Flower Boy [Part 4]

by Evander

Published June 3, 2018

12+

In current short stories

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Author's note: Need tips on consistency, description, and if the resolution was any good or not. I also feel as if this could be trimmed a lot more? It's 2,833 words long. (And it hasn't been edited, yikes.) If there are any suggestions for a better ending, then I'll totally take them into account. I want to rewrite this and hopefully get it published.

But yeaaah, it's rough.

-

Luca awoke before the sun had risen, taking care to be as silent as possible. His dorm room was just illuminated enough that he managed to maneuver around, grabbing the things he needed. His dresser drawer slid open with the slightest creak, but neither Derrick nor the other boys stirred from their slumber.

Crocus flowers budded from his jaw, white and yellow in their pain. Yet he worked methodically, stuffing his clothes and his few books into his fraying backpack. I’ll get popcorn and peanuts when I join the circus. That’ll be enough.

The branches of the willow tree tapped against the window, but he shook his head and ignored it. The willow tree offered no advice, just annoyance. He’d spent many a day sitting at its base, asking it questions only to be met with a tree-like silence.

Regardless.

With everything packed up, Luca crawled on his hands and knees and grabbed Melody’s crutches from under Derrick’s bed.

With his backpack slung on his shoulder, and Melody’s crutches under one arm, Luca was ready to set off.

Maddock can’t make me go anywhere. I’ll do what I want.

His walk to Melody’s side of the sanctuary was long and composed of bated breath, creaked floorboards, and the occasional hint of an adult getting ready for the day. He actually caught a glimpse of Mrs. Hatcher’s silver bun as she strode into the library.

Rumor had it that she had been around since the founding of the sanctuary, but rumor was often wrong. Maddock had said she was related to the benefactor who found the place, which was much more likely. But, it wasfun to believe she was of the fairfolk, ethereal and ageless. It was less fun to believe that she ate children to stay alive.

Luca shook these thoughts out of his brain, finally coming across Melody’s dorm room and twisting the knob on the unlocked door. He ignored the other sleeping girls, not really interested in who they were or what they were doing. Instead, he made a beeline over to Melody’s bed, setting her crutches next to her form and shaking her awake.

No response.

He shook her again, her snakes starting to hiss. Frantically, he shushed them, but they only hissed louder. He started to wave arms in a “cancel” motion, but that didn’t help either. Luca began alternating between putting a finger over his lips and making the “cancel” motion, until the hissing was finally replaced with a low snicker.

Melody’s eyes flashed open, lycanthrope yellow for a slight moment before returning to the usual warm brown abyss. She smiled, showing her fangs for a split second before retracting them.

“What do you want, Luca?”

The snakes stopped their hissing.

“We need to get out of here, Melody. If we get outta here before wakeup call, then we might be able to make it through the forest and into town—“

“What?” Her features melted into confusion. “What are you talking about?”

“M-m-maddock wants to send me to a school, and-and they won’t let me bring you, and weee need to get out of here.”

He suddenly became aware of how he looked. Unbrushed hair, a hastily thrown together backpack, half-healed scabs coating his face, eyes filled to the brim with threatening tears.

“Hold on, Luca. What now?”

While Luca’s voice was hushed — yet still frantic — Melody’s voice was even-toned and just loud enough to draw attention to their conversation. Luca’s heart skipped a beat, so he pressed a finger against his lips and cast his gaze back to the row of three beds behind him.

“I hav’ta go to Haven’s Academy but I don’t wanna to go without you and they won’t let you go and-and-and if we run away to the town and to the circus, then I’ll be able to staaay with you and I wanna stay with you.”

Melody’s snakes poked around the room curiously, before falling back down and acting as normal hair. She cocked her head to the side. “Thanks for the crutches, kid—but I don’t want to leave.”

Luca felt the bloodroot and crocus grow around his ankles, crawling up his roots like vines. He blanched, his upper body going cold. Vomit started to make its first appearance, but he flinched and kept it contained. “You should wanna leave, Mels.”

She laughed, still not keeping her voice to an appropriate level. “Luca, they clothe us and feed us and we’re well cared for and… face it, no one wants me. I’m not going to join the circus either, kid. I remember what happened to Lyria…”

Melody closed her eyes.

Luca saw his escape slipping out of his hands, with the sun rising in the background with its hateful orange rays casting light through the window. In about thirty minutes, the caretakers would come through to wake everyone up for breakfast. In about thirty minutes, his opportunity to escape would be gone and he would be resigned to a life without his only friend.

“We-we can go and we can hide un-until you’re eighteen and then we can get a job and—“

“Luca, my legs don’t work and I have snakes for hair. No one will hire me.” Her eyes snapped open, yellow and… sad. “Willow’s Sanctuary is the best place for me. I’m unadoptable, so I’ll just stay here.”

