Warning: This work has been rated 18+ for language and violence.
Book
1: The Pyre
November 18th, 1983
The dig site was 5 meters deep and 60
meters wide; In it a hundred thirty men
and women toiled relentlessly. Light snow fell lazily on them from a swollen
grey sky. Floodlights atop each side of the excavation lit the site, with the
occasional orbs of flashlights glancing off rock walls slick with frost.
Alaska
sucks, thought Chet Williams, as he swung his pick-axe on the cold
ground
below him; The snow played hell on the excavation, and since they were looking
for an underground network of caves...
Who knew what could happen. Nevertheless, they pressed on.
He turned his baseball
cap
backwards, a hard day's sweat dampening his brow. He wiped it and sighed. Funny
how a guy could work up a sweat even in this weather.
It
was then that his Walkman clicked and stopped, the last track finished. The
cassette tape within was Blue Öyster Cult's Agents
of
Fortune. He liked almost
every track except the most popular; He'd done that to himself, mostly, having
listened to it over and over on the plane. He'd never been north of Canada, and
the song's titular lyrics calmed him.
They chose a hell of a time to plan this thing out.
What he wouldn't give to be down in Acapulco right now,
drinking tequila and feeling the sun caress him while the Pacific roared softly
just within earshot. Well, at least he had the tequila, but it was better not
to drink and work. Especially with a pickax in hand.
Nobody was entirely sold that something was buried deep in the ground
here in the boonies near Emmonak. At least two thirds of the team were Alaskan
Natives, who weren't convinced that something as huge as the complex caverns
Mr. Feldman had described could exist without their knowledge. However, he and
the good professor Allen had
promised a payout of six figures to each person on the team, so nobody with
half a brain would have turned that down.
How they had
access to so much money, not a soul knew. Some
say they were under contract with the secret echelons of government, more than
likely something to do with the standoff with the Russians. It didn't really
add up to Chet; If they were really looking for something related to the war,
it wouldn't be in the flatlands outside of Emmonak fucking Alaska, of all
places.
What was even
more puzzling was
that Paul Allen, who had been spearheading the project but saying little except
to his right hand man Haku Feldman, was a master in astronomy. Astronomers
rarely
led excavations, let alone have any reason to. They looked up, not down.
Chet knew that aside
from the labor, the money reimbursed
them for another service, one that would be a little more long term than their
current project.
Their silence. Whatever happened
here, they would take with them to their graves.
He glanced at the girl in the thick woolen
jacket a few meters to his left; She
was intent on her work, stopping only to brush the locks of dirty blonde hair
out of her blue eyes. He wondered if she was thinking the same thing he was, or
indeed, if she was thinking about anything at all other than three hundred
thousand dollars in her bank account.
As he left to find a
port-a-john, Chet was thinking long and hard about what he was going to do with
a six-figure payout, when his Walk-Man started to play on it's own.
That's
weird. Maybe the play button got pressed in
my pants or something.
He stopped. One line
was repeating, over and over again.
Don't fear the
reaper.
The farther away he
walked from his work area, the loop
started to intensify, starting at twenty percent speed then careening
into a static sound that was likely to damage Chet's hearing.
Something shook
the ground and he wobbled, nearly falling backwards.
He threw his headset off, and started to
notice cracks appearing under his
feet. They became huge, and he saw blackness in them. He heard metal screeching
and bending behind him.
His legs took off
before his mind did, and he bolted
clear for the other wall. He didn't turn around until he reached a crowd of
workers, who were standing about, some pushing through to get a better look.
One man cried out, and ran to Chet's work area.
Ashamed, he
realized he didn't have to visit the
bathroom anymore.
The section Chet
had been working on had collapsed
into a black void of nothingness. A lone flood light teetered off the edge,
apparently still plugged into a generator still falling.
The
cord
under
it
became
a
taught
line
and
the
flood-light
shot
into
obscurity.
The lone man
collapsed at the edge of the hole and
screamed into the night air, his shoulders wracking with grief.
"His sister,"
said somebody from behind Chet. Chet's
heart was working like a piston, slamming hard against his ribcage.
That
could have been me.
Two
other men pushed through the crowd,
and Chet was soon standing next to Haku Feldman, and his mentor Paul Allen.
Feldman
had dark brown eyes shaped like almonds, a pointed nose, a strong jaw,
and close-cropped dirty blonde hair.
When Chet had first seen him, he was clean
shaven, and resembled a statue of a Greek god. Now with a thickening beard, he
looked even more the part. Chet didn't trust him.
