Paradise

by reason

Published October 15, 2012

In Pretty Ladies

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I love her like I love Hawai'i.

It's fucking paradise. A faint scent of salt lingers in the air. You can almost taste the ocean.

Hell, you could run out of space on your camera. Each step you take warrants a photo.

Every moment with her warrants a photo. She turns red and hisses, "Dani!" Those chipmunk cheeks burn scarlet: "Stop it." The words come out muffled behind her hands. She covers her face -hiding her "hideous" acne.

I like her for, not despite, those flaws.

Like Hawai'i and its awful public transportation. The bus takes longer than the advertised thirty minutes. I remember waiting once over an hour -that sucked.

Her eyes remind of rock candy: shock blue crystallized sugar. Before I met her, this lady had hair as dark as night. Velvet obsidian locks lightened with the Hawai'ian sun to a rich bay. Her eyebrows got lighter until certain bits were a golden honey.

Like Hawai'i and its milk situation, a gallon sells for five dollars -on sale. I love milk. It sells for six dollars at Foodland (without tax.)

I still love Hawai'i, but fuck. It sometimes sucks.

I hate her generosity. People return her items: broken. She never learns.

I remember how she would feed me. Sweet Lily let me stay with her for the night; because my roommate yells . . . at a significant other at four in the morning. I can't recall the number of times we shared a bed.

In my sleep, I mumbled: "Lily, move -you're hogging the bed." I sprawled myself over this twin-sized mattress, taking up three fourths of the bed. Poor Lily, she was squished between the wall and -well- me.

She despises her own smile: her chipmunk smile. I love it. The way her cheeks become full with unadulterated glee: like a chipmunk that shoved one too many acorns into its mouth. Those shock blue crystallized sugar eyes take on this sweet shine. Those golden-bay eyebrows jump up.

Like Hawai'i, I couldn't anticipate how much I would miss her.

Not until we reached the airport. We hugged. I took in her Lily scent for the last time. Nuzzling her neck, I breathed deeply. It frustrated me to no end; I couldn't place what comprised her [i]Lily[/i] scent. All I know is that it made my pulse quicken. My eyes dilated.

I know because she once took my wrist. The diligent pre-med student felt for my pulse, "Your heart is skipping a beat." Her eyebrows stitched together, "Hmmm." She leaned in close: "Are you all right?" Sweet Lily pressed the back of her hand to my forehead.

"Hot, like a furnace."

I gulped.

I'm taking in her scent, imagining this is our last time. Oh, God. I realize too late. I'm whispering into her ear: "I don't think . . . we'll see each other again."

"You'll come back," she asserts, "We'll see each other again."

"I don't think so," I hold her tight -taking in her smell one more time. I have to go. I vowed on our way here, I wouldn't cry. I did not cry. I stiffly let her go.

Ten steps later, it came out. Tears streamed down my cheeks. There was nothing I could do to stop it.

That was the last time, I saw Lily.

Two weeks shy of six months later, I returned. Hawai'i greeted me with a delayed city bus. It took an hour and ten minutes to arrive.

They call Hawai'i paradise. Fucking paradise.

Comments & reviews · 5
User avatar
Audy
Review
Audy wrote a review Review · Oct 24, 2012

Reason,

Remember I said I'd give you a review-proper, and this is because you rock. And because this deserves it.

Hell, you could run out of space on your camera. Each step you take warrants a photo.


I would combine these two sentences for 2 reasons. 1) when I first read it, I was like huhwhut? and then I got it. I got it because my brain combined the sentences for you - that stop there is what made it less clear for me. 2) Short sentences are great, but only if you change it up, otherwise it'll sound choppy.


The words come out muffled behind her hands. She covers her face -hiding her "hideous" acne.


The bold is superfluous. "Say it once and say it right". I would cross out either "behind her hands" or "she covers her face" and rewrite accordingly.

Like Hawai'i and its awful public transportation. The bus takes longer than the advertised thirty minutes. I remember waiting once over an hour -that sucked.


Love the details like this, they're well-placed. Here, you're describing Hawaii's flaws and the way this part is structured, it compares it to Lily's flaws. That's what makes this piece so interesting, imo. This is only a suggestion: I wonder if even despite the long waits, Hawaii's flaws can be a good thing? Kind of like the way you describe the acne. It sounds endearing. The way you describe the Hawaii sounds scornful.

