Warning: This work has been rated 16+.
Annabel never heard any of the kids talk about an escape anymore. She herself didn’t even want to think about it either. The next morning after Victor’s public punishment, he couldn’t walk because his legs hurt; Annabel fearfully watched Elijah force him to stand up and work his usual hours. She knew she couldn’t say or do anything while the watcher could hear her or stop her, but when Victor returned to the dormitory in the evening, Annabel helped him change dirty and blood-soaked bandages. She saw the deepest and the most hopeless despair in the boy’s blue eyes. She used to see them bright and gleaming with joy and confidence… To her, it seemed amazingly stupid and wrong that a thirteen-year-old’s face was pale, his eyes scared, his hands trembling in pain. But there was no one who would help Victor. Neither Annabel, nor anyone else in the entire mansion. She knew it.
In the next few days, Annabel changed her job at least three times: there was always a lack of capable hands somewhere. When working in the stables, she would see Mr Morr much more often. He belonged to the kind of tyrants who were ruthless with the human beings under their control, but kind and loving with their pets. He had an expensive hobby only the richest and the proudest people could afford: he would buy the best horses in the kingdom to make them his own.
Once, while she was cleaning up in the stables, Annabel heard some noise outside. There were the voices of Mr Morr and his most trusted stableman – a man of big stature that was all covered in scars: according to rumors, they were left by wild horses he used to tame in his youth. Both of them were watching a horse Mr Morr considered his favorite. Annabel carefully peered from out of the doors to throw a glance at the most beautiful stallion ever: it was entirely raven-black with deep blue glow in its hair, high and strong, so elegant, so massive and noble in its pace that it reminded Annabel of the knight’s horse from a fairy tale her mother used to tell her many years ago.
“My royal boy!” Mr Morr declared with pride and clapped his hands. “For all Heaven’s sake, he’s shining like a real diamond!”
Annabel noticed that, too. The horse’s fur was gleaming like the cleaned jewel’s surface, carefully and properly polished. She wondered how much money such a creature could cost, or rather… How many lives of the slaves could go wasted in order for Alferdo Morr to buy that horse. Something in the girl’s chest turned upside down, fell hard and deep. She shouldn’t had thought about stuff like that if she didn’t want Elijah to be dissatisfied with her clean-up job. She hurried back inside, grasping a mop with both of her hands. Quite soon after the black stallion was led into the stables, Mr Morr and the stableman following behind. Annabel could hear them talk.
“Ah, by the way,” said the slave driver, “have you sent that nice fellow to the marketplace as I told you, Gregfield?”
“Yes, I did, sir,” the stableman replied, then added hastily, “but I strongly doubt he’s clever enough to choose a good saddle for a horse.”
“And I don’t doubt him. He’s a very good worker, he’s worth a chance to try. We should reward those who work hard, you know it. Otherwise they will go crazy, start to fight and even kill, and who needs that?” Mr Morr patted the black stallion on the neck and started to leave, but stopped for a second and said quietly, so Annabel could barely hear him, “And by the way, Gregfield, shut your mouth and never tell me your precious opinion unless I ask it of you.”
The stableman was taken aback. He stood there for half a minute, then rushed after his master, and they both disappeared in the house. Annabel shivered. What a disgusting sack of manure that man was.
Despite feeling like she had just witnessed something rotten and ugly, Annabel knew that certain things were now clear to her. All you had to do in this entire hell of a house was to work hard and be quiet, like an obedient dog you were treated as. If you were a hard worker, you could get a chance to leave the mansion, at least because Mr Morr would want you to do some extra job. To leave! You can run if you catch a moment, Annabel thought, and everything started to spin around her. The idea overwhelmed her for a few seconds. To think that Susanne and everybody else was so wrong this entire time! Although is sounded like a very dangerous venture, it was still better than running away at night when the watchers are on patrol with the hounds. Well, get yourself together now, said the girl to herself. You’ll do it because you’re smart. You must start thinking it through. Victor failed because he was too fast to make decisions, but the whole thing might take a while. So begin planning. Begin now.
Begin this very second.
***
The Garden.
