the edges, but they somehow pulled this off. The beat of the drum settled in time to my heartbeat, and each distorted guitar chord was intoxicating. The rest of the crowd melted away and it was just me and the melody – angsty lyrics and a riff that I sensed would play on repeat in my head for days. No thoughts of Eugene or Freddie; the music was all that I felt.

I drew a breath and closed my eyes. I let my fingers tap out the power chords on my leg, wishing it was me up there, playing them. I swayed, not caring how it looked to anyone else, not caring if the rest of the room was dancing or stationary. All that mattered was this song, loud and all-encompassing. I was in the music and it was in me, and the hum of the amplifier underneath everything was like a final reassuring whisper. A stab of longing ran through me, the violent sense of wanting that I always felt listening to good music. I was a cocktail of exhilaration and desperation – nothing else in the world ever made me feel this way.

I don’t know what strange alchemy they managed to concoct, but they had hypnotised me with a single song. With a final wail of guitar, they fell silent for a moment, before launching into their next song.

I turned to tell Freddie, “They’re brilliant.”

He was gone; disappeared into the crowd or spirited away by the music, and instead my words were directed by a dark-haired boy in a leather jacket, who frowned at me curiously. He examined my faded t-shirt and jeans in a detached way, and once again I was struck with the feeling of being out of my element. The rest of the girls here wore dresses, or at the very least skirts – I stood out like a sore thumb.

“Sorry,” I apologised, “My friend was just there a moment ago. I didn't realise he’d moved.”

I felt like a total goose, and turned back to face Trifecta, who were well into their second song. I tried to absorb myself back into the music, but the boy next to me said, “They used to be better.”

“Really?” I looked back at the boy who had replaced Freddie.

He nodded wryly, a hint of a smile playing at his lips. “Back when there were four of us.”

“Four?” I asked, “Hang on, ‘us’? You were one of them?”

“Yeah,” he said wistfully, the timbre to his voice the only clue to his emotions. His expression remained neutral – except for the slightest trace of an unreadable smile. “There was me, Johnny, Zac and Cara. Never was the same after she left.”

“Why were you called Trifecta, then? You said there were four of you.” I repeated the same question I had asked Freddie.

“We weren’t.” He bit his lip thoughtfully. “We called ourselves that after Cara. When we decided we’d start performing at parties, and putting our music online, and trying to get noticed.” He scowled as he said this. He was still looking at me intently, as though he was trying to solve some puzzle etched into my face. “Then I left, and they didn’t bother changing the name. We’d chased fame enough that we’d caught the barest hint of it, and I guess rebranding would mean letting it go.”

“Okay.” I nodded, not entirely sure why he was telling me this. Maybe it was bitterness, towards his former band mates. He had a bit of an ego, that was for sure, because for all his talk of catching fame, I’d never heard of them, neither from my own Internet searching for music nor from Eugene’s encyclopaedic knowledge of local music. Freddie’s words from earlier entered my mind: at a party like this, it’s practically an expectation that you’ll end up hooking up with a stranger. Was this why he was talking to me, just because of some unwritten rule – if Freddie hadn’t been talking crap, when he’d been talking to me about kissing someone earlier – that came part and parcel with these parties? I narrowed my eyes, and asked, “Why are you telling me all this? Not to be rude, but I have no idea who you are.”

He shrugged. “Sorry, I kind of don’t know when I’m supposed to shut up. You just had this look in your eye, when you were listening to them play. I dunno, I just thought you’d like knowing that there used to be more of us.”

“It’s okay,” I said. “I just thought it was a bit weird, was all.”

He nodded slowly, and adjusted his jacket, rolling the sleeves up to reveal a trio of leather bands around his left wrist. I watched the complete lack of interest he seemed to devote to the task. But there’d been an intensity to his voice as he’d spoken about Trifecta that I couldn’t have ignored if I’d tried.

“Do you miss it?” I asked, “Being in the band with them?”

“Do you?” he shot back, evidently trying to keep his tone neutral, but letting a sliver of the intensity he’d had before slip into his tone.

“What?”

