Author's Note: As a few others have posted recently, here's my entry from the Space Picture Prompt Writing Olympics challenge. I don't normally write prose - but any feedback or comments are welcome!
Earth: 2/18/2318
Sirens and running footsteps echoing through the hall mimic the frantic beat of my heart.
“This is it,” Jeremy says.
For the last century, our planet has been basically on life-support. At least this is what I imagine life-support would have felt like back when there were still hospitals. Jeremy and I live in the Survival Compound, one of the last places the Governing Court still actually sends funds to apart from Nuclear Advancement. Which is why the alarms are blaring in our ears.
I check my pager at my belt to see if there's any news on the specifics of the alarm. The screen reads, "ALERT - ALL RESIDENTS REPORT TO ASSIGNMENT ROOM."
The Survival Compound is one of, if not the last, covert nuclear-safe facility. People like me who have what qualifies as Ideal Gene Selection are sent to live here until they pass the Age of Means, at 35, when then they’re sent back to fend for themselves in General Population. I would have never chosen to live here, despite its safety. The complete disconnect from the world outside, from my family, my work, is isolating.
I long for the outside world, even with though I’ve never known it outside its current hazy curtain of pollution. My grandma told me stories as a child of when there were still trees in cities, when there were so many birds, that they’d wake you up in the mornings, and she could travel without breathing masks and screens. I imagine now in the compound that I’m a caterpillar curled into my dark cocoon waiting to be lit on fire – we all know that any moment a Nuclear Strike could take us all, if the planet doesn’t self-combust first, so it’s hard to find anything that really matters. I’m not sure I would still be sane if I hadn’t met Jeremy.
I still remember the day we met two years ago, when he first arrived. He always had an upbeat attitude which is a rarity in a place like this. We had promised each other that if we ever got out of the Survival Compound we would find each other. I wasn't sure my family was still alive at this point. We had to break all ties when I became a resident here, so Jeremy is all I have.
Jeremy grabs my hand and we start into the hall towards the assignment room to find out what’s going on. Under my breath I whisper as we run, “it’s a drill, it’s a drill, it’s only a drill”. It appears that everyone else is heading that way too. And when we get to the room the news banner is too difficult to read with everyone crowding around close to see it.
We were all used to rooms being too tight and resources being slim. Governing Court is all about cost-benefit analysis these days. So because nuclear safe-zones are such a cost to make, they build them only large enough to serve their purpose. Hosting 20 full-time residents, along with the same number of master doctors, mechanics, and technicians who take an oath to keep the location safe and secret no matter what. The current political climate is just as polarizing as our weather seasons, so even the current President and Gov Court have no idea of the exact location of our compound. As the coasts were destroyed by hurricanes in the last decade, gradually everyone’s moved further and further to center-state, so even though the population is dwindling with disease, people are packed like sardines into make-shift cities. It’s a wonder that no one has discovered the compound right under our country’s most populated city.
Daily life generally consists of intense lessons on inter-galaxy survival, cultural adaptation, how to fly space crafts, and most importantly, we learn how to protect and artificially grow the 100 unique frozen human embryos intended to restart the population if something… if it happens.
And today, if this alarm is more than a drill, then today it is happening.
It’s sinking in just as Jeremy says, “I don’t think this is a drill, Becca. We must be under final-nuclear attack.” As people cycle back from reading the News Banner the room gets louder and louder. Finally someone in the front of the room confirms it, yelling, “Final Nuclear Attack, 15 minutes until impact”.
People are shuffling into formal rows, as we’ve been trained, waiting to hear from the Compound Director who has made her way to the front, still wearing her crisp navy suit and not giving away any emotion behind her expression. Jeremy stands still at my side. “Maybe they’re wrong, it could still be a false alarm, Becca” he says. But I can tell from the tone in his voice that he doesn’t truly believe it.
As I turn my attention back to the Director who’s reading a formal message that’s been sent in from the Gov Court, I wonder how many more times I’ll be able to hear Jeremy say my name. Do names matter in space, when no one else can hear it? Do they matter in death? And the only thing that terrifies me more than space and death, is a world without him in it.
I give a silent prayer to whatever gods or life-forms are still out there, that Jeremy will be chosen from the survival lottery. We were told that, because there is only room for one and it is more cost-effective, that if final-nuclear attack ever happened, only one person would be sent into space with the embryos. They only need one person to ensure the human population survives I guess.
The Director declares, "We will now begin the final lottery selection," and she points a remote towards a screen in front of us. I stand squeezing the hand of the only person I have ever truly loved in this world and time stops still as the lottery machine ticks off letters.
B.E.C.C.A. S.M.I.D.T.
