Flames of Lecraesa epilogue part 1

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So, here's the epilogue for Flames of Lecraesa. I'm only posting the first part because the second part doesn't make much sense, but oh wel. *shrugs* This is actually my response to dialogue challenge #1 with the narrative, so enjoy!

~

Epilogue

The trees were dark and cast their shadows upon the grave stones scattered over the hill; rain fell in heavy sheets, creating a gray haze over the scene. A man and his three year old nephew stood among the grave stones – the old man with his arms crossed and the little boy shivering against the persistent cold. The boy lowered his head, his black hair plastered to his damp forehead; he suffered the biting chill in silence. The old man glanced down at him with narrowed eyes, a grimace twisting his lips. “Are you mute?” he demanded sternly, rain soaking his pale face.

Shaking his head, the boy shivered and stared at the muddy ground where the rain had formed puddles, his blue eyes churning darkly between all shades of blue.

The man scowled. “No,” he snapped and reached down, seizing the boy’s chin and jerking it upward so he could look into his nephew’s eyes. “Look at me! Now!” The boy shivered, his face ghastly white; his eyes wide. “You will listen to me when I speak or I will leave you in this graveyard, understand?”

The boy was trembling in the man’s grasp. “Y–yes, sir. What–what is a graveyard, sir?” he asked in a voice hoarse with disuse and cringed when the man frowned.

“A graveyard is–” His scowl melting in an expression of regret, the man clenched his teeth and released the boy’s chin; instead, he lowered his head and drew a deep breath. “Please listen to me. You should not be afraid of me.” He looked down at the boy who was cowering beneath his gaze, a pang of guilt penetrating his heart. “Please don’t be afraid of me,” he said more softly, running his fingers through dark brown hair.

Swallowing hard, the boy nodded hesitantly and lifted his head to look up at the man, his strange blue eyes still wide with fright. “But… what is a graveyard, sir?”

The man lifted his head, his jaw set in determination as he stared off at the gray stones glistening in the rain. “It is a place for the dead,” he whispered, “a place where the dead are honored.” A frown contorted the man’s grim face, and tears glittered in his dark eyes; he balled his fist at his side when he said, “But Elehna has no grave, nothing to remember by. Most people are remembered, but some people just die.”

“What does that word mean, sir?”

The man looked down at the boy. “What word?” he asked bitterly.

The boy inched closer to the man, shivering against the cold. “Dead.”

Flinching in surprise, the man drew away from his nephew and stared at him incredulously. He was frightened of the boy’s dilated, blue eyes – eyes that reflected a soul yet untouched by the world. “Death is…” the man trailed off and averted his eyes from his nephew’s face to look out of the grave stones. “When someone is dead, it means they have been taken from those they love,” he whispered. “It means they have left forever.”

Silence hung in the air for a moment before the boy finally piped up in a fearful voice. “I don’t want you to leave, sir – not unless you come back.” The man started in surprise and glanced down to see the boy staring at him ultimate trust.

Chortling bitterly, the man said, “I don’t want to leave either. Few people do. They do not want to leave the people they love.”

The boy tilted his head to one side. “What does the word ‘l-love’ mean, sir?” he asked.

“What do you mean what does the word love mean?” The man demanded in disbelief.

Shame creeping into his face, the boy lowered his head to stare at the mud, hunching his shoulders in fear that the man might shout again. His black hair fell in front of his eyes; behind the gray trees, a sun was rising.

The man took a deep breath and closed his eyes for a few minutes before whispering, “Love means– love is when you would endure anything, when you would pass through any fire to save someone. Love is not leaving a person behind. It is when you give everything – everything for a person– until there is nothing left.”

“Even go away a long time, sir?”

The man wrung his hands uneasily, and his eyes darted around the graveyard. “Go away? Um, yes, even die or go away.” He glared down at the boy with unintentional severity. “Now would you stop calling me ‘sir’? It’s annoying. Call me Uncle Jaistin and– you’re looking at the ground again; look up, boy! Look me in the eyes. You call me Uncle Jaistin, not sir, understand?”

“Yes, si–Uncle Jaistin. Why are we in the graveyard, Uncle Jaistin? It’s cold. We aren't going away, are we?” Biting his lower lip, the boy looked up at the man hesitantly, trembling against the cold.

The man called Jaistin gazed off into the shadows of the graveyard, drawing his mouth into a thin, white line. “We are remembering someone,” he said solemnly.

“Who are we remembering, Uncle Jaistin?”

“We are remembering Elehna.”

“Who’s Elehna?”

Jaistin smiled faintly. “My sister… and your mother.”

Excitement flashed across the boy’s eyes, and his eyes wandered about the graveyard. “I don’t see her, Uncle Jaistin. Where is she now?”

aistin lifted his chin a little higher. “She’s dead.”

The boy’s face fell. A wind rustled through the trees in the silence that ensued.