That was the sign above the main gate in front of the mansion’s front door. Annabel saw it for the very first time when Elijah brought her and two other children to the nearby village. She hadn’t known Mr Morr was a man of such a specific kind of creativity. He’d called his mansion The Garden, a place where every kid and adult had been a valuable flower. Flowers to be sold, flowers to decorate someone’s else house, flowers to be a useless entertainment. Annabel shivered on the thought. Only things for somebody to play with... If I have to be a flower, she thought with a somewhat ruthless feeling in her heart, then I’ll be an oleander. A flower that was famous for its poison, as her mother had told her before.
Elijah had decided to give Annabel a serious job for the first time. During the past five months she had shown herself as a hard-working, reliable, and stubborn girl who was able to do anything she’d been asked to do, through pain and exhaustion, so the watcher considered her a good candidate for a task in the village. Kids and adults had to buy goods for The Garden, work on a particular spot to get more resources for the mansion, or bring Mr Morr some important rumors the villagers were sharing. “I hope you still remember how to count money,” said Elijah when they were on their way to the village.
“I do,” Annabel replied. Her parents had taught her before, and Elijah had already checked her knowledge a few times.
“Your task will be to go to the market place and buy what’s written here,” he handed her a small piece of paper. A messy handwriting stated it was necessary to buy milk, apples, porridge and a lot of other things. “And don’t try to run,” Elijah reminded her as they eventually made it to the main street and stopped the cart.
“Why would I?” Annabel grinned widely at him, grabbed a basket, took the list, and hurried up the street to find the place where the locals used to shop. Her carefree attitude felt like a mistake, but no matter what was coming up, Annabel was ready.
Everything went better than she expected. She had no problems neither with the residents, nor with Elijah who was guarding her intentions the whole day, once again reminding her of a big angry dog. For the work she did, despite her debut trip outside the mansion, Annabel wasn’t rewarded, but Elijah said he'd take her to the village again in the next few days. That was the moment Annabel understood how close she was to the real success. Elijah seemed to trust her, maybe not too much yet, but quite enough to deceive him once there was a clear opportunity she was looking for.
One day, very soon, she would go to do her job, and while he wouldn’t be watching, she would run away from that wicked place. The plan wasn’t that perfect or safe so far because it relied a lot on immediate improvising, and Annabel had always known how much of an adventurer and fast thinker she was. Anyway, Elijah isn’t that smart, she pondered, but he’s awfully alert, though. I can dupe the pup him if I’m careful.
***
Soon after her first trip to the village, a new buyer came to The Garden.
Annabel had seen the process of sale before, but somehow had never minded it. Perhaps it’s because she hadn’t been that close to freedom, for this time she felt even more than plain disgust, more than anger when she saw a big, colorful carriage arrive to The Garden and park in the yard. She knew what was about to happen, and she didn’t like it a single bit.
Mr Morr left the house to greet his guest. Elijah and two other watchers controlled slaves and forced them to keep working, although so many people wanted to throw at least a glance at the man who came out of the carriage. Annabel turned around wrinkled her nose. It was a big fat monstrosity, his face was almost beetroot red, his eyes didn’t open properly because of fat cheeks, and his chin seemed to be even more than triple the normal size. He smelled like alcohol. The man was ugly and pretentious, and Annabel was afraid to think of who he would possibly choose to purchase.
Mr Morr, being sweet like a candy, and his ugly guest talked for a minute, then they proceeded to the house, followed by two servants. Mr Morr waved to Elijah and told him something before going inside, after which the watcher went back to the yard. He whispered a couple of words to his friends, other watchers, and started looking for somebody. Annabel watched him take two girls of sixteen to the barrel filled with clear water so that they could wash their faces and hands, then he went to the house with the girls in tow. Two watchers followed with three seventeen years old girls and a girl Annabel recognized right away. Susanne.
It became obvious that the rich fat guy wanted to have a young girl slave or maybe a servant, and Elijah with the others were told to bring the best girls for him to choose from. Annabel stiffened. What could that man need from them, so young and clean creatures yet, who had done no evil to anyone? Annabel tried not to make any assumptions, but her fear rose into a panic all of a sudden. It can’t be that awful, she thought. Please, let it be not that awful.
Annabel looked around and set her broom against the wall. She knew she would be punished for leaving her work if Elijah found out, but her heart was almost torn apart by her messy thoughts. She couldn’t even imagine what she would do to help those girls, but she decided to improvise right on the spot if needed.