I stop breathing.
“Becca,” Jeremy whispers, “it’s you.”
The residents gradually turn facing me, their faces reflecting envy, anger, or relief, maybe all at once. All I feel is panic, I had never let myself hope that I might be called from the lottery. “Jeremy,” I hiss as quietly as I can, “you have to get on that ship with me. There has to be room for us both.”
His hazel eyes lock on mine, for a moment I wonder if he’ll say no. Our eyes are still locked as two of the ship mechanics in blue overalls each grab one of my arms. A small lady in a wrinkled lab coat pulls out a sensor needle and pricks my shoulder with it. The sensor beeps twice, then flashes green. “Her vitals read clear. The resident is ready to depart.”
The mechanics pull me towards the space launch room, as three more technicians in lab coats take turns reading off material we’ve rehearsed in our classes hundreds of times. “Check the central tank every 48 hours.” “Their nutrition intake valves must be kept clean as a priority.” “Be careful when you open the second throttle.”
I nod, not really taking any of it in. A cart is wheeled around in front of me and a male doctor with thick glasses and shaking hands is carefully marking on a chart the information for what I recognize to be the embryo case.
“The continuation of the human race is with you now” the lead technician says, putting a hand on my shoulder.
The heavy door of the ship opens behind us, and Jeremy tumbles violently out.
I rush over and help him up. A disheveled ship mechanic steps out from inside the ship’s door, “This one was stowing away, four centuries worth of science and history volumes could have been lost, he had thrown them out of the ship”.
The mechanic points towards four large books that are resting on the outside of the ship. The technician struggles to pick up one of the books and motions for the doctor to help him.
Jeremy pulls me closer. “Don’t make me go alone, there’s room for us both.” I beg.
The sirens that had been blaring, pause their ringing tone, and over the intercom a robotic monotone reports, “nuclear-shut-down five minutes from impact.”
The technician shoulders Jeremy away from the ship while trying to balance the large book in his arms against his stomach. “The plan calls for one. One was chosen. We don’t have time for this.”
Jeremy wrestles the book out his arms and pushes past the technician to stand by me again. The doctor next to the embryos speaks up, “I need three minutes to oxygenate these inside the ship. Get these kids strapped on the ship, or this is all for nothing. Leave the history books, without these kids, our history will have no meaning because there’ll be no future.”
Hearing the desperation in the doctor’s voice, I hope it will convince the technicians to allow us on board. I’m not sure what I will do if the intercom reaches four minutes, but for a few seconds longer, I hold on the hope that Jeremy and I will be able to leave together. Jeremy and I walk towards the ship, holding each other’s hands tight. The lead technician pauses for a moment staring at the books at his feet then looks up, marches up to the door and pulls his key-card from his lanyard. The other two technicians are still arguing with the doctor, but my eyes are on the lead technician. He swings the key-card across the main lock. My hopes rise, Jeremy and I can leave together!
Red lights flash, the door doesn’t click open. “It’s locked,” his voice is panicked, “it’s locked from the inside! Someone is already in there.”
I rush forward and start hitting the outside of the door with my fist, not knowing anything else I can do.
The other technicians fall silent, pushing towards the door and desperately trying their own key cards. Each time the red light flashes again. The intercom voice returns, “four minutes from impact”
“It’s Harris”, one of the technicians says defeated, “Harris, the ship’s main engineer, he’s going to fly this out of here. Despite everything we have worked for.”
I realize he was talking about the man who had just a minute ago pushed Jeremy out of the ship. He had been inside the ship to sneak away himself.
The doctor begins pounding on the door as I had been before, adding his voice to the sirens, “Open the door, open the door! The embryos are still out here! Please, open the door! This is our only chance.”
The ship begins shaking as the grind of the ship’s engine starts. The technicians have to pull the doctor away from the ship. He finally submits and turns away from the ship holding his forehead. He makes slow steps towards the embryos, then places a heavy hand on the case. The embryos he has lead the efforts in keeping perfectly frozen for the last fifteen years, one which holds his genetic material, are useless now.
The lead technician shakes his head and kicks the history volume at his feet. Hundreds of years of knowledge, poetry, history, and science painstakingly collected to carry a planet’s culture, hopes, and warnings was left behind. And who is to know what Harris will do with those history volumes still with him on the ship. Would he pass them on? Would he remember the warnings against ignoring science, and disregarding rising political tensions? Would there be anyone from similar survivors from international compounds to warn?
I stumble to the ground settling into the awareness that these were my last moments. That almost all that mattered in my existence would soon be miles and miles away from where I was now, in that ship. And I could have been there in the ship too. Soon, no one would remember me.
