Kambili-chapter one (edited version)

One.

The sky was so dark that night and there were no stars in sight.

I lay on the driveway, my legs akimbo in a pile of my own vomit. My sequin dress had ridden up gloriously, exposing my thighs in the bright light of the street lamps. I attempted to roll over and secure some of my dignity but pain shot up my spine. I could feel my entire body vibrating from the music.

What the hell’s happened to me?

I rolled slightly to the right, feeling the granite. Some kids were gathered around a small black Toyota, laughing and drinking. A few vague memories flashed by: Five of us sharing a beer Rotimi had stolen from his dad’s fridge, dancing in the lounge with some friends, in the bathroom with this boy that was shorter than I was for 7 minutes in heaven; the groping, the kissing, the gagging; rushing out here to throw up in the rose bush and the pulpy taste of Ribena residue. I probably passed out for a few minutes.

There on the floor, I had one of those life-flashing-before-your-eyes moments. Except my thoughts were limited to that day. I could taste the cornflakes I had for breakfast, I could see the colourful shirts hanging on the clothesline in Ginika’s house, The look on her mum’s face when she laughed.

Thinking about Ginika, I raised my head in the way you do when you’ve just had a bad dream, wondering where she was.

And there she was, in the middle of some boys, slightly out of place. One of them was talking and gesturing wildly about something and she was laughing hard, clutching her drink, in the way that meant she didn’t find it funny.

Adeniyi was fiddling with her hair and she giggled, pushed him away but not enough to mean she didn’t like it. Two years ago, we would have been rolling our eyes at that. Maybe we would have been braiding each other’s hair and she would have paused in the middle of a braid to oil her hands with more Soulmate and she would have said, ‘Can you imagine the idiot?’ Back then when boys were still a taboo and we used to listen to what mummy told us and we were still best friends.

Someone ran past me. One of the twins; Taiwo or Kehinde.

He stopped and took a few steps bacl, peering down to figure out who it was.

I was suddenly very self-conscious. My braids were all about my face and my eyes were probably puffy and my dress was stained. I really needed him to go away.

“Kambili, are you okay?” I shook my head, no. “What’s wrong? Jesus, how much did you drink?” I wanted to say: I’m hurt and I have a headache and my best friend has abandoned me and I want to go home. I managed a weak smile. “What time is it?” I asked. He shrugged. “Not sure. It should be like 10:30 now.” We just stared at each other and I stood up. He nodded and walked quickly away.

It’s a funny thing how we can think about so many things at once. As I walked slowly back, I thought about how I didn’t want to be there and how I didn’t fit in and why had I let Ginika bring me, in fact I’m never talking to her again and I just needed to get home before midnight.

I pushed the side door slightly but it didn’t go all the way. I stuck my head behind it and there was a couple, really going at it. The right thing, the normal thing to do would have been to walk away quickly. But I stood there, watching them for a few minutes. How their lips intertwined and how she held onto the back of his neck. I was in such shock/awe. A balloon popped and they stopped.I put my head down and walked briskly away, like I had something to do.

In the main living room, everyone was gathered around a huge blue cake. It had candles and a huge ‘18’ on it. Rotimi’s mum was ushering everyone together, “Closer, closer” and taking pictures. Someone made a comment and the others laughed. The couple joined in the photo and everyone was smiling and linking arms and saying “Cheese”. I waited for someone to either notice me standing there, halfway behind the glass door or to notice I wasn’t in the picture. They didn’t.

Suddenly I just really needed to get away from there. I tried to feel my way to the bathroom and nearly tripped over some stairs. I made my way past a door, into the guest room. I didn’t turn on the light. I just sat at the edge of the bed, hugging my knees. The bathroom door was open so I went it. On the left, there was a small tub with the shower curtain spread across. I stared at the bath tub for some time. Then without thinking, I drew the shower curtain and climbed in.

I’m not sure how long I sat there. I sat with my knees bent and my right arm across my eyes. I fell asleep thinking of nothing and I woke up to my back cramping and the sound of someone peeing.

I peeked out of the shower curtain but I couldn’t tell who it was. He squirted some soap unto his hands and lathered ever so slowly and he even went between the fingers and under the nails. He rinsed and turned on the lights. I was slightly amused at this point. He looked in the mirror and cocked his head, smoothening his eyebrows. Then, he spotted me.There could be no explanation for this.

I had this image of how ridiculous I probably looked, sitting here half smiling in a bath tub and I burst out laughing.

Refusing to be the awkward one, I sighed and sat up. “I was hoping you’d just leave.” I said. I attempted to stand up and slid back down. He coughed, uncertainly but did not look away. “Well, I was here first.”After another failed attempt, he gave me a freshly cleaned hand and I stepped out.