It'd be cool if you got the parallel tones as a way of tightening it up further. Something along the lines of maybe the long waits allow you to be more contemplative, or maybe it's not about sticking to a schedule, but being more laid back, enjoying the landscape, or chatting it up with a native as you wait. Or enjoying the way the sun heats your skin. Maybe you can be sarcastic. I dunno. Even if certain details aren't true, we're allowed to "make up stuff" even in nonfiction works, hey, artistic license, amirite? I would just add a very short line of why we should care to know about the transportation waits anyway.

Her eyes remind of rock candy: shock blue crystallized sugar.


I would remove this part completely for 3 reasons: 1) Purple prose. 2) Awkward/little to no transition from the previous sentence. Your next sentence works a bit better. 3) Doesn't really contribute anything. I keep wondering what blue sugar is and where I can find some.

Like Hawai'i and its milk situation


I love this part, I don't like where it's placed. You're talking about her beautiful hair -- how is her hair like the milk situation? o_0 It just seemed like a chunk was missing. I want to let you know that I've been really, really picky going through this for all of these technicalities. Those other things were "little" things. This here is the most jarring part of the piece for me, so if you had to fix one thing, I would suggest this part.

Another thing, and this is a minor thing again: not everyone knows what "foodland" is. It'd be cool if you allow the readers a chance to experience Hawaii by extrapolating this bit here. Is foodland crowded? Is it like walmart? Do you have any kind of witty statement you can say about it (for example, only churchgoers and soccar moms ever show up at a Winndixie) -- do you remember how your first experience was like there? How is it different from other markets (I'm assuming it's like a super market--too lazy to google, and anyways, your readers shouldn't have to.) You don't have to write a long description. A single sentence'll do--but make the sentence count, make it relate back to Lily, make us know why we should care.

I hate her generosity. People return her items: broken. She never learns. I remember how she would feed me. Sweet Lily let me stay with her for the night; because my roommate yells . . . at a significant other at four in the morning.


This is the moment your writing really shines. Seriously, this part is a gem. <3<3<3 SOMUCHFEELS! xD The structure and the diction, all is perfect. My only suggestion is to scratch out that "at a significant other..." part. When I first read it, I'll admit, I found it a ha-ha moment. But looking back, that ellipse -- perfect -- it just functions better if you leave it to the imagination of the readers why your roommate yells. It's kind of anti-climatic for you to set up this ellipses and then say she's just yelling at her boyfriend--big deal. But if you leave it unsaid at this trailing thought, it adds a really heart-wrenching subtle and tense moment. This is just a suggestion, see what you think about it yourself.

She despises her own smile: her chipmunk smile. I love it. The way her cheeks become full with unadulterated glee: like a chipmunk that shoved one too many acorns into its mouth.


Unneeded and superfluous. We got it at "chipmunk smile", and if we didn't get it then, "cheeks become full" is a good indicator. No need to add the acorns. I would even scratch out the crystallized blue eyes sentence and the eyebrows part after that -- but that's just me. It's fine either way-- actually I just thought of the reason why I didn't like that sentence:

Those shock blue crystallized sugar eyes take on this sweet shine.


Count your adjectives. If you're using more than 2 per sentence, then you're language isn't precise enough. Find stronger nouns or verbs. (Not an iron-clad rule, but if it helps...)

The rest of this needs no say from me, it's beautiful. Your honesty and voice is felt, that's what makes this piece so lovely. I already offered a way of improvement by way of expanding maybe some parts of it into scenes. What I mean by that is more showing, and less telling. Let's take that that supermarket(is it a supermarket?) as an example...
...because it reminds me of the time my brother started University. We were driving down to Georgia from New York City. It was 4 in the morning, my brother and I were at a Target in Tennessee buying dormstuff, but the car wouldn't start and we had shopping carts full of stuff that would hardly even fit in the trunk. We ended up just chatting for hours on top of the roof of his car eating sliced bread. Yeah, sliced bread, we laughed about it too, because that was going to be his new diet. Maybe it was the softness in the bread that made my brother turn to mush, I wasn't sure. All I knew was that he was really afraid about moving down here all alone, and the next thing I knew we saw the black outline of the tow truck against a summer's sunrise, and it was as if the temporary disaster no longer mattered, because it didn't. Of course, that was when we learned the first thing about the South: they sure take their goddamn time.


Compare the above to: "I love the way the sun rises slowly in the South." Gimme me more heart. Gimme more story, but keep writing Reason :) Let me know if you ever need any more reviews!

