I bloody love that you paint your town with metaphors and images. Very Emily Dickinson; feels like the truth slant, and slant truths often do us the favor of kicking the feet out from under our blind preconceptions.
Anyhow, that said:
1) Is your town really like a woman who's been knocked up? The image is shocking. But I want to know more of the history of why. If it's just shock, it doesn't describe the town. But has the town been married against its will? Raped? Or is it just suck in shame, and so hiding something that ought to be ordinary...? Maybe another sentence that hints at the location, da?
2) "My town irritates me"... paragraph jolts all over the topic spectrum. Do you think, perhaps, you could pull out its heart strings (so to speak) and develop a) your irritation and b) the resemblance of your town to the furor and fuss of Disney?
3) Final paragraph leaps from attics to graveyards. Er, I'm not quite sure where they bridge, but the two images don't follow one another, and I'm left at a loss as to the why of the silence. "Full of spiderwebs and..." What is it your town is hiding? How does that chafe you? One additional bridge of a sentence might work to tie the attack to the graveyard. Hardworking hands smell old...metallic. But they remember, at least by touch and skin. What leaves them behind to the empty, closed, silence of graves...the "forgetting" of daisies that close their eyes?
You have a fantastic eye and ear for image, and for subtlety. I'd only suggest asking yourself more questions and making sure you give the images space to breathe. Piled atop each other, they don't get their due -- and they deserve enough space to knock a reader silly.
Cheers,
IMP
Points: 10092
Reviews: 459
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