A/N: Not really sure... I've been reading a lot of Siken again, lol. Not my best, but in a weird way, I really love it.
i. in which the princess watches her blood splatter on the highway
she said, new year, new me. she threw out old poetry and hung pretty pictures on her wall to cover up the burn marks. but he had green eyes, and soft hands that made her skin feel like silk. warm kisses on summer days can only last so long, though, and fast hearts mean car crashes. oh god, this is what death feels like, a boy with green eyes and a leather jacket that smells like sunshine.
ii. in which the princess kills her dragon
she decided she hated love. she dug a moat around her castle with her bare hands and filled the water with alligators. the prince tried to swim the dirty water, and maybe the alligators did bite off both his legs, but she was beautiful. she put her sword to his throat, told him i will burn your kingdom to the ground, but there’s nothing more dreamy than a man who needs you. he made her flower crowns and when they wilted, she didn’t even notice. her dragon is dead but its roars echo in her dreams calling her home.
iii. in which the monster is beside the princess in bed
every night the colosseum calls her to war, and she grabs her sword and goes off to fight the lions. they tug at her clothes and rip her gown--but she’s gorgeous and she glows because she’s the most powerful warrior of them all. he asked what she dreams about and when she told him, he looked sad and told her that her struggle was beautiful. when she acted confused he kissed her wrists where he imagined the scars to be--and after awhile, so did she.
iv. in which the princess’ shoe doesn’t fit
she dances everywhere. there are footprints on her ceiling and in her bathtub. she has music inside her and it bursts out in big, colorful waves that scare people away. so she doesn’t talk, she doesn’t make friends. she just whispers to her skin that someday, i’ll have someone to love. he writes the music to a thousand stories, but there’s always one note that’s off--and maybe they’re both two jigsaw pieces that almost fit-- but it’s closer than they’ve ever been to being close to anyone so they say screw it and kiss anyway. but when they’re in bed together, it’s clumsy, and it makes her cry. her toes bleed because she’s not dancing and her feet stop telling their stories.
v. in which the princess dies alone and the prince screws the neighbor
trust is a delicate thing, she thinks. it’s like the clocks her grandfather used to make before he died. he used to cry every time he got one right--kiss her on the cheek and tell her to always be proud of her hard work. when he died all the clocks stopped chiming at midnight, as if they knew they were seeing another day without him. but she trusts him anyway, with his beautiful smile and charming words, because if there is any good in the world it must be in him. he taught her to paint, told her you will paint the world a new sky, and then left. his chair is still empty, like it’s waiting for him to come back.
vi. in which the princess finds narnia in the closet
when she closes her eyes she sees pretty little maids, standing and waiting to be told what to do. they spin in circles around her and make her dizzy. he pries her eyelids open and screams in her ear that order is important, and she nods her head like a limp rag doll. she thinks she might be dead, but death has to be better than this, right? she climbs in small spaces to escape, eventually falling down the rabbit hole. the maids aren’t pretty here, they’re ugly witches-- but at least they’re truthful. they paint her tongue crazy colors and send her back through the wardrobe, bye alice!, and remind her to act like the queen she is.
Points:
Time spent:
Canary word: Present
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Original Text:
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Hey Princess,
I'm going to throw a review down here. It's been a while since I reviewed something of yours (forever? I'm not sure!) so I'm not sure how exactly to approach this. What I've decided is to just be upfront and honest about what I feel, this isn't going to be line by line because I don't feel that's what you need right now.
I don't like it. That doesn't have to mean much, because obviously a slew of people love it and are digging your vibe, but I am not. I find this choppy, slow and stilted. It's a struggle to move through the paragraphs and I find that none of your mini characters are interesting or solid enough for me to care about them, which is something I think is important if you're going to write in this stream of consciousness narrative prose poem style.
I don't like there are no caps. In fact, it really frustrates me because I feel like it isn't justified within the poem itself. Yes, punctuation is a personal preference and as a poet you can choose to eschew it, but I think that it adds nothing to your poem here, I feel that the lack of capitalisation diminishes the situations that these individuals are in. This is particularly concerning a Western English viewpoint, where capitalisation symbolises a sense of importance and weight to a sentence and to a character. I am distracted by the lack for no apparent reason, I feel like it would do nothing to add capitals in.