“I need to go, Mels. I—“ he tugged at his backpack, pointed to her crutches, “I’ll give you fifteen minutes but we need to get out of here.”

The conversation paused.

Lobelia and aster returned to the back of his knee, angry at their previous trimming. Luca writhed and twisting, trying to suppress kicking up to avoid the pain.

“Do you… ever consider what I want, Luca?”

Silence.

“You’re like a little brother to me, Luca, but… I won’t go with you. I want to stay here.”

Anger sprouted from his chest. Suddenly, his own tone didn’t matter. Just that Melody understood why the sanctuary sucked. “What about Derrick? What about your crutches gettin’ stolen? This place is mean and the people are mean and everyone is mean and and—“

She stared at him. “I love you, but your outlook isn’t mine. I know you’re young, but please… just try to think from my perspective.”

Cast-aside, hidden away at governor meetings, an endless supply of beanies to hide her hair.

“I did. You should wanna come with me.” He wiped off angry tears with the palm of his hand, wiping them on his shirt.

“No, Luca. I love you, but this isn’t what I want. This isn’t… good for me or good for you. Just… this isn’t how it should go.” With her firm voice and furrowed brow, Luca felt his heart break for the second time in twenty-four hours.

An unfamiliar but not foreign voice popped up, high pitched and airy. “Uhhh, Melody? Do you want to get the weed boy out of here? Ms. Romilda will be waking us up soon and I don’t want to see her reaction to this.”

Hot, white pain. He dug his dirt encrusted nails into the palms of his hand, crying out in frustration. “Take your crutches,” he said. “Leave me alone. I’m going. Without you.”

With that, Luca adjusted his backpack and raced out of Melody’s dorm, not even daring to look back.

Gotta go, gotta leave, can’t fix, can’t fix.

Luca bounded down the hallway, not caring to calm down and instead letting out his emotions in small shouts of rage that were pent up in his chest. No one understands, no one listens, this is dumb. He found himself standing in the common area, just ten paces from the exit.

He ran for it, only five paces away when he heard Mrs. Hatcher’s shrill voice cry out, “Mr. Smith, what in the dickens are you doing out here?”

Luca didn’t even turn to face her, instead dodging left and finding himself face to face with the utility closest. Doing the quick calculations in his head, he found himself opening the closet door and then quickly closing it behind himself.

Pressing his back up against the door, he heaved and buckled over from the cool pain right below his lower right rib. Still, Luca kept himself pressed up against the door, acting as a 80 pound wedge of pure force. He couldn’t even see, with dark grays and blackness illustrating the scene before him.

Mrs. Hatcher banged around the door, causing his head to pound. “Luca? Luca, what are you doing in there? Luca, you will get out right this instant, young man.”

The doorknob jiggled, but he held fast, still heaving.

Mrs. Hatcher’s shrill cries died down and heard her muttering before hearing her steps walk off.

Thinking quickly, he grasped around for the string to turn on the lightbulb and found it. With the new orange light, he scanned around the room— ahah. A mop and a broom.

He worked on his barricade, angling the mop and the broom like an X and sliding each object through the wire shelving on both sides. Luca ended up knocking down some cleaning chemicals in the process, but nothing spilled open.

Finally, he was certain that no one could get in.

Luca was safe. Trapped inside a utility closet.

I can live in here forever.

The bulb above him started to flicker. An uneasy feeling washed over him, emphasized by the bloodroot starting to sprout on his body at random. He could barely keep track of the lobelia and the polyanthus.

Luca sat down on the floor, doffing his backpack and staring down at his own body. He started to count the buds littered on his leg. Twenty-one buds on his left leg, all belonging to various different flower species. Twenty-one is divisible by seven. Seven is prime. He moved on to his right arm, counting the buds and skipping the flowers and the leaves. Eleven. Eleven is prime.

Eventually, counting buds got boring. Only about five or so minutes had passed—he was just about ready to zip open his backpack and grab his one book when there was a pounding against the door.

“Luca? Luca? Are you in there? Melody got me— Melody and Mrs. Hatcher. Luca, kiddo, you need to get out of there. It has the potential to be incredibly dangerous.” Maddock’s voice had a parental kilter to it, with a softness Luca was only familiar with in his most vulnerable states.

Yet, Luca stayed silent.

“Luca? Luca? I know you’re in there, young man.” Maddock only pounded against the door louder.

Luca drew his knees up to his chin.

“Go away,” he called out.

“Oh God, thank God. Luca? Kiddo, please come out of there— are you injured?” The doorknob rattled. “Please, please come out.”

“No.”

With hawklike eyes, Luca kept staring at the splintered door.

“Luca, acting as your guardian, I firmly request that you exist this closet at once.”

