John and Jessie

by thatboy

Published December 26, 2012

In The Man

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Okay guys, this is an extract from part of a novel. To give you some context: John is a shy man in his twenties, and he met Jessie for the first time yesterday. It is set in 1890.

Mrs Fish/Helen: John's mother
Albert: John's father 


The next morning was much like the first. The silent, slender slumber of the household came to awakening as the cockerel sowed the land with its dreaded screech. Today was Sunday, church day, thought John, as he woke heavily, taking pauses between yawns.

After church he would search for Jessie and hand her cloth back as promised. Suddenly with thought of her, he leapt from the bed, dragging sheets and duvet with him. Eagerly he pulled up his best Sunday clothes: a red shirt, black trousers and a battered, unpolished pair of shoes

Frosted with dirt, was the window in his bedroom, and through it he could see down the hill toward the village. It was a pleasant day outside, mild and dry; a typical Sunday morning. Muffled by the wooden floorboards came the clattered clanging of Mrs Fish as she busied about the kitchen. Every Sunday she would wake before the sun to begin preparing food for lunch. John battered the stairs as he clonked his way down them. The family ate breakfast together and exchanged morning greetings.

After finishing their meal and pottering about the home, they left the cottage and journeyed down the track which ran parallel to the field. Every step was a struggle for Mrs Fish as she battled to keep her long dress above her ankles as. Albert walked slowly with her, but John had other, more important things on his mind, like seeing Jessie, and so naturally raced on ahead.

Eventually, they arrived at the fork where the private farming track meets the main road. Near the gate, in the road was a carriage, its polished brown wood scoring the exterior while, from inside, gold shimmered through the clearest of glass. After looking more carefully, John could see a face in the window. It was Mr Merlin. Albert waved and smiled, which Merlin echoed before stepping confidently out of the carriage. He was dressed well, with a top hat complimenting his slick, trimmed hair. From his waistcoat hung a gleaming gold pocket watch.

“And will my good neighbours be wanting a lift?” Mr Merlin said, his voice deep and well spoken.

“That would be most good of you, sir,” Helen replied, smiling.

“Aye, that is brilliant. Thank you, Andrew,” Albert said, climbing into the carriage, taking a seat on the marvellous leather couch. Merlin held the door for Mrs Fish, his eyes flickering up and down her body as she bent to climb in. He winked slyly at John who stood behind his mother. John saw, but lowered his head to look down at his shuffling hands. He hated Merlin, if only Albert could see what he was: just a rich banker who ironically didn't have a clue what to do with his money; not once he'd found happiness in whores and beer.

Merlin climbed into the carriage behind Helen. John felt into his pocket for Jesse’s cloth. But it was empty except for his hand. Worry filled up in him like a cup of hot tar, as his cheeks reddened to suit his mood.

“I need to go back,” he said. “I've forgotten something.”

“Do you want us to wait for you, young man,” said Merlin.

“Well you should be quick or we'll be late,” Albert moaned.

“No, no. I'll walk down. I shouldn't be long.”

With that, John walked back briskly toward the cottage as the carriage moved away, its wheels crushing against the pebbled dirt.

 

Back at the cottage, John found the cloth safe and untouched in yesterday's trouser pockets. He left again in a hurry, now five minutes behind his parents. There was no need to lock the door, nobody ever came up this way; no one untrustworthy at least.

With augmented swiftness, John covered the track within a minute. And turning into the road, he saw a figure which made him bite his tongue and recoil with excitement. There she was, once again – Jessie.

“I thought I might find you up here,” she said as she widened her strides to meet with him quicker.

“Yes. How did you know?” he asked. Jessie stopped, running her hands through her hair

“Good morning, John,” she said smiling.

“How did you know where I lived?” John asked again, smiling as waves of excitement and embarrassment crashed against the walls of his skull.

“Oh, I asked at the post office,” she said, smiling

“Are you not going to church?” John asked, quizzically.

“No, I don't very often go. I thought I'd spend the day with you today.” At this, John's face seemed to grow into his eyes as his lips pushed his cheeks upwards.

“I'd love to,” he said enthusiastically. “But I'm expected at church soon.” Jessie's face changed to a look of disappointment as John finished. “I can meet you later?”

“No, John. I want you now. Let's take a walk somewhere and forget about...everything.”

“But church; my parents are expecting me,” he pleaded.