Paul Allen was an ordinary looking man in
his late forties or early fifties, thinning hair streaked with grey.
He was already starting to hunch over from years of toil, but his eyes were
sharp and detail-oriented, probably now more than ever.
Allen clenched his fists, as Feldman
placed a hand on his shoulder.
Someone in the crowd yelled,"You
guys knew this would happen!"
"And so did you." Feldman turned to
face the crowd. "You all knew the risks. Isn't that why you signed on?"
The
crowd
grew
silent.
"Do
we
have
any
survivors?"
"There
was
nobody
over
there
except
him
and
the
girl."
They
all
turned
to
look
at
Chet. He felt the weight of their
gazes, heavy like sandbags on his
conscience.
A
tight,
humorless
smile
appeared
in Feldman's
snow-flaked
beard.
"Looks
like
you've earned your bonus."
As
they
looked
on,
a
blinding
light
emerged
from
the
sinkhole,
casting their shadows long and thin
across the excavation. The man at the edge was laughing now, and crying out the
girl's name.
"What
is
this?"
asked
Chet.
"Our survival." Allen's eyes stared on, unblinking..
Edress
12,
Year
326
of
the
Ninth
Era
The Marta Central Station was bustling
this afternoon, with people standing
almost shoulder to shoulder with eachother waiting for the train. The unloading
platform designated B-4 stood a good fifty feet off the ground, with seven
other platforms jutting out below like reversed stairs, and another eight
above.
Angela Siegfried held a sign. She didn't actually know how to spell the man's name written on it, but she hoped he would still recognize it when he got off. Angela was twenty, with fair copper skin and eyes like red mahogany, her face adorned here and there with freckles. Her black hair was thin and shoulder-length and tied into a ponytail, revealing two small onyx earrings. She wore a yellow frock and black hose, with a matching pair of black slingbacks. On her head she wore a wicker sun hat with a baby blue sash.
The A-SEC officer had spoken with her over
the phone, detailing the
arrival of the temporary security guard for her father. He was to be evaluated
in person, and if he didn't fit the role he'd be back on the Windmare by three
P.M.
It seemed worth the gamble to Angela. They
could do with a little bit of
security.
Ten in the morning. Right on schedule, the
ground shook with the train's
arrival.
The Windmare was a gigantic whale of
a thing, shaped almost like a clothes iron. It was more like a boat than a
train, but the rails for it were huge as well. Gods forbid you were in a car
stuck on the 100-foot wide tracks
when that thing was coming. Generally, at 300 miles out, the conductor and the
engineers started to decelerate, but even at 100 miles out it was still going
fast enough to rip the leaves off of a tree.
A deafening steam whistle blew, heralding
the Windmare's arrival. It kicked up a wind that set her
to frock to billowing,
as she held down her hat with one hand. The Windmare
settled
down under the titan of architecture that was the Grand Station, billowed
plumes of hot steam from the various smokestacks and chimneys placed atop it's
steel hull. It then released the dozen or so retractable
staircases to let the passengers out.
I hope I got it right, she thought. Gate B-4. She gazed over the swarm of approaching
passengers for a couple moments, hoping for recognition from
someone.
One person locked eyes with her as they
came down the steps. As soon as the
crowd parted way, the stranger approached Angela tentatively.
Angela beheld a small person in a fur
jacket, big brown fatigues, leather
combat boots, and a black cap. The stranger could either have been a young
woman or a preteen male youth; Their
features were soft and comely, with a
pale face and eyes a deep blue that Angela had never seen before.
They stood a long while, neither opening
their mouths to speak.
Angela cleared her throat. "Are... Are
you... Aegrin? Sir Aegrin?"
The stranger hesitated a long, awkward
moment, and then spoke just as slow.
"Yes." The voice was definitely a woman's.
"You don't seem all that sure."
The girl started laughing nervously. "Ah,
that is... I'm his daughter. Yes. Mr.
Aegrin's daughter. That's who I am. He sent me in his stead, he wasn't...
Feeling up to the task."
"I... I see." Angela glanced over the
girl. Suspicion gnawed at the back of her
mind. Most girls she met were interested in jazz and dancing and dressed the
part; This stranger's mismatched garb gave off the impression that she was
homeless. Something was odd about this girl, but it felt to Angela like it was
more than what she saw and thought.
"Have you been a security guard before,
Miss...?"
"I am Lapis. And no, this is my first
time."
"Oh dear..." Angela sighed wearily. Well, at
the very least I can feed the poor thing before I send her back at three.
