Author's Note: This story was written for Aley's Writer Tournaments, based off the prompt 'My First Friend' and written in approximately three days :)
I was a strange child.
Everybody says so. At the time, I never really put any thought into whether or not I was normal; I just acted in a way that came naturally to me. Which, I suppose is true most people, when they’re very young, before all the pressure to fit in and the social expectations kick in. I don’t when it is we cross that line, going from being ourselves to being told to be ourselves. There’s a specific point, I’m sure of it, because somewhere along the track I stopped telling people about Malcolm, stopped talking to him in public. There was definitely a moment when he became my secret, and I chose normal over my best friend.
The thing is, when you’re little, there’s nothing wrong with having an imaginary friend. It’s cute, a symptom of a vivid imagination. Nothing to worry about.
It’s a bit different when you get to high school. Well, school in general, I suppose. But the jump from primary to secondary school is the kind of precarious leap that you don’t want to make any more hazardous than it already is. Talking to somebody no one else can see? Not a good move. I had grown up with the mantle of ‘the odd child’ on my shoulders, so my early teens were spent doing my best to ignore Malcolm. Faking normalcy. It wasn’t easy, but by the time I was seventeen, it came almost naturally.
Almost.
.
“Oh, Elle, do you remember the imaginary friend that Janie had when she was little? What was his name? Martin?” Mum’s old friend Bronwyn asks, her shrill voice conjuring memories of the last time she had visited, nearly ten years ago. I hadn’t seen her since, and nobody had called me ‘Janie’ in nearly as long. Since she first arrived this morning, she’s spent her time divided between reminiscing with Mum and prying into my life.
“Malcolm,” I correct quietly, resisting the urge to look over at him. I feel his shoulder tense next to mine, and wish there was some sort of comfort I could give him. Ignoring his presence is never so difficult as when someone is talking about him as though he isn’t real.
“Yes, that’s the one,” Bronwyn continues, stirring her cup of tea. Her spoon clanks repeatedly against the side of the cup as she does so. I remember being scared of her, the last time she visited. “You were always talking to him, when you were little. You were always off in your own little world.”
Bronwyn laughs, as my mother looks over at me, a concerned look on her face. She always gets a bit twitchy whenever Malcolm gets brought up. I try to look indifferent, as though I’ve long forgotten about my childhood imaginary friend. As though I’m the normal daughter she’s scared she missed out on.
“How’s Alex?” I quickly change the subject. Bronwyn’s eyes light up at the mention of her son’s name, her smile outlined by garishly pink lipstick.
“Oh, Janie, he’s doing wonderfully. He’s loving engineering, did your mother tell you that that was what he decided to do? He’s in his second year now. Morris and I are so proud of him.”
I smile tightly. I haven’t seen Alex since the last time Bronwyn had visited. At nine years old, Alex had seemed unlikely to be destined to do an engineering degree. It’s difficult to imagine how he would be at nineteen. Ten years is a long time.
“That’s wonderful to hear,” Mum says, as Malcolm snorts.
“Alex? Isn’t he the one with the spitballs?”
I incline my head slightly, enough for Malcolm to see, but not so much that Mum or Bronwyn can. I’m willing to indulge him the one question, after having to hear Bronwyn talk about him.
“What are you planning on doing, Janie?” Bronwyn asks. The subject is back on me, from the looks of things, and to top it off, it’s the one question that makes me more uncomfortable than talk of Malcolm.
“I’m… still considering my options,” I say. With a quick glance over at my mother, I stand up.
“Where are you going?” she asks.
“I just remembered that I told Miranda that I’d meet up with her to work on our history assignment.” I lie. “I said I’d be there at two, so if it’s alright with you…”
“Do you need a lift?” Mum asks tiredly. I can’t tell if she sees through my hastily stitched together deception, but either way I have permission to escape, so I’m not going to test her.
“No, I’ll walk. It isn’t far,” I reply. “I’ll leave you and Bronwyn to keep catching up.”
“See you later, Janie.” Bronwyn looks at me with narrowed, disapproving eyes. If she thinks I’m being rude, that’s her problem.
“Bye,” I say, then leave the room.
.