It wasn’t difficult to sneak into the house, but there was a real problem inside – no place to hide. Annabel knew some corners, but none of them were suitable for watching people in the living room and eavesdropping. She passed by the slightly open door, as if by accident, peering inside for a second: the fat man and Mr Morr were sitting in big deep chairs with full glasses of liquid in their hands, laughing at something.
“I’m too bored after my wife’s left with that young handsome artist,” said the fat man’s loathsome creaky voice. It sounded fakely sad. Annabel had to move a step aside and didn’t hear Mr Morr’s response, but she knew it was even more disgusting.
Before anyone could notice her presence, she sneaked behind another door she knew leaded to the basement and waited there for Elijah and his friends to enter the guest room. Once again Annabel stiffened as if somebody hit her heart with a thousand knives – those girls seemed to be so unprotected, so fragile and lonely that Annabel couldn’t look at them without a painful feeling burning her from the inside. When the watchers disappeared in the living room, she heard loud voices again, and then the door creaked closed.
Annabel looked around carefully and went outside when nobody showed up in the corridor. She tiptoed to the door and realized it wasn’t closed properly, probably due to the fact that it was as old as everything in the mansion; there’d been left a tiny gap and light was barely pouring through it. Annabel could hear Mr Morr speaking.
“They are the best flowers in my garden, lord Sanders. You may pick any with no doubt.”
Annabel peered through the gap and saw seven girls standing in a row – the best way to show off flowers to a client, Annabel guessed. A chill went down her spine.
Lord Sanders rocked from side to side in the giant chair, cigar in his hand, and studied the girls in front of him with a vulgar smile. Annabel wished she could take a brick, or a weighty board, and smash his face to wipe that look off it. But she tried to care more about girls; they were standing with their heads low, looking down at their toes as they’d been told, breathing quietly, nervous.
Suddenly lord Sander’s eyes stopped on Susanne. He put the cigar in his mouth, grinning with vile satisfaction.
“This one seems lovely to me,” he said, nodding at the young girl.
Mr Morr reacted with a wide smile, showing his crystal-white teeth.
“A very good choice, very good, lord Sanders,” he said approvingly and snapped his fingers, making a sign for the watchers to leave the room and take away other girls.
Annabel stilled. Something paralyzed her, she didn’t even know what it was – maybe fear, or maybe sincere anger she felt at that moment. She was so focused on Susanne who was now almost crying in the middle of the guest room that she didn’t notice Elijah coming. Their eyes met when the boy opened the door and almost collapsed with Annabel. He looked over his shoulder in panic, and then tucked the girl behind the corner to the left before Mr Morr could notice both of them.
“What are you doing here?” He hissed at her furiously. He looked out carefully only to see his friends’ backs turned to him – they were walking away.
“What will he do to her?” Annabel asked, but her voice felt like a lump in the throat; it trembled miserably.
“It’s none of your concern,” Elijah replied sourly, looking down at her.
“What will he do to her? Please, tell me!”
“I don’t know!” The watcher snapped. “He’ll do whatever he wants, that’s all.”
Annabel looked Elijah in the eyes and saw, beyond all ruthlessness and the cold of his soul, something else, something that seemed to be longing when he turned around to see that Susanne was not leaving the room.
“Now go back before I killed you.” He pushed Annabel down a back way corridor when nobody was there and disappeared in the living room again. The girl didn’t know what to do and wasn’t sure if she could ever do anything. Susanne was no more a part of The Garden, but lord Sander’s own property. Maybe Annabel could fight them, tell them how ugly they were, punch that fat lord in the jaw at least?.. Don’t be ridiculous, she thought to herself, it won’t help anybody...
Annabel turned from the door and left the house using the back entrance. She couldn’t believe what just happened: she used to think of herself as of a brave, outrageous girl, though she was only thirteen, and now it seemed like the truth wasn’t nearly as good as she hoped.
Annabel ran outside and waited behind an old wooden cart for Mr Morr, lord Sanders and Elijah to come out and proceed to the big rich carriage. Susanne walked with her head still hung low, but Annabel noticed she wasn’t crying anymore. She was… careless. Elijah told her to get into the carriage with the same cold look, and Annabel realized in the thousandth time that she was just imagining things about his kind nature hidden deeply down inside him.
