E - Everyone

Bad Lights, Good Lights [Chapter 8.1]

Saturday, 20th April 2014

The cool morning air met Damon and me once we stepped out of Sarah’s car, intent to make the chilliness in her car to prolong. I was wearing a collared, long-sleeve turquoise shirt with a white jacket hugging it to make my body shape less prominent. It reached the middle of my thighs to cover my butt shape, which was layered with a navy blue jean. The pale pink scarf wrapped my head with its end tucked into my shirt.

I watched as the car drifted away from us, and when it was out of my view, I tuned my attention to Damon. I couldn’t deny I liked what I saw. He was wearing a peach cardigan that showed the lines of his athletic body, and a simple black trek bottom. His hair was spiky as usual, and his eyes were sharp. I realized I noticed they were like that because he was staring at me with raised eyebrows. A warm blush placed itself onto my cheeks, and I turned away.

It had been a while since I checked out a guy like this, and I knew I shouldn’t. Not in this situation, and definitely not on someone with an attitude. I really shouldn’t appreciate a guy’s appearance too much. But then again, I rarely interacted with guys, and mostly I was with Sarah. Having to be with an attractive—objectively speaking—guy like Damon wasn’t a scenario I had went through many times. We were both by ourselves in this seemingly deserted area. Islam forbid it, but it dawned on me we weren’t exactly alone. Two lights accompanied us, and their presence was as much as equal as two people.

My silence and stillness must be a bit too long, as Damon spoke up. “What’re you doing standing there? We have a job to do,” he said with a no-nonsense flat voice. “Don’t waste my time.” Yup, this guy had a dislikable attitude. I definitely wouldn’t fall on him.

Glad he didn’t figure out the kind of staring I gave, I turned to him with a frown. “At least try to observe the surrounding,” I said, not bothering to hide my irritation.

Under the warm sunlight, I looked about us. The ground was mostly unattended, typical construction workers’ home. The ground, supposedly carpeted by hard brown sand, was mostly scattered by artificial gray-to-white small stones instead. Some parts here and there were of sand, but pools settled between them, given the recent rain this dawn. I looked further in front. A dozen meters away from me was the construction worker’s houses, made from zinc and plywoods, and by the look of their tattered surfaces, they were secondhand stuffs. I pitied the workers; they were doing important things, but they weren’t having the luxury others had. But then I realized something, and brushed off my sympathy.

Right now, the place was silent, as it should be—the construction workers started to go to work an hour earlier, according to Imran, who had been passing this place numerous times before to go to his school as a shortcut. There was a still-developing road leading to there here. He was a Form Six student, and that form was different than the other forms since it was basically a step before you go to university; a pre-university stage. Due to that, a school was made for it, given its study schedule differed from previous forms.

I walked to one of the worker’s house, navy blue in colour. I heard footsteps from behind, and knew Damon was following me. I swung away the metal door—lacking any paint—between the house’s side wall, and it creaked open. Inside, I could see a small bed beside the interior wall in front of me, covered with worn brown sheet, and a couple of bare pillows on it. The room reek with musty, male odors, and I had to rub my nose to get used to it. I heard the door croaking again, and I knew Damon had closed it.

I glanced beside me, and saw a wooden wardrobe, leaning a bit to its side as if it lost one of its feet, and looking down, part of its base was actually missing. I was pretty sure if enough force pushed it, it would fall. Beside it was a couple of bags, unzipped and showing some clothes peeking out of it.

I turned back and looked at Damon, wanting to see his reaction to all of this. His eyes were wide and his eyebrows were knitted together, but I didn’t know for what reason until I heard him mutter, “Poor people,” and a wave of irritation washed over me.

Not wanting to see his sad face, I turned to the unpleasant-looking view in front of me. “Don’t pity them too much. You should see them on the newspapers—these foreign workers are criminals taking advantage in our country’s economy,” I said, not bothering to layer the stress of my anger in my voice.

“You’re being ridiculous,” he said, sounding as irritated as I was before. “Just because some of them commit crimes don’t make all of them bad. That’s generalization.”