We were both unsure of what to say. I was straightening my dress and trying to keep a straight face. He had really high hair cut that was sort of flattened on top like he had been balancing books on his head. “Are you alright?” He asked. His voice was deep and warm and wonderful and it gave me goose bumps. “Yeah”, I croaked, and coughed. He cocked his head. He didn’t go to our school. “I’m fine, it’s fine. I could just leave. I’m about to go home anyway.” I looked around as if I had dropped something. He looked away and then looked back. “It’s okay. Neither of us seems to have been enjoying the party.”

He sat on the edge of the bathtub and got out a lighter. “You smoke?” I said in disbelief. Smoking seemed like one of those things you saw on TV but never actually saw. “Do you see a cigarette?” He asked, slightly amused. I felt stupid. He was dark skinned and when he looked down, his eye lashes fanned his cheekbones.

His fingers played with the lighter, rapidly flicking the cap back and forth. It made a low, metallic clicking sound. The small fire was exposed and then it was not. Fire, no fire, fire, no fire. In truth there was no cigarette. I have no idea why I did not just leave. “So you like to just play with cigarette lighters.” I said. Fact, not question. His gaze left me again and he looked at the lighter, as if he was just seeing it for the first time. “Some people bite their nails, others chew their lip. I play with my lighter.”

I was convinced he was slightly mad. “Why?” I asked. I sat cross legged on the floor, staring at the square patterns. “Why not?” He answered. I nodded, like that clarified everything. “I like your T-shirt.” It was black and it had “Dear God comma” written on it. “Yeah?” He looked down at it. “Thanks.” He offered no more information, like where he had got it, how old it was…

We both sat silently, unawkwardly. He wore purple contacts.

“Why did you come here?” he asked. I looked down at my folded legs. I shrugged. “Felt like” I said to my thighs. “I saw you.” he said. “Standing at the door. I wanted to call out and tell you to join in but then you left. Why didn’t you join in?”

He noticed.

I shrugged, again.

“I don’t know”

He sniffed. “You should look people in the eye when you talk. You’ve got really nice eyes.”

I looked up and laughed, very manically . “Except the left one’s kind of lazy, like you’re half asleep.”

The said eyes widened. “It is not lazy!”

“Do your teachers always think you’re sleeping in class?” He laughed and put away the lighter.

I examined the eye in the mirror, convinced he was messing with me.

“You should talk to your friend… Ginika right?” He said, suddenly serious. “Why?” I was so confused, that was so abrupt. He paused a little, thinking of what to say. “She’s a bit…I don’t know. All my mates downstairs have passed her around. Her dress is probably dirty from all their hands. It’s just a little uncomfortable watching. She just keeps drinking and…it’s somehow abeg. You just need to talk to her.” I laughed a little. He thinks she would listen to me. Not in this life.

“Why do you care? I bet you’re just like the rest of them.” I was partly joking. He looked up again. “Don’t do that. Don’t slot me into that category you have in your head of older boys. I’m not one of those boys your mum warned you about. I would never do something like that with a girl that’s so vulnerable. Ah! I fear Baba God if you don’t. Jesus take me to heaven hallelujah, amen.” He resumed flicking his lighter.

Jesus this boy is crazy. I laughed again, falling to the tiled floor.

I was a little startled. My brain had finally begun functioning again. I smoothed down my hair and my eyebrows, grimaced at my now exposed imperfect face and made my way for the door.

“So this is how you play me? We start talking and you leave me sitting on the edge of a bath tub and then you walk out? So I’m like a crazy person yeah?!” He tried to imitate a serious face but then I laughed.

In the smaller living room, below the bright lights, some girls were passed out on the floor. I pitied them for when their mother’s heard. Ginika appeared and dragged my arm. She was swaying and she reeked of drink. “Kambili! I’ve been looking for you since.” She hadn’t. “Eniola’s driver will soon leave. He’s meant to drop us at your house. Have you forgotten? Come, let’s go. This party is rubbish sef.” She sniffed and her mascara ran down her face, making her tears black. “Have you seen my bag?” I asked. She shrugged and dabbed at her eyes.

I tucked a braid behind my ear and looked around for it. I was on my knees, bum in the air, searching under the couch when cigarette lighter came out, dangling my bag from his arm. “Aunty mi, is this yours?” I did not even remember leaving that there. I looked up, flipped my hair back and sat back on my knees. “Yeah” I said, embarrassed. “You left it there when you were rushing to escape me.” I could see Ginika’s eyes going back and forth between the both of us. I took it and walked away. “Thank you”, I said. I couldn’t leave fast enough. His eyes bored into my back as we walked away.