“So Janie,” Malcolm begins, as we walk up the rickety grandstand that looks over the local footy oval. Aside from during games, nobody ever comes up here, so it’s safe enough to actually talk. Below us, the local under sixteens team is training, their white and gold jerseys turned brown by the mud. There’s still a bit of drizzle, but I don’t mind. It feels about right for my mood.
“Please don’t,” I say, pained. Janie. It’s cutesy and overly feminine in a way that I’m not. After spending the past five years trying to be as normal as possible, a name like Jane was a blessing. Ordinary, commonplace and not at all fanciful. ‘Janie’ had the kind of whimsy to it that might have been fine when I was seven, but certainly not now.
“Do you ever wonder if they’re right?” Malcolm asks. “That I’m not real?”
It’s all I think about. “Never.”
“You don’t have to lie to me, Jane.” Malcolm sighs. He sits down heavily, though the creaky benches don’t give the same protests that they do when I sit next to him. All the evidence points to him being a figment of my imagination, but still I believe. “I don’t have any feelings to hurt, right?”
He laughs bitterly, so I squeeze his shoulder and say, “That answers it, doesn’t it? I know you have feelings, so I don’t want to hurt them. Therefore you’re real.”
“I think therefore I am?” Malcolm leans back in his seat.
“Malcolm, I think you’re real, and that’s enough for me,” I said abruptly. I wasn’t one for heavy conversation, and didn’t want to discuss the possibility of Malcolm not being real. Sitting next to me, he looked solid and there, more tangible than the training team not one hundred metres away. Obscured by a film of rain, they looked out of focus and unreal, nothing like the boy sitting in front of me.
“When we’re alone, it’s enough for me too,” Malcolm said quietly. Then his words turn venomous, “But when you’re ignoring me, I almost believe it. That I’m you’re imaginary friend.”
“I wish it wasn’t like this.” I watch the team training. One of the boys goes to mark the ball, but at the last second he fumbles. Trying to keep the ball in his hands, he juggles it as it falls, but he can’t get a grip. A futile effort.
“Well, I guess we both worked out a while ago that I don’t fall very high on your list of priorities, didn’t we Jane?” My eyes move to Malcolm, who stands up and steps over my extended legs. His
eternally shaggy auburn hair falls in his eyes as he says, “I just need to accept that you’re always going to place being normal above me, and stop getting in your way.”
He storms down the bleachers of the grandstand, and I remain glued to my seat, shell-shocked by his outburst.
.
When I get home, still without Malcolm, my hair is damp from the rain and there is an unfamiliar car in the driveway. Both feel pretty unappealing, but at least the hair can be fixed by a shower. I remember that Bronwyn’s here, and although that possibly explains the car, it does dash the hopes I had of curling up on the couch with a movie. I walk around the back of the house, hoping that if I go in the laundry door I might be able to dodge Bronwyn and my mother. Being separated from Malcolm has left me feeling exposed and like I’m missing something. This isn’t the first time he’s ever wandered off, but I feel uncomfortable without him by my side.
It’s so much easier to pretend that I don’t need him when he’s right there.
As I walk past the car, the driver’s side window winds down, and a young man sticks his head out. His face is vaguely familiar, but I don’t know where I’ve seen him before.
“Janie?” he asks, brows furrowed. I narrow my eyes at him. Then it dawns on me.
“Alex?”
“That’s me,” he says, grimacing nervously. The chubby nine-year-old I remember has vanished, replaced by bespectacled a young man able to pull off stubble. The last time I’d seen Alex, he’d been a loud, obnoxious feral-child, but now he looked like he would be out of place amongst the hipsters at some trendy café. “Been a while, huh?”
“You could say that,” I say. “Ten years, right?”
Alex smiles, then looks towards the house. “Listen, Janie, d’you know how long my mum will be? She wanted me to pick her up at five, and, well, that was fifteen minutes ago.”
“She and Mum are probably chatting. If it’s anything like when I was in there, it’ll be about us, no doubt.” I follow his gaze towards the front door. “Oh, and I prefer Jane. No one’s called me Janie in years.”
“Sure thing,” he replies, giving me a smile that’s much nicer than the one I remember him having. “Jane.”
“You might want to go in and get your mother,” I say. “She’s probably not going to go anywhere without some prodding.”
“Supposed as much.” Alex sighs. “Watch out.”