“Your choice,” she said bluntly, and turned away back down the road towards the village.

“Wait,” John said, running slightly to catch her. “I'd love to spend the day with you.”

“Great, come on then,” she said, grabbing his hand firmly, taking to a steady run. They took off down the track which led to Stanhope, with John tiptoeing around the many potholes in the ground. He could hear church bells sounding in the distance, their solemn clang swishing his ears with guilt.

The two arrived at the bottom of the track not ten minutes later, both panting, John's Sunday clothes like sponges under his arms, collecting the fear which poured from him. This was where Albert had departed from John the day previous.

“Where are we going?” John asked, trying to disguise his frequent pants under the canopy of a nervous smile as Jessie took his hand again.

“You'll see. Come on!”

They walked now, along High Street, which ran parallel with Front Street, but was quieter and more secluded. They continued for a couple of minutes, all the time John knowing the direction they were heading – towards the top end of the church, and yet they weren't going to the church. What was going on?

Jessie noticed John's slow in pace as they neared the top of Church Lane, the narrow passageway which ran down the side of the church on to Front Street.

“What if we're noticed?” he asked, trying to keep the fear from his words.

“What if we are. Stop worrying, John. I thought you were a man,” she replied.

“Well, I am,” John uttered defiantly.

“Prove it then. Let's go. Come on.”

They dawdled down Church Lane, with John stopping again half way down. But suddenly, he felt the need to impress her again. What was he doing being such a wimp? He was a man, and Jessie was the first girl to be interested in him. He started to move again, but not walk; run.

He ran. She ran. They ran, down the side of the blurry church. The bottom. Over Front Street they ran. Someone shouted John in the distance. He didn't know who it was. Sounded like his father. They ran down a side street, Jessie right behind, laughing and giggling. John could see water at the bottom: the river which ran around the village. And there they stopped.

“I can't believe you did that,” she said, smiling at John.

“Nor can I,” he replied, smiling, out of breath, laughing, grinning. She kissed him then, on the cheek, warm and wet against his sand-grainy skin. They smiled at each other; soft, happy smiles.

“Shall we take a walk along the river?” delicately taking hold of her hand, he asked. She paused.

“No, let's not. We should sit here for a while, let them lot go into church and then we'll take a walk around, just the two of us.”

They waited under the smooth sunlight for church bells to end, all the while John listening to every word that came from those precious lips as she talked about this and that. It really didn't matter to him what she was saying, just that she was saying something, talking to him.

Minutes passed; the bells stopped with a cloud of reverberation, reaching the two sitting on fallen trees by the river.

“Come on, then,” she said, jumping up from the tree.

“Come on, then,” John mimicked quietly to himself.

They walked back up the road towards the church, John watching intently for any sign of his parents still out looking for him. But they weren't. They would be so angry when he got home.

Comments & reviews · 4
User avatar
Elinor
Review
Elinor wrote a review Review · Dec 30, 2012

I think this was interesting. Obviously it's only an excerpt, so we really just have an idea of who these characters are and what kind of a story s being told. I think you're a very talented writer and have a lot potential, so definitely keep at it!

That being said, I had a few comments. The beginning paragraph before the story where you introduce the characters and setting shouldn't be needed. I should be able to gather all of that information from the story itself (except for maybe the year; in that case it would be more important to give us an idea of time the period) and if you have to describe that all to me beforehand, you're not doing your job as an author.

Stemming off of that, I don't really get a good sense of what the setting is or who the characters are. You say it's set in 1890, but where is it set? I'm assuming somewhere in the United States, but I could be wrong. I love historical fiction, but I think one of the best parts of it is getting to bask in a world so different from ours, and I don't feel like you really do that here. The beginning when he's waking up is nice, but then it just kind of falters from there.

Besides that, your characters are pretty one-note. The supporting characters are just there, but I'll give you the benefit of the doubt and assume that they have a bigger role to play in the rest of the story. John is an average, run of the mill hero. There's nothing particularly special or defining about him. Jessie is awful. I don't know if this was your intention, but if she really liked him, she'd let him do what he wanted to do instead of whining to have things her way. I guess they just met, but this is a story and you have license for them to fall in love quickly-- I don't know, I guess I just feel like there's something off about their relationship.

