Unbroken, Chapter Three, Part One

by xDudettex

Published May 8, 2012

In Untitled, new

‘Dancing at discos, eating cheese on toast.  Yeah, you make me merry, make me very very happy, but you obviously, you didn’t want to stick around.  So I learnt from you.’  Kate Nash- Merry Happy.

 

I’m pouring cereal when Mum grabs my face. 

“Sadie, is that a black eye?”

I shrug and pull back from her.  “Good morning to you to.  Did you sleep well?”

She sighs, her gaze still on my eye.  “Yes.  Until you woke me up by charging up the stairs at three in the morning.”

“I tried to be quite,” I say, adding milk to my bowl.  “But I was drunk.  I mean, have you ever heard a drunk person try to whisper?  It’s well funny.”  I chuckle to myself and the movement makes my eye throb.  I grimace.

“Yes actually,” she replies, her tone sharp.  “Last night, when you walked into the wall and swore.”

My head aches at the memory.  Actually, my head aches full stop.  So do my legs.  And my knuckles.

“Did you get into a fight?”  She sounds worried and the guilt starts up again.  Mum has a habit of making it do that.

“I didn’t start it,” I begin.  “If that’s any consolation.”

“No it isn’t, not really.”  She moves to pick her bag up from coffee table and I watch her into the lounge.  “Remember your Dad’s picking you up after lunch.”

I open my mouth to speak but she beats me to it.  I already know what she’s about to say.

“Please be nice.”

I pout against my spoon as I watch Mum leave for work at the local supermarket.  She says she likes working on the tills because she gets to talk to people who don’t have an attitude problem.  I don’t know what she means though.

Once she’s gone I sit down at the table and ignore my cereal.  Instead, I try to see my black eye in the back of my spoon.  My skin looks a little purple, but it’s nothing a bit of make-up won’t cover.  I’d love to see the other girl.

I get a text after I’ve showered and put on a pair of jeans and a t-shirt.  It’s from Niamh, asking why I told her about meeting Chace by text instead of telling her last night.  I reply saying I didn’t want to interrupt her blow by blow of how the fight had gone.  She’d only just finished by the time the taxi had got to my house.  The taxi driver must have thought we were right yobs.

It’s twelve-thirty by the time I’ve straightened my hair so I munch on a packet of crisps in the living room while I wait for Dad to steal me away from happiness.  Declan’s playing on his games console and I laugh when his character dies for the third time in fifteen minutes.   He scowls, makes a comment about my black eye, and then goes back to his game.

When the doorbell finally rings, Declan’s at the door before it can finish it’s chime.

“Dad!”

He sounds like a kid meeting Santa at Christmas.  It makes my skin crawl.

“Hi Dec,” Dad replies and I see him enter the room out of the corner of my eye.  I pretend I haven’t noticed him yet as he leans against the stair rail and rubs his hands together.  I hate it when he does that.

“Hi Sadie.”

I continue staring at the TV which is black now Declan’s no longer playing on it.  It’s calming and I wish I could stay staring at it all day but I know I’ll have to look at Dad eventually.  I can smell his cologne and I just know he’ll be wearing his long black coat.  Dad can’t stop dressing for business, even at the weekend.  I can’t remember the last time he wore jeans.  Not that I’d want to think back that far to before everything got so messed up.

“Are you ready?”

I pinch the sofa and turn to glare at him.  He’s wearing his coat.  “I don’t see why I have to go.  I’m nineteen years of age.  I can look after myself.”

Dad makes a strangled sound and I know I’m getting on his nerves.  I can tell he wants to run a hand through his mousy brown hair in frustration but he doesn’t want to let on just how much I’m annoying him.  He knows there’s no stopping me when he shows weakness. 

“I know that, Sadie.  But I’m not babysitting you.  You’re coming over because you haven’t seen me in a week.”

“It hasn’t been long enough,” I mutter.  I know Dad’s heard.

Declan reappears from the back garden with a football under his arm.  “Are we going?” he asks impatiently.

