Original NaNo thread
Looking back, I would say where the novel ended up is pretty in line with my original vision, only more developed, as these things often are.
Goals for draft two (and the things I'm struggling with in getting there)
- Lean into the epistolary nature of the novel, including more news headlines, script excerpts, etc
- Finish and complete the Ryan chapter and ending. I've realized, as soon as I introduced him, his presence is what the story was missing. He's one of the most important people in Olive's life and the story should reflect that.
- I've been working a lot on the Nate/Dawson Gold tour chapter when she's their opener, and it feels like the storyline has come to its conclusion yet I still want Olive and Kerry to interact somehow. She's 10 at the time of this tour and if Olive doesn't see her again until she's 17 I think it could make the passage of time hit that much more.
- Lean more into the relationships between Olive and Erik (her brother) and Isaac (her first love/ex boyfriend( to show not just their age difference but him being black and her being white affects their relationship and ultimate breakup
- Make Joan's bisexuality come up somehow during Rebecca and Kate and track their friendship from ~1999 to present day. Also, I say Joan and Olive go their separate ways after reconciling at the 1999 Oscars. But if Joan and Mia (her partner) move to Connecticut they'd be closer to Olive and Ryan in NYC.
I was also thinking that when Olive and Ryan get married it doesn't track that her family and Joan etc wouldn't be there, unless they end up eloping. Olive is definitely someone who always imagined the fairytale wedding in a church but she could decide she loves Ryan so much she just want to be married to him. That could further cause tension!
--
Those are the main things. A part of me feels like I just need to show the novel to people and get torn to shreds, but even if I do what I need to I'll at least have a solid baseline to start getting feedback.
Also, I was listening to a podcast that was talking about narrative distance, and considering I'm writing it as a bio things are a bit zoomed out. That being said, I do think that distance works for this piece, it's just a matter of maximizing its impact.
*rolls up sleeves*
An excerpt:
Spoiler
I take a deep breath and force myself to get out of my car.
I’m struck by the man who greets me at the door. I’d recognize his face anywhere, but his hair is almost entirely gray. He sees me staring and catches on.
“Oh, the hair,” he says, his southern drawl unmistakable. “It’s been happening going on ten years now.” His accent is a stark reminder of who he is when cameras aren’t rolling. Of course, his real voice was never a mystery to anyone, but it’s all too easy either to forget or to not want to remember.
“What about Ghostlight?” I ask, thinking of his Oscar-worthy turn as the alcoholic artistic director of a struggling theater. To this day, I can’t believe he’s never won the trophy.
“I was dyeing it then. At a certain point, you stop fighting,” he says with a smile.
His hair was still his signature chocolate brown then.
As he leads me in, tells me about the ranch, about how he’s most at peace when he’s drinking his coffee in the morning out on the expansive patio, reading a good book, and watching the sunrise.
He serves us homemade mint iced tea. “So, Ghostlight. Did it help?”
"What you mean?” He asks.
I turn pale, suddenly embarrassed at having to explain myself. “Olive. Did playing an alcoholic help you understand what Olive was going through?”
“Well, sure," Ryan says, handing me a tea and sitting on the couch opposite me. “From day one, I knew she never meant to hurt anyone. Least of all me.”
I take a sip of my tea as I think about to say next.
Ryan beats me to it. "What's your goal in writing this book, Angie?”
It might be imagination, nerves, or something in between, but I could swear his tone is accusatory. I remind myself of what Olive told me and know it’s not personal. After the media tired of the Cole Hargrove affair story, the daggers turned to Ryan. How dare he leave the mother of his child when she needed him the most. Still, I rush to defend myself. “I just think people would be more inspired by her... and maybe have a little bit of a healthier relationship with the artists they love if they knew her full story. If they knew she got to where she is because of, not despite, her being a flawed human being like the rest of us.”
Ryan purses his lips, and his eyes go distant for a moment. After a moment, he nods. "Yeah, I understand that.”
More silence. I freeze up, definitely in the process forgetting how to speak.
“I’m not interested in bashing her, if that's what you're looking for,” Ryan says.
I shake my head.
I’m struck by the man who greets me at the door. I’d recognize his face anywhere, but his hair is almost entirely gray. He sees me staring and catches on.
“Oh, the hair,” he says, his southern drawl unmistakable. “It’s been happening going on ten years now.” His accent is a stark reminder of who he is when cameras aren’t rolling. Of course, his real voice was never a mystery to anyone, but it’s all too easy either to forget or to not want to remember.
“What about Ghostlight?” I ask, thinking of his Oscar-worthy turn as the alcoholic artistic director of a struggling theater. To this day, I can’t believe he’s never won the trophy.
“I was dyeing it then. At a certain point, you stop fighting,” he says with a smile.
His hair was still his signature chocolate brown then.
As he leads me in, tells me about the ranch, about how he’s most at peace when he’s drinking his coffee in the morning out on the expansive patio, reading a good book, and watching the sunrise.
He serves us homemade mint iced tea. “So, Ghostlight. Did it help?”
"What you mean?” He asks.
I turn pale, suddenly embarrassed at having to explain myself. “Olive. Did playing an alcoholic help you understand what Olive was going through?”
“Well, sure," Ryan says, handing me a tea and sitting on the couch opposite me. “From day one, I knew she never meant to hurt anyone. Least of all me.”
I take a sip of my tea as I think about to say next.
Ryan beats me to it. "What's your goal in writing this book, Angie?”
It might be imagination, nerves, or something in between, but I could swear his tone is accusatory. I remind myself of what Olive told me and know it’s not personal. After the media tired of the Cole Hargrove affair story, the daggers turned to Ryan. How dare he leave the mother of his child when she needed him the most. Still, I rush to defend myself. “I just think people would be more inspired by her... and maybe have a little bit of a healthier relationship with the artists they love if they knew her full story. If they knew she got to where she is because of, not despite, her being a flawed human being like the rest of us.”
Ryan purses his lips, and his eyes go distant for a moment. After a moment, he nods. "Yeah, I understand that.”
More silence. I freeze up, definitely in the process forgetting how to speak.
“I’m not interested in bashing her, if that's what you're looking for,” Ryan says.
I shake my head.
Olive and Ryan's song:
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