Angela and the girl Lapis stopped at
Missando's, a restaurant on the corner of Redfish and Oak, and ate in the
outdoor dining section as the chill autumn wind
blew leaves over the pavement. The Grand Central Station loomed nearby, casting
a shadow
over them.
Lapis ate like she had been starved for
weeks, Angela observed. Before Angela's eyes the girl put away five bowls of
surmari, the traditional wheat noodle and broth dish that was native to the
Martic
Valley. She felt a mix of
guilt and pity, and also a growing sense of fascination.
"So, tell me about yourself, Lapis."
The girl stopped and looked down
abashedly. "There's not much to tell, miss..."
"I have time, dear."
The girl continued to look down, and she
closed her eyes. "Like I said, nothing
that would interest you... I'd rather hear your story."
She won't tell me
anything, Angela
thought. Maybe
its for the best. But
something's still not right.
Angela sighed. "Well, it's a long and
tedious tale... My father was appointed
Mayor of this city a few years ago. He used to tell me it was his reward for
fighting with honor and loyalty in the Twenty Years war, but now that I've
gotten older I realize it was more of a power play by the Galthirians, to keep
a man loyal to the Queen in the Eastern Reach... But I digress."
Why am I telling her
all of this?
They studied autumn leaves scattering with
the wind over the road, some losing
their way under parked cars and under the curbs, and others drifting aimlessly
down the street.
"My mother and my older sisters died when
I was very little, so I took it upon
myself to help my
father keep our family together and our interests safe. My father... finds it
hard to change clothes nowadays, let alone run a city and the land around it.
But he does it somehow. And I am always behind him, making sure our bridges
remain unburnt and we have the right people around us. I've personally hired
every member of the staff that works with us today... Even our butler, Sparrow.
But as of late, they've all started disappearing... It's as if my father paid
them off and told them to skip town."
She smiled sadly, and then looked at
Lapis. The girl was already on her sixth
bowl of surmari, but she seemed to be listening.
"That's where you come in, Lapis... We
need someone who can protect us. More importantly, my father. He's not
long for this world, I think. But so many people would gladly hurt him, or use
me to hurt him... All for his station... I never would have dreamed it, when I
was a girl, but things have changed..."
Lapis stopped eating, and gazed at Angela.
"How old are you, miss?"
Angela smiled again. "Eighteen." She knew
she didn't sound her age, but it was
plain for all to see.
"Oh..." What was she thinking behind those
wild, child-like eyes?
"And what about you?"
The girl fell silent.
She doesn't know how
old she is?
Uncomfortable, Angela changed the subject.
"I'm going to be frank with you, Lapis. Is
that okay?"
Lapis looked just as out of place. "Yes.
Um... Please."
"I don't know if you will be a good fit
for our Head of Security. I don't even
know if I can trust you, knowing so little about you even now. I need someone
trustworthy, dependable, strong..."
A man, Angela thought, but ommited
that part.
Lapis looked at her vacantly, as if trying
to do mathematics. Then it seemed to
register, and she stood up quickly.
"No, please! I'm all of those things! And
more! I've been training hard, every
day. I know I've got what it takes. Please... Reconsider, Miss Angela! I
promise I won't let you down."
Some of the other patrons were looking at
Lapis, and at Angela. Angela laughed nervously and waved Lapis down.
Angela didn't know what to say. Training?
At what? Did she have a gun under
that jacket somewhere, with a magazine to go with it, each bullet likely to
find targets by the end of the day?
Will I be the target,
or my father? Or
someone else?
"I'm... not thoroughly convinced. But I
can take you to my father and you can
meet him in person... Maybe he'll have a different opinion..."
Angela's words were cut off as Lapis
embraced her, squeezing tight. "Oh, thank
you! thank you! I promise, I'll do my best. I'll keep you safe."
Angela blushed.
Lapis was warm. Probably from the fur
jacket.
Angela hung up the payphone, and turned to
face her companion. She smiled at Lapis, the
girl who she could read so little.
Angela evened out the pleats of her skirt.
"I've called our driver, Dreslim. He should be
here shortly to drive us to my estate."
"...Very... Good, miss." Lapis seemed to
trip over the words, like she was
reciting them from memory.
"So... Where were you during the War?"
"The... War, miss?"
Angela's brow furrowed. "Yes, dear. THE
War."
"What war was that, miss?"
Angela was hiding a mix of confusion and
frustration. The Twenty Years War. The
War that had engulfed most of the known world in a dark frenzy. The War that
had left five out of every ten children orphaned, six out of every ten women a
widow, and had sent more men to unmarked graves than they could ever hope to
recover. The War that the continent of Alnora still bled from like a mortal
wound.