I wasn’t sure what made me want to be honest with him, but his unwavering sympathy to these construction workers irked me. I snorted, and looked at him straight in the eyes. “Six months ago, three of these supposedly not bad workers broke into my house at midnight. I wasn’t able to recognize them since their faces were masked with their folded shirts—just like when they were working. Waking me from my sleep, they tied my hand with wire of a hand phone charger—my charger while I was trying to make a sense of what was going on.”

I realized my body was shaking with anger, and my voice fell into a seething growl. “They had a machete with them, Damon, a machete, and I wouldn’t fear of it that much if one of them didn’t put it on my neck when I tried to resist them.” Tears started to dwell on the brink of my eyes. “One of them threatened to chop off Mother’s head when all of us—Mother, my brother, and me—were put together in her room.”

“Merah, I don’t think—” Scarlet tried to interrupt.

“We were all tied,” I said, releasing each breath of anger forcefully. “They shut the door and left through the backdoor, taking with them most of our possessions including laptop, hand phones, Mother’s necklaces and bracelets, our money. We were lucky my brother could untie the wire binding his hands, and he helped us untie our wires. Mother rushed to the window and screamed with utmost fragility vibrating her voice for help. Our neighbour checked on us eventually, and Father arrived from the bitch’s house after an hour, and did you know how he reacted to this?”

Damon, looking at her with a frown, and a mouth tightly sealed. I could see his body tensed up with how rigid he now stood. Silence hanged around us like a nasty observer laughing quietly to my emotional outburst.

At my sides, my hands formed into tightened fists. “He got mad at us. He said it was our fault—no, my fault—to leave the backdoor opened and unlocked. I was the last person to stay awake that night, and I was to blame. All of it. Even now, I can still see the dark accusation in his eyes.” I turned to the bed, narrowing my eyes at it. “It’s not my fault. I forgot to lock the door, but they shouldn’t intrude into our house. The construction workers are to blame. If despising them all means generalization, then so be it. If I can avoid the robbers like that, then that’s good.”

Damon was about to open his mouth when I heard the door cracking from behind him. I caught my breath, and before I could think of something to hide ourselves, a man went into the bed. He was wearing a gray, long-sleeved shirt, and a worn out black trousers. He looked at Damon, then me. His thin face formed a frown, and he said with suppressed anger, “What’s good about blaming all of us?”

He closed the door.

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Carlito
Review
Carlito wrote a review · Mon May 02, 2016 6:23 pm

Hello again! Now I can finally start bringing these chapters out of the green room again! :D

The cool morning air met Damon and me once we stepped out of Sarah’s car, intent to make the chilliness in her car to prolong.

I'm glad you started this chapter immediately with the good stuff - them arriving at the next place they're going to have some sort of mission.
The wording of the second part of this sentence was confusing to me and I'm not sure what you were trying to say.

I was wearing a collared, long-sleeve turquoise shirt with a white jacket hugging it to make my body shape less prominent.

I think it's interesting that she made a point to say she's trying to hide her shape. Is there a reason she's trying to hide her shape? Does she feel more comfortable that way? Is she trying to be modest or not show herself in front of Damon?

It had been a while since I checked out a guy like this, and I knew I shouldn’t. Not in this situation, and definitely not on someone with an attitude. I really shouldn’t appreciate a guy’s appearance too much.

Where do these views of hers come from? I'm assuming it's cultural or that it comes from her religion, but since she doesn't really believe in her religion I'd be a bit surprised if that's the reason for her modesty. Was she raised this way? Why shouldn't she check out a guy, why does it matter if he has an attitude, and why shouldn't she appreciate his appearance?

We were both by ourselves in this seemingly deserted area. Islam forbid it, but it dawned on me we weren’t exactly alone.

I have a limited knowledge of Islam. Islam forbid it because unrelated adolescent boys and girls aren't allowed to be alone together because they're supposed to be virgins until marriage and any fraternization with the opposite sex before then is bad, right?
How is she feeling about this situation? She's checking him out and feels it's wrong to do that and she doesn't quite believe in Islam like the rest of her family. So does she feel anxiety about being alone with Damon? Does she feel rebellious?

