Author's Note: I've been playing around with a story about teenagers dealing with depression, since I've had a bit of experience with it and I think it's something worth writing about. Here's a taste of what I'm working on. Let me know how to fix it!
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I have thought long and hard about how to start off our story and I’ve come to the conclusion that beginnings are stupid. Beginnings don’t promise an ending. When I ask people to choose between sunrises and sunsets, everyone chooses sunrises because they say sunsets signify an ending, and that endings are inherently sad. But I disagree. I disagree entirely.
Beginnings, sunrises, first days, they don’t promise that you’ll live to see the end of them. They last for just a moment. Like anarchy; pure anarchy exists for a fraction of a second, because it’s human nature for someone to take control, in whatever small way they can. Beginnings are the same way. Beginnings last for only a hairline of a moment and then they cease. Everything after that teeny, tiny, infinitesimal moment after something first starts is not the beginning, not really. Everything after that moment is story.
Sunsets, however, can’t happen without sunrises. Their very existence relies on there being an entire day to precede it. You can have a sunrise without a sunset; but you can’t have a sunset without first having a sunrise. So when you see a sunset, it’s really truly a miracle. You’ve lived another day. Maybe you won’t see tomorrow’s sunrise, but you saw today’s sunset and that’s not nothing.
So that’s why I hate beginnings. They don’t mean you’ll get to see the end. They are an empty shell, waiting to be filled. And maybe that’s beautiful in and of itself, but to me that is nerve-wracking. There is far too much pressure to fill that shell of a beginning, to make that one single moment of commencement stretch for a minute or an hour or an eternity or even a whole page.
I’m not going to start at the beginning, because that only lasted for a moment and I don’t even remember it. My mom told me I met Toby Franklin and Ocean Tinibu and Bass Burretano at some kid’s birthday party, and we’ve been inseparable ever since. We’ve spent practically every day of every year of our lives together in our small town of Bellfield, Georgia. Bellfield is the kind of place you pass through to get gas on the way to somewhere else, somewhere more interesting. My parents are from Connecticut originally, and my mom always jokes that they’re only here for the great gas prices. But when I was about fourteen, I realized the flaw there: why would you need gas if you’re never going to leave? I never mentioned this to my mother, because she and my father were psychologists and they would probably use my words to analyze me, and I hate that. It’s the reason I’m so quiet; I don’t say anything unless I think it’s worth saying. That’s why I started learning Sign Language. That and because Bass uses it to communicate with his parents and with Toby. Because Bass is partially Deaf. Because he was beaten by his mother’s first husband for being transgender. His father was later killed in a drunken bar fight, and nobody really cared.
This is the kind of town we’ve grown up in, but it’s really not all bad.
We’re in the Deep South, near the Florida panhandle, almost on the coast but not quite. The beach is about a half an hour away by car. The people here are nice, I guess. Front porch sitters, tobacco spitters, bar fighters and normal working people. It’s a small town, a quiet town but we love it, even though we don’t know why.
So how’s that for your beginning? It’s fleeting and sprawling and a little ugly, but I think it’ll do, don’t you? Can we get to the good stuff, now?
It was Toby’s 19th birthday, and the whole gang celebrated at her favorite restaurant, The Grind Cafe. Ocean worked there during the week as the main cook.
Ocean sat across from me at the table. She rubbed the back of her shaved black head absentmindedly, displaying one of her several arm tattoos as she talked to Toby about… I don’t know, girl stuff. A ring sat precariously in the left nostril of her squat nose, and her small, carefully pressed ears had been stabbed through several times with various piercings until only a small part of her earlobe– which she tugged on often– was visible beneath the jewelry. The piercings in her ears jingled when she walked hoppily about, like a dark, oversized owl.
Ocean wasn’t working that night and we’d all taken our antidepressants so everyone was in a grand mood.