“She died because of your father,” Jaistin said, and then glared down at the boy accusingly. “She died because of you. The world could not tolerate a woman with a spirit strong enough to touch the wind.”

“Why did she leave, Uncle Jaistin?” The boy grabbed Jaistin’s fingers and held them tightly, staring straight ahead with damp eyes.

“She didn’t really… leave,” Jaistin amended and closed his hand around his nephew’s; tears glimmered on the man’s cheeks as he blinked back more. “She died because she loved your father, I suppose,” he spat.

“Did–did she go away for him, Uncle Jaistin?”

Jaistin wiped at the tears on his cheeks furiously, yanking his hand away from his nephew. “Would you stop asking questions?” he yelled, and the boy cowered under his loud voice. “Enough about Elehna for today. Let’s leave.”

“But I thought we were remembering her.” The boy frowned and looked up at Jaistin in confusion.

“I am remembering her,” Jaistin shouted in his nephew’s face. “But you can’t remember her; you never knew her!”

Tears welled in the boy’s eyes when he whispered, “But I want to know her, Uncle Jaistin.”

Jaistin sank to the ground and lowered his head into his hands, digging his fingernails into his wet scalp. “You don’t understand, do you? She’s gone!” he cried. “She's dead. And before she died, she left me with an over-curious, half-Lecräesan who doesn't know what the word love means.” He drew his knees closer to his chest.

The boy was trembling where he stood, a few tears escaping his eyes and staining his dirty cheeks. “Uncle Jaistin,” he whispered in a wavering voice. “You’re not going to go away, are you?”

Staring at his dirty hands, Jaistin bit back tears and lowered his head. “No,” he breathed in response. “No, I’m never going away.”

~

My concerns: I feel like Jaistin's emotional shifts are abrupt and could be conveyed more clearly. Any comments?

Comments & reviews · 7
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Writersdomain
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Thanks so much, you guys. ^_^

I think I'm going to make Strick four or five, 'cause I agree his age is a bit of a stretch. And yes, Jaistin is very moody. I may post the second part of the epilogue later today, but it still needs some editing, and it's more confusing than this part. :shock:

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Royboy
Review
Royboy wrote a review · Mon Jul 09, 2007 6:21 pm

Fun fun! I want to read more. I want to read sooo much more! hehe. His uncle is pretty moody, I must admit. Was it meant that way, or did it just happen like that? Also, the fact that Strick is understanding most of what his uncle is telling him is a little... shall we say un-three-year-old-ish? I guess you could make him a little older, or we could just accept the fact that he's a strange three year old that doesn't know what love is. Either way, I absolutely adored it. The mood was very fitting the whole way through, in my opinion.

~Roya

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AWritersFantasy
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Ooooh, I liked this. I don't have anything to add, other than that I noticed you put "aistlin" instead of "Jaistlin" at some point. I'm looking forward to reading more. ^_^

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Twit
Review
Twit wrote a review · Mon Jul 09, 2007 5:59 pm

I thought this was good. :) Yes, the fact that the boy (he's Strick, right?) is too young to talk like that, does make this a bit unrealistic, but I think you got his strangeness across right.
And not every three year old knows their mother's name, especially if said mother is dead. If the boy knew his mother's name when she was alive and he was alive, then he probally would have forgotten it.

No grammer mistakes noticed - this is short and sweet. :wink: Very good.

-Twit

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Writersdomain
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Thank you very much for the lovely comments, CaryMorton. ^_^ This piece makes a lot more sense in the context of the story (which is not all posted here, so don't feel obliged to go back and put it in context). I understand that most three year olds know what the words love and death mean and know their parents' names, but I was trying to create the strangeness of this child's situation through those facts. Did I succeed in doing that or did it just come out as weird? Nevertheless, your beautiful suggestions fall upon grateful ears. Thank you very much.

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CaryMorton Review

The trees were dark and cast their shadows upon the grave stones scattered over the hill; rain fell in heavy sheets, creating a gray haze over the scene.

These are two seperate ideas, a period between "hill" and "rain" would be more appropriate here than a semi colan.

A man and his three year old nephew stood among the grave stones – the old man with his arms crossed and the little boy shivering against the persistent cold. The boy lowered his head, his black hair plastered to his damp forehead; he suffered the biting chill in silence. The old man glanced down at him with narrowed eyes, a grimace twisting his lips. “Are you mute?” he demanded sternly, rain soaking his pale face.

You are "telling" here instead of "showing". Pretend that your story is a live-action movie.. instead of telling us what you see.. "so and so did this, and then said this", make us see what you see.. show us with your words what your story is like.

Also, watch your semi colans.. both that i've seen so far are in places where a period would be appropriate... semi colans and em-dashes should be very rarely used (they are necissary sometimes), if you can replace them with a comma or period, do so.