Perhaps Lapis had been sheltered as a
child, but no amount could have hidden
the Twenty Years War from her. Not even for a week. If she was as old as Angela
supposed, she would have been a young child during the peak of the fighting. In
Ascension, it's all they talked about when Angela was little. Sometimes she
could
hear the explosions outside the city walls; Very far away, but the aftershocks
would rumble her bed as she tossed and turned.
"Your father must have seen some of it,
surely?"
"Oh. Y-yes. He talks about it all the
time."
"Really? Who did he fight for?"
"...Nobody, Miss. He was with the... er,
the A.M.N."
That at least, was passing truth. Those
who earned their bread by way of the Alnora
Mercenary Network signed a contract, a strict adherence to political neutrality
being one of the major terms. Alnora Security, or A-SEC, did not take sides in
wars
of any kind.
During the War, they provided relief aid for civilians and
security for tradesmen, but did not fight for any one political party and only
took up arms
if threatened. If asked about
their role in the war, your
average A-Sec agents would either laugh in your face or
spit.
"I see. It was definitely the wiser
decision..."
Angela had to see if she could get something out of the
girl. But her words seemed to fall to the ground.
"Lapis, who are you really?"
Lapis did not speak. She closed her eyes
again, appearing to think, or summon
up something from within. "I don't-"
A car pulled up next to them, it's engine
thrumming. It was black, with tinted
windows and chrome lines. Angela's heart skipped a beat.
Definitely not Dreslim.
Lapis looked at the car, interested, like
a cat might peer at a cricket.
The right-hand window rolled down, and the
driver, a man with snaky features
and hair greasy with product, leered at them. He had a lit cigar in his teeth,
and a golden ring with a thick ruby glimmering in the center.
"Good day to you, sweetlings. Are you
wanting company?" His Western accent was
thick.
"And good day to you, sir. No, we're
expecting a ride. Thank you for the
offer."
"Oh, well, we can give you two a ride...
If the fare's right."
We. That was a word Angela didn't like.
"No, thank you sir. We'll get along fine."
The man grinned, and a car door slammed.
Two other men in dark clothing and
faces covered with hose stepped towards them, tall and thick with muscle. They
might have been twins, for all the hose revealed of their faces. One had chains
tattooed on his hands, and the other brandished a short crowbar that thumped
meatily in his palm. A great sign.
"We'd rather ask you nicely, Miss
Siegfried. My boys don't speak much, you see,
so they don't have need of pleasantries. It's a good thing I'm here, really.
Now please come along."
Angela went cold, her heart rate
skyrocketing. What
do
I
do?
I
should
have
a
gun
with
me,
a
taser
at
least...
How
could
I
be
so
stupid?
The closer of the men reached out for her.
She closed her eyes, tears welling
up.
She opened them.
Lapis had the man by the wrist. He stood
almost two feet taller, but Angela noted the way his arm crooked unnaturally
towards her grip, twisting like he had his arm stuck in a vice clamp. Lapis
appeared to have
cast off her fur coat. She wore a blue combat shirt with no sleeves. Her white
arms were thin but corded with muscle.
Her eyes had gone from wide and child-like
to narrowed and full of
righteous anger, and something else Angela couldn't identify. A keen,
martial look, that stared the man in the dead in his mask, the little features
shown through the leggings wrinkling up in what could only be pain.
"Are you friends of Angela?"
The driver's face turned purple. "What are
you doing, idiot? Get
them in the car!"
"Answer my question. Are you friends with
Angela?"
Incredulously, the lackey spoke. "N-no."
"Then she won't be joining you!"
It all seemed to happen at half speed.
Lapis jerked the man's arm downwards,
causing him to lean down, and as he did Lapis' fist connected with his face
with a loud crack. Angela never even saw the transition; Her arm coiled up, and
as quick as lightning it had shot out like the head of a cobra to ruin this
man's day.
She dropped low and swept his leg out from
under him; He
went down in a tumble, but before Lapis could rise the crowbar wielding man was
upon her.
He
swung on her from above, and Angela shut her eyes tight.
Lapis stumbled, but did not fall. Her cap
came off, letting her hair flow free.
It was neck-length and unkempt, cut into a
messy bob. It was pale
silver, the shading reminiscent of a cloud. Equal parts white, blue, and grey,
yet a color all it's own. A dark circle was growing above her bangs and
a little rivulet of red ran down her shimmering eyebrow.
The man swung horizontally at her face
this time, but
incredibly Lapis slipped under it. He had left himself wide open; Lapis darted
in, and her swings were so fast Angela couldn't begin to count them. She had
the man stumbling backwards, her lightning-quick blows beating a lively
rhythm out of his vitals.
