Young Writers Society


The Charm of Deception - Chapter 4

Rana turned towards Father, bewildered. She kept her hand on her side, the throbbing of her ribs outweighing the pain of Father’s blow. She didn’t know what he was talking about, or why he’d slapped her. “What?”

Father slapped her again.

“That’s alright,” the man said, putting his hand up to keep Father from hitting Rana again. “It’s good to hear a woman that knows her war strategies. I’m rather partial to flanks myself.”

“Yes… of course,” Father stammered, trying to regain a measure of dignity. “This is my daughter, Darrana.”

“Lady,” the man said, inclining his head. “I am Esmond Synakrein.”

“Prince of Gnamrey,” Father added.

Prince. No wonder Father hit her for speaking before she’d been addressed. Rana hesitated a moment, glancing back at the prince. She’d never met him before — and she’d thought she’d met most of the princes. Then again, the Gnamreyians came to gatherings even less frequently than the Niapians did and she’d never met their prince either.

She curtsied. “How do you do, your highness?”

“Fine, thank you.” He studied Rana every bit as closely as she examined him. The others stood in an awkward silence, watching the exchange. “Do you care for a dance?”

Rana glanced towards Father. His glare told her that she had no choice but to accept. She looked back towards the prince reluctantly and forced a smile. “I would be delighted.”

Rana followed Prince Synakrein out to the dance floor, silently allowing him to lead her until they were on the edge furthest from both the band and the balcony. He finally turned and pulled her into his strong grasp.

She didn’t like the feeling of being in his arms. Typically, she liked hugs — the feel of Wyl’s or Jaerek’s arms around her made her feel safe. Synakrein’s made her feel trapped, like she was completely at his mercy. The roughness in his demeanor and harshness in his eyes didn’t make him feel like a good person to be in control of her safety.

Rana took a breath and forced herself to stand tall. She tried to ignore how much her side throbbed as he wrapped his arm around her, pulling her uncomfortably close to his hard chest. She focused her gaze on the tunic of his sky-blue tunic, doing her best not to grimace.

“So… Darrana,” he started casually, stepping into the first movement of the song the band currently played. “May I call you that?”

“Yes, Prince,” she answered respectfully.

“How about you tell me about yourself,” he suggested.

“Yes, sir,” she answered obediently. Her heart was racing, mind desperately searching for something to tell him about that wouldn’t get her in trouble. Every interesting aspect about her was forbidden either by her father or by the unspoken rules of polite society or a mixture of the two.

“I, ah… live here, in Algnes,” she answered awkwardly, avoiding his gaze as she spoke. “I have one little sister. And I am currently studying classical literature under Lord Dekin.”

“I see,” Synakrein answered thoughtfully. “And what do you like to do for fun?”

“I, ah… I quite enjoy reading,” Rana answered truthfully.

“Of course. Is that how you learned military strategy?”

Rana looked up at him guilty. “I, uh… well… I also quite enjoy fictional stories.”

Esmond smirked. “Right. But fictional stories are more difficult to practice, mm?”

“Sir?” Rana asked, frowning slightly.

“You practice those techniques you learn, don’t you?”

Rana’s eyes got wide for a moment, before she hurriedly avoided his gaze again. Her mouth went dry. She’d not expected the accusation, and she didn’t have a prepared answer that wouldn’t get her in trouble. She either had to lie or admit her cardinal sin. “Of course not.”

“Or how else did you hurt your side so badly?”

Rana frowned up at him. She didn’t appreciate how much he somehow knew about her, and she certainly didn’t appreciate the smirk he maintained throughout the interrogation. “I don’t have any idea what you’re talking ab-”

Her sentence broke off as he firmly pressed his knuckles into her side, making her cry out in pain. She stumbled forward, lightheaded from the sudden surge of agony.

He pulled her close to his chest, voice lowered to a whisper. “Don’t have any idea what I’m talking about, huh?”

She pushed away from his chest and forced herself to continue following his lead in the dance, as she panted for air. The throbbing in her side was redoubled, making it hard to think clearly. She looked up at the prince resentfully.

“Well?” he asked after a moment. “How did you damage it?”

“An accident,” she answered icily.

“I see. You’re a stubborn one,” he answered, a steely glint in his eye. “You’ll do just fine.”

“I’ll do what?” Rana questioned as the prince suddenly stopped leading the dance and stepped away from her.

“Good evening,” he answered, bowing slightly before turning and striding away. She stood for a long moment, staring after him dumbly, trying to catch her breath. Her shoulders were heaving with the effort it took to keep the pain from overwhelming her. She wrapped her arms around herself protectively, unsettled by the feeling that Synakrein left in his wake.