A Mercedes jeep was parked in front of the house and the driver horned for us to hurry up. “You guys have fun?” Niyi asked. He sat on the front steps, left leg over right, sipping Pepsi. I turned around and gave him a small, polite smile. “Thank you for coming.” Ginika kept walking like she never heard him. I thought I heard him laugh. He said something mangled and I heard the word “slut”. Ginika had started to cry and she sprinted to the car.

I climbed in the back next to Ginika and shut the door. The driver sped out of the black gates. Eniola turned up the air conditioner and changed the radio station. Ginika’s crying had become louder. I glanced at her and sighed, pulling my best friend into my arms. She sobbed into my lap and I played with her hair.

We were young and we wanted so badly to be free. There’s a certain thrill, doing things your parents would kill you for if they found out. Especially as, they hide and restrict us so much. “Girls, close your legs!” “Boys, don’t bring home a pregnant girl o!” In some ways, I don’t blame Ginika and IJ and the rest for what they do. The car turned unto third Mainland Bridge and I dozed off.

Comments & reviews · 3
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User avatar
Carlito
Review
Carlito wrote a review · Sun Jan 29, 2017 4:21 pm

Hello and happy review day! I'm here to bring this out of the green room for you :D

What attracted me to this story was the fact that you categorized it as a teen romance and those are my favorite. So lets get right to it!

Overall, I think this is a good start. You're doing a lot of things well :)

I'll start with the overall plot you've started here. Starting with a high school party in which someone gets too drunk isn't a revolutionary idea. But don't let that discourage you. Using common ideas or tropes is fine, but you have to figure out how you're going to put your own, fresh spin on it in order to make yours stand out a little.

I'm curious to know more about Kambili's friendship with Ginika. Kambili seems to be upset or at least confused by her friend's choices like maybe this isn't normal for Ginika and something has changed. I'd be curious to know what things used to be like or what their friendship looks like outside of the party scene, why they're friends, and what changed (if anything did change).

Kambili doesn't seem to be having a lot of fun at this party and I'd also be curious to know if this is a common scene for her or if there's something different about this party. Does she go to parties often? Why or why not? Does she drink often? Why or why not? Why did she go to this party? Why did she start drinking at this party (especially if that's not something she normally does).

A few qualms with this chapter -

First, a lot of characters were introduced and it's a little hard for me to tell which is which. There are two ways to look at this. For one, it's a party so obviously there are going to be a lot of people there and you want to fit that aesthetic. But, you also don't want your reader to feel overwhelmed with information and people to remember in this opening chapter. You want to give us just enough to want to keep reading. So, I would try to limit names in this chapter as much as you can and only name the people that are super important to name at this stage - like your MC, her friend, and the guy that helps her. If you find that doing this takes away from the overall feel of the chapter, then maybe add some more, but just make sure in future chapter you remind us who is who.

Second, things happen, but I'm not sure where this plot is going. There's a party and the MC gets too drunk and there's some stuff going on with the friend, but what does the MC want. What's her goal? What's the problem? What are the stakes? I think you need a little more meat in this chapter to propel the story forward. The end of the first chapter should have me on the edge of my seat ready to read more because I absolutely have to find out what's going to happen next, and I'm not feeling that here.

(I am going to read on though because the writing is good and the next chapter is also in the green room, and I'm curious about where you're going to take this...) :p but I would still appreciate a little more oomph.

I think overall though your writing is pretty strong and there are some interesting elements to this chapter. I'll leave things there for now and hop on over to the next chapter, but let me know if you have any questions or if you would like feedback about something I didn't already mention! :D

User avatar
occymay
Review
occymay wrote a review · Sun Jan 29, 2017 3:57 pm

Hello!

Occymay here for a review. I have to admit I found this rather confusing at times. I think you need to work mostly on dialogue, I'm guessing you haven't been taught how to do this? When a new person speaks there should be a new paragraph. I noticed at times there where paragraphs were more that one person was speaking. This made it was very confusing to figure out who was speaking.

For example:

“You should talk to your friend… Ginika right?” He said, suddenly serious. “Why?” I was so confused, that was so abrupt. He paused a little, thinking of what to say. “She’s a bit…I don’t know. All my mates downstairs have passed her around. Her dress is probably dirty from all their hands.

It should be something similar to this:

"You should talk to your friend... Ginika, right?" He said, suddenly serious.

"Why?" I was so confused, that was so abrupt.

He paused a little, thinking of what to say.