That night Annabel couldn’t fall asleep. She kept thinking about what happened right before her eyes and couldn’t forget Susanne’s last look – frozen, dull, negligent, like one of a fallen angel who had suffered too much to complain about its life. But something now worried Annabel even more than it used to before: what if the same thing happened to Annabel herself? What if she would also be taken by another obnoxious fat lord to entertain him, or to bring him his morning tea and spend nights in his bed if it would be his wish? No, no, for Heaven’s sake no! You’ve promised yourself Annabel, you’ve promised you’ll never let it happen. You must keep your word.
A few hours before bedtime Elijah told her that he was going to bring her along to the village again on the next day.
End of chapter
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Oh man…things are not looking good. I’m unsure on whether Elijah should be trusted. For her own safety, Annabel should just trust herself. Maybe she could bring someone with her if she wants, but it’s best for Annabel to go solo. I will wait for the next chapter of this adventure. Until then, there is only trouble on the horizon.
I hope that you will have a beautiful day and night.
Thank you! The next part's coming soon
Wow! This is one of a kind chapter. The last part made me deathly uncomfortable, because of the implications around it. Let's go into the review!
General overview:
I like how you put the story into the perspective of a little servant girl's eyes. Her innocence, curiosity, and wit immediately make her a great and lovable protagonist. Audiences, especially those older than her which is the target crowd for this story I believe, will be able to feel sad for her state and extremely protective over her, especially at the times where she is experiencing something bad or seeing something terrible. We just want to jump into the story and whisk her away into a better world. And even the other characters, too. I want to drag Annabel and Susanne away from the Garden and find them a better life than just being objects on display.
You also have a way of describing that makes certain scene uncomfortable, especially the scene with the fat bad man. That scene is now imprinted in my mind and gives me chills whenever I read it. Great job! Although thanks for nothing for the chills lol
Specific Comments:
Regarding the characters, I really like how you depict them. In a young person's eyes, people are either good or bad. There's no in between. For Annabel, this is certainly the case, except for Elijah perhaps. The way you described and wrote the thoughts of the character matched with her age and experience.
At first, I thought the Garden was an actually garden. But as I read on, it was actually a slave market. And the way Mr. Moor referred to them as flowers was demeaning and devaluing. I find it interesting that you used "The Garden" to describe this market and "flowers" to describe the slaves. Usually, gardens and flowers are associated with positive things and beautiful moments and happy memories. Even some lovers would call their significant other by a certain flower that mean much to each other. Yet your usage here puts a whole new twist on the usage of flower and garden. Perhaps this is one of the things I admire most about your work. You were able to make Mr. Moor turn something beautiful into something loathsome, which is what actual bad people do in the real world. That takes a lot of imagination and good execution so you should be happy with yourself about that!
Overall, this was a chapter that started out pitiful and turned into one that was extremely loathsome to look at. Readers at this point would hate "The Garden" and for sure will want to see Annabel escape. Will she? I hope she does. But I hope she survives her escape, too.
This is alpacaboss, signing off.
Thanks a lot for the kind comments! I will definitely try my best to give the readers something even more captivating, hope you'll like what's coming next
YAY!
Hi there! I get to review another chapter of yours of this lovely and interesting novel of yours. This is loveissourgrapes sending you support and a comment/review. loading...
It is good that you have made the rating higher since the more the plot thickens, the more violent and mature content is said. It's like watching a TV shows with intense stories. The descriptions here are just right and the grammar is great. It's good I am seeing growth in your writings. Good job! The growth of Elijah is showing and you are starting to show like his "true side". Also, it is good that the characters are more mentioned and the plot is going smoothly. Because some stories and movies with big plot tend to have plot holes so, it is good that I don't see any plot holes here. But can you clarify the age of Annabel because sometimes I think she's 12 or 7?
Since in my school, I am learning about knowing the setting of where the story is set in. I think it is set in older times. The mention of horses and the other stuff old rich people used to have and can afford are here. Maybe you know fix the sentences with the ":" [colon], instead use the semicolon ";", so the flow of the paragraph can be read better. I am also learning in school the differences between colons and semicolons and how they are supposed to be used. So I think it would be better if you used a semicolon instead of a colon. Can you also name the jobs she had that was changed approximately three times?
Annabel's job now is caring for the horses of Mr Morr. Again, you should know the differences between the semicolon and colon. The description were great though. Keep it up!
The descriptions of horse was great and how you showed the differences with the rich people and their salves. Their lives are way different. I believe the little girl likes to watch and listen while doing her job. Annabel is crazy smart as a little girl especially at a situation where she wants to escape as a salve, she listens and watches to get information.
