The Prince of Brooklyn

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Experimental short story...tell me what you think! (And if there are any tense errors, I slipped into Auto Mode and wrote in first person towards the end and had to revise it afterwards, so I may have missed something.)
***
The Prince’s greasy hair and purple robes flopped to one side as he leaned into the cab.

“Hello, sir, I suppose you’re to be my chauffer today?”

The driver rolled his eyes and swirled a toothpick around in his mouth. Just his luck. On that shift, he got stuck with all the wackos.

“Whatever, kid.”

The Prince handed a few extra dollars than whas the fare.

“On your first day of work, it’s always hard to adjust, yes?”

The driver snarled something under his breath and took the gift, then focused on the reaview mirror as he backed away from the curb and veered off onto the street.

“What do you know about work? Whatayeh, fourteen?”

The Prince shrugged. “I suppose. As long as you’re happy…”

Outside the Brooklyn street steamed from underground sewers and the buildings seemed to reverbrate with every honk of an agitated commuter’s car horn.

The taxi cab slammed to a stop at a red light and the Prince’s leather Luis Vuittton backpack tumbled onto the floor.

The driver stiffened and angrily bit on the end of his toothpick so that it cracked and splayed in half in his mouth. The only type of person he hated more than complete wackos was rich people, and the Prince appeared to be both.

The Prince picked his back foff the ground, dusted it off, and re-fastened the brass clips, then set the bag next to him and leaned his forehead against the window, closing his eyes and letting the glass cool his skin. It was tough, sometimes, to be royalty.

He smacked his forhead against the pane as the driver screeched to a stop in front of PS 82.

“Thank you, sir. I’ll see you after school,” said the Prince, smiling as he stepped out of the cab.

As soon as he had shut the door behind him the taxi took off again at top speed, weaving through traffic and nearly flattening a girl on her bike.

The girl squeaked a little and jumped the curb onto the sidewalk where she spotted the Prince, smiled, and pedaled a little slower.

He ran up to her, purple cape winding a little in the air behind him. The girl dumped her Schwinn on the ground and ran up to him, unsteady legs wobbling a little. She kissed his cheek and dug a wad of cloth out of her dirtied backpack. The Prince unwrapped it slowly, grinning.

It was a crown, a beautiful crown made of sparkling metal of some sort, encrusted with glittering rhinestones and a real diamond or two.

He kissed her back.

Someday, he’d grow up to be King and then he’d marry her and they’d rule together, both them and their subjects blissfully happy and content.

But that was later. For now, he was on his own.

On his own at a time where his people were rebelling, his people didn’t like him. So much so that he was a little afraid as they tripped him and spat on him and called him dirty things in the hallways, but as long as he stood tall and led a good example he’d be all right, and they’d come to their senses evetually.

They didn’t like his Princess, either, and they would hurt her too, during English, the only class they had together. For that hour, they had to separate, hide their love so they wouldn’t each perish.

After the last class of the day he readjusted his robes, got into another cab and drove home.

At home, it was quiet when he walks into the living room and sat down on a sofa to start on his homework, something that would hopefully help him rule later on.

“Get off your feckin’ ass and do something useful, boy,” the King snarled from across the room.

“What, sir? What shall I do?”

The King stood up and the Prince noticed how tall he was, how bloodshot his eyes were and how his breath was coming (hard) through his nose. “Don’t give me your fancy talk,” the King struck him across the cheek and the Prince didn't dare move to rub the spot. “You sit here doing your goddamn ‘education’ shit and you ask why? Why when your mom’s got work to be done and you’re just sitting here…”

Work? thought the Prince. We’ve got lovely people taking care of us; I don’t think she needs me to work…

But of course, he didn't say this out loud.

“I’m sorry, sir,” says the Prince, meekly.

The King let out a yell from the back of his throat, grabbed the Prince’s arm and twisted the flesh as far as it would go, then releases. The Prince felt his eyes start to sting a little as his arm reddened.

“Get outta my sight. You’re feckin’ useless.”

Feeling defeated, the Prince walked to his room, tears running down his cheeks. “And get some balls, for Gad’s sake, you little bastard!”

The Prince locked himself in his room and lines the doorway with blankets so he wouldn't be able to hear anything and no one would be able to hear him.