"She's a bit... I don't know."

This feels makes it so much easier to read, and remember to put the speaker's name that will also help.

When writing also remember that not everyone understands certain types of language. There were points where I couldn't understand what you were trying to get across. If I were I would do a lot of research into how to create successful dialogue, because of how much dialogue you have this will really help. This can also help to improve characterisation and on a whole the story because the reader will easily understand. When you go back through this always remember the reader. If the reader can't understand they won't continue to read it.

I'm sorry if this felt harsh but dialogue is such an important thing and I just wanted to help you out :)

User avatar
Zoom
Review
Zoom wrote a review · Thu Jan 05, 2017 2:03 am

The sky was so dark that night and there were no stars in sight.


This rhymed accidentally. Also please consider that opening with a description of the sky can be seen as cliché.

I lay on the driveway, my legs akimbo in a pile of my own vomit. My sequin dress had ridden up gloriously, exposing my thighs in the bright light of the street lamps. I attempted to roll over and secure some of my dignity but pain shot up my spine. I could feel my entire body vibrating from the music.


Watch out for starting sentences with “I” – it becomes very obvious very fast with first person perspective. In this paragraph, 3 of 4 sentences started the same way.

A few vague memories flashed by: Five of us sharing a beer Rotimi had stolen from his dad’s fridge, dancing in the lounge with some friends, in the bathroom with this boy that was shorter than I was for 7 minutes in heaven; the groping, the kissing, the gagging; rushing out here to throw up in the rose bush and the pulpy taste of Ribena residue.


I did not enjoy the way the memories were in list form. It reads more like a shopping list than a series of recollections.

There on the floor, I had one of those life-flashing-before-your-eyes moments. Except my thoughts were limited to that day. I could taste the cornflakes I had for breakfast, I could see the colourful shirts hanging on the clothesline in Ginika’s house, The look on her mum’s face when she laughed.


Again another paragraph in list form. Although I did enjoy the elements to this one.

Thinking about Ginika, I raised my head in the way you do when you’ve just had a bad dream, wondering where she was.


This analogy didn’t personally help me much, I do not raise my head after having a bad dream. I feel you can describe this action in a clearer way.

she was laughing hard, clutching her drink, in the way that meant she didn’t find it funny
.

This is clearly a very unique character trait for Ginika, but it was explained in a very vague way, and left me unsure what I was supposed to take from it.

we used to listen to what mummy told us


This part was just very slightly too forced for me, as if you are trying to spoon feed to your readers that she is at a rebellious stage in her life.

“Not sure. It should be like 10:30 now.”


It’s only 10:30? That’s when the cool kids arrive at the party. Albeit I’m not familiar with Nigerian culture. The fact that she’s already half-cut gives me the impression that she isn’t used to this kind of behaviour, and if that is your intention then good job for making me think that. If not you might want to reconsider.

It’s a funny thing how we can think about so many things at once.


Not really. I mean, it’s impossible to have simultaneous thoughts. However I feel you more meant that she “has a lot to think about” which is entirely different to how this sentence comes across.

A balloon popped and they stopped.


Another rhyme. Watch out for your unintentional poetry 

In the main living room, everyone was gathered around a huge blue cake. It had candles and a huge ‘18’ on it.


Huge x2.

And again, completely unfamiliar with Nigerian culture but a birthday cake with candles etc is really really lame at age eighteen, especially at a party that is being “supervised” by a parent that condones these adolescents drinking alcohol.

I waited for someone to either notice me standing there, halfway behind the glass door or to notice I wasn’t in the picture. They didn’t.


She isn’t fully inside the room and the occupants inside have probably consumed the same level of alcohol as her, and they are also focused on looking into a camera lens. Nobody is in a position to notice her. This screams at her desperation for attention, which I think you were partly aiming for, but you can do this in a more believable way.

Suddenly I just really needed to get away from there.


Didn’t she already come to this conclusion shortly after waking up? I do not understand her motivation for even going back inside.

I just sat at the edge of the bed, hugging my knees. The bathroom door was open so I went it.


The pacing here is too fast and unnatural.

I woke up to my back cramping and the sound of someone peeing.


Haha.

Refusing to be the awkward one,


That ship has not only sailed, it has sunk in the middle of the Atlantic.

We were both unsure of what to say.


How does she know he was unsure what to say? Maybe he was very sure what to say but decided to let the awkward silence play out, since he has the upper hand in this situation. Be
careful here, you are writing in first person so the motivations/thoughts of other characters are off limits to us.

“Some people bite their nails, others chew their lip. I play with my lighter.”

Already he is incredibly obnoxious.