Next to me, Toby sat, radiating as usual. Her bright grey eyes (I don’t think grey eyes should be bright, but Toby’s were, I swear) roved everywhere, never resting in any one place. I’d often asked her what she was searching for, but her answers were always laughed and vague. She wore her long black hair swept up into a bun, and liked to dress to hide her petite frame. Countless freckles formed a gorgeous constellation across her small nose, bridging the great space between her pale cheeks, cheeks that must have hurt from all that smiling.
We were waiting for the third part of our trio, Bass, to show up on his Harley and while we did that, we sat and talked with some of the regulars, like Old Man Robinson, an ancient remnant of the Old South, minus the racism. He said he remembered his grandfather buying slaves so he could free them. He’d spin tales about working on the Underground Railroad. He was a man so scared of the shadiness of his ancestry that he spent most of his time trying to convince people that he was not racist. We weren’t not sure of the accuracy of his stories considering he was about 104 years old and so stubbornly set on living, the tiny local hospital had to let him go back home because he was only taking up a bed and a room. So he practically lived in The Grind. At this point, we were so far into one of his stories about his best friend who was once a slave that we didn’t even hear Bass’s unmuffled motorcycle pull into the lot outside.
“I’s jist about ter tell ol’ man Jenkins not ter turn m’friend Langston intuh thuh ‘thorities when I turnt around’ ’n Langston was gone!” Old Man Robinson cried, his hands waving around to show where his old friend Langston ( yes, of the Hughes) had been. We all tried not to laugh at this ridiculous story, and just as Robinson finished with “and that was my buddy, Langston Hughes, tha’s right,” Bass banged the door open and strutted in like he’s on a runway. The rain slicked down his usually spiked brown hair, the ends reaching out for his bushy eyebrows set above melting brown eyes. His long, thin nose came to a point like an arrow toward his often laughing mouth. He was in full leather– black leather jacket, leather gloves and too-tight leather pants that revealed a little too much of himself.
Finally, we all snapped. Ocean, Toby and I took one look at Bass’s leather pants and suddenly, we all practically fell over each other, spittle from our snorts absorbing the grease on the floor, turning a rather odd brown.
“What?” said Bass, spreading his legs into a defensive stance and we all lost it again.
“T-take tho-HO!-se things off, Bass,” Ocean gasped, pointing limply before dissolving again into her laughter. Bass probably couldn’t hear over the crowd in the cafe, so he signed to Toby. I translated quietly to myself, still learning.
What? What’s wrong? Why are you crying?
We’re laughing…Your pants. Toby’s shaking laughter broke up her signs. They’re revealing. Bass looked down at himself and cracked a smile.
“What’s he saying?” Ocean sighed after regaining herself.
“He was confused, he thought we were crying,” Toby said, still signing so Bass would fully comprehend. We found a quiet booth at the back so Bass could hear a little better. We ordered a round of cokes and a huge plate of fries, our usual.
“I didn’t bring anything to change into,” he said, still signing. A thick Deaf accent pervaded his speech and he said, “You’ll just have to control yourselves. I know I’m too hot to resist, but you’ll have to try.” He struck what is, in his mind, a model’s pose and Ocean snorted, sending Coke flying all over the grease-stained table. We flagged down a waiter– his name was William, and he was in the grade below us in high school– and got some napkins. Finally, the hullabaloo subsided and we could talk like normal people, with Toby and Bass still signing to make sure nothing got lost in translation.
“I seriously hope you guys didn’t plan anything for my birthday,” Toby said sincerely. She was not the kind to passively suggest anything for herself. “Y’all know I hate surprises.”
“Then you’ll hate pretty much everything that’s going to happen after 8:00 pm,” Bass said, grinning madly.
“Oh, no,” Toby groaned, and we laughed. We all knew she was serious about surprises but we couldn’t help picking on her once in a while.
“At least tell me it’ll be better than last year,” she said, sipping her Coke. We all sobered up immediately, remembering the disaster of a party we’d thrown her last year. It’d been at the bowling alley, after hours, and we’d thought it’d be cool to put a petting zoo in the alley as both a prank on the owner, Jim, whom we all hated, and a surprise for Toby, who hated surprises but loved goats.