“As soon as Sadie decides to move, yes,” Dad answers.  “Sadie?”

I huff loudly as I get up.  I’m not in the mood for a full blown row.  My heads still hurts.  “It’s only going to be the same as last time,” I warn him as I force my feet into my trainers and storm out of the house.

Declan follows, bouncing the ball on the concrete.  The sound echoes in my head.  This is a bad hangover.

It takes Dad forty minutes to drive to the other side of town.  I have to sit in traffic, listening to country music and Declan going on and on about the latest video game he wants.  I try to sink into the seat, wishing I could be somewhere else.  The car smells of leather and Dad’s aftershave and the scent makes me feel dizzy.  My stomach’s whirling like a tumble-drier and I groan into my shoulder.  Seeing our old side of town only makes the sick feeling stronger.  We pass my old school, old local shop and old friend’s houses.  There’s nothing old about it though; everything on the right side of town is clean and well presented.  The people here actually care and that’s probably why I didn’t ever really fit in.

I’m in an even worse mood when he pulls up into the driveway of our old family home.  Hundreds of old memories cloud my vision as I step out of the car, slamming the door behind me.  I may be acting like a spoilt teenager, but I have a reason.  I hate returning here.  It just makes me realise how different my life is compared to two years ago.  I live in a small council house now, for one.  I look up at my old house.  The lawn’s green and the gravel drive is wide enough for two cars.  The bay window in the lounge is still draped in the same curtains Mum picked out after they got married just after I was born.  It still looks like a dolls house.  Clean and spacious and expensive.  If Niamh saw this place she’d die.

“Are you coming in?” Dad asks from the porch and I scowl at him. 

I make sure he sees me take the cigarette packet out of my jeans pocket and light up.  Not because he hates to see me smoking, which apparently he does.  And not because I want to upset him, even if I do.  But because I want him to see that being here stresses me out.  Everyone knows I only smoke when I’m stressed.

I sit on the wall, my back to him, and smile when I hear the front door close. Alone in the cold air, my mind goes back to last night.  It feels surreal to think that I actually met Chace Milligan.  He’d been so cool and collected.  My heart swoons and I let out a sigh.  I suck on the cigarette before tapping it on the wall.  Ash falls to the floor and I watch as it gets carried away in the wind.

The sound of a car horn makes me look up a few minutes later and I see a car backing out of the driveway across the street.  It’s sporty and red and I’d recognise the personalised number plate anywhere.

“Hey!  Sadie?”

I grimace at my feet before directing a plastic smile towards the girl in the driver’s seat.  She’s my age with long blonde hair.  Her lips are painted blood red and so are her nails, I notice, when she offers me a delicate wave.  She isn’t the girl from last night, though she might as well be.  God knows I want to punch Via Morgan in her beautiful face.

“Long time no see,” she says.

I nod.

She stops the car directly adjacent to me.  “How’s things?”

“Good.”

“Still working at Val’s?”

I shake my head.  “Fired.”

My one word answers aren’t putting her off trying to have a conversation with me, even though I wish they would.

“Oh dear.  Well, I’ve got to go and pick Pixie up from her stylists.  See you around.”

I try not to choke on the cigarette smoke I’ve just inhaled.  Why does a dog need a stylist?

“Yeah,” I say, watching as she gives me another wave, then pulls away.  “Whatever.”

I don’t know why I used to be best friends with her.

                                                                           ***

Dad leaves me alone for another ten minutes before he tries to get me to come inside.  I only agree when he announces that he’ll send Shelby out to talk to me if I don’t.

I retreat into the snug and turn on the TV.  This is the only room Shelby hasn’t touched downstairs.  It’s still got the same squishy couch decorated with oversized cushions.  I hug one to me as I flick through the channels before I find the one I’m looking for.  The woman with the squeaky voice has been joined by a man today.  He’s got expensive looking highlights and impossibly white teeth, too.  I ignore everything they’re saying until it’s time for the premiere for Chace’s new film.  The program’s being filmed live from London and I sit up when I spot a limo pulling up in front of the red carpet.  My smile’s huge.  Chace is wearing a suit the same colour grey as his eyes.  His hair is slicked back just like it was last night.  The only difference is that he’s shaved.  His creamy white skin glows under the paparazzi’s flashes and I can’t help feeling a shiver run down my spine.  I saw him last night.  I sat with him last night.