We both sat silently, unawkwardly. He wore purple contacts.


Avoid ly adverbs, especially two in a row. Try to opt for a strong verb instead. Also why is this situation no longer awkward? Nothing has really changed, they are both struggling to continue the conversation. Also the contacts part came out of nowhere.

“You should talk to your friend… Ginika right?” He said, suddenly serious. “Why?” I was so confused, that was so abrupt. He paused a little, thinking of what to say. “She’s a bit…I don’t know. All my mates downstairs have passed her around. Her dress is probably dirty from all their hands. It’s just a little uncomfortable watching. She just keeps drinking and…it’s somehow abeg. You just need to talk to her.”


The way he described the “passing around” of Ginika was completely insensitive and doesn’t match the concern he is attempting to portray.

“Don’t do that. Don’t slot me into that category you have in your head of older boys. I’m not one of those boys your mum warned you about. I would never do something like that with a girl that’s so vulnerable. Ah! I fear Baba God if you don’t. Jesus take me to heaven hallelujah, amen.” He resumed flicking his lighter.


The only tag with this dialog was that he looked up, so not sure if he is joking or?

“So this is how you play me? We start talking and you leave me sitting on the edge of a bath tub and then you walk out? So I’m like a crazy person yeah?!” He tried to imitate a serious face but then I laughed.


What? Why would she be obligated to spend any further time / effort on him? This mentality is extremely concerning, and completely opposite to the “good guy” character he claimed to be a few paragraphs ago. Men who believe women owe them something if they start showing them attention are dangerous and should be avoided. They haven’t made any sort of connection or progress with their encounter so he isn’t in a position to make a joke like this without coming off as creepy and desperate.

In the smaller living room,


Oh she did leave then? That encounter ended rather abruptly. It’s jarring that she is now halfway across the house.

“You left it there when you were rushing to escape me.”


Creep.

We were young and we wanted so badly to be free.


You very almost quoted Bryan Adams lyrics, FYI.

There’s a certain thrill, doing things your parents would kill you for if they found out. Especially as, they hide and restrict us so much.


This sentence really confuses me – what exactly did she do that her parents will kill her for? All she did was drink 1/5 of a beer at a party (I looked up the legal drinking age for Nigeria and it’s 18), play 7 minutes in heaven (which is commonly played by 10 year olds) and encounter a strange boy who she showed zero interest in?

***

Final comments:

1) At the end of this chapter I feel hit over the head by the theme you are going for (rebellious / coming of age) but did not experience much of this during this story. At least, I didn’t understand the culture enough to inherently know which parts were supposed to be rebellious. If adolescents are drinking enough alcohol to be sick / pass out then the parents supervising would have to be extremely unobservant or just plain stupid. Especially if the only access to this alcohol was through theft. You only explained that five of them shared a beer that was stolen from the fridge. It was very unclear what restrictions the teenagers were given by their parents and exactly what they were doing to fight those restrictions.

2) The dialog tags were very choppy and robotic in parts. I could recall that the lines were broken up a lot by unimportant actions just to indicate who was talking. It didn’t serve a lot of value.

3) You haven’t given us anything to like about your protagonist yet. Consider that most people will not continue a story without some kind of redeeming quality or reason to root for them.

4) The cigarette lighter boy was extremely obnoxious. I think you might have wanted him to come across as casual / teasing / having banter but instead all of his dialog was creepy and concerning. If he is supposed to be her love interest in this story then you will need to make adjustments to his portrayal, unless my impression was intentional.

5) I am interested in this concept and haven’t read a similar story before, so will read on (I see you have already posted more). Also a lot of your sentence structure was good and I enjoy that you mix up your sentence length, which makes it easier to read and helps keep the pace manageable. Good job


Spoiler
test

hey!
omg i wrote these chapters when i was like 12 lol
thank you sooo much for your detailed review
it makes me want to continue the story although i sort of put off writing novels a long time ago.
some of your comments made me laugh (in a good way) like the titanic one lolololol.
despite the issues with the plot, I am glad you still wanted to continue the story.

Also, after reading the second chapter, do you really think that hating the protagonist could make you want to stop reading?
I think what I was trying to do was make Kambili seem like someone who has become bitter and hateful because of what she experienced. I myself have dealt with friends that I had pent up resentment for because I am unable to air my grievances without feeling guilty.

If I choose to pursue this story I will surely take note of your corrections, thanks again.

p.s I assure you, we still have candles on our cakes and our parents don't care if we're 18, most of us would be skinned for drinking so much alcohol lol.



"Please put me in the quote generator whenever you like."
— SirenCymbaline the Kiwi