Needless to say, the bright lights and loud bangs of the bowling balls scared the everliving crap out of the goats and miniature ponies and whatever else was in the petting zoo. One particularly nasty goat named Peter led a revolt against the trainers, broke his comrades out of the petting zoo and invaded the bowling alley, careening wildly into everyone in their path. Dander flew everywhere, people ran screaming into the streets… As pranksters, it was some of our best work.
As people, we knew we’d reached our limit. So that year, we were back to conventional parties– perhaps with a bit of fireworks, because who could resist some of Mary Joe’s homemade firecrackers? Nobody, that’s who. Nobody in these parts, anyways.
“Oh, my God,” Toby said, stuffing some of The Grind’s classic grease-laden fries into her mouth. “God, these are the most delicious heart attack sticks in the Deep South.”
Ocean grabbed a handful and put them on a separate plate, slathering them with mustard. That’s right, mustard. The woman was strange, and I told her so many times.
“Get that crap outta here, Ocean,” Bass complained, waving a hand in front of his nose. Bass couldn’t stand the smell of mustard, so Ocean made as if to move away and then attacked him with the mustard-encrusted french fry.
“Hey wha–AAARRGH!” Bass roared and flailed wildly, mustard splattering across his face and pristine black leather. “What the hell Ocean, this stuff was expensive!” he cried, grabbing for napkins.
“You actually paid money for that thing?” Ocean asked, calmly slurping more Coke. “I thought you’d lost a bet.”
“Hey, shut up, okay.” Toby turned to me, her grey eyes laughing but one hand covering her mouth.
“Even Teddy thinks they’re stupid,” said Ocean, as if my fashion expertise is proof of the ridiculousness of Bass’s clothes. “Don’t you, Teddy?”
And now I’ve just realized I’ve forgotten to introduce myself.
I’m Theodore Jackson. But you can call me Teddy.
Points:
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Canary word: Present
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Hello!
You have a really beautiful, flowy style to your writing. I like that a lot.
Some nit-picky things:
Try to avoid "you"/"your".
Also, nearly everything before now was an info-dump. I really liked the metaphor about beginnings, but then starting here:
to the first thing I quoted, was an info-dump, and info-dumps are boring because we have no context. I know they're a tempting way to start a story (and I've certainly been guilty of my fair share of info-dumps), but try to weave all of this into the story in other ways. Like when the reader meets these friends, you could have a few sentences about how the narrator met them and descriptors like "x is transgender". I honestly don't remember any of their names or what their life circumstances are (except that one of them is transgender).
Also, this is suuuuper nitpicky, and really more of a pet peeve but,
this is such a cliched view of psychologists and it's not true. Psychologists don't analyze every single person they encounter anymore than anyone would.
Would people living in the deep south in today's times really refer to it as the deep south? I don't live anywhere close to the south so I wouldn't know :p
Not necessary.
Like I said before, I love your style, and I love the voice. It's real, and it's unique. Personally, I think those are harder things to get right, so well done.
Assuming you're going to go forward with this (which you should because the world needs more diverse books and I think based on the cast this could be interesting), a couple of things I think you should keep in mind:
1. First with this part, the plot. So far we have a metaphor, an info dump, and then everyone hanging out, but no plot. Think about what everyone wants/what everyone's goal is, what's standing in the way of that, and what will happen if they don't get what they want/achieve that goal. What's the conflict. What are the stakes.
2. The characters. LOVE the diversity. My issue right now is keeping everyone separated in my head. They were introduced so quickly that I don't have a good grasp of who everyone is and which one is transgender, and I literally have no idea what any of the other descriptors were about what made each of them unique. Maybe try introducing them slower, one or two at a time so we get a better feel for who everyone is. The names are cool, but they're also unique enough that they're kind of throwing me.