Rana uncertainly walked back to the balcony. Wyl and Jaerek looked at her curiously as she returned, cocking an eyebrow at her disheveled appearance. Wyl noticed she was holding her side. “Rana, you can’t—”

“Who is that man?” she interrupted, teeth clenched.

“I’ve never seen him,” Wyl answered. He put his hand on her shoulder, trying to comfort her. “Why? What did he do?”

“He started asking me questions,” Rana said breathlessly. “And then started accusing me of practicing swordsmanship.”

“What did you tell him?” Wyl demanded, eyes wide.

“I denied, of course,” Rana snapped. “I’m not stupid, you know.”

“No one thinks you’re stupid, Rana,” Jaerek said gently, stepping nearer. “We’re just concerned.”

“Yes, well… he somehow knew my side was hurt, and decided to dig his knuckles into my ribs to prove it…” she swallowed hard, shaking her head, angry with herself. “I cried out. I couldn’t make myself not.”

“It’s okay,” Wyl cooed. “It happens… what did he say?”

“He knows,” Rana said, finally looking up to meet his eyes again. “I don’t know how he knows, but he does. I claimed it was an accident, but I saw in his eyes that he knows better.”

“And what did he do after that?” Jaerek asked.

“He said that I’m a stubborn one and that I will do just fine.”

“What does that mean?” Wyl demanded.

“I don’t know,” Rana admitted. “I asked, but he just walked away.”

“That’s odd,” Jaerek said.

Rana and Wyl nodded in agreement. They talked for a while more, but none of them could make sense of the strange interaction. It all seemed too peculiar to be real. None of them had ever seen or really heard of Prince Synakrein before.

Sure, they knew that Gnamrey must have had a ruler and thought they’d probably heard the name Synakrein before – but he never hosted any social events at his palace, and he never came to any of the events hosted in other kingdoms. He was all but a recluse; a ghost locked away in his lonely castle.

Most people tried to avoid Gnamrey. If Cito was a forsaken island inhabited only by outlaws and strange beasts, Gnamrey was a desolation of war and destruction. Their military power was strong, as they reminded the realm from time to time with coups designed to do nothing but flaunt their power.

Occasionally a military official would come to counsels on the prince’s behalf. But on the whole, Gnamrey remained a mystery that no one dared to solve. Until now. On the balcony the three young nobles talked for the remainder of the evening, sharing all of the stories and whispers and tall tales they’d heard about the northern kingdom.

Eventually, they agreed to ask Lord Munen as soon as they could, and then parted ways for the night. The boys escorted Rana to the doors of her manor, then took their leave. She stayed awake for many hours longer, trying to shake the unsettled feeling that the prince had brought, before she eventually settled into her bed for the night.

~ * ~ * ~ * ~ * ~ * ~ * ~

“Gnamrey?” Rana bellowed, throwing her napkin on the table.

“Yes, it is a very nice country,” Father said, face flushing a deeper shade of crimson. “And you would do well to learn how to respond politely to gracious invitations from your betters.”

“Have you taken a leave of your senses?” she asked indignantly.

“I do not appreciate the tone of voice you are using with me, Darrana Marie,” Father said harshly. “I suggest you regain control of your emotions.”

“My emotions?” Rana said, standing up abruptly. “How about you regain control of your intellect? Why in the world would you possibly accept an invitation to visit a man you’ve never met before, who lives over a week’s ride from here?”

“He is very wealthy,” Father said. “And he has expressed interest.”

“Interest in what?” she snarled.

“You,” Father said crisply. “Although I cannot fathom why, with your distemper and absurdly large waist. Nonetheless, he wishes to host us.”

“He’s more than twice my age!”

“I don’t see what that has anything to do with it.”

“I’m not marrying a man who is old enough to be my father,” Rana said, exasperated. “He should look for spinsters at his age. I’m barely more than a child.”

“You certainly act like a child,” Father snapped.

“I’m not going.”

“Of course you’re going,” Father said, scoffing. “Don’t be absurd. I’ve already accepted the invitation. We leave at sun up. Now sit down and finish your breakfast.”

“I’m not hungry,” Rana said, turning and striding towards the door.

“Where do you think you’re going?” Father snapped. “You’re not excused.”

“Noted,” she answered crisply, and pushed her way past the heavy oak door that shut them into the dining area. Mama watched the exchange silently, unsure which way her opinion should fall. On the one hand, she wanted to support her husband. On the other, she understood Rana’s outrage at the suggestion.