Maddock’s banging ceased.

“Acting as me, I’m sayin’ go away.”

“Luca…” Maddock’s voice broke in pitch. “I named you, you know? I care about you. If you exit this closet, then we’ll be able to talk about whatever you need.”

Out of everyone’s watchful gaze, Luca allowed himself to wriggle and writhe at the growing flowers emerging from his skin. The primary players were veiny crocus flowers and bright yellow bloodroot. The skin on his legs were no longer visible, replaced with color and familiar pain.

One, two, three, four, five… He counted the seconds, waiting for Maddock to say something else. Perhaps if he waited — he could wait all day, all night if he needed to. Surely, Maddock would get tired and need to rest. When that happened, then Luca could grab his backpack and run through the grounds to the forest.

Fourteen, fifteen, sixteen…

“Melody told me what you two argued about, Luca.”

A dagger sliced through Luca’s chest.

“It’s not okay to dismiss someone else’s will like that. I know you sometimes find this place stifling, but she flourishes here. She’s talking to me about getting stronger and becoming a groundskeeper or maybe taking over the abandoned greenhouse here—“

Luca dug his nails back into his palm, narrowing his eye as he continued to star at the monotonous door.

“I’m sorry for ignorin’ what she wanted, Maddock.” His words tasted heavily of regret and bloodroot poison. “You can tell her that, too. I’m sorry. But-but it’s not fair to talk about dissssmissing someone’s will when you do that to me all the time.” He attempted to keep his voice even, but he managed to almost break into sobs.

For a second, it was easy to think that he was just talking to a wooden door.

Maddock stepped over eggshells in large boots, cracking fifteen to smithereens in the process. He wavered. “Have I… ever ignored your will?”

“Mmhmm. I don’t like the governor. I don’t like havin’ my flowers cut. It hurts when people mess with my flowers. I don’t like Mr. Günther.” Luca paused, crawling on his hands and knees so he was right up against the door. Clear as day, he said, “I don’t like havin’ my future talked about when I’m not there.”

“Oh.”

“I don’t wanna go to the school without Melody.”

Maddock responded, “Melody doesn’t want to go to Haven’s Academy at all, Luca.” His topic shifted, breaking like tectonic plates. ”Did you, hmm, hear my conversation with Mr. Courtenay?”

“Yessir.”

Luca began to press his face up against the door, just to hear outside better. Perhaps, if he had been younger, then he would have admitted he wanted Maddock to hold him again.

Silence hung between the two, the atmosphere thick and hard to navigate. It didn’t help that Luca was breathing primarily stale air with a chemical aftertaste.

“Günther doesn’t really wanna listen to me, and it sucks and I hate seeing him. I’m just the governor’s wallflower too. The dinners aren’t for me, they’re for him and his stupid polititicks stuff. And, and, I feel so small all the time.”

Quiet. One, two, three, four, five. Processing. Six, seven, eight, nine, ten.

“I sincerely apologize, Luca. I wanted what was best for you, and I ended up hurting you in the process. You’re right — I steamrolled both your wills and your wants, which was not right of me.”

Luca had never heard Maddock cry before, but the uneven tone and the sniffling lead him to believe that the man was crying on the other side of the door.

“I-I forgive you, Maddock.”

“Thank you.”

He proceeded to count the seconds again, pressing his forehead against the door and waiting. Ten seconds went by with nothing. Ten seconds turned into twenty which turned into thirty.

And then Maddock laughed. “Do you seriously want to pass up on Haven’s Academy?”

Luca paused for a moment, trying to dismiss the weight centered in the middle of his chest. “I want to go… but I’m afraid of missing you and Melody.”

Maddock’s voice was muffled against the wood. “You might miss us, but that’s okay.”

-

On a cloudy day in late summer, two cars were parked in front of the sanctuary with their engines rumbling. Groups of children and caretakers said goodbye to their friends and charges.

“I’m so sorry,” he mumbled into Melody’s side, holding onto her like his life depended on it. “Please, please write to me, but I’m so sorry.”

She laughed, looking down at him with twinkling brown eyes. “All’s good, bud. Just… have fun for me, okay?”

He broke the hug, wiping tears from his dandelion-covered face. Luca looked up at her with an earnest expression. “Don’t let Derrick mess with you, Mels.”

Melody gave a firm nod, her snakes wriggling under her purple beanie.

Luca heard Max’s voice, ushering various children and their luggage into the proper waiting cars. The shrieks of goodbyes and laughter around him became louder.

Then, out of nowhere, Luca was wrapped into a large hug from behind and picked up off of the ground. He kicked his legs, squirming and giggling. “Maddock!” He cried, scrambling to get down.

“Luca!”