3. You haven't done this, but just another thing to keep in mind. You mentioned at the beginning that you want it be about teens with depression -which I think is great. We need more books that authentically depict mental illness. My only bit of advice, would be to try to keep it from becoming cliche. Personally, I love reading books that tackle mental illness but I feel like most become cliche, or they're all about the mental illness without anything about who the person is (if that makes sense). I think All The Bright Places by Jennifer Niven is an excellent depiction of mental illness. It's about depression, but it's about more than just depression. Or think of The Fault in Our Stars by John Green. It's about cancer, but it's about more than just cancer. Just some food for thought as you keep working on this! Take it as you will
I'd love to keep reading this as you post more!! I'll try to keep an eye out for it, but if you'd like me to keep reviewing it, feel free to PM me or post in my Will Review for Food!
Let me know if anything I said is confusing or you have any questions!
Thank you for your awesome review! It's not often I get something so thoughtfully written. I'm working right now to break up that infodump, because honestly I didn't even notice how dumpy it was!
Allow me to clarify a few things for you.
The you/your thing is Teddy's voice. That's who he is. He likes to address his readers directly. I wrote him that way on purpose.
The info-dump is getting fixed; thank you for pointing it out! I am terrible at editing, but I'm working on shuffling that information around, weaving it in, like you suggested.
The psychologist thing is a stereotype, but I actually need Teddy's parents to be that stereotype for the story to work. Not every psychologist is like that of course, but Teddy's parents are and it's important that they are like that.
The Deep South thing is one of Toby's colloquialisms. Being from the Deep South, we actually do sometimes use that kind of terminology, but Toby's a little different from the rest of the clan, and so would say things that the others wouldn't normally say. Perhaps what you mean is for me to better present Toby more significantly different, so that that term won't seem to out of place. I'm working on that! Writing is hardXD
The last three lines are my favorite, so I'm sorry that you think they're unnecessary but I love them and I'd like to keep them. Also, again, the Teddy's voice thing. That's his style.
I would actually like to ask you for some advice on how to avoid cliches in the story about mental illness. I'm terrified of flattening the plot (which I'm also working on including in this chapter, as you suggested) to a stereotypical mental illness issue. Could you maybe PM me some ideas on how to writing authentically?
Thank you so much for your review! I'm working on improving according to your suggestions, so not to worry; your effort hasn't gone to waste! Talk to you soon!
No problem at all! I'm glad you found it helpful! Sending you a PM
I'm about to post a scene from the second chapter of the story, if you'd like to give your opinion on that, as well. Warning: it contains another character dump! (Sorry, I'm working on fixing it!)
I'll look at is asap!
Haha and no worries!
Awesome beginning, Royal!
The entire thing seems to be flowing like water. It's easy, and just feels right, if you know what I mean. I'm not going to try to nitpick. thealmightypencil has already done that pretty well. I'll be blunt. I'm running low on inspiration lately, and this will make things easier for me. Sound selfish much? Lol.
Say, is The Compendium of Truth related to this?
And it so turns out I haven't read all of the stuff you put up here.
What happened to Better Things, by the way? I've been wondering about that for ages.
Nah, the Compendium is just a rip off of 1984. My dad kept hounding me about writing that story for three years, but I only have like seventy rough drafts to show for it.
Thanks for your review! You're so good to me. With Better Things, I simply hit a road block. I wrote myself into a corner and I couldn't figure out how to go forward. I'll let you know if anything comes of it. Thanks so much!
Hello there! Number one, I loved this story, and I will discuss why I adore it at the end of my review. First, I will start with nit picks and suggestions. I just wrote them down as I read through.
"That and because Bass uses it to communicate with his parents and with Toby. Because he’s partially Deaf. Because he was beaten by his mother’s first husband for being transgender. His father was later killed in a drunken bar fight, and nobody really cared."
The use of pronouns here causes some confusion here. You mention Bass (who I assume is male), toby (Not sure if they are male or female), and parents (which includes a father) in one complete sentence, and then use "he" is the next sentence so it's hard to figure out which one you're referring too, which is important because you include a lot of important background for either Toby or Bass (I can't tell which one). Also the paragraph that ends with that sentence could be broken up. You jump topics a lot throughout it.