He’s waving to the crowds of screaming girls.  Signing autographs.  I wish I’d asked him to sign my arm or something.  At least I’d have proof then.  It still feels like a dream.  But just as I’m thinking that he turns back around to face the main camera and I spot his lip.  His cut is clearly visible.  The presenters are talking about it actually.  Asking how he got it.

“I bet he got it kissing his boyfriend.”

I turn around to see Declan standing in the doorway to the snug.  I’d been so preoccupied watching Chace that I hadn’t heard him come in.

“Oh shut up, Declan,” I mutter. 

He sticks his tongue out at me.  “How else did he get it then?”

I smile.  “I elbowed him in the face.”

“Is that supposed to be some perverted fantasy?” Declan asks.  “You’re seriously weird.”

I throw a cushion from the sofa at him and he laughs.  “I only came in to tell you Shelby’s made lunch.”

I gag.  “Not hungry.”

“I said you’d say that.”

“Good,” I reply.  “Now get out.”

Author's note - I've edited this a bit before posting, trying to add in some more descriptions, but I'm still not sure if there's a good balance between description and dialogue.  Opinions please!

I'd also like to know whether Sadie's reaction to her dad is right.  I mean, she hates him, and it'll become clearer why in later chapters - I'm trying to bleed the information slowly - but I don't know if she hates him enough in this chapter.  He doesn't do anything to provoke her, so it's not like they can argue, but yeah.  More opinions please.

Thanks for reading!

xDudettex

Comments & reviews · 6
User avatar
Sins
Review
Sins wrote a review Review · Jun 24, 2012

I HATH RETURNED.

Review Day has kicked me up the backside, and so I've decided to begin by attempting to review all of the chapters of this I haven't reviewed yet. I have no idea if I'll be successful because I pussy foot far too much while writing a review and get distracted easily, but hey, it's worth a try.

“I tried to be quite,”

I think you mean quiet! Stella's already pointed this out, but there's nothing wrong with a bit of repetition, eh?

I get a text after I’ve showered and put on a pair of jeans and a t-shirt. It’s from Niamh, asking why I told her about meeting Chace by text instead of telling her last night. I reply saying I didn’t want to interrupt her blow by blow of how the fight had gone. She’d only just finished by the time the taxi had got to my house. The taxi driver must have thought we were right yobs.

I am just about the biggest hypocrite while saying this because I do it all the time, but this paragraph reads a little too fragmented for my liking. By that, I mean you've got a lot of short sentences and so it sounds a little disjointed. I'd suggest maybe conjoining some of the sentences.

Overall

So I'm going to be about as helpful as a porcupine in a balloon party. Everyone has said everything I came up with, so I fear I may only be repeating things. As a whole though, I really liked this chapter. I think it was an important development point for Sadie because us as readers get to see another aspect of her life, and a totally new aspect at that. Her relationship with her dad seems interesting and I can't wait to find out more, and it's really intriguing to know that she once lived a completely different lifestyle to the life she lives now. So yus, a great job overall, methinks.

I'll start by addressing the concerns you noted at the end of the post. I won't say much about dialogue and description balance because I think you've mastered it wonderfully. I remember it being a problem for you in Sometimes, and I'm happy to say that it's certainly not a problem anymore.