Jeremy crouches beside me, wrapping both arms around my shoulders. Here we were, together. Did it really matter that we loved each other when soon our planet, our cells, our history would be erased? I wasn’t sure, but I pulled Jeremy’s arms closer.
The room filled with smoke, as the nuclear-safe ceiling lifted to allow the space ship to leave. As the ship lifts in a cloud of fire, the noise drowns out the sirens, and the intercom speaks once more, “three minutes.”
My lungs soon burn and I bury my face in Jeremy’s shoulder until at last I have to gasp in a breath of the thick toxic air. The last sound I hear is Jeremy saying, “Good bye, Becca.”
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Original Text:
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Good Morning/Afternoon/Evening/Night(whichever one it is in your part of the world),

Yaa...now to some nitpickiness.
Hi! I'm here to do that review. Looks like you do have some prose in here. Lets see if I can write a review that is as awesome as the ones that you write.
First Impression: So...pretty good actually...maybe a little heavy on the whole exposition part of things. I feel like you could have cut out 85% of that and it would be totally fine without it. On the bright side it looks like quite a bit of thought when into this world even if its just a short story so that's nice.
Anyway let's get right to it,
Interesting choice of year there...
lots of craziness happened in that oneUhh...think that last one is just a phrase...you gotta attach that to the previous sentence or its just hanging there. Also slightly wonky pacing there...we got just boom...pause for explanation then boom again...probably best to either go boom, boom or just start slow the go boom.
This part actually sounds okay....although considering this is a short story maybe a touch too much exposition. For a novel that elaborate bit of description is nice but for just a short one those have to be a little shorter.
Well that doesn't sound ominous at all...
That one seems a little unnecessary. Its like we're just running towards these alarms...then boom there's this commercial about lifestyle...if you can see what I mean.
Famous last words.
Huh...not sure about the science of that one...I guess it is science fiction so Professor Harry has to ignore this.
Well not sure what clear is supposed to mean...maybe normal would make a tad bit more sense, at least to me it sounds off.
Awesome way to reassure someone.
Okay...seems like random science jargon there...cause I'm not quite getting why that word would be used in this context...but okay...
Ah huh...that was a lovely twist...actually fooled me...which is harder than you might expect. I mean it was pretty obvious from the start that the ship was not going to work as intended but I never expected someone else to be inside it. Big Nitpick: Did this super important escape ship have like no person to guard it against stowaways or this hijacking that's going on now?
Does he have X-Ray vision to see into the ship or super speed to check which person out of everyone else has gone missing.
Of course...that is the most important isn't it?
Oh it matters Becca...trust me it matters.
Well that isn't a very nice way to go, I can attest to that. Pretty sad ending there...
ahh...I hate it when my predictions are rightAaaaand that's it for this one.
Overall: Overall this was pretty nice. It was certainly quite fun...I feel like maybe we weren't as invested as we should be in these characters but it was certainly a pretty good job for how short this is. The twist at the end was also done pretty well...it wasn't too sudden and it still surprised us pretty nicely. Ya..that's about all I think I have to say. Trim that exposition...maybe garnish this with a little bit more actiony bits and it'll be awesome
if you ever bother to redo it.As always remember to take what you think was helpful and forget the rest.
Stay Safe
Harry
Harry... I don't think I ever saw this review? Thank you though! I appreciate it!!
You're Welcome!!
You're Welcome!!
Hiya, alliyah! Here to review as promised. I'm going to start this critique with small comments and then round off at the end with my overall impressions. Small grammatical corrections will be shown in blue. Let's-a go!
Small Comments
Hmm, I don't really like the exposition here. It's not badly written, but I feel like it comes at the wrong time. You kick the story off with a dramatic hook - blaring sirens and chaos - and then plunge into exposition almost immediately, which kind of takes the wind out of your sails. This kind of information would be better if it came at a more muted moment in the story, I think.
Same sort of issue here, really. I can't care much about the backstories of your characters until I actually know the characters, so save it for when you've actually established the narrator and Jeremy's dynamic. Don't neglect your hook - if you're going to ask a dramatic question, don't wait too long before you move towards answering it.
No need for these commas.
That seems unrealistic to me. These embryos are going to grow into babies, I presume? Babies that will have to be cared for? One person could never look after them all alone. It's not like she could stagger the revival, either, because 100 people is a very limited amount of humans to rebuild a population with. They'd need to start having as many children as possible as soon as possible to ensure the species' survival.
There's also the fact that she could easily fall ill, die due to unforeseen circumstances, make some kind of error - I can't believe they wouldn't find a way to send more than one person.
This is a comma splice. Swap out the comma for a full stop or a semi-colon to fix it.