"So how’s that for your beginning? It’s fleeting and sprawling and a little ugly, but I think it’ll do, don’t you? Can we get to the good stuff, now?" I love your narrator. Maybe because I'm a writer myself, but I find his tangents and stray thoughts very amusing and relatable. I usually warn against first person, so much of the character is in the narration that it works very well for you.
"It’s Toby’s 19th birthday, and the whole gang is celebrating at her favorite restaurant" If you are going to have your narrator be a character writing the story that he is also in I think you need to be in past tense. Your narrator can't write about events that are happening right now. He's recording what he witnessed, so it should be in past tense.
"a small part of her earlobe– which she tugs on now– is visible beneath the jewelry." I love Ocean's description. It is vivid and flows well in the story. It does not seem out of place, but on grammar, a phrase with "which" should be set off with commas, not dashes.
"we’ve all taken our antidepressants so everyone is in a grand mood." I love this detail. It does multiple things: presents the connection between the characters (depression) without stating it outright and implies the group's attitude toward their depression, or at least the narrator's. It is something they are blunt about and mention casually, but you get the sense of bitterness towards it as well.
Toby's description is also very well done. You state physical details, but do so in a way that describes Toby's personality as well, especially the eyes. I usually don't like it when people just state eye color (because that doesn't tell me squat about the character) but you add to it with their unusual brightness and how they move to let me know that Toby is energetic and a bright personality. One question, it is unclear to me as a reader whether Toby was assigned male and identifies female or the other way around. You might want to consider clarifying that.
"We’re not sure of the accuracy of his stories considering he’s about 104 years old and so stubbornly set on living, the tiny local hospital had to let him go back home because he was only taking up a bed and a room."
I think you need to replace the comma after "living," with "that" if I'm being nit picking your grammar right. On another note, I found this passage about Old Man Robinson very much. It's good to see you are including minor characters as well. It gives the story a sense of depth and setting. This town is alive with other people besides the main gang of characters.
For Bass, CAN YOU BE ANY BETTER AS DESCRIPTIONS!? Like really, great job at making physical traits sound interesting.
"we are all on the ground, tears absorbing the grease on the floor, turning a rather odd brown." I'm sorry, but I can't imagine the motion of everyone falling on the ground realistically. It doesn't seem like something someone would do in public, to just fall on the floor of a restaurant. Of course they're teenagers, so who knows.
"Bass is partially deaf" Didn't you already mention that fact? There's no need to repeat it.
"the bright lights and loud bang!s of the bowling balls" Small error. Remove the "!" in the middle of the word "bangs"
"And now I’ve just realized I’ve forgotten to introduce myself.
I’m Theodore Jackson. But you can call me Teddy."
A very clever ending to a first chapter! I was wondering if I missed the narrator's name some where! One grammar thing; the last two sentence can really be one. I usually try to avoid starting sentences with "but" or "and"
Overall, this is a great first chapter. You set up the tone of your narrator, introduce the setting, and introduce the characters in a way that flows well together and does not fall flat. I feel like I got a glimpse at what they are like, but can tell that there is more depth to them, which I hope you will reveal later. It has a good sense of humor too. I love how your narrator hates beginnings. It was clever and relatable because I also hate beginnings (what writer doesn't?). I can already tell each character is very distinctive and they don't come off as flat or embodiment of stereotypes. Please keep writing! This story, and you as a writer, have a lot of potential! And I really want to read more.
Thank you so, so much! I totally didn't even notice that thing about the pronouns, so thank you for that! I'll edit and re-post the new version.
I'd been toying with the idea of changing to past tense, and you've just allowed me to decide once and for all. I think it flows better with past tense.
Thank you for all your praise! Whether it's deserved remains to be seen but thank you! XD I will let you know when the next chapter thingy is out. Thank you so much for taking the time to write your wonderfully helpful and uplifting review! See you soon!
It's no problem at all!