As for Sadie's reaction to her dad, I don't see any major problems there, although it is something more opinion based than right or wrong. What I mean by that is that to some people, they might read her reaction to her dad and see it as 'omg, she's so immature. Why is she pouting in the first place? She doesn't seem to hate him that much, and there's no reason for her to hate him too e.t.c.' but then others will see it as, 'hmmm, that's an interesting relationship. Sadie hardly seems fond of her old man so I wonder what's under the surface.' It depends more on the reader than you. It's how they interpret the relationship. Err, does that make sense? Basically, don't worry, I think you're doing an awesome job at her relationship with her dad so far. ;)

As for the concerns you have with Sadie's personality, pfft, I love her. It's so easy to make a character the readers will adore and shower you with 'aw, it's so easy to connect with her!' compliments, but to write a character that can be a bitch, a pain in the arse and one who seems down right selfish sometimes is far more worthy of an applause. In fact, although he wouldn't be the MC, one of the character ideas I have for my next novel involves someone who, quite frankly, is a complete dick head and who I eventually want the readers to connect with. It's a lot harder to make a character who's firstly unlikeable and then try to crate that connection with the reader later on in the story (I'm pretty sure that's what you're doing with Sadie) than to make a nice one from the get-go.

As for actual critiques (I've just realised I've not actually given you any), my first one's concerning Sadie's family's situation. On the surface, it seems like her dad selfishly snapped up the big house in the lovely neighbourhood while he let his poor kids leave to live in some crappy neighbourhood. I know there's probably more to it than that, but right now, the whole idea seems whack to me. I mean, what loving father would do that to his kids? As well as that, wouldn't their mum have taken it to court or something? I find it hard to believe she would've just been like, 'awesome! Living in a council home sounds totes amazing!' If the court had taken the case on, I'm 90% sure the mum would've won considering she was the one who'd taken on the kids. I guess the whole father living in a big house while mother and children live in a crappy house doesn't seem that logical to me.

Now, I have to agree with the others on the Via Morgan scene. It may have been a short one, but I think it was great because I loved the way Sadie reacted to her. The only thing that disallowed me to 100% love that scent hough was Via Morgan herself. I've got to agree with Stella that her character's a little stereotypical... and American. Oh, so American. Considering this story's set in Britain, that makes her character seem even more unrealistic to me. I'm not saying you can't have her be a complete plastic, only-cares-about-her-appearance girl who's blatantly rich, but make her a complete plastic, only-cares-about-appearance rich girl who's also got some pretty unique personality traits. This is an awful example, but instead of having a dog she treats like a baby, make her have a cat who she likes to dress up. xD Keep the basics of the stereotypes, if you want, but then turn them on their heads.

Aaaaaand, that's about it, I think. I feel kind of stupid because not only have I rambled, but it feels like I've just repeated what's already been said. I hope I've been at least some kind of help, and as always, any questions or comments you have about this review can be planted onto my wall! Onto the next chapter!

Keep writing,

xoxo Skins

User avatar
StellaThomas
Review
StellaThomas wrote a review Review · Jun 11, 2012

Hey Dudette, Stella here!

“Good morning to you to. Did you sleep well?”


too

“I tried to be quite,” I say, adding milk to my bowl.


quiet ;)

I watch her into the lounge.


It feels like there's a word missing here.

tumble-drier


I want to say dryer...

Okay, so the balance seems good to me, although I write a lot of dialogue heavy stories myself so I'm probably not the best person to ask.

Firstly, the terms of the divorce seem a bit weird that her dad lives in a big posh house and her mum in a council house. I'm not really sure how these things work but isn't there usually a division of properties? Maybe you've deliberately done it like this, but it feels wrong.

Also, on the point of Via Morgan... I don't like the whole sports-car-and-handbag-dog-with-a-stupid-name thing you have going on because it's been done to death and be honest: have you ever actually met a teenager like that? Especially if she lives in the same area as Sadie's workaholic Dad, I'd put money on at least one of her parents being similar, and she's off doing some nothing course in some college somewhere because that's what mummy and daddy want. I don't know, but the way she's portrayed right now doesn't seem realistic in that sense- although her strained relationship with Sadie, that felt all-real.

Mostly I like the portrayal of Sadie's emotions here. I balked a bit at the cigarettes thing. I know that most people my age, although perfectly legal now, still find it weird to smoke near an 'authority figure' such as a parent. I think focusing a little more on improving that scene- her dad's reaction, Sadie's own thoughts other than, "I want to show him I'm stressed"... yeah, that could use some work.