~ as always, Audy

Audy replied · Oct 24, 2012

So the length of the ramble should make up for the time it took to finally get back to you, right? Right? Right?

User avatar
aouther2b
Review
aouther2b wrote a review Review · Oct 23, 2012

There are many reasons why I like this piece. The main one being the irony. You talk about your love for Hawai'i and how wonderful it is, comparing it to this girl, Lily, that you love, yet you find little "paradise" in that. The very last sentence is what really tied the idea together. I don't know if it was intentional or not, but I like it. I like the flow your story has, and how you created your characters in the little space you took up. The beauty of this paragraph is astounding. I would work on the grammar which has been mentioned already, otherwise its a great piece of work! =)

User avatar
AriesBlaze8
Review
AriesBlaze8 wrote a review Review · Oct 15, 2012

As promised, review from Aries. Obviously, this review, like any other, should be taken wit a grain of salt. Because I found very few actual technical errors to correct, these are more my opinion of how to make things flow a little better. It is NOT a total tear-apart, just ideas on how to make things work. So if you don't like something I say, no worries -- you don't have to listen! :)


Any and all changes or additions, such as a mark change or a word switch, go inside [ ]

Any suggestions go inside [ ]

Deleted items have an [x] in its place


- - - - -

I love her like I love Hawai'i. It's fucking paradise. [Got me hooked and interested right away. You establish an immediate casual tone] A faint scent of salt lingers in the air. You can almost taste the ocean. Hell, you could run out of space on your camera [made me laugh]. Each step you take warrants a photo. Every moment with her warrants a photo. She turns red and hisses, "Dani!" Those chipmunk cheeks burn scarlet: "Stop it." The words come out muffled behind her hands. She covers her face -[ ]hiding her "hideous" acne. I like her for, not despite, those flaws. Like Hawai'i and its awful public transportation [another laugh]. The bus takes longer than the advertised thirty minutes. I remember waiting once over an hour -[ ]that sucked. [I think back a ways.] Her eyes remind [me] of rock candy: shock blue crystallized sugar. Before I met her, [she] had hair [gleaming like threads of] night. [But then, v]elvet obsidian locks lightened with the Hawai'ian sun to a rich bay [describe more than her hair in this sentence and how it changes her overall appearance. How does it fall over her shoulders? Does it frame her face well? Does it cause any of her features to become shockingly apparent? Add on this sentence]. Her eyebrows got lighter until certain bits were a golden honey. Like Hawai'i and its milk situation, a gallon sells for five dollars -[ ]on sale. I love milk. It sells for six dollars at Foodland (without tax.) I still love Hawai'i, but fuck. It [sucks sometimes]. I hate her generosity. People return her items[x] broken [and abused]. She never learns. I remember how she would feed me. Sweet Lily let me stay with her for the night; because my roommate yells [x] at a significant other at four in the morning. I can't recall the number of times we shared a bed. In my sleep, I [would mumble]: "Lily, move -[ ]you're hogging the bed." I sprawled myself over this twin-sized mattress, taking up three fourths of the [tiny thing]. Poor Lily, she was squished between the wall and[,] wel[l][,] [. . .] me. She despises her own smile: [a] chipmunk['s] smile. I love it. The way her cheeks become full with [unbridled] glee: like a chipmunk that shoved one too many acorns into its mouth. Those [sweet, shallow blue eyes] take on [a] sweet shine [like...add a simile here]. [Her] golden-bay eyebrows jump up. Like Hawai'i, I couldn't anticipate how much I would miss her. Not until we reached the airport. We hugged. I took in her Lily scent for the last time. Nuzzling her neck, I breathed deeply. It frustrated me to no end; I couldn't place what comprised her Lily scent. All I know is that it [is definitely Lily's smell and it] made my [eyes go out of focus]. [My heart quickened, too.] I know because she [x] took my wrist [and measured the pulse]. [x] "Your heart is skipping a beat[,]" [she had said, and, with her being a pre-med student, I believed it.] Her eyebrows stitched together, "Hmmm." She leaned in close: "Are you all right?" [Cool, adjective, fingers] pressed [x] my forehead. "Hot, like a furnace." I gulped. I [x] tak[e] in her scent, imagining this is our last time. Oh, God[,] I realize too late. I'm whispering into her ear: "I don't think . . . we'll see each other again." "You'll come back," she asserts, "We'll see each other again." "I don't think so," [say,] [and] I hold her tight[,] taking in her smell one more time. I have to go. I vowed on our way here, I wouldn't cry. I did not cry. I stiffly let her go. Ten steps later, it came out. Tears streamed down my cheeks. There was[n't a thing] I could do to stop it. That was the last time[x] I saw Lily. Two weeks shy of six months later, I returned. Hawai'i greeted me with a delayed city bus. It took an hour and ten minutes to arrive. They call Hawai'i paradise. Fucking paradise.