Two lights accompanied us, and their presence was as much as equal as two people.

Does this change how she feels about the situation at all? Is it a relief that these lights are here, or would she prefer to have some alone time with this guy?

My silence and stillness must be a bit too long, as Damon spoke up. “What’re you doing standing there? We have a job to do,” he said with a no-nonsense flat voice. “Don’t waste my time.” Yup, this guy had a dislikable attitude. I definitely wouldn’t fall on him.

Yeah I'm annoyed with this guy already :P
(But something tells me Merah saying "I'm definitely not going to fall for him" means she's going to fall for him.... :p)

“At least try to observe the surrounding,” I said, not bothering to hide my irritation.

Why? What will observing the surroundings do for them?

Under the warm sunlight, I looked about us. The ground was mostly unattended, typical construction workers’ home. The ground, supposedly carpeted by hard brown sand, was mostly scattered by artificial gray-to-white small stones instead. Some parts here and there were of sand, but pools settled between them, given the recent rain this dawn. I looked further in front. A dozen meters away from me was the construction worker’s houses, made from zinc and plywoods, and by the look of their tattered surfaces, they were secondhand stuffs. I pitied the workers; they were doing important things, but they weren’t having the luxury others had. But then I realized something, and brushed off my sympathy.

Good description of the scenery and where they are - I have a good picture in my head of what we're dealing with here.
"But then I realized something" - what does she realize?

He was a Form Six student, and that form was different than the other forms since it was basically a step before you go to university; a pre-university stage. Due to that, a school was made for it, given its study schedule differed from previous forms.

I'm guessing "he" refers to Imran here. I'm not sure you need this little segment. I think it kind of distracts from the main point you're making here and since we don't spend a lot of time with these characters at school, I'm not sure I need to know the intricacies of how their school works.

I walked to one of the worker’s house, navy blue in colour.

As she does this, I would appreciate some sort of inner monologue about what her plan is and what she's doing. The plan was discussed a couple of chapters or scenes ago and the reader will probably need a bit of a refresher of what's going on and what they're doing. Maybe do that right before this bit of action so we remember why Merah and Damon are here and why Merah is approaching this house.

“Poor people,” and a wave of irritation washed over me.

There are a couple of ways this could be read. Is he saying "poor people" like oh how sad for these people they're living in such sad conditions. Or is he saying "poor people" like ew, the people that live here don't have a lot of money?

Not wanting to see his sad face, I turned to the unpleasant-looking view in front of me.

I think I mentioned this in the last section. This isn't technically wrong, but it's a pet peeve of mine. You could switch this around and make it more active by saying "I turned to the unpleasant-looking view in front of me to avoid looking at Damon's sad face."

“You’re being ridiculous,” he said, sounding as irritated as I was before. “Just because some of them commit crimes don’t make all of them bad. That’s generalization.”

Is this a cause for debate in Malaysia too?! People get heated about this in the US and use the exact same arguments Merah and Damon just used :p

His thin face formed a frown, and he said with suppressed anger, “What’s good about blaming all of us?”

He closed the door.

Oooooh what a fun cliff-hanger!! :D


I'm not 100% sure what they're doing here. I'm sure it was mentioned in a previous chapter, but I don't remember it. One thing to keep in mind is that a reader is probably not going to read your entire book in one sitting, so give the reader little reminders about things happening in the plot. Like when they get here, remind the reader that they're here to do x in case it's been a while since they read about the plan. Keep it brief, you don't need to list out the entire plan and the entire conversation again, just a simple reminder to jog the reader's memory.

The stuff there at the end about the break-in was interesting. I understand her view of these construction workers now and I understand why she would generalize. I hope Damon doesn't immediately jump to her side though. I'm the kind of person that sees good in everyone, so I hope at least one character can still see the good in at least some of these construction workers. :) I'm curious to see how these workers will become important to the plot and what's going to happen with this one that just came into the house!!

