Panatar knew better than to question Father's judgment, but Father seemed to be going slightly insane. Why they stood in line at the gypsy stall was beyond his comprehension. Hadn't Father always preached that the few who could tell the future were too disturbed by what secrets it held to even pretend to examine it? Hadn't he always scorned card readers, palm readers and crystal-ball gazers? He'd labeled them con-artists and denounced their trade as thievery. Yet he stood hypocritically at the door of the palm-reading stall.
The polished cherry-wood door swung open, and a woman walked out with her baby in her arms. She sobbed miserably. Panatar's eyes followed the woman as she scurried down the steps hurriedly. He felt a shiver run down his spine. What had gone on inside there?
“Well, well. Look who we have here!” The voice that spoke was filled with glee. It was high pitched and edged with a thin layer of sarcasm. “If it isn't Cimrial. And you brought your son Panatar with you.”
“Indeed,” said Father. “It's lovely to see you again, Balirin.”
“Oh, shut up Cimiral,” Balarin said. “If you so enjoyed seeing me you might think to pop in more than once every five or so years. But, step inside anyway. If you have brought the coin you are entitled to the reading.” She sounded mad. How did Father know her?
Panatar stepped backwards, “I'll just wait-”
“No. You too boy,” said Balarin. She shoved him through the door and stepped back into the building slamming the door behind her.
“So.” Balarin paused for dramatic effect. “You want Panatar's palm read.”
Father covered up the stunned expression that had briefly crossed his face, but despite its brevity Balarin seemed to have caught it.
“I didn't need to read your palm to tell you that one,” she said. “I'd be naïve to think that you would bring your son with you to get your own palm read.” She smirked. “Now, while I respect your desire to keep your own future hidden from your son, I would expect you to do him the same courtesy and allow him to keep his future to himself.”
“Balarin, I expected nothing less.” Father promptly turned and left the room. Panatar looked towards Balarin coldly. She met his gaze, but while his eyes were cold, her's held a manic gleam.
“Oh, a young skeptic!” she seemed excited. “Good. Your father's raised you well despite his numerous short-comings.”
A pang of aggravation shot through Panatar. He knew that the mad woman was trying to draw this exact emotion from him, but he couldn't fight it. He knew she would ridicule him further for his response, but he didn't care.
“I don't know who you are, Woman. I don't know why my father would waste his money on such an obvious fraud, but you have clearly deluded him. You might be getting paid for the cod that you claim to see in my palm, but you are not getting paid to ridicule me. Now do your job and let me begone.”
Balarin opened her mouth to retort, but no words came out. She looked... shocked. Panatar watched her face. She beckoned him forward uneasily. Her manic smile melted slightly. Good. She couldn't respond. Panatar followed her to the desk at the edge of the room, trying to keep his grim satisfaction off his face. Balarin sat down at the opposite side of the desk.
Panatar's gaze shifted to her unsettled face. Her eyes that had seemed so confident before were red and puffy. She turned on the lamp on the desk. The light reflected a tear rolling down her cheek. She was crying? His words had been harsh, but her former demeanor had been remarkably confident. Was she hypersensitive as well as mad?
But then, just as quickly as she had become unsettled, a confidence returned to her. The maddening gleam that had dwelt in her eyes seemed to have abated, despite this apparent return of confidence, though.
“Kindly place your palm on the white circle,” Balarin said. Her voice had lost it's lunatic edge. In fact, Panatar thought, without the raucous laughter and demonic eccentricity that had filled it before, her voice was fairly normal.
Panatar moved his hand uncomfortably onto the white circle that had been perfectly painted on the ebony desk. Balarin placed her hand over her eyes before returning it to the desk. He felt her gaze penetrating his flesh. The tingling feeling of her eyes caressing each fold in his palm made him shiver. She seemed to peer past the flesh, almost through the hand itself. The usual dark hue of her irises glowed a bright purple.
He watched the expression of Balarin's face. Once or twice it contorted in seeming fright. After what seemed like an eternity, Balarin lifted up her own palm and placed it once again over her eyes. Just as quickly as it had begun, the reading was over.
Points:
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Canary word: Present
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Hey Master,
Finally here. Sorry it took so long.
Comprehension. I don't know, it sounds like you're trying to hard. Try something simple:...was beyond him.
"Begone" is usually a word used to cast someone away. It's what I say to my younger cousins when they're annoying me. So you could just say "go" here.
I don't know if I've mentioned this already, but it's a good idea to post short re-caps of the previous chapter at the top of every new chapter. I used to do that all the time with Clover's Curse in case people forget what happened. Now I post all the chapters in the same thread so I won't lose track of anything.
I like the names you give the characters. They are interesting and creative. However, the perspective switches are a little mind boggling. There are just so many of them. I don't feel like much happened in this chapter, only because it's so short. Still, even with a not so long chapter, you could make it a little more memorable. The whole palm-reading scene with the seer was...interesting, Balirin's character makes me laugh. And the dramatic ending was good too. But..that's all. It was just good. From what I read of your work, I see that you have the capacity to make this an impressive peice of work.
My advice to you is to try to lengthen the chapters, but not with adjectives and verbs and all that other crap. Make the plotline a little more interesting. Shake things up a little. I want to read something totally unexpected.
Sorry I couldn't give you much more feedback. I know, I'm useless. But I will loyally continue to read your story.
Dream.