He turned around to see Maddock’s smiling face, although he couldn’t ignore the red puffiness around his caretaker’s eyes. “It’s so’kay, Maddock. I’ll be back for the summers. I’ll write too!”

Maddock simply smiled, running his fingers through his straight hair. “Despite wanting you to take this opportunity, I never thought I’d have to deal with you… leaving.”

“I… never thought ‘bout leaving either.”

Maddock hugged Luca again, holding him tight.

“Write to me, okay? If you have any problems, then just send me a letter.”

Luca nodded, still pressed up against Maddock’s abdomen.

Maddock’s voice broke again as the man withheld tears. “Ah— Max wants you to get in the car now, kiddo. This is actually goodbye.”

“So’kay, Maddock. So’kay.”

Comments & reviews · 3
User avatar
BluesClues
Review
BluesClues wrote a review Review · Jun 22, 2018

I’ll get popcorn and peanuts when I join the circus.


This is just such a kid thing to plan, running off to the circus omg

“Luca, acting as your guardian, I firmly request that you exist this closet at once.”

Maddock’s banging ceased.

“Acting as me, I’m sayin’ go away.”


Omg love it, love everything about it

Luca began to press his face up against the door, just to hear outside better. Perhaps, if he had been younger, then he would have admitted he wanted Maddock to hold him again.


DON'T MIND ME I'LL JUST BE CRYING IN THE CORNER

The branches of the willow tree tapped against the window, but he shook his head and ignored it. The willow tree offered no advice, just annoyance. He’d spent many a day sitting at its base, asking it questions only to be met with a tree-like silence.


I love this paragraph and I know I'm alone here but I particularly like "tree-like silence." I think it adds some humor, because of course it's tree-like: it's a tree. maybe it's just because this is the sort of thing I would write into a story but shhhh It reminds me of those "failed" similes that make the rounds on Facebook every now and then. "The lamp just sat there, like an inanimate object." "John and Mary had never met. They were like two hummingbirds who had also never met." I don't think they're inherently bad - I think if they were used humorously, they could 100% work, and I think "tree-like" does that here.

Rumor had it that she had been around since the founding of the sanctuary, but rumor was often wrong. Maddock had said she was related to the benefactor who found the place, which was much more likely. But, it wasfun to believe she was of the fairfolk, ethereal and ageless. It was less fun to believe that she ate children to stay alive.


Also love this, especially the last line.

I'm with Hatt that I'm not sure how I feel about the way you lengthen Luca's vowels. Sometimes it works; sometimes it feels awkward. And I have to really read the sentence exactly the way you wrote it to decide. It's an interesting choice, but it's distracting. The phonetic spelling of a few words to be the way a child might mispronounce them is better and helps show Luca's young age, as is the way he says things like "wanna" and drops letters from the end of certain words.

(My characters never say "wanna" precisely because it always sounds like I'm suddenly writing kids when in fact they're adults. Which is weird, because I'm an adult, and I say "wanna.")

Both fights here felt awkward and circular to me, but maybe I'm projecting feelings about my own story onto you I think fights in fiction tend to get that way if they last for more than a couple lines, because...fights are circular. Which in real life is...uhhh I don't want to say "fine" because, well, fights, but when reading it you really notice and it gets a little grating.

Also, I can see how Luca, an eight-year-old - even a smart eight-year-old, because there's intelligence and then there's emotional maturity - wouldn't understand that Melody really thinks this place is her best option I'd totally adopt her and him too, but I feel like Melody, as the older one, might show more internal conflict when arguing him rather than just like "you're like a brother to me, but I don't want to leave, so...nice knowing you." It just felt like they were closer to me than they seem to be with the way she acts in this scene.

User avatar
inktopus
Review
inktopus wrote a review Review · Jun 4, 2018

Yo, Adri! This is probably not going to be a super long review (I'm not @Hattable), but I hope my thoughts help regardless.

This felt very rough. Particularly in your prose. I can't possibly expect you to write with the masters, but I think that some exercises in description would improve your skills a lot. You have the foundation for great descriptions, but you don't make good use of vocabulary. I think that the best thing to strive for in description is specificity. You want to use the fewest possible words that describe what you want the reader to see. To accomplish this, you need to expand your vocabulary. This can sometimes tread the line of purple prose, but from your writing style, I don't think that you'll ever have a problem with purple prose.

I'll try to give you an example of what I mean.

Lobelia and aster returned to the back of his knee, angry at their previous trimming.

With this sentence, we can see what's happening, but it's not particularly interesting. With a story like Flower Boy, I think that treading the line between poetry and prose-- in your descriptions-- is stylistically appropriate. (Please don't hate me) You want to show us what's happening. Right now, you're telling. I might rewrite the sentence to this: Lobelia and aster bloomed from the back of his knee once again, ripping skin with angry sprouts.
I used specific words: bloomed and sprouts. I also referenced pain (ripped skin) which is a way show that they're angry. This is just how I'd personally rewrite the sentence. I don't think that you should use my example, because developing your style is so important!