He collapsed onto the ground and sobbed between his knees, feeling lost, feeling hopeless, feeling obsolete. The mucus from his nose was running down his face onto his jeans and he was ashamed for it, but he couldn't stop, he couldn't stop…his stomach hurt and worsened with every shaky breath in and only made him cry harder.

He suddenly sat up, smiled, and retied his robes. He couldn’t be seen like that, oh no!

He stood in front of the mirror in the corner of the room and brushed his hair, blew his nose and dabbed at his eyes with a Kleenex, laughing a little.

He had to stay strong, for his people needed him.
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It's interesting from the insane asylum point of view, but I found it a bit boring, and too jumpy. You go from one scene to the next without any real transition, and it all seemed like the "then this happened, then that happened, then that went like this, then this went like that, then, then, then," type of story.

You do need to edit this more too. Lots of typos that a simple spellcheck would've caught.
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wooooooooowwww...that kid's lost it huh? hmm...I don't know ill have to crit it later because I need more time to think about it.

but make fucking fucking, not fecking. :P it works better




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Trying to get the accent in there too. :P

Sorry about the typos! And thanks for reading, again, it was experiment and I wanted to see what you thought.
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I was confused... what is this about? Is it about a normal boy who is wrong in the head and thinks he is a prince? It was nice anyway, one problem;

The King let out a yell from the back of his throat, grabbed the Prince’s arm and twisted the flesh as far as it would go, then releases


O_____o; Is that meant to be; 'released' it?




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okay, sorry for the delay. A real crit:

The Prince’s greasy hair and purple robes flopped to one side as he leaned into the cab.


Okay, you do two important things here. One, you start off the story (Rather excellently, I must admit) and two, you let is know right off that the dear boy has lost his marbles. After all, what Prince has greasy hair? But, as the author, you do yet ANOTHER important thing. You don't contradict your subjects sanity or self-given title. That, as it were, turns out to be very important in your story.

“What do you know about work? Whatayeh, fourteen?”

The Prince shrugged. “I suppose. As long as you’re happy…”


Again, you do two things. You give us his age (rather important, I'd say, although i'd guessed that as being his age from the story and the context) and you give us clues to his "Prince" nature-benevolent, in a word, and very...self important, but at the same time, giving to others...you know?

Outside the Brooklyn street steamed from underground sewers and the buildings seemed to reverbrate with every honk of an agitated commuter’s car horn.


Two things, yet again. Vivid description that makes the readers feel like they are there, and letting us know exactly where this story takes place, confirming for the reader that he is NOT, in fact, a Prince.


The taxi cab slammed to a stop at a red light and the Prince’s leather Luis Vuittton backpack tumbled onto the floor.


And yet, though he is not a prince, he is very rich...I didn't know they made Luie Vauitton backpacks-do you have a Luie Vauitton purse? I've been wanting one. And no, I wrote my Luie Vauitton thing in my story before you wrote this, so I definately was NOT copying you. I was, however, spelling it wrong... I want a purse but it's like, $300 for a small one, $600 for a big(ish) one


[/quote]It was tough, sometimes, to be royalty.

[/u][/i]




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whoops. Accidentally hit submit instead of "quote" don't ask me how.

the line about royalty was good because it was funny and it showed how diluded his brain was.

It was a crown, a beautiful crown made of sparkling metal of some sort, encrusted with glittering rhinestones and a real diamond or two.


Okay, yeah this is nice enough I suppose, did he just recently decide to be a prince or something? Because otherwise wouldn't he have a crown? Besides that, this doesn't give any real explanation of how she got it or anything...

On his own at a time where his people were rebelling, his people didn’t like him. So much so that he was a little afraid as they tripped him and spat on him and called him dirty things in the hallways, but as long as he stood tall and led a good example he’d be all right, and they’d come to their senses evetually.



that part's pretty good. Eventually, not evetually

“What, sir? What shall I do?”


hmmm..that shows he's insane all the time, and it's sweet how you refer to his father as "the King"

The King stood up and the Prince noticed how tall he was, how bloodshot his eyes were and how his breath was coming (hard) through his nose. “Don’t give me your fancy talk,” the King struck him across the cheek and the Prince didn't dare move to rub the spot. “You sit here doing your goddamn ‘education’ shit and you ask why? Why when your mom’s got work to be done and you’re just sitting here…”


That part shows that A. the "Prince" can't say ANYTHING right to his dad, even agreeing is disagreeable, his dad just wants a reason to be mad at him. B. The "Didn't dare move to rub the spot" shows that the abuse is rather constant... and, C, the "education shit" part showed that his dad is living WAAAAAAY back in the eighteenth century. And of course, it shows that his dad is an ignorant louse who sits around and drinks all day.