He roared and raised his crowbar again,
and brought it down in a reckless
overhead swing.
Lapis stepped aside, as if letting someone
pass before her. Then Angela saw her
foot shift and her other leg was up. Artfully, Lapis' calf uncoiled from her
thigh and her kick hit home, landing in his temple. He was unconscious before
he
hit
the ground.
What am I watching? It had been equal
parts dance routine, and bar brawl.
The man in the driver's seat shouted, and
a pistol appeared in the window, a
silencer fastened onto it. "You wanna play games? Fine by
me, bitch, I love games. Let's play,
How many bullets does it take to-"
His shouts turned into a girlish squall,
as Lapis slammed a boot, hard, into the car door and the sleek
black cruiser tipped over on it's left side, with a clangor of glass breaking
and metal churning. It rocked for a moment like a turtle trying to regain
footing.
"Hey! Hey! What the hell! Don't leave me
like this!" Lapis seemed not to hear.
She turned to Angela, and Angela saw that her knuckles were bruised and
bleeding. The little river of blood was running down her cheek now. People were
running towards them, but Angela couldn't tell if they were the police or not.
Her eyes were on Lapis'.
Lapis moved her hands as if through water,
and clenched her fists. She breathed
deep, and released her stance.
An olive-colored R-Model screeched to a
stop in the middle of the road.
Dreslim craned his head outside the window and put two fingers to his lips,
sounding a loud whistle. Angela grabbed Lapis by the arm.
"Time to go, and quick!"
They slid into the car; Angela never even
felt the seat until she was sitting square on her bottom.
"Dreslim, please! Hurry!"
She slammed the door and Dreslim
hit the gas. They jerked forward as the vehicle accelerated. Angela looked
behind her through the rear window; People crowded around the scene, as arms
garbed in the sleeves of an expensive suit grasped around uselessly for
purchase, one hand still holding the silenced pistol.
"What the hell was all that?" Dreslim, a
middle-aged, gaunt man, hid his receding hairline under a cap as they turned a
corner and the scene was out of view.
"They tried to kidnap us," Angela said
breathlessly.
"I saw the car tip over just as I turned
the corner. What the hell happened?"
Angela thought of the silenced pistol, gleaming dully in the late morning
sunlight. It hadn't been pointed at her though. It had been pointed at Lapis.
She thought about what it must feel like to stare down the barrel of a gun, and
shivered.
"Where the hell is A-SEC when you need
'em..."
"I'm with A-SEC."
Angela saw Dreslim's peering at Lapis through the rear-view mirror. "Are ya
now."
"I am Lapis, child of Aegrin."
Dreslim quirked an eyebrow at the odd introduction.
"He had a gun, Dreslim... And Lapis saved me."
Dreslim studied Lapis a good long while through the rear view mirror; Angela
couldn't tell if it was disbelief, awe, or either of the above.
They got on the highway; Luckily no-one followed them. They drove for a while,
until the town had dissipated around them and they turned onto a cliff road.
Dreslim got out of the car, and unlocked a padlock on the white iron gate; The
gate swung open and he got back in until they were clear of the gate, where he
got out again and locked the gate back up. Then they were moving again up the
road; they rose and rose, as the space beyond the guard rail became a sheer
drop.
Except for a few odd houses, the road carried them far out of civilization and
the smoggy expanse of the town could be seen from here; The Grand Central
looked like a crude building block from this height, though it dwarfed
virtually
everything else in Marta, save for the taller buildings of downtown.
Beyond
that lied vast trackless plains and forest that stretched on for
hundreds of miles, uninterrupted. A stormfront was edging its way forward from
the West; Much needed rain would saturate the valley within a few hours.
Far away, in the south and east, huge mountains stood pale purple on the
horizon, while to the North and right the Northern Martics loomed with their
crowns buried in clouds.
Angela felt herself snap back into
reality, a shivering taking over her as the adrenaline left her body. "Oh...
Shit, you're bleeding. Here, let me look at it..."
She lifted Lapis' bangs and found nothing.
Except for the blood, there was no wound to speak of.
"We need to tell your father."
"No... I'll tell him. You won't breathe a
word of this to anyone. Promise me."
"Miss-"
"Dreslim. Promise me."
"Yeah, yeah," Dreslim shook his head, exasperated.
Angela looked at Lapis then; Lapis looked much the same as when they had been
eating at the corner restaurant, innocent and curious. She studied the vast
expanse with interest.
Angela asked again. "Lapis, who are you,
really?"