I'm a bit confused by Luca's speaking pattern. It seems like you tried to cram a lot of different habits into one character. While that might seem realistic, realism isn't something you necessarily want to use in dialogue. People interrupt one another and stutter and real conversations are just plain hard to follow. Dialogue in writing is supposed to be streamlined and conveys important information about the plot or characters (ideally both). Personally, I dislike the way you have him draw out his vowels. I think it's annoying to read. I like the way he drops the ends of words because it brings out his young age.

Somewhat related to Luca's speaking pattern. Sometimes you do a great job of making him seem like he's an 8-year-old. I like that, and I see it especially in his dialogue. I think that you could put us more in his head, and focus on him experiencing the world as a child. There are just certain points where he seems to be out of character, acting like an adult or teenager instead of a kid.

Overall, I really like the story, but the writing in general needs some work. If you want more help if you do decide to get this published, I'm totally up for helping out!

You know I'm going to talk about this in dm!

~Ink

User avatar
Hattable
Review
Hattable wrote a review Review · Jun 3, 2018

Hiya!

Gonna jump right in because I'm writing this at the end and the review is mega long. Ahhh--

Crocus flowers budded from his jaw, white and yellow in their pain.

The back end of the comma break sounds like you're describing the pain itself as white and yellow, which I don't think you meant? I'm pretty sure you were meaning to say that the flowers are white and yellow, and also causing him pain, but wanted to do it in a more showy way, which is great, but it didn't really work well here for me? Maybe you could say “white and yellow, blossoming in their pain” or something similar? That still doesn't work a ton, but it's an idea you could try working with?

Yet he worked methodically, stuffing his clothes and his few books into his fraying backpack.

Starting this sentence with “yet” gives it a disconnected feeling, to me. I'm not sure why. It might have to do with the previous sentence just starting with “crocus flowers” and that not feeling so concrete in the scene?-- “Yet” makes my brain want to fuse the two sentences as I read, but that'd just make for a huge mess of a sentence.

Maybe it would work better if you said “Yet he worked through the pain, methodically stuffing [...]”? Though if you did that there'd be repetition with the mention of pain in the first sentence. If you went for this I'd recommend rewriting the two along the lines of
White and yellow crocus flowers budded from his jaw, yet he worked through the pain, methodically stuffing his clothes and his few books into his fraying backpack.

(I thought a single sentence sounded better than breaking it at “yet', still) and the “his” feels repetitive, but this is just a suggestion.

I’ll get popcorn and peanuts when I join the circus. That’ll be enough.

Good plan, I'm on board.

The branches of the willow tree tapped against the window, but he shook his head and ignored it.

This is nit-picky but I think mentioning “outside” could make this sentence read better? I mean, obviously the tree is outside, but I like the addition of the word. It could be placed after “willow tree” or before “window” (tapped against the outside window? I dunno if that works. “Tapped outside against the window”, maybe?)

It's... a no-duh sort of thing (oh where's the tree? Outside? Wow, who would've thunk!), but it could also make the sentence feel less flat, I think.

asking it questions only to be met with a tree-like silence.

I'd go for a descriptor other than “tree-like” here. “Tree-like” feels silly. It's a tree, after all, what else is its silence gonna be like? That might sound like an argument for keeping tree-like, but no--! Maybe go for “oblivious silence” or “disregarding” or “room temperature”. Whatever sort of emotion you want to convey in regards to how Luca feels towards the tree not answering, if that makes sense.
Like, he goes and asks the tree questions, and of course it's not going to answer 'cause it's a tree, but he's a kid with an imagination, so does he see the tree's lack of response as ignoring him or not knowing itself? Take that and spin a word that would convey that feeling and you've got a good replacement for “tree-like”!

His walk to Melody’s side of the sanctuary was long and composed of bated breath, creaked floorboards, and the occasional hint of an adult getting ready for the day. He actually caught a glimpse of Mrs. Hatcher’s silver bun as she strode into the library.

Nice sentences. Good description. It's got a sort of cautious vibe to it, but that could still be amped up a bit if you want readers to experience Luca's apprehension any more. Still, it's good and gets that atmosphere across pretty well.

Rumor had it that she had been around since the founding of the sanctuary, but rumor was often wrong. Maddock had said she was related to the benefactor who found the place, which was much more likely.

I think “rumor was also often wrong” might read a bit better? But I'm not sure on that.

As for the second sentence, do you mean “found” as in they literally stumbled upon the place and found it, or was this supposed to be “founded”? I'm assuming the latter, but I don't know the history of Willow's Sanctuary, so I can't be sure, lel.