Work? thought the Prince. We’ve got lovely people taking care of us; I don’t think she needs me to work…


Hmmm...I'm quite curious whether the aforestated is true or not. If he has a Luie Vuitton bag, I don't think his family is in financial bankrupcy...then again...I dunno but i'd like to know if that's true.

“I’m sorry, sir,” says the Prince, meekly.

The King let out a yell from the back of his throat, grabbed the Prince’s arm and twisted the flesh as far as it would go, then releases. The Prince felt his eyes start to sting a little as his arm reddened.

“Get outta my sight. You’re feckin’ useless.”


Okay, he REALLY can't do anything right, can he? The "fecking" would be more powerful if it was "fucking," for the record. that was mean of "the king"...I feel bad for the prince...

He collapsed onto the ground and sobbed between his knees, feeling lost, feeling hopeless, feeling obsolete. The mucus from his nose was running down his face onto his jeans and he was ashamed for it, but he couldn't stop, he couldn't stop…his stomach hurt and worsened with every shaky breath in and only made him cry harder.


Good description...personally I'm always afraid to make my guys cry, I'm even afraid to make the girls cry. When my characters come from abusive backgrounds, I usually don't actually address it, either, but let the characters let it slip out in good time...an innuendo here...a remark there...and sometimes, if the time is right, after a LOOOONG time and you know the character enough to love him, then he may or may not say it outright, usually in the most painless way possible. Of course, this is only applicable to boys, as girls are far more forthright with their emotions. And...that had absolutely nothing to do with this...hmm...But it's good description, really, I felt for him but I didn't fell WITH him, and I think that's the problem here. I think you want us to relate to your character but we don't...because we don't understand him. We know very little details to seperate the facts from the fiction...

He suddenly sat up, smiled, and retied his robes. He couldn’t be seen like that, oh no!

He stood in front of the mirror in the corner of the room and brushed his hair, blew his nose and dabbed at his eyes with a Kleenex, laughing a little.

He had to stay strong, for his people needed him.


The first sentence-brilliant. The word "smile" in it is especially strong. Second, you mention he's "laughing a little." Therefore, I, the reader, come to the conclusion that the Prince is in this fantasy world to raise his moral...even to give himself a reason to live (as you make apparent in the last line)

It's a very strong ending to a very strange story. I liked it. PM me a detailed analysis if you feel so inclined...I'm very curious to hear the orgins of this story.




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Wow, Sam, very wow.

I'm going to have to be repetitive here and say "what Misty said" for a lot of this. You had several minor spelling/grammar errors (such as "whas" instead of "was") but those will be pretty easy to fix.

The fact that the kid is out of his mind makes for a very interesting premise, since he lives in such a normal environment. And the girl? That was an interesting bit as well. It makes me wonder if she was crazy too, or maybe just weird.

Like Misty said (again, with the repetition), I like how you give your character some justification by continually referring to him as the Prince, and the irony of calling his drunkard jerk of a father King was (to borrow your phrase) class.

The ending was good as well. It was pretty dang creepy. Vurrry noice, Sambo.
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Is that a good wow or a bad wow? :P

Hehe, thanks guys!

(Speaking of which...wow...Misty had fun. Thanks!)
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hehe. yeah...I did. I enjoy super-analyzing things. You know what's scary...no, really, scary-is that this story is coming back to haunt me in the weirdest ways. Like, this morning (literally, today) I was sleeping in to one o clock (typical, for vacations) and when I woke that line was in my head "What father, what shall I do?"

Well, 1) I was like, I really like that story 2) that is a great line, and 3) I have no life.

Then I rolled over and went back to sleep.




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The Prince picked his back foff the ground, dusted it off, and re-fastened the brass clips, then set the bag next to him and leaned his forehead against the window, closing his eyes and letting the glass cool his skin.