“The way you were looking at them in that first song, you miss being in a band, I can tell.” He turned to fully face me, meeting my eye. As he moved, I realised that we were almost exactly the same height, but he seemed to exude a presence that made him seem much taller, like he occupied more space.

“Never been in a band. Couldn’t play an instrument if my life depended on it.” I turned as I spoke, so we were face to face. Even in this muted light, his eyes were vividly coloured – so hazel they were almost orange. Looking at him like this, my heart started to race in syncopated beats, and I had to concentrate on keeping my expression nonchalant. The effect he was having on me was both instantaneous and unsettling, but also outright thrilling.

“Really?” His eyebrows raised in surprise. “I could’ve sworn that the expression on your face, it was like you were looking at something you loved, but it hurt. Like you were missing it.”

“Nope.” Being in a band wasn’t my thing to miss; I was a listener, a lover of something that I had long since realised I could never make myself. And I’d made my peace with this.

“Alright, then.”

“You didn’t answer my question,” I said. “Do you miss it?”

He turned towards where Trifecta continued to perform, the guitarist hunched over his guitar and the drummer baring his teeth intently. His startling eyes remained on the makeshift stage for a pregnant moment. His shoulders lifted slowly as he took a ragged breath.

He turned back to face me. “All the time.”

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Carlito
Review
Carlito wrote a review · Mon Nov 02, 2015 9:51 pm

Hello again! Same idea as before :) (I apologize in advance if I repeat something that's already been said!)

On the wall farthest from the doorway there was a massive widescreen TV, with a pretty impressive looking sound system, which was, I assumed, the point of origin for the ridiculously loud music which had, up until a minute ago, been giving me a thumping headache.

This is a very long sentence.

which looked like it was open to the same tuning app that Eugene used

How would she be able to tell from her vantage point?

A crowd had begun to gather in the rumpus room

New paragraph here because you’ve switched from dialogue to what’s going on in the room.

I briefly considered demanding an explanation, but with Freddie, that would involve making a scene, and I didn’t want to give him the satisfaction.
As much as I really wanted to storm out in a fit of righteous anger

This feels a little repetitive with the part you have before it – hence why I cut the little part before it. This is more emotive than that was.

The hubbub of chatter quietened in response, and a thrill ran through me. It always felt like this for me, the moment before a live band began a set.


The guitarist began with a smile at the audience, then they began to play.

I’d do a new paragraph for this line just to give it more punch. Also, is there a way to eliminate the repetition of “began” here?

Love your descriptions of how the music impacts her! I feel her emotions right alongside her.

my words were directed by a dark-haired boy in a leather jacket, who frowned at me curiously.


We called ourselves that after Cara .

After Cara what? After Cara left?

Freddie’s words from earlier entered my mind

New paragraph here because you’re switching focus

Was this why he was talking to me , just because of some unwritten rule – if Freddie hadn’t been talking crap, when he’d been talking to me about kissing someone earlier – that came part and parcel with these parties?

I thought that slashed part was confusing.
New paragraph again because you’re going from remembering back to her inner monologue. Also, I would specify who “he” is because two guys have been mentioned recently (Freddie Hayden). I know Hayden hasn’t been named yet so you could call him “this guy” or “this dark-haired boy” or something like that.

“Why are you telling me all this? Not to be rude, but I have no idea who you are.”
He shrugged. “Sorry, I kind of don’t know when I’m supposed to shut up. You just had this look in your eye, when you were listening to them play. I dunno, I just thought you’d like knowing that there used to be more of us.”
“It’s okay,” I said. “I just thought it was a bit weird, was all.”

I thought this exchange was a bit awkward.

That's all I have! The story is starting to pick up now, and it's really entertaining to read. You have a great voice and great characterization :)

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Demeter
Review
Demeter wrote a review · Wed Jan 28, 2015 2:43 pm

Hey Sarah!

Here it comes - my first red star review! Ahhhh!

I like how this part starts immediately where the previous one left off.

I like your descriptions of the music bits. I’ve never been an actual music person, like of course there’s music that I really like but I could probably live without it if I had to, so it’s really nice to read about how other people/characters feel about music. You do it in a very real way. Also, “I was a cocktail of exhilaration and desperation” - very nice!