Shaking his head, the boy shivered and stared at the muddy ground where the rain had formed puddles, his blue eyes churning darkly between all shades of blue.

what? i'm confused by your use of "his blue eyes churning darkly between all shades of blue".. i'm not sure what you are trying to say... think about what you want to say, and then say it in the clearest and simplest manner possible.. also, you seem to be fond of ly adverbs and the dreaded "ing" words.. try to avoid these if possible.. they make your story sound weak.. try to find a more "active" way of stating things.


The man scowled. “No,” he snapped and reached down, seizing the boy’s chin and jerking it upward so he could look into his nephew’s eyes. “Look at me! Now!” The boy shivered, his face ghastly white; his eyes wide. “You will listen to me when I speak or I will leave you in this graveyard, understand?”

a good author can write this entire dialogue sequence without a single exclamation point. use your dialogue and your dialogue tags to show us the emotion in this section.. see if you can get your point across without having to resort to !'s. I bet you can. (exclamation marks make everything sound comical.. so its best to avoid them entirely if you can)

The boy was trembling in the man’s grasp. “Y–yes, sir. What–what is a graveyard, sir?” he asked in a voice hoarse with disuse and cringed when the man frowned.

watch your tenses, you keep skipping back and forth between past and present tense.

“Please listen to me. You should not be afraid of me.”

see if you can pick out which word you repeat more than once in these two sentences. remove one.

“It is a place for the dead,” he whispered, “a place where the dead are honored.”

again.. you're repeating words.. try not to repeat the same word (with the exception of those tiny unnoticeable words like a, is, of, etc) more than once in a paragraph.. twice if you seperate them with another sentence or two... see if you can rephrease this dialogue so you only use "dead" and "place" once.

I'm having a problem here... do you know any three year olds? I'm going to guess not. I have a 3 year old daughter.. three year olds simply do not talk like this, and probably would not understand what this man is saying to his nephew... most children start talking between 1 1/2 (babbling) and 2 1/2 (actual words we can recognize)... at three they can put together decent sentences, but most of the time, what they say has to be repeated for adults because their sentences don't make much sense to us.. they also tend to lose their train of thought when they talk and pause.. and repeat themselves until they remember what they were going to say.. you simply can not hold this sort of discussion with a three year old.. i would suggest you either revise all of the dialogue.. or if you wanna go the easy route: change your three year old to five or six... and yes.. a three year old does know what "dead" is, but they may not understand the concept that someone who is dead, goes away and never comes back.. its simply not within their grasp.

The boy tilted his head to one side. “What does the word ‘l-love’ mean, sir?” he asked.

a 3 year old knows what love means.. its ingrained in them to love like it's ingrained in them to breathe.

“Who’s Elehna?”

a three year old would know his mother and father's real names (not just mommy and daddy) reguardless of what the kid calls them... they're smart.. they listen when other people adress their parents... when my daughter was 2 she thought it was hilarious to call my husband "josh" or "dear" instead of "daddy" cause it always got a reaction out of him.

“She died because of your father,” Jaistin said, and then glared down at the boy accusingly. “She died because of you. The world could not tolerate a woman with a spirit strong enough to touch the wind.”

*shock face* what kind of an ugly old man is he?! how dare he tell a child that T_T.. i would slap him if he were real!

My concerns: I feel like Jaistin's emotional shifts are abrupt and could be conveyed more clearly. Any comments?

i agree.. his behavior seems somewhat manic.. one minute he's compassionate, another he's ready to go after this kid with an axe.. do we have any sedatives around to loan this guy? his behavior seems very unnatural.

overall i think the story is good, but its lacking much of a hook...all the needless dialogue and banter that goes on between these two but doesn't really go anywhere really slows down this piece.. and the dialogue just isn't believeable..... three year olds do not talk like this, and people do not talk to three year olds this way.. they simply cant comprehend a conversation like this.. i would seriously suggest you age your little boy by a few years if you want this to be remotely plausable.

this has a fair amount of "talking head syndrome" going away from this I remember little about the scene other than there's an old man and a little kid talking in a graveyard.. i dont frankly remember anything about the graveyard or the atmosphere, what either of the people are wearing, or what they did other than standing around and talking.. you're going to need to do a bit more filling out as far as descriptions and actions go if you want to carry this past talking head and go to full fledged body syndrome ;)

remember that you have five senses.. use them to describe your story...

also.. try to imagine your story as a movie in your head.. instead of telling us what's going on "so and so does this, and says this", use your words to show us what you're seeing in your mind's eye..

.... instead of taking a character and then writing for it.... let your character write your story.. dont worry about where it's going to end up or how you're going to get there.. take your character, and imagine what they would do.. what they would say.. and then show us... your character's may suprise you ;) and your story will come out a lot more natural.



Some people file their [tax] returns inside of a dead fish.
— John Oliver