I step back as he opens the door of his car. There’s a resigned expression on his face, a bitterness that almost echoes the petulant expression I remember him wearing the previous time he and his mother visited. Clearly, he’s looking forward to going into the house as much as I am.
It isn’t particularly gallant of me, but I’m hoping Alex will prove enough of a distraction that I can slip past into my room, and avoid Bronwyn’s comparisons to her son and my mother’s worried glances. It’s not a comfortable realisation that I’m completely gutless without Malcolm with me, that I have this total dependence on him to be able to function.
He’s always been here. Right from the beginning, and I’ve needed him for just as long.
My first memory is of Malcolm. I suppose that I must have been two, three years old – the details are a little slippery, but I recall Malcolm with almost startling clarity. I remember that I was upset about something, but then Malcolm raised a finger to his lips, a mischievous smile playing across his lips. I was curious enough to wonder what would happen next to be jolted from my bad mood. The image of him is seared into my memory. He was always my comfort, the one person who
could convince me that everything was going to be okay. He’s always been there for me.
He still hasn’t come back.
Having been unsuccessful in slipping past my mother and Bronwyn, I sit silently in the lounge room, listening to the conversation. Bronwyn is domineering, my mother reserved, and Alex is polite but uncomfortable. He sits next to me on the sofa, where Malcolm usually sits. After a while, I offer to get everyone drinks from the kitchen, and Alex says he will help. Ever since I ran into him in the driveway, he’s been looking at me in a way that makes me wonder if he likes me. He’s attractive enough, but his attention is nothing like Malcolm’s relaxed sarcasm. Where are you?
.
Later, when Bronwyn finally agrees to leave, he quietly takes my arm.
“Do you want to catch up some time?” he asks, his voice hushed.
I have been asked out before, but this is the first time I reply to the affirmative. “Sure, okay.”
He smiles dashingly. “I’ll give you a call, then?”
“Yeah.” I don’t know why I said yes. Any relationship closer than a casual friendship made keeping Malcolm secret too difficult, and I was usually so careful. Malcolm has always been enough. He’s all I’ve needed.
I smile at Alex as he leaves, uncomfortable about the level of deception that I’m going to put him through. But it’s the choice I made, and I have to stick with it. I can’t go undoing all the efforts I made to appear normal now.
The next day, I wake to see Malcolm sitting on my desk chair, watching me.
“Hi again,” he says, his voice gruff.
“Hey,” I reply, sitting up. “Where’ve you been?”
“Around,” is all he says. “You got home okay?”
“Fine.”
“Good.” He looks around awkwardly, and there’s a distance between us that I’m not used to. Having him back isn’t as relieving as it ought to be, and I can’t seem to think of what to say.
I never thought that the decision to be normal by ignoring him was a choice between two things. But it is.
For so long, I’ve been choosing between him and being accepted. Unwittingly, I chose deception and distance, and by doing so I ruled out ever being truly close to anyone. Including Malcolm, in so, so many ways.
I’m still desperate to cling to him, but there’s a choice that I’m going to have to make that will be final.
I’m just afraid that when the time comes, I won’t be able to choose.
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Timmy here!
I'm sorry that I'm so late. I have a sort of good excuse, but never mind. >> Let's move onto the review! I printed it out so I could read it better (as it's easier to see plot and bigger issues than missing commas on printed paper than on the screen), and so I'll add in my notes now. :p
So my first thing I noticed while reading through is a bit of confusion concerning her ignoring and talking to Malcolm. Throughout the beginning, and up to the point where she acknowledges him during the conversation with Browyn, she ignored him. Just as she said she would. That is what she said - "It wasn’t easy, but by the time I was seventeen, it came almost naturally." - concerning ignoring Malcolm. If she was so good at ignoring him, what happened? It seemed as though the first time he spoke in the story - boom, she answered him. And after ignoring the guy for so long, you'd think he would just evaporate into her past as a memory and not a reality anymore. It isn't a big issue, and I don't even know if I'm pinning it down accurately (and it took me a few reads to notice), but it is definitely something you want to take a look at and just figure out your options. Tweak it and see what you can do to work out the kinks. c:
So. Since I am such an oddball when it comes to adverbs, I am going to do oneee nitpick on this piece - one nitpick concerning the little stuff. Adverbs. I have grown to hate their usage for the most part during the past year (we can blame it all on a writing mentor from real life writer's club. >>). And you use sooo many of them. It wouldn't be as noticeable if you didn't use so many directly after a tagline. But it seems to almost be a natural reaction. Let me show you.