I’m not sure I understand - how does Cara’s name prompt the name Trifecta? The boy at the party said they called the band that after Cara, so I’m a bit confused.

I like how you use music-y words even outside music scenes, like “my heart started to race in syncopated beats”. It really strengthens Liv’s character and her love of music even more.

I can't actually think of much more to say about this part - except I wonder if this mystery boy is Hayden Beaufort... :o I guess I'll find out! As always, I like your prose, and your beginnings are always hooking and your endings snappy and inviting the reader to the next part, which is really good. I feel like even though she met and chatted with this boy, this fourth part was more like the premise to the next one, without that much actually happening in this one. But that's completely alright!

And thank you for providing me with something fun and interesting to read and earn my red star with! :D


Demeter
x

Thank you! Congrats on the star! :-)

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LittleFox
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Hi, LittleFox here!

Your writing style is so captivating and enjoyable to read! Each detail and description fits into its place very well and fluidly. And the pacing and length of each part is just right to keep the reader hooked in. I have nothing to offer you but praise!

:) Thanks for reading!

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StellaThomas
Review

Oh hey!

Zomg I actually am in love with this story. It's just so good xD I don't have a whole lot of critique of this chapter, it was really strong and you should be proud! But this review would be pointless if it was just full of praise so here is my main issue - sometimes, I think you say things in the wrong order.

For instance, let's start with when the band starts playing. Now obviously, the song builds, but we don't really get much of an essence of the song progressing. Instead, Liv talks about them by saying "yeah, yeah they're alright" and ends with "OMG SIGN ME UP AS A GROUPIE". And there's no moment where her mind changes, she closes her eyes and gets lost in the song - but can you get lost in a song that's just okay? Which is why I feel like you need her to really express her love for the music *before* she gets to the emotional part. And/or describe the song as you go. The beginning chords, the verse, the chorus, all that jazz. Let us know the exact moment where she begins to love the sound instead of just like it. I felt that the whole sequence didn't hang together quite right the way it is, something feels missing from it.

Similarly, though a smaller point - I love the slow introduction of Mystery!Boy's appearance. But I feel like when she mentions her eyes in the muted light, it's like she's already noticed them and forgotten to tell us. I feel like you should always start with someone's most striking feature - is it this "tall" presence (loved that, by the way). Or the near-orange eyes (I had a crush on a guy with eyes like that once too!)? But instead he's just a dark haired guy standing innocuously by and we don't get any kind of a rush or spark at his first introduction. And I feel a bit of rearranging would make us hold our breath.

Other than that, great job!

Hope I helped, drop me a note if you need anything!

-Stella x

Yay! Glad you like it :-) . All the stuff you've pointed out really helps - it's the kind of things that I needed a heads up about for my rewrites. Than you so much!

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Noelle
Review
Noelle wrote a review · Sun Oct 26, 2014 9:26 pm

Hi there! Noelle here for a Review Day review!

So, with this opening scene, I got the idea that she and Freddie were the only two in the room. Then all of the sudden, there was a whole crowd there to listen to the band. Maybe mention the crowd a bit earlier so it's apparent that they're there? I was a bit confused when I read that the chatter had died down as the band started playing.

“Okay.” I nodded, not entirely sure why he was telling me this. Maybe it was bitterness, towards his former band mates. He had a bit of an ego, that was for sure, because for all his talk of catching fame, I’d never heard of them, neither from my own Internet searching for music nor from Eugene’s encyclopaedic knowledge of local music. Freddie’s words from earlier entered my mind: at a party like this, it’s practically an expectation that you’ll end up hooking up with a stranger. Was this why he was talking to me, just because of some unwritten rule – if Freddie hadn’t been talking crap, when he’d been talking to me about kissing someone earlier – that came part and parcel with these parties? I narrowed my eyes, and asked, “Why are you telling me all this? Not to be rude, but I have no idea who you are.”