Gnamrey was far from their manor, and Rana had never been away from her family for that long. Sometimes they would go to Atraian events, which was nearly as far away, but then all four of them would go together. Mama was always there to soothe the tension between Rana and Father.

This invitation had been implicitly intended only for Father and Rana. Mama didn’t even want to imagine the distemper of both of her loves, after having been trapped in a carriage together for a week prior to their arrival. And then Rana would have the added stress of being in a new place, far from familiar people and familiar food, under the scrutiny of a prince she’d only met once in her life.

Fae gaped. She never understood how Rana always had the courage to defy Father so openly. Certainly, she felt frustration from time to time with his unreasonable expectations of them, but she’d never be so impudent as to bellow at him at the breakfast table and then storm away.

Rana started running the instant the door closed behind her. Her side still ached terribly, but in her informal dresses she didn’t have to wear a corset so she could actually breathe. She burst through the front door and ran up the hill, through the small stand of trees, and to their sparring ground.

She flopped down on the ground next to the huge oak tree that cast its shade over the sparring area. By the time she got there, her chest was heaving for air and her face was stained with tears. She rubbed them away angrily and laid a hand over her abdomen.

Rana didn’t understand how she was always the one who was faulted. Father was the one who had gone mad and decided to actually consider a proposal from a man he knew nothing about. Who was ancient. And lived so bloody far away.

There was a rustle in the bushes nearby. Rana looked up, brushing the rest of the tears from her face, and straightened her back. She waited breathlessly to see who’d been sent to fetch her. Surely Father was throwing a fit at her display at breakfast and planned to take it out on her.

Aldik appeared a moment later. Rana looked at him for a long moment, then slumped back against the tree with a deep sigh. Aldik watched her then strode towards forward. “How’s the side feeling?”

“Like I got whacked by a big stick?”

“Ah,” Aldik said, sitting down beside her. He looked at her face for another moment. “And are the tears caused by that, or the bellowing I heard coming from the manor earlier?”

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User avatar
Hattable
Review

I'm running out of variations of hello/hey/hi without falling into the "Greetings!" or "Salutations!" territory, so--

Yo, whaddup, I'm gonna review ya chapter.

“That’s alright,” the man said, putting his hand up to keep Father from hitting Rana again.

“Father” works fine when the story is seen as more from Rana's perspective, but here you mention Rana directly, so it makes the use of “Father” like this weird. Maybe you could reword it to something like “putting his hand up to keep Father from hitting her again”.

“Yes… of course,” Father stammered,

So, you tell us he stammered, but that's not the feeling I get from the punctuation in the dialogue. With the ellipsis it sounds more like he's speaking distantly. If you used dashes instead (“Yes-- of course--” Father stammered), then it may get that feeling across better. But as it is, I'm just not hearing the stammer.

Also, Darrana. It'd be kinda funny if every time her father mentions her, he uses a larger version of her name. Like her name is secretly a ridiculous length and Rana is what she prefers to go by, and her dad just tosses out some shortened variation of her true name. Definitely not practical for a serious story, but a dumb-funny idea.

(To clarify: Darrana is fine and not dumb. Dumb would be if you went with the joke idea.)

It's actually a nice show of how her father is all about that noble status by using her full first name and not a nickname, so nice work displaying his character consistently.

“Lady,” the man said, inclining his head. “I am Esmond Synakrein.”

This was a little odd. I initially interpreted it with a sort of exasperated voice (as little sense as that would make) and him tilting his head backwards a bit. It's written fine, though, so you can probably leave it as-is. Or you could swap out “inclining” for “bowing” to avoid readers with heads like mine getting it all mixed up.

Prince. No wonder Father hit her for speaking before she’d been addressed.

Uh, yes, no wonder, but he also mentioned that the guy was royalty before this, so maybe not “no wonder”? I guess it sort of works as Rana realizing who this guy is, but her going “oh he's a prince?” when her dad said he was royalty feels kind of goofy.

She focused her gaze on the tunic of his sky-blue tunic,

Oops, couple extra words here. “Tunic of his sky-blue tunic”.

Rana looked up at him guilty. “I, uh… well… I also quite enjoy fictional stories.”

The first sentence doesn't feel grammatically proper. You could either slap a comma before “guilty”, or change that word to “guiltily” and that'll fix the issue.

I... would explain why it's not quite proper, if I were sure of how to articulate that? But I'm not. I just know that it isn't proper? And I'm sure if you read it over again you'll get it, too.
I really wish I were better at articulating these ideas and whatnot, but I'm working on it!

She either had to lie or admit her cardinal sin. “Of course not.”