Run-on sentence...

More later. But good, weird story. :)
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Oops...

YAY! SNOINK LIKED IT! :P
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I am not very good at critiquing, so I will just say, I enjoyed the piece very much. I like this part the best though:

"Outside the Brooklyn street steamed from underground sewers and the buildings seemed to reverbrate with every honk of an agitated commuter’s car horn."
I could clearly picture cabs tailgating and the hollors and groans from impatient New Yorkers.

I also liked the cab driver scene and how he reacts to the ludicrous boy. I laughed at this part:
"The driver stiffened and angrily bit on the end of his toothpick so that it cracked and splayed in half in his mouth. The only type of person he hated more than complete wackos was rich people, and the Prince appeared to be both."


He smacked his forhead against the pane as the driver screeched to a stop in front of PS 82.

“Thank you, sir. I’ll see you after school,” said the Prince, smiling as he stepped out of the cab.

As soon as he had shut the door behind him the taxi took off again at top speed, weaving through traffic and nearly flattening a girl on her bike.


I could totally see myself doing the exact thing, the driver did, lol. That scene was also amusing.

The part with the boy and his drunken dad was interesting. I could clearly see the turmoil the boy suffered. Although, these type of examples, writing about intoxicated people can be too cliche. You did a good job of creating something that has been written and broad casted to death, and provided in-look into the boy's troubles, without going overboard on intoxication. Well done.

As for the ending, how weird was that? I actually didn't make the connection in the beginning he lost his marbles. The thought of a Prince in New England; in New York no less, confused me, lol. Towards the end, when he had his convo with dad, I started to understand, then of course the ending finally answered some of the questions. It was good.

Have one question though, are you from NYC?[/code]
The sadness drains through me rather than skating over my skin. It travels through every cell to reach the ground. I filter it yet strangely enough, I keep what was pure and it is the dirt that leaves.




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Brian wrote:It's interesting from the insane asylum point of view, but I found it a bit boring, and too jumpy. You go from one scene to the next without any real transition, and it all seemed like the "then this happened, then that happened, then that went like this, then this went like that, then, then, then," type of story.

You do need to edit this more too. Lots of typos that a simple spellcheck would've caught.


Okay, I agree with him! Well, mostly. I did enjoy a bit more than he did, I suppose. But it did seem very jumpy.

Now you ask, how? First... a personal story!

I'm writing a story, FREAK. I thought it was pretty good, but then someone gave me a strange comment. Even though I was writing in third person, she said my main character was the POV (point of view) and I couldn't stray from her at all costs. Therefore, she wasn't happy when I wrote something like, "She didn't know what color it was. It was yellow."

Because I stepped out of the POV for even a little sentence, I screwed up the scene.

For you, you're jumping out of characters a lot of times. Your POV first begins with the cab driver. Then it goes back to the prince. It briefly goes to the little girl before going back to the prince. It isn't terrible, mind you, but it's a lot more noticeable than that little sentence I screwed up. Therefore, it seems awkward.

You can probably start with the cab driver's POV, but work on the transition so that the prince seems to glide effortlessly in the POV role. This can be done quite simply. You can look at the cab driver's thoughts, then go to the prince's thoughts. You've tried to do this aready, but it's still a little awkward.

And don't go to anyone else for the POV role after you've come to the prince. Although it's interesting to see their reactions to the prince, it becomes awkward. It would be better to describe their reactions. Since you're in third person, this can be done easily. It's a little hard, but entirely feasible. Just remember. The more smooth and cool you are, the more effective the comedy will work.

And that's the other reason why the transitions aren't really working. You're dealing with comedy here. You have to get the timing down. By dwelling on the character's reactions to the prince, you're actually drawing out the conflict too much so that it becomes overworked. Nay, stay cool. The smoother you are, the better the ending will be.
Ubi caritas est vera, Deus ibi est.

"The mark of your ignorance is the depth of your belief in injustice and tragedy. What the caterpillar calls the end of the world, the Master calls the butterfly." ~ Richard Bach

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Heh! I'd never thought of that before...thanks! :D
Graffiti is the most passionate form of literature there is.

- Demetri Martin



perceive me if you want to, i will exist regardless
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