This was a good dialogue. Pretty short for a conversation but that's okay because it is like real life people are talking. The emotions showed by the stableman and Mr Morr is great. The last paragraph was confusing though. Which man was she talking about? The driver, the stableman or Mr Morr? I feel like it was the stableman though.
The dramaticness of the emphasis of the girl's thoughts and the emphasis on some words in the dialogue is great. You can see through each word the emotion the person talking feels like. But in the middle of the parts with italics is confusing. Because the words in between feel like thoughts too. The last sentence/phrase was good to give that dramatic effect more prominent.
This part feels like a separate chapter. Because the statement "The Garden", feels like a title for this part. It feels like the scene changed into completely something else. Especially how the descriptions shown tells a different atmosphere. The atmosphere might be pretty with how it was describe but the emotions stay the same. She remembers an old memory of her and her mom which felt sweet but painful because of Annabel's life now.
The stubborn girl might be the other girl, I forgot her name, sorry, but it starts with a letter S right? It might be good that Annabel is getting a serious job from Elijah because the more higher and serious your job is, the more respected you are. The dialogue of Elijah should be separate from the paragraph so it is not long. If Annabel had many memories of stuff like her parents teaching her how to count money, she should be older than seven, right? It's right that Annabel is going out and buying stuff for the children and the adults. It is good that the story isn't really in Annabel's point of view because the words may be to descriptive for a young girl to understand.
It is great that she is thinking of plans to escape but I am really questioning what type of person Elijah is. He seems like a boy with a personality that is hard to understand. I think it is good that you are not giving all of who he is in here because it might be too early. It is good that you are using italics for the thoughts of your characters.
She has a good gut for a young lass. I love that she has a good gut and is smart when it comes to planning and observing. She wouldn't mind if her gut didn't tell her something was going to happen.
The descriptions of each character describes if Annabel likes them or not. If she thinks your kind, the person will be described nicely but if she doesn't like the person, the person will be described badly.
You can feel the tension and that it was going to get bad here. There Susanne was her name. Did she cause trouble and is she being punished for what she did? Maybe. See? Bless Annabel. She wanted to help the girls to escape and thought of improvising for them. Could you describe what was Annabel doing? Was she just standing up there, watching what is going to happen?
You can feel how tense Annabel is with the descriptions. She felt like if she was caught by the rich guys. Good thing she knows ways to get out of trouble because of her intelligence and knowledge. Intense descriptions make people's heart pounds like Annabel's heart here.
Annabel really tried her best to understand and listen to what is happening. Of course, they might do something to Susanne. Annabel was so mad btu she had to stay still so she won't be the problem but she also wants Susanne to get out of trouble too. It's seems very intense and painful to be in this situation. I don't see any mistakes or errors recently. Great job!
Oh no. She got caught by Elijah. You can feel the desperate tone in her words because she wants to know what is happening. She wants to make Susanne escape with her. Nobody knows what will know what Mr Morr will do to her. The watcher also saw them. A lot of things are happening, but your readers also need to know what is Annabel thinking here too.
It should be, "now go back, before I kill you". She wants to help, she has mixed emotions that seemed very messed up. It is good that she is hoping good for Susanne and whatever the rich cruel people are going to do to her. So Annabel is as old as me. That's fair. I think similar to her. Thirteen-year-olds think they can handle the truth but when they hear the truth, it is hard for them to except it and handle it.
Lord in "Lord Sanders" should have the first letter capitalized because lord is used as a honorific. Remove the space between the "..." and careless. The real nature of Elijah is coming out...sooner. It just has to be shown slowly. I feel like some of these characters might die in the next few chapters. It is fun to ponder what will happen next in each chapter you post.
You can see that Annabel is worried about Susanne. She can see the last moment she might see Susanne and her expression. You forgot to use italics for one of her thoughts, "No, no, for heaven's sake no!" It should be in italics too. The ending was cut but that's okay because I'll be wanting more.
Over all, the plot was great. Your writing skills are also growing. Great job! Keep on writing! Have a lovely day/night!
my hands are tired from typing this review. I hope you liked it c:
thank you very much! I am beyond grateful for your detailed reviews! hopefully, I won't make you wait much longer for the next part
I don't mind if you take longer because you can't rush art <33 you're welcome