This is a pretty minor thing, but it might help with the flow of the scene to add in a short sentence like “She opted for the former.” and then move her actual dialogue down to its own line. I think that'd give this portion a stronger feel and make her words read less... abruptly, I guess.

Wyl and Jaerek looked at her curiously as she returned, cocking an eyebrow at her disheveled appearance.

This sounds like they've got one shared eyebrow (or a shared pair of eyebrows). You might consider rewording to to “each cocking an eyebrow at her”, if you want both of them to be doing that. Or “the latter/former cocking an eyebrow”, if you want just one of them doing that, depending on which of them you pick. But ya.

He was all but a recluse; a ghost locked away in his lonely castle.

Gettin' Howl's Moving Castle vibes from this description. I like it.

Image

Also, this prince guy's name is pretty cool. Definite antagonist vibes from both the name and his behavior, but I get the feeling you might also not make the antagonist so clear, and he might be someone else entirely. We'll seee--

But on the whole, Gnamrey remained a mystery that no one dared to solve.

I feel that going for “that no one dared try to solve” would have more of an impact.

The boys escorted Rana to the doors of her manor, then took their leave.

I'm not sure the exact circumstances, as you've got them planned, but my understanding thus far has been that Rana's father doesn't think it's appropriate or acceptable for her to be buddies with Wyl and Jae? I know she's definitely not supposed to be sparring with them, but I thought he also wouldn't want her befriending them. That leaves this portion kind of inconsistent with the story, since wouldn't he have taken Rana home along with him and the rest of the family? Rather than let her stay long enough that Wyl and Jae escorted her?

He also may have said something upon finding her with them on the balcony, or said something to Wyl and Jae at the least, since Rana was whisked away by the prince.

I'm not sure if you were meaning to imply that her father doesn't approve of her friendship with the boys, and if you didn't mean that, then feel free to ignore this! If you did, though, then you may wanna reconsider some of his behavior on the balcony (have him eye the boys when he's lecturing Rana about royalty), and this scene.

“Have you taken a leave of your senses?” she asked indignantly.

This is some very sudden “posh” speech from Rana. I'm assuming it's to do with the fact that she's talking to her father, but if you didn't intend for her speech to change whether he's around or not, then you may wanna reword this a bit.

Especially considering, as I read on, that the rest of her dialogue in this exchange is relatively normal and doesn't seem to rise into such “noble-esque” patterns.

Sometimes they would go to Atraian events, which was nearly as far away, but then all four of them would go together.

I get that the “which was nearly as far away” here is probably in reference to that country, and not the events themselves, but since the country isn't explicitly named (says Atrian, not Atria? Or whatever the name may be), I think it would read more smoothly if you were to word it as “[...] Atrian events, which were held nearly as far away,”.

I'm not sure how you feel about that, or if it makes the sentence too much (I don't think it does), but it sounds a little smoother. Just a small suggestion, though!

Rana started running the instant the door closed behind her.

Since we were left behind for a moment, to see Mama and Fae's reactions, I'd suggest wording this as “Rana had started running”. Either way, even though “started” is past tense, without the “had” this sentence feels vaguely present tense in an odd way? Not sure why or how, but yeah--

Her side still ached terribly, but in her informal dresses she didn’t have to wear a corset so she could actually breathe.

Comma after “corset” would be good. Without the comma it sounds a bit like the corset allows her to breathe, lel.

She burst through the front door and ran up the hill, through the small stand of trees, and to their sparring ground.

Although I can infer who the “they” is in this scenario (“their sparring ground”), neither of the others who use it has been mentioned. So unless it belongs to her father or family, I'd recommend making it “the sparring ground” in this instance.

Aldik watched her then strode towards forward.

Oops - “towards forward”, haha.

“How’s the side feeling?”

“Like I got whacked by a big stick?”

Hahah, roasted. Nice ending.

This chapter was paced equally as well as the others. There's good plot progression and not too much goes on that it feels dragging. It's a good amount of story in the space you use up. Nice work on that. One comment I do have about the endings – though this one was good – is that almost every ending so far seems to end, or start to end, with “oh no who's gonna show up?”

There was the door with Rana thinking her father was coming through, then the next chapter showed “nope! Just a boy with a bucket”, and then the previous chapter to this one ended with the mysterious prince before we knew who he was. Now this one starts to end with the bushes rustling and – “Oh no who can it be” – “oh, it's Aldik”.

It's not terrible, but if you keep going with these sorts of endings, it'll probably get a little stale. I'm definitely guilty of these kind of “cliffhanger” chapter endings, so you're not alone, lel. But yeah, if you can tackle that, you're gold.
Also, this isn't to say that you should go back and edit any of the previous chapter endings to exclude those. They're perfectly fine. Just suggesting that you try not to fall into a pattern of ending chapters like this.