Also, I think Chace could be mentioned earlier in the chapter. But that's just because I'm a fangirl.

Hope I helped, drop me a note if you need anything!

-Stella x

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MiaParamore
Review
MiaParamore wrote a review Review · Jun 6, 2012

Hey!

I forgot one thing in the last review, so here I am. xD!

I just wanted to add on that sometimes the characters seem typical and so does the story. I mean, teenage fiction has been overdone but still there's always a scope to bring in new stuff into it. That being said, your story has things which are quite cliched. For example, a best friend-turned-foe? It's so typical. I've read countless stories where the best friends drift apart because one of them gets too sassy and becomes a bitch. You see? That's what I felt about Via Morgan.

Then you have the MC as a troubled rebellious teenager who has some problems dealing with her parents' divorce, her father remarrying, she not liking it, her mother sitting around the house as a depressed soul or something? I sort of find this to be cliched. No offense!

That's what I think and I really want you to continue with this. Even though the story's a bit typical, I enjoy reading it. :D

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MiaParamore
Review
MiaParamore wrote a review Review · Jun 5, 2012

Hey Anna! ^_^

Here I am, finally. I am itching to read what happens next, so let's see what you have in store for me. Shall we? :wink:

I continue staring at the TV which is black now that Declan’s no longer playing on it.


The car smells of leather and Dad’s aftershave and the scent makes me feel dizzy. My stomach’s whirling like a tumble-drier and I groan into my shoulder.
I can see you're trying out descriptions, and I like this one.

It still looks like a doll's house.


First of all, I'd like to tell you one thing. When we refer to a person directly in a dialogue, we put a comma after or before the name as per the situation. So you need to do that. For example, suppose we both are chatting and I say, "You're superb Anna" it's odd. Not the fact that you're superb, no, 'cause you are. The right sentence would be-"You're superb, Anna". See the comma? That's how dialogues should be written. There's another way I could have written this sentence-"Anna, your'e superb." In this case I put the comma after your name. I hope you'll keep this in mind from next time onwards. It's a mistake I've seen many commit here and there was this one YWSer who pointed this out to me and explained. So, I owe it to him. I guess it was Kylorac-can't remember. lol.

“Hi, Sadie.”
So, here you go! :wink:

You know unlike the last time I did picture things this time which means only one thing-improvement. I'm really glad you took my advice and put descriptions because without them even the greatest story will seem bland. However, you wanted to know if you struck a balance between descriptions and dialogues and I would say that you were better than last time but I personally feel that you have to improve even more. I could clearly see your efforts, but there were some points where I thought you could have worked more. For example, here you could have described their dad, who was really a new character. Plus, you could have added more about her feelings.

Coming to that point, it sometimes feels that even though we know about her feelings of bitterness for her father, she still masks the real feelings. I dunno, it's not making sense what I'm saying, I know, but that's what crosses my mind. She really doesn't take time off to describe what she really feels. Maybe you should focus more on her feelings in this chapter. How she feels abandoned when her father left the family or how she feels jealous that Shelby gets to live in her old house and lead the life which was hers and her mother's. This is what will intrigue the readers more.

Even though you've got reviews that Saddie is a bit hate-able, I am going to go on the opposite track of the comments. I won't deny the fact that sometimes she does get on the nerves, but I really like her. I always like reading about troubled, rebellious characters because quite honestly they are cool. But, I'd also like you to bring some compassion in her like Shear said. Because after all she's a human, right?

I have one more thing to say. I get that she has a huge crush on Chace which is quite normal but sometimes she acts like a sixteen year old. She's nineteen and she could act a bit mature. Her feelings can be as strong but her actions and reactions can be a bit controlled and mature.

That's all I have to say. Poke me if you need anything to be cleared. ^_^

Good luck!

User avatar
Shearwater
Review
Shearwater wrote a review Review · May 19, 2012

Hey, Dude!