Lapis looked at her. It was then that Angela realized how very lost Lapis was.
"The truth is, Miss... I don't know who I am. My name is Lapis. That's all that
I know."
The Mayor sat in his wheelchair by the
window. His study was cozy, with several large bookcases filled with fine
leather books bound in gold and silver. Everything was tidy except for his
oak desk, which was littered in papers and folders.
He studied the
grounds, peering
into the forest and the mountains, when a knock came on the thick mahogany door.
"Yes," He said gruffly, and Sparrow came
in, holding a tray and a carafe with
two teacups. "Tea?"
"No. Coffee, Your Honor." Sparrow smirked.
He was a tall man, with slicked,
cropped red hair and golden eyes. His cheekbones and nose were lightly
freckled, and he was sharply dressed in a black
blazer with a white tie and blue slacks, with a pair of white and black brogues.
"Ah, good. Something tells me we're going
to have a long night." Sparrow poured
him a cup of dark coffee. Steam rose, filling the room with a rich aroma.
The Mayor took the cup gratefully and
nodded thanks. "I could have avoided all of this, Sparrow."
"I don't think so sir... There's
nothing
you could have done."
"Think not? I could probably have stolen
away to Frostcrown or Nanbyr or the
Jagged bloody Isles the moment I heard a war had broken out. I might've taken
my wife and my daughters the hell out of Ascension while the going was good...
But I didn't. What have I got to show for it, except for a Purple Heart and a
throne on wheels?"
"You've still got Angela. And the town
loves you. You're a hero down there."
"The town loves you, you mean."
The Mayor sighed deep, and took
another drink. The cup shook in his hand, but it wasn't as bad today. "She is
everything I hoped she could be and more... Gods, she's smart. And beautiful."
"Yes, Your Honor." Sparrow smiled. The
Mayor shot a glance at him, raised his
working eyebrow.
"Don't think I haven't seen ya looking
after her as she walks away! Yer like to
snap your neck." He chuckled. Sparrow grinned, and averted his gaze. "All you'd
have to do is talk to her, you know."
"That wouldn't be proper, Your Honor."
Sparrow poured himself a cup. "I'm well
aware of the order of things."
"Bugger the order of things! She fancies
you." The Mayor crossed his arms,
fitful. "I want grandkids, dammit."
Sparrow laughed and sat down on a velvet
chair near the desk littered with
papers and books.
"I'm serious. I don't have long, Sparrow.
That fact is so real to me it might
as well have
pulled up a chair to sit with us. You know
why I hired you, don't you? And
don't say it was to make me coffee and wipe my ass. I
know more about you than you care to
recognize."
Sparrow looked at him then, his eyes
filled with... something. Situational
awareness, perhaps, a well-honed sense of caution.
"I know you can do more than that. I can
feel it whenever you're around." The
Mayor chuckled, and touched two feeble fingers to his brow. "The War changed
things, Sparrow. I reckon you were a kid when it started getting hot. Am I
right?"
Sparrow's face grew dark. "Yes, Your
Honor."
"Don't give me that glum look, boy. I
don't care. What happened then made all
kinds of people and unmade the rest. It's done. We're here and now."
Sparrow looked into the man's eyes. Eld
Siegfried was suddenly his age again;
proud, noble, and kind, but uncertainty also swam under the surface. Sparrow
remembered again the man was in his fifties, but looked so much older. A pity
what ten years in the War can do to a man.
The Mayor sighed. "Go down and await
Angela's return. I grow anxious by the minute."
Sparrow nodded and stood up, reaching over
to grab for the tray.
The Mayor grasped him about the wrist.
There was still strength there, but
Sparrow could almost feel it draining, inch by inch.
"There's something else."
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Hey~
I'm sorry it's taken me so long to get to reviewing. I know you just asked for chapter 6, but I'll go ahead and review the whole shebang to make up for being so slow to get to you. I skimmed through the other reviews, but I may repeat things by accident. If I do, forgive me. :3
Just a heads up, an f-bomb is a call for an immediate 18+ rating, so I bumped it up for you. No big deal ^-^
Alright, I'm going to jump right in with what I see.
The way this is worded, I had trouble seeing how the character never being north of Canada and the calming effects of the song were related. I had to read this bit several times before I understood that he had been nervous on the plane ride. I'd combine these sentences, so that your point is clearer.
Your tense changed here to present.
Why guilt? This is a great moment for a little more characterization. Just a line of explanation would be perfect.
This is a strange thing for her to mention. What reason could her father have to pay his own staff off to skip town? Shouldn't she be more concerned about it? Shouldn't she think something else has happened to them?