On the words themselves, I don't find them particularly moving or interesting or beautiful. I think that they are blank without being interesting there is not much to draw me in. I understand what you are doing, I believe, but I just don't think it is effective. If Siken is your muse in this case, perhaps step back and evaluate the language which Siken uses. I am not the biggest fan, but I can see the merit in the style of his poetry. You are currently lacking that distinctive something. This, right now, is a stream of consciousness narrative split into parts and I think it is missing the poetry it claims to be.
Probably if you mucked about with sentence lengths and added a few fragments and played with repetitions, other punctuation, and the language itself, this could be something new and different and interesting. But right now it is none of those things.
This turned out to be a rather harsh review, and I'm sorry for that. I hope there are things here you can take away and use.
♥
pfft harsh is the best kind of review. keep it coming <3
but seriously you are so right. the problem is when I'm inspired by Siken, I can't quite get a hold on what I want to say (and we've seen it multiple times every time the A/N starts with "so I read some Siken today).
However, I disagree with your point about capitalization. To me, it perfectly suits this poem--which is all about repression from someone whom you thought loved you. And what better way to represent repression than by taking away things like caps? In short, all these abusive people are stilling her voice, quieting her till she's not herself-- thus she would have to whisper her story, not shout it.
I promise, that though it may not look like it, every choice is weighed when I write my poetry. Not to cap/to cap, paragraph it or stanza it. I take all of these into account, and most of the time, try to write it both ways before I decide which one I like better. It usually is no caps/paragraph because that's the style I feel most comfortable in, and the style I think I work best in.
This is definitely not my best work, and I think one of the main reason you dislike it so much is because we are very different poets with different strong suits and likes xD You touched on it when you said you're not a fan of Siken. I am.
Nonetheless, this was a fantastic review, and I appreciate the honesty. <3 Thanks for taking the time to review <3
To be honest, the main reason I don't like this poem is what I've stated, it's a well weak poem.
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Don't get me wrong, I'm super cool with prose poetry and stream of consciousness is so delicious.
I am not a big fan of Siken, no, I don't think he's the best poet I've ever read. but I do see where his relevance comes in.
I also definitely get that we write very different things (so we should!) I don't think I've ever experienced a YWSer writing quite what I do. And I am deffo understanding that I have some personal likes which are missing here. But I don't want those things to get in the way of what the review is saying, because I didn't let them get in the way of my commentary.
I'll concede your caps, cause I can see what you're saying. That's definitely a personal preference I can barely get past tho.
No it totally is i.e. why I posted it in hopes that someone would push me in the right direction of fixing it lol. I never expected to get a feature on this because it's probably the worst thing I've written in months. (I was honestly just happy because thank god I was writing /something/)
I love it <3
Calm the caps, pls.
i do what i want
LadySpark! Good day to you. I'll go ahead and try to give you some semblance of a review on this bad-boy since it is still going without it.
I'll do nitpicks by part and then go over the poem as a whole. Considering you really know what you're doing, most of these will just be things that I personally think could be improved and completely opinionated, but hopefully some of them might be helpful.
Part i:
Throughout this poem, and most of your poems, you have a sort of disjointed, choppy feeling. It feels stylistic and intentional, and really builds your voice, rather than feeling messy or half done. Taking that into account, perhaps you want to leave this, but I would either start the sentence with but and take out the comma after "eyes" and before "and", or I would take out the "but" at the beginning. With both it's almost too choppy.
Part ii:
This just doesn't flow very nicely, I would reword it a bit. I'd go with either "her dragon is dead yet its roars still echo in her dreams to call her home" or some combination of those, or just "her dragon is dead but it's roars still echo in her dreams, calling her home"
Part iv:
Here, I just feel like the "someday" should be included in the italics.
Otherwise, I love this. I love your allusions. I love the way you spin simple language into such wonderful imagery. I love the range of emotion you capture. The way thoughts and dialogue are woven into the poem bring the reader in. It's lovely, really very lovely.
If I can be of any further help, feel free to ask!