Good luck with your revisions! As I said earlier, you are a talented writer and you should keep at it. Hope this helps!

thatboy replied · Jan 1, 2013

Hey, thanks for the review. I'll definately work on the characters some more, and hopefully this will help future readers. John and Jessie's relationship has been written purposefully to be fairly awry, so when you say there's something off about it, you hit the nail on the head :)

User avatar
Squall
Review
Squall wrote a review Review · Dec 30, 2012

Hey there.

Today was Sunday, church day, thought John, as he woke heavily, taking pauses between yawns.


I'm quite curious to see his attitude to this. Potential for characterization.

It was a pleasant day outside, mild and dry; a typical Sunday morning. Muffled by the wooden floorboards came the clattered clanging of Mrs Fish as she busied about the kitchen. Every Sunday she would wake before the sun to begin preparing food for lunch. John battered the stairs as he clonked his way down them. The family ate breakfast together and exchanged morning greetings.

After finishing their meal and pottering about the home, they left the cottage and journeyed down the track which ran parallel to the field.


Whoa slow down. Take time to slow the pace down and add in more detail. We can actually learn a lot about the characters if we have more of an insight as to how their routine goes.

It was Mr Merlin. Albert waved and smiled, which Merlin echoed before stepping confidently out of the carriage. He was dressed well, with a top hat complimenting his slick, trimmed hair. From his waistcoat hung a gleaming gold pocket watch.


I see you are introducing a new character here, but I would like it if you spend some time establishing who Mr Merlin is and what role he has to play.

He hated Merlin, if only Albert could see what he was: just a rich banker who ironically didn't have a clue what to do with his money; not once he'd found happiness in whores and beer.


You have conflict here, nice. Problem is that you are telling instead of showing. Let's develop this more. How exactly is he wasting his money? How exactly does Merlin's actions affect Albert?

Overall impressions:

Eh, it feels rushed to be honest. You have a nice set up here, but the story really needs more life to it. I want to actually experience and understand the lives of the characters.
I can see you are trying to build a chaotic relationship between the two characters, but you haven't really shown to me how they spend their time together or what the dynamic is like between them. Considering it's your main selling point, you might want to work on it.

thatboy replied · Jan 1, 2013

Hey, thanks for the review. I'm glad you pointed out some good points about developing the characters more, I definately need to do that. In general though, I'm trying (whether a good or bad idea) to get through these earlier stages of the story as quickly as possible because if I actually finish it properly then it will span over 20 years, and so I don't want to linger on one day. Am I right to rush it or should I take my time? Thanks again.

User avatar
Hannah
Review
Hannah wrote a review Review · Dec 30, 2012

I am just going to say quickly that if it was your intention to build a terrible relationship, that's what you've done. First the girl doesn't care what the boy really wants, and then the boy doesn't even listen to what the girl's really saying. Is that the kind of relationship you wanted to build, because if so, alright, spot on.

Other than that, BRING ME LIFE! I don't know these characters, so I want to get pieces of them right away. What does the handkerchief feel like? What does Jesse look like? What brings John to leave his mother with the man he hates in that gaudy carriage?

The way you have your characters speaking is very stiff and unrealistic. Instead of bring us closer to knowing them, as dialogue should, it makes me feel like this story isn't real, these characters aren't real, and that's the last thing you want when you're crafting a story. Do you really need your guys to say, "aye", the most over-used, cliched dialect people throw in almost anywhere? Just let them speak simply, and it can have the same dusty country effect.

Also, about that dust covered window. If it's covered, how can he see through it? I mean, make the image clearer (the one you're building with your words).

Lastly, what does it mean that John's skipping church? Really. Has he gone every week before and him skipping would mean something NEW and entirely new, like FIRST TIME new for his parents to be angry about? Do they know anything about Jesse, like who she is in the neighborhood? Obviously you don't have to say everything at once, but give us something. Build these characters' LIVES in your writing, not just this moment. Make us feel them as real people, not flat characters.

Please please please let me know if you have any questions. Good luck!

thatboy replied · Jan 1, 2013

Thanks for the review, I appreciate it. Yeah, the relationship between John and Jessie is supposed to be something that literally cannot last, hence why it's written the way it has been. I'm actually glad you pointed that out and what I intended actually does come across. Anyway, thanks a lot for the review, means a lot.

User avatar
adelina
Comment
adelina commented Comment · Dec 26, 2012

hey, this a great start,

keep going it's sure to be a great story
can't wait



I hope I’ve never been quoted, tbh
— paigey