Watch out for tense slippage.
Overall Thoughts
I really like the outline of this idea. It has scope to be heart-wrenching and tragic, and the drama of the situation did hold my attention. However, I can't help but feel like you've bitten off a bit more than you can chew. There's so much action in the story, so many twists and turns and developments, so much backstory, that you can't draw the best out of it in such a short narrative. Everything feels a bit half-done.
So, two main options. Number one: scale the story down. Remove some of the elements, scrap the bulk of the exposition, keep it focused and specific. If it was just about Becca being chosen for a survival transport while Jeremy had to stay on the ship, I think that would be perfectly effective. You'd have your main conflict - does she escape without him or die with him? - and be able to form your story around that. You don't need the stuff with the embryos or Harris hijacking the transport. It's better to get the best out of one conflict rather than half-writing several.
(I'm also not keen on the bit where Harris hijacks the ship because I feel like it takes the narrative completely out of Becca's hands. She no longer has the power of decision, so the story becomes a bit passive. Still, perhaps that's what you were going for - it does seem to be about accepting your fate, I suppose).
Your second option would be to extend the story. I feel like it would benefit from a kind of 'calm before the storm' scene, honestly. If could witness the night before the sirens started blaring, for example, you'd have the opportunity to show us more of Becca and Jeremy's dynamic, which would make the whole story much more emotional. It would also be a way to work exposition in a lot more naturally. Exposition is better placed in mellow scenes because it doesn't run the risk of detracting from the action. On the whole, though, I think most of your exposition doesn't need to be there. I don't need to know that Earth is on life support and that there are loads of different compounds. All I need to understand is that Becca is among the last surviving humans, that an attack is imminent, and that she's been selected to escape it. There's not much space to sprawl out in a short story.
So, any last comments? Your writing was mostly pretty good. You trip up on comma splices a lot, so definitely check out the link I included earlier in the review. That was the only consistent grammar problem I noticed, though, so don't sweat it.
Hope this helps! Keep writing!
~Pan
Thank you for this thorough review Dark! Lots of good points to consider here! I need to practice prose writing more...
[Also thank you for the comma splice link. I think that I am picking up bad punctuation habits from poetry!]
Good to see a sci fi short story since that is my favorite genre. Nice entertaining futuristic story of a young woman who doesn't wish to leave without her love. You did a good job of conveying the sense of intense urgency in reference to the frozen embryos and to her need for Jeremy to accompany her as well as the need to avoid the impending doom. Excellent job of staying in the present tense for the most part. The ending with her holding on to Jeremy and his saying goodbye is also superb and touches a common emotion of despair in the face of the unpleasantly inevitable.
Suggestions:
Giving the event a date would be nice.
Also, please note that if intergalactic travel is possible then the reader will automatically assume that mankind has developed either warp drive or else the means to create and use wormholes as shortcuts. The reader will also assume that if the ship cannot carry more than one crewmember then it is a small ship that would not be used to store books. The reader will expect the use of computers and disks for knowledge storage.
I stumble to the ground settling into the awareness that these [are] my last moments.
I realize he[is] talking about the man....
The room [fills] with smoke, as the nuclear-safe ceiling [lifts]to allow the spaceship to leave.
I [am] not sure, but I [pull] Jeremy’s arms closer spaceship to leave.
Looking forward to reading more of your work.
Hey alliyah! Happy review day! Elinor here to give you a review.
I think the strongest part of this story is the atmosphere that you build. You definitely do a good job of building a sense of the world that these characters inhabit and in building tension throughout the piece. I don't know if you're a comic book fan, but it makes me think of the destruction of Krypton and how baby Superman's parents had to make a sacrifice so that their child could survive.
If you want to continue with this, as I think you think you should, I definitely think there are ways you can because you've definitely created a compelling world. I think a lot of the revisions you could do would be technical polishing, which makes sense if, like you've mentioned, you haven't done a ton of prose writing.
For instance:
This is a fine passage in and of itself, but the prose can definitely be tightened. First of all, a quick grammatical fix. Since you're adding a tag to the end of the dialogue (Jeremy says) there should be a comma at the end, not a period. So: "This is it," Jeremy says. Because that's one complete sentence, not two. The next paragraph are two run on sentences.
The beginning is also a tad bit expositional, and I'd like to see us jump right into the world. I also wasn't entirely clear why only one person could go even if that was the way it was designed, if there was space for the two of them.
Good luck! I enjoyed reading your story. Feel free to PM me if you have any questions.
Thanks for your review Elinor! I definitely agree about the balance on exposition vs story telling being a bit off -- I'll keep working on that.