Hey Que! You might remember I promised everyone who completed the Checklist Challenge at RevMo 2 reviews, and I'm just getting around to your second one now it looks like. Sorry for the delay, but thank you for your patience!
I never read this poem of your's but it's always interesting to see how people's poetry changes, and I really like the premise - the bodily imagery is strong in parts too. I've read poems that have kind of a similar theme of an anger with the body, or the body attacking them, but you turn some of the familiar phrases in your own way.
A few comments and critiques:
imagery-wise I don't think the very first image is the strongest opener, I do like that the attacks seem to come from outside the body in the first 4 stanzas with air, words, and heat, and air again -- before the attack moves inside - but I think that it'd be helpful to dig a bit deeper into the idea of humidity in the first stanza because it's not immediately apparent how air can be heavy enough to weigh at someone's neck. Even throwing in some science-y terms about humidity and weather might be interesting, but the opener wasn't quite as striking as it could be.
I like in the 2nd stanza the twist on the phrase "empty words" - it plays again with what happened in the 1st stanza, where something is attacking that doesn't seem like it should be. I was immediately curious if it was the speaker's own words or someone else's doing the attacking, but this isn't really revealed until the turn in the final line, when I think it implies that it's the reader's own words. It might be interesting to play with another image that could seem like an external force, but then turns out to be an internal one - like fear, or even some sort of physical one.
The third stanza - evokes kind of a feeling of anxiety to me, and makes me wonder if that's the "war" the poem is referencing. It is certainly true that sometimes physical and mental anxiety responses can feel like the body is just attacking itself in a way that won't help it (ie. feeling faint when you're scared, or overheated). It could also be a reference to some sort of physical ailment/sickness - which I think a lot of people who have chronic illnesses or pain would be able to relate to the idea of a "self-attacking-self".
For me the fourth stanza was interesting, but it didn't tell us enough - I don't feel like I completely get a sense of the speaker's internal struggle here.
In the final stanza, I'm a big fan of this turn -
the never-ending summer days
are monochrome
and I see only one color:
heat.
^ I think the "only seeing one color / heat" line break is smart, and a good mix of the senses to give the reader a different way to view the image and the poem.
The "burning soul" image is one that I think is done a lot, so it's hard to read a bit cliche. And then I like the final reveal saved for the last line that the war is "with myself".
Overall thoughts
I think that if you choose to come back and edit this, the formatting could be much improved - either by off-setting the stanzas into little waterfalls, or just evening out the lines more, a few just seemed oddly short here and there, and a bit random.
The overall theme I interpreted is that the speaker feels the force of the heat around them - the heat can be a metaphor for anger, anxiety, pressure, or physical illness/pain - and its becoming really oppressive to them, and the reveal at the end is that the worst part about this issue is that it is from themselves. The last line looks like they might actually decide to fight themselves by "calling to war" - which really makes me curious what they're going to do.
The poem is heavy with interesting bodily imagery, but the poem doesn't make the speaker sound defeated which I appreciate - and is in part due to the war imagery being used throughout.
While their a benefit to ambiguity, being a open to a host of meanings, I think the poem would be benefited if it swung more heavily in some sort of direction about why the speaker is really suffering. I think there could be more direct war imagery and language used too - like talking about weapons, casualties, soldiering, training, or ammo or something - there are so many war images available to be used, picking a few more and sprinkling them in I think would elevate the poem another level.
A nice, clear read! I hope to read more of your poetry soon!
alliyah
Points: 144550
Reviews: 1227
Donate