If his father seemed to be going insane, why wouldn't he question it? I think you should have Panatar actually question him in the beginning. It'll bring a little mystery at the beginning of this to draw us in more. Ask something like, "Why are we going to that place of thievery?" Panatar grimaced.
Something like that. You need a better opening line as it sets the mood more the rest of the story, or begins it, at least.
This line seems fake. Which i think it's supposed to. Sarcasm almost. However! You don't mention it. You should say something like, "Indeed," said Father. "Look, I don't have time for foolish welcomes and catch-ups. Let's get started." It's not like this line is bad, it just doesn't seem to fit.
You need some imagery! What did it look like inside? Did the walls have cobwebs on them? Was the room dimly lit? Did Balarin where shawls and costume jewelry? What does Balarin look like? Feed us these little details, they add up.
Why would the Father be stunned to hear that question? It is very obvious that is the reason Panatar is here is to get it done. So, by having him be 'stunned' is redundant and foolish. We already know that this is his intention.
Why would Balaring be excited to know that Panatar doesn't believe in gypsies? Other than th fact that she might prove him wrong and give her the satisfaction. However, you don't have Balarin prove him wrong in this chapter. Maybe the next part you will, who knows?
"Begone" hsould be "Be gone" I believe.
If her eyes were red and puffy, why weren't they when Panatar walked in? You say that a woman and child walked out crying. She should have been sad about the bad news she gave them. So, this is just a little plot hole you need to patch. Have it in the beginning that Balarin is slighlty sad but cheers up at the sight of "Father".
So, she is indeed magic. This is a good description. Use more of this type of description throughout this piece!
You contadict yourself here. You say, "What felt like eternity..." Then you say, "It was done as soon as it started..."
Fix it.
Overall: This could be a whole lot better. I feel as though these are just words, bring them to life! You need more description. I had no clue where I was during this piece. Was I at a carnival, a dessert? where? Decribe the scenary.
---Jon---
Hiya!
Took me awhile, but I am here! And be warned I've been doing a lot of shred critiques lately, so this might be long.
There are a few too many prepositions here to make this sentence really clear. "To even pretend to" is one rather clunky bit. The beginning is another slight problem, but I'm not sure how you can fix it.
Try reworking this sentence so their are a few less "to/o"s and other small words to make it clearer.
"Readers" is a bit repetitive here, especially since you mention "readers" again in the next line. (But here is the place that it's mostly repetitive)
I find that "scurried" implies that she hurried down the steps.
Just pointing out that in the first name, the "i" is in front of the "r" and in the second name it's after.
I look forward to this question being answered in the future. ^_^
You're so good with commas in the rest of the work! You're missing one here after "building"
I don't think "covered up" is the right expesion here, since it implies he used his hand or something. I'd use the term "hid"
Hm, I'm not so found of the sentence ending on "room." Since we don't know how many rooms are in the place, he sort of vanishes into nowhere. Mention what room he goes in, please.
"Cold" is slightly repetitive here.
"That the" is usually a combenation I try to avoid in writing. It reads as clunky to me. I'd replace it with "this" for better flow, and it's a bit more demeaning to her.
Nice little bit of characterization here. Showing a trait of smugness because she couldn't respond from his words. It bugs me a little that there is no confusion that she didn't rebuke him, but I like the characterization better. ^_^
I don't feel "though" does anything for this sentence. It made me a bit confused.
A couple of things that are tricky about thoughts: They should be in italics, and they should be in first person, usually present tense. I know that there isn't much room for these thoughts being first-person, but it would be more obvious this line was his thoughts if it was in present (or at least past) tense.
However, since you don't really use italisized thoughts in the rest of this work, I'd either get rid of the "Panatar thought" and make this part of the prose, and/or drop the past perfect tense from it.
And the reason I'm talking about this so much is, I'm having a hard time understanding this line the way it's currently worded.
~ "Eyes" is a bit repetitive here
~ I really liked the description otherwise. ^_^
"Seem" (as a root word) is a bit repetitive here. (What I mean by root-word is that "seem" is the start of "seeming" and "seemed")
*
Repetition: It could be that I've simply trained myself to look for repetition over the past little while, but I found a lot of lines repetitive here. You have often beautiful description otherwise, but the use of the same words or root words to describe things drags it down, I find.
Characters: Hm, I found it a bit hard to get into the MC's head. I think it was because there had been so much time between his last viewpoint chapter and this viewpoint chapter that things felt a bit disjointed. I find there could have been a few more clues of the setting before hand to not have us wondering who this person is right from the beginning. I remembered who Panatar was at the fortune-telling bit, but perhaps throw in some mention of night or rain before hand? If I remember correctly, that was the setting before.
Overall: I liked some snippets a lot, actually. I just found that the repetition dragged some sections down. I liked a lot of the character's lines, and the beginning line had me chuckling.
Not exactly your best, but these issues should be pretty easy to polish up. ^_^
Questions? PM me.
~Rosey
Hey Yoda =]
So... I really have nothing bad to say about your writing. You make it vary hard for me to give you a proper review
I couldn't find any nit-piks - that's not to say that others won't have any either.
I liked how you described Balarin's voice and eyes, and I could really sense her madness
I think this chapter is good as it gives the reader a, break - for want of a better word - from the main plot.
I would have liked to have known a little more on how the palm reader looks though - but I'm sure you'll tell me that that's coming up in the next chapter anyway
So that was my not very helpful review.
Keep up the good writing and I can't wait to read chapter four part two!
xDudettex