Anyway, good flow, great character interactions and behaviors. Everyone remained true to their personalities thus far (minus Rana's noble speech at the breakfast fight scene, but that's a single slip up and it's only in her voice).

I really enjoyed this. Great job!


I hope this review was helpful.

- Hatt

Thanks for the review! Definitely as helpful as always, and I'll go through to edit those goof-ups I made with the wording lol.

I absolutely love your idea about the name. It isn't realistic by any means, but it'd be hysterical. "Darrananananantanth, get in here now!" and then she only answers if he gives exactly the right number of "na"s in her name? Hahahah pure gold ;)

I do see your point about them walking her home. I didn't think about how families would be likely to leave together (her home is close to the castle, but I do see how cultural whatever would make it so she should still be escorted by her father rather than friends). Just a bit of clarification, her father doesn't disapprove of her being friends with the princes so much as he disapproves of how she is friends with them. If she was prim and proper with them, and especially if she were trying to court them, he'd absolutely love that -- having a daughter become a princess would definitely be up his alley and help boost his social status. He disapproves because rather than dance and flirt with Wyl, she insists on trying to whack him with sticks and then taunting him ;) Her father doesn't like the friendship she offers for exactly the reason Jae and Wyl do like it -- because she actually treats them like humans rather than special little snowflake princes.

I do agree that I broke POV/Voice a few places in this chapter, and I'll try to make her a bit less pretentious at breakfast hehe. Oh and I'm glad you enjoyed her jab at the end ;) Lol.

Thanks again for the review <3 You're the bestest

Ahh, gotcha on the friend thing. That makes sense, and I sorta had that sense but I guess I thought it was the other way more than that. Uhhh, glad this was helpful!

I'll try to review the next part tomorrow, unless I get some sudden motivation within the next couple hours.

User avatar
Radrook
Review
Radrook wrote a review · Thu Apr 26, 2018 5:23 am

Radrook here a once again to offer some suggestions.
Apologies if i offend. It isn’t my intention.
Please feel full free to cast aside all things you deem not helpful.
But if you do be sure its true by being extra careful.

That having been said:

I am very impressed by how smoothly you handle the dialogue and the transitions from one speaker to another. Also impressive is how you convey the cruel and disrespectful personality of this prince. Also how you managed to arouse my indignation. I felt moved to feel outrage at the way that foreign prince was treating Rana. Outrage at her father’s selfish demands that she cooperate as I felt outrage at his slapping him because she had failed to behave properly towards her betters!

Also this chapter deepens the reader’s appreciation of the special friendships which Rana has with these two young men and how their attitude sharply contrasts to the callous boorishness of this prince from a far-off, violently-prone domain.

I liked the way that the dialogue proceeded as if in the Earnest Hemingway style except for some slight deviations which I point out in the suggestions. Hemingaway kept dialogue tags to a minimum and assumed that the reader knew who was speaking if he followed the flow of the conversation.

The change of scenes from Rana going to sleep ad appearing before her father argumentatively was done very professionally. It was as if I were watching a film on TV.



Suggestions

The discussion between Rana and her dad concerning this oafish prince made me wonder how she had accepted being slapped s calmly before. Remaining calm while being slapped twice isn’t an easy thing to do. So I had assumed total docile obedience to her father’s wishes. So when she suddenly barges in on him in the way described I had to readjust me opinion about their relationship. Perhaps it would be better to not have her so calm during those slaps.

And lived so bloody far away. [ Is she British? This is similar to using an Americanism such as “sunup” for ”“dawn or ”sunrise” A British reader might ask if the speaker is an American.

“Noted,” she answered crisply, [This sounded too modern for her to say. Kind of militaristic.]

We leave at sun up. [“sunup” or “sun-up” are the acceptable ways of writing this noun.
http://www.dictionary.com/browse/sunup]

“I don’t know,” Rana admitted. [The dialogue tag is unnecessary since the reader knows that it is an admission. It is similar to writing. “OK I will go with you!” Joe agreed. “I didn’t do it!” Joe denied. “I did it!” he admitted. ]

That’s odd,” Jaerek said. [Hemingway would have considered that “Jaerek said" tag unnecessary since it is obvious that Jaerek is the one speaking.]

“Gnamrey?” Rana bellowed, [Bellowing is usually reserved for deep masculine voices. Women are never described as bellowing or roaring. The verbs “screamed” or “shouted” would be more convincing.]

All in all a very interesting read. Looking forward to the next chapter.



Defeat has its lessons as well as victory.
— Pat Buchanan