She can't be two ages
Seems strange for a girl who's basically been independent and running her own household for years to think that a man is the only kind of person who can be depended on.
Just missed a capital letter here
Why can the driver show his face if these two can't?
Words missing?
Oh my. What an ending.
Alright, all the small things are out of the way.
There was only one big issue I had, and that was your descriptions. When you were describing people, it was often just one big block of text where you took a break from the story and told us how the character looked. While it's important for readers to be able to visualize what you do, it's also to be subtle about it, so that the reader doesn't get stuck in a block of description and your story doesn't get bogged down.
Other than that, the last part with the mayor and Sparrow was my favorite, they seem like brilliant characters. In fact all of your character seem very well thought out and very different. I'll be interested to see them grow.
I'll get to Chapter 2 soon,
Megs~
Hello, here as requested!
I suggest spelling out the numbers -- it makes things so much more professional and more "published author"-y.
The emboldened doesn't need to be capitalized.
its*
Should be two separate words.
it's*
Wait, so when did she pick up a payphone? Make sure you're making note of these things!
Okay, so I think my only nitpick was the sudden swap from Angela's POV to her father's, when the Mayor is chatting with Sparrow. Please do be more careful and clear when you switch POVs (point of view) on the reader; I was confused and had to go back and reread a few things before I understood what was going on.
Other than that... this is very good! A bit lengthy in my opinion, but hey, that's just me.
But seriously, you're off to a nice start. The beginning was a great teaser! I assume it's the beginning of the war, maybe? It sounded that, at the end of the prologue, the antagonist, or at the very least, the problem had been introduced. Whatever that was, it wasn't good, obviously. I am curious to see what it was, so you did great with catching the reader's interest with your prologue!
I like the direction you took with Lapis. Of course, I do hope the attempted kidnapping is explained soon, but damn, look at Lapis go! You succeeded in making the reader think she was a dud, someone who wasn't fit for the bill, but then she opened a can of whoop butt on those men! I loved that.
You've got some great imagery and description going for you.
I hope this helps.
~Iggy
Hi there! Welcome to the site! ^_^

This is very well written. Like, super well written. So I'll be kind of nitpicking my way through this piece. I usually don't do that, I like to just focus on characters and plot and all that, but your writing is so good that I want you to know what little you did wrong so you can make it perfect
I don't think you used the word 'hell' in the right sense here. Can anything really "play hell" on something? Definitely raise hell, but I've never heard of playing hell.
He has a Walkman?!?! Man, taking me back to the good ole' days!
'Don't fear the reaper' is the line that is repeating, yes? You should find some way to make it so that's apparent. It's easy enough to understand that this is what he's hearing, but I feel like if you make it perfectly clear, it'll work better. Maybe use italics.
So, the prologue as a whole is very interesting. Prologues are always my favorite because they introduce the story and characters in a way that doesn't require much information. What I mean by that is we get a good look at the story, but there is still so much left that we need to know. It definitely pulls in your readers and gets them dedicated to the story.
You do a great job with your descriptions and imagery. Every writer is different when it comes to imagery and descriptions. You seem to get it out of the way right away, telling us exactly what everything looks like as well as giving us some background information about it here and there. And somehow you make it interesting to read. I for one don't like reading description much. I'd rather see something happening. But I am quite content reading your descriptions. You know you've done good if you get me excited to read descriptions xD
Just a really small nitpick here:
You wrote 'gods' here. Does this world you've created have multiple gods that the characters believe in? I know that it's just a small detail, but it's important. It's all about world building. Religion is just as important as setting and location and all that good stuff. It really develops the characters. So if you did mean 'gods', leave it be. But if your characters only believe in a single god, or no god at all, you'll want to change that.
Thoughts should be in italics. That helps separate them from the rest of the story. You'll want to keep the dialogue tag still so we'll know who's thoughts they are.
So I'm not one to harp on grammar and such, but I figured I would mention this. You don't have to capitalize that words after the semi-colon. A semi-colon is used to connect two sentences that sound better together, yes? So you should only capitalize the first word if it's the beginning of an actual sentence. Since this second part is linked to the first part, it's a continuation of the sentence and doesn't have to be capitalized.
I'm big on using ellipses right. Honestly, I don't think you used them the right way here. I mean, sure that's the way they're supposed to look, but I'm sure that you're giving off the feeling you were looking for. Ellipses in dialogue represent the character trailing off. I find it hard to imagine that Angela trails off after every word that she says here. If you want to make it sound like she's struggling to say the right thing, you should use dashes. Keep that in mind as you edit through this piece. You seem to use ellipses a lot in your dialogue so make sure to be certain that's the feeling you want to get across to us.