- - - - -

I loved this. Oh gosh, I loved this. This was so casual, so real, so very intimate with the reader and honest. Personal. The flippant style pairs nicely with the way you (your MC?) is so attached to this girl. A powerful, effective clash that creates a three-dimensional character. Well done there.

My biggest problem here is just...inconsistency with tenses. I'm looking back and editing and I'm still a bit confused around the point where he says goodbye to Lily. Leading up, you have present tense; then he refers to the goodbye in past tense (I couldn't anticipate how much I would miss her) and then describes the interaction in present tense. Not terribly jarring there, really. But then you go into, basically, "I returned to Hawai'i two weeks shy of six months later." So you refer to the future in past and the past as present.
It's actually a fairly minor problem that requires more the author making some decisions on what exactly what you want to do. But I'll throw it out there that that confused me a bit. Pick and choose how you want it all to go and stick with it. Personally, I would make the descriptions past and his goodbye present, with the mention of returning as an "added note," as if the story was written first and that was added as an afterthought those several months later.

Also, of course, is your formatting, but you say that it just isn't working on here so I'll take your word on that. Wall of text was definitely intimidating to tackle though, of course ha ha.

Next -- the dynamics. You describe another character while developing the first. It's incredibly interesting and causes a beautiful formation of a personality. As I expressed at the start of this review, I enjoyed it immensely. Believable and easy to sympathize with -- the cussing was definitely part of his character and I would keep that. It's entertaining and real.
And then -- then! Then you have a dynamic and believable character that you're describing! Barely got any real "face time" with Lily and yet she spreads out incredibly well. You touch on those key elements that define a person and make them different, and I can appreciate that. You didn't describe what she looked like and her sweet voice and left it at that. You explored her insecurities and her flaws, and those flaws really did make her beautiful. Bravo.

In the end, this was so entertaining and enjoyable that I read it multiple times beyond my annotation. Really a powerful story -- compact and precise, just as I like them. Your comparisons of Lily and Hawai'i was humorous and light, a good preparation for the irony your present at the end.
Overall, great work. Keep writing. You're good at it.

User avatar
Javshanidze
Review
Javshanidze wrote a review Review · Oct 15, 2012

Dude, I didn't really get the plot, I mean what were you saying, I've never went to hawii :s, But I did had one beautiful girl and man... this writing reminded me of her. everything! every single thing. I felt kind of ... ashamed. - It's too lame when you realize that you lost something that mattered. Something really special, but you realize that after you no longer own it. and when I realized that it was kind a lame.


So thanks for reminding me about how I suck -_-


But work is great though ^_^

reason replied · Oct 16, 2012

Here it is simplified: the relationship between the girl and I, our dynamic together, and my feelings towards Hawai'i acts as a parallel for the girl and I (I love her and Hawai'i, they're beautiful, but they're also flawed and sometimes suck.)

Essentially, what Aries stated.

You don't need to visit or live in Hawai'i to understand. All you need to know is it's far from ideal: public transportation isn't reliable, food is expensive (in particular milk), and it's a gorgeous place to live.

Anyone who doesn't live on the island thinks those who do surf all day and it's paradise -there are no complications, you don't get sick, you aren't working -and trying to make a living. It's similar to love, many will say it's a beautiful thing: however, it's rarely easily attained without some "bumps in the road" as they say.

I'm glad you were able to make an emotional connection to the story though.

Thanks for the review, I appreciate it.

User avatar
sharitm2
Comment
sharitm2 commented Comment · Oct 15, 2012

This is a really great piece and i loved you're description. I also really appreciate the fact that you didn't make you're character, Lily, perfect. She was flawed, which made her even more realistic. The comparison with Hawaii was also very creative.
Good job with this, and keep writing!
~Sharitm2

reason replied · Oct 16, 2012

Thanks. I appreciate the review.

I met Lily in Hawai'i. It felt right.



In a world too often governed by corruption and arrogance, it can be difficult to stay true to one's literary and philosophical principles.
— Lemony Snicket