Each of those have an adverb inside them, picked randomly as I scanned through the piece. This is a small handful of them. I love adverbs. I really do. They're a great thing to use in writing. But not everywhere. Think of them as something special, something rare - like the Em-dash I overuse. Most of the time, such as in the dialogue where they go "I say quietly, inserting the emotion into the dialogue or building an action off of the feeling instead of the adverb can make the sentence/story much stronger. And all of the "ly" become redundant sounding after a while. This will be my one and only normal nitpick. ^.^ And since I know many people may disagree with me, go ahead and disagree and ignore me if you wish. :p
There are many places in this story where I thought you could have used more description. And the majority of those spots were concerning people, and not places. This short seemed more focused on internal description than the world around her, but still giving enough to see a clear picture. BUT, I felt as though the descriptions of her mother and Browyn were lacking in a way, as well as the description of Jane herself. I know many people don't describe their main character in shorts, but it seemed as though I needed something small - anything, like perhaps two sentences - to cling to as we went through it. For some reason, I envisioned her blonde. I'm torn between wanting a description of Malcolm and not wanting one. You almost avoided describing anything about him save for the sound of his voice, and I'm not sure if I liked or disliked that. It made him seem less real and more like a figment of her imagination, as I couldn't see him much at all. But... he wasn't clear to me, so I didn't see him very well while they talked and such. So perhaps you can sort through my rambling here and pick something you like. I hope my point is coming across... and that I even had a point at all. >> Rambling. Merhh xD
The only bit of description for Malcolm's character, I believe. I love this bit, though. <3
So I think you could have done a better job on the ending? Okay, not a better job, per se. The ending, and the idea of it, completes your story while still giving your reader something to grasp and think about in the upcoming hours (because that's basically what happened to me. xd). But it just doesn't seem whole. If you're planning to build this into a novel, then it's fine - the story will grow onto it. Although this didn't read like a first chapter to me in the slightest, as you gave us too information for that. The idea is amazingly brilliant - something you should use for a novel. (; But as it stands as a short story, the ending could use a few moments. Just smooth over the edges. Everything is there, all the information that needs to be put across to the reader, but if you could present in a more complete fashion, the piece would benefit.
What Stella said about unsure of where Malcolm and Jane stood. Yes. I feel the same.
Everything else I noticed in this are easily fixable, I think. You can deal with your occasional paragraph formatting errors, typoes and punctuation issues. They're rare and easy to find when going through editing. And besides, they faded into the piece when I read through. (Although, if you want to, I can go through with a pen on paper and scan my notes into the computer to give you the edits I did while reading for the review).
Basically, this is the best thing I've read in months. I don't read many short stories, Sarah. And the biggest reason for that isn't because the authors of them aren't the best (many of them are some of my fave authors on here), but they never seem a whole story. You know, how a story is supposed to have an arc? Beginning to end, right? That's what this had, and you didn't just stick to the plot. The character had an arc, too. Thank you thank you thank you for asking me to review this. This is what a short story should be. Just like this. Your plot was amazing, and relate-able. The characters were so, so believable. And your narrative flowed like honey, with such a wonderful voice. I felt your character with every word. Wonderful job.
I need to read more of your stuff now. >>
~Darth Timmyjake
THANK YOOOOU!!
Agree with everything you said (well, not so much the adverbs but I agree I should probably cut down XD). I'm pretty unsure about turning it into a novel, but you're hardly the first to suggest it, and I really want to explore these characters further, so if my current idea goes the same way as the others I've had recently, right now it might just happen XP.
Thanks again!
Just tuck this piece into your folders and come back to it when you're feeling daring. :p
This dude gives a better explanation as to why you should hate adverbs alongside me. heehee
If this ever does turn into a novel, lemme know.
Hey Sarah!
First things first, happy YWSaversary!
Second of all, I read this a while back but am only getting to reviewing now. Let me tell you the reasons it grabbed me:
1) I loved Hayden Beaufort so of course I was keen to read something new
2) my own story was/is called Chasing Dragons so the title grabbed me
3) my very first story when I came to YWS was about a fourteen year old called Jennie, who still had her imaginary friend, Tom. For reals. So you can understand my excitement that a much, much better version of a similar tale had made its way into the world!