But, it wasfun to believe she was of the fairfolk, ethereal and ageless. It was less fun to believe that she ate children to stay alive.

Good glimpse into the whispers of the sanctuary children. It gives the readers the necessary perception of Mrs. Hatcher without going overboard and focusing on her too much, ripping us from the apprehension at hand. It's a quick introduction to her reputation around Willow's that you handled nicely.

One note, which you've probably noticedby now-- you're missing a space between “was” and “fun” here.

He shook her again, her snakes starting to hiss. Frantically, he shushed them, but they only hissed louder. He started to wave arms in a “cancel” motion, but that didn’t help either. Luca began alternating between putting a finger over his lips and making the “cancel” motion, until the hissing was finally replaced with a low snicker.

Hahah, that's a good bit.

Melody’s eyes flashed open, lycanthrope yellow for a slight moment before returning to the usual warm brown abyss. She smiled, showing her fangs for a split second before retracting them.

I said this before in Discord but gonna point it out again here real quick-- Lycanthrope yellow is a great description, but I think it would work better if she were a werewolf? Or that would just be too on the nose. It's a little out of place, to me, with her being a Gorgon girl, and I can kind of see it giving the perception of Melody as a monster? Like, “oh the author described her as having lycanthrope yellow eyes, that's like a werewolf, werewolves haven't been mentioned in this story but are typically monsters!! Is this a hint at Melody's true character?”

I'm probably nit-picking and digging into it too much. I love “lycanthrope yellow” as a description, but thought I'd point this out in case it makes any sort of sense?

“What?” Her features melted into confusion. “What are you talking about?”

Good reaction. Good description.

“M-m-maddock wants to send me to a school, and-and they won’t let me bring you, and weee need to get out of here.”

Consistent Luca dialogue. My only issue is that I think the stuttered 'M's would all be capitalized, since it's a name? I'm not a professional on stutter-typing grammar, though, so I'm not 100% on that. “M-M-Maddock” looks better to me.

He suddenly became aware of how he looked. Unbrushed hair, a hastily thrown together backpack, half-healed scabs coating his face, eyes filled to the brim with threatening tears.

I think it would make more sense for him to realize this upon catching his reflection in something. Maybe the window? Or maybe there's a mirror in the room? In his current state, I don't think it's likely that he'd realize just how concerning his appearance might be unless something like that prompted it. I suppose you could say that Melody's reaction prompted it, but he's also eight years old? And I don't know that eight-year-olds have that capacity of “oh this person looks concerned, that makes sense, [recalls appearance]”?

“Hold on, Luca. What now?”

Also, Melody hasn't been described much beyond opening her eyes and her expression melting into confusion (great description). I think having her sit up or something could give her some more liveliness in this scene? She just sort feels there to respond to Luca, but not really physically react? It'd make sense for her to shoot up in bed and be like “oh no, Luca, what's wrong?” and show some more urgency than to just lay there with her face changing every so often. I'm not sure how well she could sit up with her leg issues, though, (which I'm just now recalling), but yeah-- I'd try adding something more than eye and face reactions?

While Luca’s voice was hushed — yet still frantic — Melody’s voice was even-toned and just loud enough to draw attention to their conversation.

ROOM TEMPERATURE “Even-toned” is a good description and much better than what your original rough draft had, haha-- This is a good sentence!

“I hav’ta go to Haven’s Academy but I don’t wanna to go without you and they won’t let you go and-and-and if we run away to the town and to the circus, then I’ll be able to staaay with you and I wanna stay with you.”

Poor babby-- One note, you've got him saying “wanna to” as though you originally wrote “want to” and decided to change it but left an extra word in. Unless this is another vocal tic you wanna use? But it's kind of weird. I doubt it's that anyway, though--

Vomit started to make its first appearance, but he flinched and kept it contained.

This kind of conjures an image of bile slipping out of his mouth? A la Rick Sanchez. But I think you were meaning more that he felt it rising in his throat and kept it down? Is there a way you could rewrite this to sound more like that?

Luca saw his escape slipping out of his hands, with the sun rising in the background with its hateful orange rays casting light through the window.

I'd replace the second “with” with a comma-- “with the sun rising in the background, its hateful orange rays [...]”

Her eyes snapped open, yellow and… sad.

Ellipses in prose are a no-no for me, except under certain circumstances. This is no such circumstance and I'm gonna have to suggest removing them, because they just feel like they're stunting the flow? This instance in itself feels like a poor attempt at dramatic effect. I think the flow and writing would benefit from removing this ellipsis.

Luca writhed and twisting, trying to suppress kicking up to avoid the pain.