So I’m here to review this chapter. Firstly, I want to say that Saddie’s mom’s reaction to her daughter coming home drunk is a little weird, like she doesn’t care that her daughter came home in the morning drunk (And Sadie’s not even twenty one yet). Mother’s worry, no? Doesn’t seem acceptable either, I’d make a bigger fuss over this and then adding a fight, I’d be jumping off the walls at my daughter.

Okay the introduction to Via, is it, is fabulous – lol. I thought she was going to be her dad’s step-daughter or something at first but you mentioned that she was friends with Sadie and that was a bit of a surprise and I welcomed it. I actually can’t wait to see some conflict between the two of them because it seems like they’re getting along in that passive way where neither really cares but that tranquil-ness should be broken at some point, eh?

Also, a quick comment on Saddie’s dad: I’m going to disagree with Yoda on the idea that Saddie’s emotions and dialogue was forced. At the end of the day, she can’t exactly hate her father because he’s her father and that as a daughter, she will still have a glimmer of respect for him and love him. Her actions, I think, proved that. She was still comfortable enough to show him that she was angry with him and for a long time at that, and I find her as a girl who wants her father’s attention rather than hating him. That said, she does a few odd things and goes out of her way to get this attention from him. This is how I see it anyway.


“Is that supposed to be some perverted fantasy?” Declan asks. “You’re seriously weird.”

Oh my god, I love Declan. I think he might be my favorite character with his strong brief moments in the sun. XD

As far as Yoda’s comment goes about hating Saddie, I will have to agree with him to a certain level. Yes, she’s a jerk, annoying, prissy, and all that but I think you took a risk writing in the point of view of a character that people don’t like which I applaud you for. However, you should be careful and give her at least some compassion, something good that shines some light down on her. Her crush on the celebrity makes her seem stupid though, honestly if my friend acted like she hated the world and everyone in it only to go ga-ga for a cute boy on screen, I’d find her to be fake and annoying. Where is this soft teenage dreamer in real life? Why the mask? When does she take off the mask? Her character is interesting and I do like her to a certain point but as of now, I actually do think Declan is more interesting. I trust that her personality will change though and that we’ll end up liking her later on.

So, I’m off to the next part. Let me know if you have questions.

-Pink

User avatar
Master_Yoda
Review
Master_Yoda wrote a review Review · May 11, 2012

Hey Dudette,

Let's start by addressing your concerns:

The balance between dialogue and description was good. Good job.

Even before reading your author note I was going to comment on Sadie's reaction to her dad. Let me start by saying that the dialogue between her and her father was labored. I did not find it convincing in the least. She seems to be way too exaggerated, and although her hate for her father comes through loud and clear it looks completely artificial, fabricated, and non-human. She sounds prissy, entitled, unsincere and exactly like a Mary Sue should.

How to show hate:
Say less. It shows more. If you want your reader to feel a character's hate for a character the quickest trick is to simply tell us she hates him. Our minds can do the rest.

People who genuinely hate others do NOT waste their breath on petty annoyances. They are acidic rather than uncooperative. They will not give the people they hate any opportunity to gain a level of control over them. This means that if she threatens to stay in the car she will stay in the blasted car. If she has to go with her father she won't object, she'll shut the hell up and go acidly. When she goes, however, it will be entirely voluntarily.

You need to study an emotion in great deal to spit it out accurately onto the page, and it was kind of fake in this scene.

The annoyance with Via Morgan, on the other hand, now that was real and your interaction with her was like my favorite scene in the story so far.

And you are about to get the one thing that is killing your story from me. I said it above and I will say it again. Your narrator deserves no sympathy whatsoever. I hate her and have formed no rapport. She is prissy, entitled, rude, stupid, and an all around jerk. I will not connect with your story properly until your narrator has a personality transplant.

As far as the information bleeding that you want to do goes, I understand your position, but I think it's important that at each stage of the game we are grounded in what's actually happening. As such, I think a little background would provide me with what I need to know and make your story far more effective than holding out on me would.

Hope this one helped.
-Yoda



The poetry of the earth is never dead.
— John Keats