To be honest though, while I came to review this, I don't really have much to contribute. I liked it. I liked the ending especially - although I'm assuming this isn't actually a short story? That there will be more? Because if it is a short, then I'm not so sure about the ending, it's too open-ended and nothing gets resolved. It strikes me as a sort of first chapter style ending, and if so, it's just perfect.
I loved Bronwyn, I love the whole "Alex is doing engineering" thing because that's how normal parents talk to people. It's the same thing I liked about Hayden - all these moments of very real teenage life peeping through that we don't see in fiction enough. And I like the juxtaposition of these moments with what's going on with Malcolm.
If I had to give you another bit of criticism, it would be that it's hard to tell where Jane and Malcolm stand. I mean, obviously they're friends (imaginary or not). But are they always falling out? Does he resent her? I just couldn't really figure that out, and I think that would be a potential point of focus for edits.
But yes, lovely read, thank you!
Hope I helped, drop me a note if you need anything!
-Stella x
Thank you! I'm definitely planning on working further with this. Currently it won't be a novel, but who knows? The Jane/Malcolm relationship was probably the biggest thing in the story that I wasn't happy with (but for something I wrote in 3 days, I'm happy it's not total word-vomit) so that'll definitely be a focus.
You know you've written something good when it has 20 likes but isn't out of the Green Room yet.
Your intro is great. The narrator has a great voice, it draws you in, all the things it should do. The best part is that it's only a few paragraphs - you do a really good job of setting up the story without it being an overly long infodump.
That being said, you have quite a few typos in there. I'm just going to point them out for you.
Forgot a word.
And another. XD
Also, I really like how the narrator says she doesn't really know when that happens. Too often, people in fiction can point to the exact spot when they changed, and I don't think that's really true in real life. For most people, it isn't as cut-and-dry.
As a whole, the story is really good. I think I'm just going to go through looking for odd sentences or typos.
I know people often run the words "all right" together in speech, but since it's in print I think you should stick to "all right."
This flows oddly, so I'd change it to "...unlikely to be destined for an engineering degree," or something similar.
There are a couple of times I feel one of your paragraphs is too long, and I think this is one of them. I'd recommend breaking it between "with a movie" and "I walk."
Also, 'unappealing' doesn't seem quite right in this context - since she is already feeling/seeing the two things. And I think the third sentence would read better as "...although that explains the car, it also dashes the hopes...." It's up to you, though.
You have an accidental paragraph break here:
One last nitpick - I think the paragraph starting with "Having been unsuccessful in slipping past my mother..." should be split into two after "...where Malcolm usually sits."
That was really all I could find. (I'm sorry if it was really confusing.) I really hope you'll write more of this, because I'm a sucker for these sorts of stories, but it works really well as it is. I love it!
THANK YOUUUU!!!! XD I appreciate you writing a proper review so much. Considering I wrote this so quickly, it's a wonder there weren't more typos (I remember posting an old NaNo novel that was absolutely horrendous), and the tips on splitting up the paragraphs is super helpful.
Are you going to write more? This is fantastic! The end is so intriguing, I REALLY want more
. I love your eloquence. It makes the story so interesting. But I have one question, if she believes in Malcolm, why would she call him an imaginary friend? Thats my only question. Other than that, I seriously love your story
Hi! Thanks for reading my story!
I do have plans to rewrite this, and probably flesh it out a little more. As for your question, most of,the reason she calls Malcolm an imaginary friend is because everyone around her calls him that, and she's kinda picked up the habit. She does question whether he's real, a little bit too. Thanks again!
O.o epic.
Not to bug you about posting another story,but please please pleeeease tell me you're going to write more of this.I'd like to. It probably won't be a novel
but that's what I originally said about Hayden and we both know what happened there, but I'd definitely love to develop this a lot more. I really enjoyed writing it, and there's a lot more I'd like to explore with these characters that was a bit tricky to do in the limited time frame.*fangirlish flailing*
Hooray!
I would really really like to hear more of this!
Aw, thanks! I'll probably do some tinkering with it at some stage, and if you'd like I'll let you know if I post it.
I'd love that