“Kicking up to avoid the pain”, or “trying to suppress kicking up, to avoid the pain”? I'm not quite certain which meaning you're going for here--

“Do you… ever consider what I want, Luca?”
Silence.
“You’re like a little brother to me, Luca, but… I won’t go with you. I want to stay here.”

Damns-- I will say that Melody is a pretty good character, but she feels... cold? It could be intentional on your part. Maybe she has trouble reading others or knowing just how her words sound. She obviously cares for Luca, as has been displayed across the last three portions of the story, but she's also quite blunt and frank and she doesn't really soften any blows. Which works for what you seem to be leading into with Luca and the rest of this story, but yeah--

If this is intentional, then great job! If not, then uh, hey pal you've got a stooone cold character.

An unfamiliar but not foreign voice popped up, high pitched and airy.

“unfamiliar but not foreign” is an odd concept to try and grasp, and I'm still not quite sure I've got it.

Luca bounded down the hallway, not caring to calm down and instead letting out his emotions in small shouts of rage that were pent up in his chest.

Since he's letting out the rage, even in small bursts, it's not quite pent up in his chest anymore? Oh, I'm realizing you may have meant “were” as in the past tense and not like “they are here, yes”. Maybe go for “that had been pent up in his chest” if that's what you're meaning? It's a bit wordier but it's definitely clearer.

Pressing his back up against the door, he heaved and buckled over from the cool pain right below his lower right rib.

Is this pain from the heartbreak or anger or is it more plants growing? I'm sort of unclear here--

He couldn’t even see, with dark grays and blackness illustrating the scene before him.

This is very good. I like this. Nice description. (Reminds me of darkvision in DnD)

Mrs. Hatcher’s shrill cries died down and heard her muttering before hearing her steps walk off.

You're missing a “he” before “heard her muttering”, I think. There's also some repetition with “heard her” and “hearing her steps”. Maybe you could go for “he heard her muttering before her steps walked off” or “steps grew distant” or even describe them? “Steps clicked away”. You could do a bit more towards Mrs. Hatcher's reputation with how you describe the sound of her steps (i.e. give them hoof sounds and you've got a devil comparison, etc).

With the new orange light, he scanned around the room— ahah. A mop and a broom.

I'm not a fan of the “ahah” in the prose. You could say “he scanned the room, his eyes falling on a mop and a broom” or say that he found what he needed, since that's what this sounds like, but I'm gonna have to read on to see if he actually needs them any--

He worked on his barricade, angling the mop and the broom like an X and sliding each object through the wire shelving on both sides. Luca ended up knocking down some cleaning chemicals in the process, but nothing spilled open.

Oh, I see, haha. Glad nothing spilled! That's a good little addition, too, the chemicals falling and all. Gives the closet a cramped feel. Makes it feel like it's actually there and in use instead of a convenient place to hide him for the story's sake.

Finally, he was certain that no one could get in.
Luca was safe. Trapped inside a utility closet.

I think these could be a single line? And “Luca” might not be necessary to name, could just be “he”, but that's more nit-picky.

wenty-one buds on his left leg, all belonging to various different flower species. Twenty-one is divisible by seven. Seven is prime. He moved on to his right arm, counting the buds and skipping the flowers and the leaves. Eleven. Eleven is prime.

I hope this doesn't come across wrong and that I'm not misinterpreting, but this reminds me of some of our conversations about autism? And that's cool and all if Luca's on the spectrum any, but-- I don't recall there being any other instances or references to that in the story before? This feels random and tossed in at the last minute, but I'm really not sure. It could be his way of calming down. And if it is autism, I just feel that more references to it throughout the story would be better than a single drop here? Again, I don't know enough to know if there have been other references, though, so-- my apologies if I'm completely wrong here or missing anything!

he was just about ready to zip open his backpack and grab his one book when there was a pounding against the door.

“Zip open” sounds weird. “Unzip” is typically what people do/say? lel

Maddock’s voice had a parental kilter to it, with a softness Luca was only familiar with in his most vulnerable states.

This is all well and good but the softness of his voice feels conflicting with him pounding on the door. It makes sense for him to be concerned, thus pounding, but my initial perception was angry pounding. Maybe play up the concern in his voice, if possible? Or describe the pounding. Is it frantic? Soft? Quick?

Maddock only pounded against the door louder.

Pounding louder is odd. Would “harder” work for this?

“Oh God, thank God. Luca? Kiddo, please come out of there— are you injured?” The doorknob rattled. “Please, please come out.”

I've suddenly got a feeling of where this story might go and I hooope it doesn't--

“Luca, acting as your guardian, I firmly request that you exist this closet at once.”

*”exit”, yeah?

“Acting as me, I’m sayin’ go away.”

REKT

“I named you, you know? I care about you.