Let me know if you have any questions/if anything I said was confusing, and I'll see you soon! :D

Thanks for the review! :D

Well, about the checking on guys part. First, Merah can be easily distracted if she lets herself to check on guys, which is why she doesn't want to do that too much. It's also something she thinks is frivolous, given they're doing something important. Her religion doesn't actually encourage it, but she doesn't think about her religion at the moment. It just seems something unfit for the current situation.

Talking about religion, it's not like she doesn't really believe in Islam. She does. It's just that, and this is something I'm trying to show, she is taught the religion, and practices compulsory stuffs about it, but doesn't immerse herself in that religion. It's something I want to touch on, how religious education doesn't focus on making the students immerse themselves in the ideas of Islam. Many students have huge amount of knowledge about Islam, but don't go deep in it. I'm sorry if I explain this poorly. >.> Religion would certainly play an important part later on.

The construction workers thing is an idea I had last-minute, actually, but one that I thought could connect to the plot... you just have to read on to find out about it. :P

That all makes total sense. I think when she's thinking about Damon and she's upset with herself about thinking about Damon I would try to make it more clear about why that's a problem for her.

I totally get the religion thing too. I'm a Christian and the same thing happens there. We go to church and teach all of the stories and rituals from a young age without always teaching people to develop their own personal relationship with God and get involved at a deeper level. I think it's cool that you're incorporating that into the story. I love stories that subtlety open up conversation about social "issues" or topics like religion :)

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Mea
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Mea wrote a review · Sat Feb 27, 2016 12:21 pm

Hey there! It's nice to see another chapter - it's been a while.

So - I like this. There was a lot of exposition, but I like how she didn't tell Damon about what happened until after they were in the house and it was relevant.

The thing is, this felt a bit out of left field. I don't think you've really foreshadowed it at all, though I do like how it kind of turns into something more about her father than about the workers - that makes it feel more connected to previous events. Just, when you're editing this, go back and slip in something that points to Merah's attitude toward the workers.

The other big thing I thought was a bit strange was the ending. It seemed to me that the worker would be more likely to demand an explanation from Merah, rather than just kind of walking out. Unless he had been eavesdropping the whole time and heard the whole story - if that's the case, you'll want to make it a little bit clearer.

The other problem I had is that I can't actually remember what they're supposed to be doing there, because it's been several chapters since they discussed that. That's my fault, though, not yours, even though you may want to give a few little hints for the reader.

So! On to the little quirks.

intent to make the chilliness in her car to prolong

This clause just doesn't make any sense grammatically. I'm not even sure what you're trying to say.

The ground was mostly unattended, typical construction workers’ home. The ground, supposedly carpeted by hard brown sand, was mostly scattered by with artificial gray-to-white small stones instead. Some parts here and there were of sand, but pools settled between them, given from the recent rain this dawn morning. I looked further in front. A dozen meters away from me was the construction worker’s houses, made from zinc and plywoods, and by the look of their tattered surfaces, they even those were secondhand stuffs

Just slight changes for grammar, and to make it sound more natural and make your meaning clearer.

“Poor people,” and a wave of irritation washed over me.

Okay, so I read this wrong and got confused for a minute. I thought he was saying "poor people" (as in, calling them not rich) in an irritated tone of voice, indicating that he didn't like poor people, not that he was saying "poor people" as in "I feel sorry for them." Basically, I got the sentiments backwards. Blame the English language for having words with multiple meanings. xD

To fix this, just say something like "he said sympathetically" or some other adjective to make it clear which tone he says it in.

and I wouldn’t fear of it that much if one of them didn’t put it on my neck

I would just get rid of the "wouldn't fear of it" part and just go for "and they put it on my neck." The first part is awkwardly worded and wouldn't she have been afraid of it anyway?

Finally, you keep using "wires" to describe what they tied her hands with. Since you're referring to something like a charger, we would probably use the word "cord" - using "wire" brings to mind something like actual metal wire, like you find in fences.

And that's it! Looking forward to the next chapter.



Who knows anything about anyone, let alone themselves.
— Hank Green