Sorry to pull out such a big chunk, but I wanted to point out that this paragraph is a lot longer than your other ones. It's always nice to stay consistent with paragraph length. Readers will know what your style is and they'll be expecting it. Not to mention, longer paragraphs are harder to get through and stay focused while reading them. Readers are lazy like that xD I'd suggest breaking this up a bit. Maybe make it two paragraphs instead of one.

Gah, what is this boy's name??!! I really want to know! He's Hayden, isn't he? (I bet he isn't. I'm usually completely wrong when it comes to things like this.) Now, I'm not saying that you need to give us a name in this chapter. I know that there's a good reason that you're withholding the name from us. Maybe we'll find out in the next chapter, or maybe we just won't find out at all. Maybe he's just a nameless character that comes in to make the main character think about something specific. Who know. But dang do I want to know his name!

Overall, another great chapter here! I'm with Blue, this chapter is brilliant! The only things I pulled out were nitpicks. It's wonderfully written and really moves the plot along. It was nice to see how Liv felt listening to the band play. She really gets into the music and I can tell she's just dying to get up there and play for herself. You incorporated her feelings very nicely.

I'm looking forward to more!! :D

Keep writing!
**Noelle**

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artemis15sc
Review

Hey, so I'll admit, I was a little worried you'd given up on this. But I understand needing more time to write sometimes, and it was definitely worth the wait. Even though I hadn't read in a while, I was able to jump in where I'd left of without getting lost, which I credit to your writing ability.

I don't really have any major comments. I think it's progressing nicely and you're doing a great job of foreshadowing things. I'm assuming we just met Hayden, and we know what's going to happen, but at the same time, I don't know what's going to happen. I feel like this story is still revealing itself, which is exciting as a reader.

Anyway, I do have a few little stylistic nitpicks.

A shaggy-haired boy of about my own age played a few notes on his sunset-orange guitar, and glanced at his phone, which looked like it was open to the same tuning app that Eugene used.
I would split up the sentence between the guitar playing and the phone checking, just seems like a lot is happening in that sentence and breaking it up would make it read better.

“They’re called Trifecta.” Freddie watched them almost reverently, as they finished setting up.[.quote] The comma between reverently and as seems unnecessary.

Freddie tore his eyes aware from the drum kit, which he had been ogling at to give me a withering glare.
And then I think you need another comma between "at" and "to" since it's an interrupting clause.

“Well, in that case, if you were thinking of dumping us for them, he looks pretty comfortable up there. Theo’d stand a better chance of joining them.”Now it was my turn to glare at him
I was confused about who was speaking here. Logically it was Liv, but something about the phrase "Now it was my turn..." Made me think she was glaring in response to what he just said, even though she was the one who just spoke. Maybe move the glaring clause before the dialogue?

I doubted that they’d sound like a proper band, with a full sound.
"That" is a word we often use unnecessarily, and deleting can make your writing stronger and more concise. for example, here, "I doubted they'd sound..." makes perfect sense. Also at the end of the paragraph, "the music was all that I felt." could be "the music was all I felt."

“Why are you telling me all this? Not to be rude, but I have no idea who you are.”
In my playwriting class we have a rule, don't write subtext. If you're not familiar with subtext, it refers to how something is said, specifically the thought process behind it. Here, the important part is her question, where as, "Not be rude...who you are." refers her thought process and how she says it. However, her thought process is already clear based on the earlier parts of the paragraph, and her intention is clear to be both Hayden(assuming it is Hayden) and the readers so you could again make your writing stronger and more concise by ending after the question.

And there we go, all done. Sorry it took me so long, but please let me know what part five is up. Hope this helped, and happy writing!

Thank you! As always, your advice is very much appreciated. :)

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BluesClues
Review

This will be a very unhelpful review, because this was a fantastic chapter (I thought). However, I wanted to tell you more specifically that I particularly liked the way you described Liv's reaction to the music, even the music itself. Also the way you described her reaction to this boy (who I assume is the eponymous Hayden Beaufort), the way she's not just instantly like "whoa, who is this beautiful dude" and notices his reactions/expressions rather than his hotness or something. And their conversation is so intriguing...MORE, WOMAN.

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Forever is composed of nows.
— Emily Dickenson