Bit of an odd thing for him to say to Luca right now, but it's a nice thing for the reader to know? It gives their relationship yet another layer.

The skin on his legs were no longer visible, replaced with color and familiar pain.

This gives the sense of the pain itself being visible, which is a little weird. I like the sentence but that bit could use some rewording, I think.

“It’s not okay to dismiss someone else’s will like that. I know you sometimes find this place stifling, but she flourishes here. She’s talking to me about getting stronger and becoming a groundskeeper or maybe taking over the abandoned greenhouse here—“

This may not have been intentional, but I like the use of “flourishes” here. It conjures a sort of parallel with, like, although Luca is the flower boy and literally grows flowers, Melody is the one who actually blossoms in the sanctuary. It's a neat little thing that I noticed. If it's intentional then holy heck bro you earn a hundred more writer points, but even if it's not it's a really good happenstance and still benefits the story.

Luca dug his nails back into his palm, narrowing his eye as he continued to star at the monotonous door.

Did you mean to make “palm” plural or nah? Also, *stare

He attempted to keep his voice even, but he managed to almost break into sobs.

Managed sounds like that's what he was going for, when it's the opposite. I'd suggest swapping that word for something else.

For a second, it was easy to think that he was just talking to a wooden door.

This also gives me a feeling of, like, parallel to how Maddock hasn't been listening to Luca. Again, not sure if it's intentional, but I'm digging into your story and pulling out dEEPER MEANING.

Maddock stepped over eggshells in large boots, cracking fifteen to smithereens in the process. He wavered. “Have I… ever ignored your will?”

The metaphor here is a little weird. Sort of pulls me from the scene, y'know? You might be able to use it if you executed it a little differently? Or put it after his question, but I'm not sure how the flow would go, then.

“Melody doesn’t want to go to Haven’s Academy at all, Luca.” His topic shifted, breaking like tectonic plates. ”Did you, hmm, hear my conversation with Mr. Courtenay?”

This is a good simile. I like it very much.

The dinners aren’t for me, they’re for him and his stupid polititicks stuff.

Good here, too. I like the misspellings to show Luca's vocal tics. They're not overboard at all, either. This is, after all, only the second one? So yeah, haha. But they're good and the sparseness of them is also good-- helps it avoid going stale.

He turned around to see Maddock’s smiling face, although he couldn’t ignore the red puffiness around his caretaker’s eyes. “It’s so’kay, Maddock. I’ll be back for the summers. I’ll write too!”

This ending is sweet and all, but my problem with it is that... Luca and Maddock had the confrontation through the closet door, and then all it took was Luca forgiving Maddock and Maddock saying it was okay for him to miss his friends, then boom? Everything is switched? Luca is good to go and Maddock is the one that's gonna miss him? It's a drastic change and while I love this ending, it's not entirely consistent with the rest of the story. Maybe if you made Luca a bit more hesitant here, still, and have Maddock or Melody promise to visit?

Maddock’s voice broke again as the man withheld tears.

I'd just go with “he” instead of “the man”, though I suppose you wanted to avoid confusion over whether he or Luca was crying.

“So’kay, Maddock. So’kay.”

And then this feels very abrupt. It's a quick, sharp ending. I think some more... more would work. Maybe show Luca getting into the car? Have it pull away and him wave to Maddock and Melody out the window? Have Max ask if he's looking forward to Haven's and then fade out? Something more, you know?

And that's all!!


This was a great great great story. This on its own, and then all the parts overall. I've loved following this over the past couple weeks and man these characters were just great. The story was kind of ambiguous at first, but you managed to spin it into something consistent and... good.

You're a wonderful writer and the pacing of this work was spot-on. It flowed so nicely and nothing ever felt rushed, aside from the ending, which I already sort of made suggestions for, but yeah--

Characters were consistent in the part, and their character arc climaxes were also handled really well, what with Luca forgiving Maddock and Maddock realizing the error of his ways. Melody also held a decent amount of spotlight, given her supporting character role. It was all really good.

The conversation through the closet door, between Luca and Maddock, was done well and served as both a good climax to the story and a good closure on their differences. Who would've thought talking things out would help conclude the rising action? lel

I wish I could articulate more but I pulled an all-nighter and my English is out of whack and this review is already ridiculously long so I'll try to make sense in Discord if I come up with anything to say, but for now, this review is done!


I hope this was helpful, and thank you for the wonderful story!

- Hatt

Evander replied · Jun 3, 2018

yep, the ending was very rushed. IIi'll definitely rework it. I responded a bit in Discord and I'll probs chat there a bit more, but thank you so much for this review!!! I'm seriously impressed!

hatt you need to come extract deeper meaning from my story so I can pretend I wrote it that way on purpose



NO U
— Carina