Here is another thought that should be in italics. Right now, it just seems like you switch from third person POV to first person POV, which I know you'd never do
Like I said earlier, this is very well written. Your descriptions are great and the way you write is very mature and professional. I'm impressed!
The action scene in the first chapter is great. I found it very interesting that Lapis suddenly appeared in Angela's life so suddenly and had to save her so quickly. I was so sure that Lapis would turn out to be just a scared teenager that didn't want to fight anyone. But she sure proved me wrong. I'm a real fan of action, so I really enjoyed reading it. I've read a lot of action scenes over the years and believe me when I say yours was great. There was a nice balance of action and dialogue and other events going on as well. It wasn't just a bunch of action where Lapis beats everyone up. Good job with that.
Well, that's all for me. I have nothing but praise for you for this chapter, and the prologue as well. Let me know when the next chapter is out. I can't wait to read more!
Keep writing!
**Noelle**
Thank you! I'm so grateful you had a look and liked it! Please feel free to check out the other chapters!
play hell with someone or something
Fig. to cause enormous disruptions with someone or something. (Use discretion with hell.)
Hello again!
Nitpicks
v
But is okay to start a sentence with, but I'd still suggest you to replace it. It just sounds so much better and alive once it's gone.
How did they even know they had so much money at all?
I'm not sure, but I believe you have to either write 'had been starving' or 'had starved'.
You could put this in italics as it shows what the MC is thinking, but it's all up to you.
Seeing as you just described the autumn leaves blowing with the wind, I suggest you to cut out that part/the whole sentence.
General
I think I'll split this up in two pieces, as this is the prologue + the first chapter. Naturally, I'll go with the prologue first.
I liked this line a lot! Instead of telling us about the accident, you
The length of the prologue wasnt too long nor too short, just the perfect length to give us a small hook into chapter one. It felt exciting near the end, and left me with so many questions about what the heck was going on!
Your descriptions were nice flowed well, but I'd still like to see a bit more. I didnt have a perfectly, clear picture of the site, only a typical dig site. What exactly were they digging with? It may be you actually wrote this down, only I didnt register it.
Desribe it slightly more, but don't give us a lot extra sentences, that'll just tire your readers.
Onwards to chapter one, the length is so much longer, so it would be hard to focus on everything. That's why I'm only bringing one thing up; show not tell.
Every writer has heard about this a billion times, and knows it's an essential item for one's writing.
I see in your descriptions that you mostly tell us how they look, and that can be good as well, but showing is also necessary. As I was reading through chapter one, I found an example on where you turn telling into showing.
Instead of telling us that it ws pale silver, you could edit the line above. 'Her cap came off, letting her pale, silver hair flow free.' Yeah, it was a pretty dull example but you probably get my point. xD
When reading this, I can easily tell that you're an experienced writer! You have a nice vocabulary and avoid common mistakes as starting sentences with the same words all the time. Your dialogue is neat and realistic, something I honestly do not see often. People tend to not find the right tone for their characters, which ruins the dialogue a lot.
Exactly how old is everyone? To me, it seems like Lapis and Angela is about the same age, like twenty-something. And why didn't Lapis' father come? Also, how come Lapis doesnt know anything about herself? *so curious*
Overall, excellent chapter and prologue, and keep on writing! ^^
- Zontafer
Great review!
They knew the doc and Feldman are rich because everyone working at the site is bring paid six figures when they're done, I.e. $100,000 or more. Paying a hundred and thirty people with that kind of cash says a lot.
Ahh, nice. ^^
Hey there, beans!
I can see that you're new to YWS, so first off: Welcome to YWS! ^^
One thing here is that when you post long stories, people seem to avoid them cause they are hard to review, considering its length and content.
That's why I'd suggest you into splitting this up into four or five pieces, calling them either 'Chapter 1, Chapter 2 etc.' or 'Chapter 1 - Part one, Chapter 1 - Part two.'
It will also allow those who review your pieces to focus more and deliver good critism.
To get more points to publish all of it, just take a look at the Green Room or All Literary and I'm sure you'll find something that suits your taste. Review those works and you'll gain more and more points! The longer your review is, the more points you get.
If you have any further questions, you're welcome to ask me!
Good luck! ^_^
- Zontafer
It's actually a scant 5090 words, the spacing makes it much bigger. I hope this is not an obstacle for readers, after all I've known plenty of them to write 5000 word essays in their sleep! So no need to break this up.