Hi Ducklin! Here to review as requested
As a whole, I liked this chapter. I think you've got an interesting concept, you've dropped some hints about where the plot is going to go, and your characterization in this section was quite strong. I enjoyed reading it, and after this, I'd be interested in reading on.
First of all, while I like the cover you designed a lot, I wanted to recommend (for internet safety reasons) that if it is your real name at the bottom, it might be a good idea to remove it. You always want to be careful about what personal information you give out on the internet. But if this just a pen name, it's totally fine (but it might be something you want to clarify in an author's note!)
Now, onto the actual story ^^ I'll start with some quotes from your novel, and at the end I'll give my overall thoughts.
The Elysium, the marketplace, and the core of Xenos was always buzzing with life at night.
First of all, this description left me a little confused. Is the Elysium supposed to be another name for the market place? Or are they separate entities? The way this is currently written makes it feel like you are saying each of the Elysium, market place, and core are individually buzzing with life, which may be because of the commas.
She was so absorbed in her book that she had lost track of time and now had to hurry home.
You've already told us she was hurrying home earlier in the paragraph, so it's unnecessary to repeat it. Also, as an introductory paragraph to the chapter and also main character, it feels passive. The scene was set, we were told how she's feeling, and what she was doing, but this ignore what she is currently doing, which is the more engaging hook. To me, your second paragraph serves as a much more engaging introduction, because there is a feeling of action and movement. Once you've established our interesting, then you can easily go back and fill in the details of what she was doing and why.
As well, let me show you an example of a sentence that I'd describe as passive:
Rae had always been amazed at the magnificence of the market and how it never stood still.
Now, this is a great description, and I like it for setting the atmosphere of the piece, but it talks about Rae and the market in a more abstract, disconnected way. Compare it to something like this:
Rae was still amazed at the magnificence of the market as everyone bustled around her.
Of course, this is just a suggestion, and this is your writing, but my point is to illustrate the difference in feeling between these sentences. The second I would describe as "active," because Rae is in the moment, in the action of the market place moving and feeling her amazement from it. Hopefully this made sense! Feel free to ask clarifying questions if it doesn't, haha.
She looked up and saw a man standing in front of her who was at least two heads taller, she was not much taller than six feet, which didn't make it difficult for people to be taller than her.
First of all, this sentence is a comma splice (it should be a period after "two heads taller."), but I was also a bit confused? Six feet is really tall, in my opinion. The average height in the US is somewhere around 5'6 for girls and 5'10 for guys? (I may be making these numbers up, but I know it's less than 6'). But she talks like six feet is short -- and also says this guy is two heads taller?? How did she notice him when she was walking if he's so big? If this is intentionally that everyone in this world is just naturally larger than real life, feel free to keep it, but it would definitely help the reader to establish this a separate time too, so they know that this is a detail that differs in your story.
Also, the more I'm reading, be really careful about comma splices! They can mess up the flow of your story, since the reader has to backtrack to understand what you're trying to say. (A comma splice is when you put a comma where a period should go.)
Rae's gaze slid to his ears, not pointed, not an elve, so she thought.
If this is meant to be an actual thought in Rae's mind, it would help to italicize it so the reader can distinguish it from narration. If it isn't an actual thought, it would help to add some more transition words, so the sentence doesn't feel so choppy.
Rae was extraordinarily good at spotting small details in just seconds, which of course she needed as a thief along with speed and a little bit of acting.
Honestly, this sentence isn't needed. You did a really good job in the rest of the paragraph showing us Rae's talent of quickly analyzing a person's appearance and making judgements from that. So great job on that. However, it feels repetitive to then tell us exactly what you did by then explaining that she's good at spotting small details. That's the art of showing and not telling!
I'm not a huge fan of the section when Rae steals the amulet, because it feels like there were a lot of details omitted. First of all, the amulet wasn't even mentioned until after she stole it, so I was surprised that there was something for her to steal. Second of all, where was the amulet? How did she so easily steal it? Third of all, I think it would be more interesting and impactful if you went into a bit more detail of how she went about stealing it, her thought process, her movements, how the man didn't notice. It feels kind of like cheating to keep the reader in the dark about it too, because how can we know she's a good thief if you don't show her in action? It feels like as an author you're saying, "trust me, she's good at this" without showing us actual proof. Hopefully that makes sense!
It seemed like the amulet was calling to you with its seductive appearance.
I'd recommend changing the "you" to her, because, in my opinion (but this is ultimately your choice!), it takes the reader out of a story if you break the fourth wall with use of second person in the narration.
Only rich nobles or elves could afford a large house, and neither of them was.
I think you're missing some words at the end of this sentence? It was a little confusing the read.
"I'm Home Mom, sorry to be late, but Darius needed some help at the booth" Rae shouted around the house.
First, you're missing a comma Second, in the beginning she said that she was trying to get home before her mom got home, so why is she expecting her mom to be home already?
Also, there were a few times when the paragraphs felt a bit long, and I thought you might be able to break them up to make reading easier. For instance, in the paragraph that this quote is from, there is not only another dialogue section that could be put on its own line, but there is a transition from Rae being scared about her mother not being home, and then discovering the light is on and being relieved, which could serve as a good paragraph break. As a whole, if you have multiple paragraphs bordering on 8+ lines, it may be a good idea to evaluate if you can restructure them, because it can be easy to get lost reading in them.
Rae sat down on the wooden chair.
I didn't realize that there was a time skip here, so the transition was jarring. Maybe try adding more details (like a quick sentence of her whipping together some food) to ease it?
She knew she should tell Rae, but couldn't. She would hate and loathe her, but above all, she wouldn't listen to what she has to say. Rae wasn't ready and Lucia knew it. She decided it was better not to say anything now.
So it looks like in this paragraph you switch into to Lucia's perspective for a moment. This was really unexpected for me, and honestly, I feel like it takes away suspense from the scene. It feels too heavy handed. Because instead of dropping subtle hints about Lucia's mannerisms (maybe being quieter than usual, fidgety, etc. to suggest she's hiding something) we are just told she is hiding something. It's not as interesting. However, there isn't anything wrong about switching the perspective, since you could be writing in third person omniscient, but make sure you're consistent about your perspective. I'd personally recommend sticking to third person limited and staying on Rae (or any other later perspective characters!) since it's easier to write and manage. But ultimately, it's your story!
I'm interested in seeing what's going on with Lucia, because her reaction at the end seemed pretty excessive, especially because Rae had only really pressed once. I do like that you at least pointed this out and made it aware to the reader that this is not a normal occurrence for her mother, so I'd be interested in learning the explanation for this!
This this has gotten a lot longer than I'd expected, so I'll try to wrap up my general points quickly since I covered most of what I wanted to talk about. Also, don't be discouraged that I have a lot to say! I really do enjoy your story, and I think you have a very good start. Your writing is strong, your characters are strong, and I can see the set up of plot being dangled in front of us. It's good! I just also want to help you in the best way I can
I also wanted to ask about the name Elysium: is this related to Greek mythology, and is that intentional? If so, I think it's a neat addition, especially added with the quote you had at the beginning (since I think Elysium is an after life for heroes associated with the Greek gods? I'm not sure.)
Hopefully you found this review helpful. Let me know if you have any questions about my review, and I'll happily answer. Also, I would definitely be interested in reading more parts as you post them
Happy writing,
~ Wolfe
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Reviews: 767
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