6
Narcissus
The faer
announces – with a flourish of his hands, as if to an auditorium – that he
wants to sleep. But he doesn’t, and I don’t either. The heaviness is gone from
my limbs now, but I can’t compel myself to the door. I want to go to it.
Want to wrench it open, thunder down the stairs, out into the forest, fuck
finding Violet, fuck everything. I want it so badly that sweat beads on
my neck and forehead. But my body won’t move. I shook his hand.
I shook his hand.
Nonetheless, I survey the room, looking for cracks and boltholes and
weaknesses. It’s small, with soil scattered across the floorboards and a
stillness beneath them - there's nobody else here, wherever we are. One rotted
window sits high on the back wall and branching shadows knit like veins across
the floor, with nothing to cast them. There’s just one mattress and the faer is
on it, curled up like a question mark and lying too rigid to be asleep. I
wonder how old he is. I wonder why he’s searching for Violet. I wonder if he
knew my mother, or just knew who she was, and then I remember the dream and my
head hurts and I dig fingers into my temples until I stop wondering.
That’s why I can’t sleep. I’m not afraid of the faer anymore, not now
he needs me – that bastard wouldn’t hurt me unless I was awake to feel it,
anyway. I’m only afraid of closing my eyes and finding myself at that dining
table, dead leaves skittering through my hair.
The notebook is on the floor, within arm’s reach. I pin it in place
with my eyes. I keep hearing branches rasping together, which makes me shiver. I
remember mum’s voice in the dream, mingled with mine. I think of the notebooks
saying run, that’s the problem, come and find me. I think of the
whispering in the back of my head.
Is it you? I ask silently. Are
you there?
But there’s only silence, and the rustle of the faer rearranging his
clumpy feet.
*
I must sleep at
some point, because I wake with a crick in my neck, achy ears and daylight
burning my eyes. Something kicks my knee.
“Up,” says the faer. “We’re going.”
I frown through my fingers. “Where?”
“Wherever your heart reaches for.”
I pull a face. “Bit early for Wetherspoons, isn’t it?”
He clearly doesn’t get the reference, because he frowns like a kid
left on the outskirts of an in-joke – then kicks my knee again, harder. I pull
myself to my feet, scraping soil from my hair and dusting myself down. My face
smarts with cuts and bruises from the scrap by the stream yesterday. The faer’s
face is similarly marred – twin scratches across one cheek, probably from my
nails – but he’s ignoring it. In the full light from the window, he looks even
more bizarre, with his black dress and grass-stained leggings, the snapdragons
vivid in his hair.
“Do I call you he or she or something else?” I say.
He glowers. “Why should you need to call me anything?”
“I dunno. So I can say ‘it’s him, officer, he’s the one who punched me
in the jaw’.”
“You would never need to say that,” the faer snaps. “‘He’ will suffice,
if you truly require a term. But I fail to see why you would.”
He opens the door, pointing me down the stairs. I don’t want to let
him walk behind me, but he seems warier this morning, keeping a few paces
between us. He has the air of a kid who, having successfully stolen a monkey
from the zoo, has now come to the realisation that he has to look after it.
I scoff my last ginger biscuits
and chew on a mint, wishing there was somewhere to wash properly. The air is
fresh outside, the canopy a shaggy mess of yellows and oranges and dirty
greens, but there’s no glimmer of a stream or brook – just broken, moss-furred
boulders and loamy ground.
“Where are we?” I say.
The faer doesn’t answer. When I turn back, the shack is gone – just a
twisty copse of trees in its place, hung about with tattered linen flags. The
surprise registers as a dull thud – I remember the sprawling shadows on the
floor last night, the sounds of branches scraping together – but there’s no
time to dissect it before the faer pulls me on. We press into thickets of
denser trees, where the bark turns tar-black and shiny. Unfamiliar white roses push
out of the soil, with thick stems and hooked thorns.
The faer holds his hand out, stopping me in my tracks. He crouches
down next to a clump of roses.
“Hand,” he says.
I eye him warily. He takes my wrist and pulls me into a crouch, then
he presses my thumb into one of the thorns.
“Jesus,” I say, snatching my hand away. Blood beads on my skin. “What
was that for?”
The faer says nothing. He reaches inside the rose, scraping out a
slither of pollen. He holds it out towards me.
“Eat it.”
I furrow my brow. “Off your filthy fingernails?”
He gives me a look, and the handshake tugs at me. I take the pollen
and touch it to my tongue. It tastes cold and acidic. The faer’s eyes linger on
me.
“Now what—?”
But then my thoughts slide like hot wax. I know that I’m looking at
those tar-black trees, the yellow-orange canopy overhead, but that’s not what
my brain sees. I’m in a clearing, it insists, even though I’m not. I’m
looking at a hawthorn, it tells me, while I sink sideways onto the ground,
my vision full of clovers and soil.
It’s the biggest hawthorn I’ve ever seen. Branches splay towards the
sky like grasping fingers; the berries are as red and gleaming as drops of
blood. I look at it, and I feel it looking back – I feel scoured to my bones,
picked clean, peeled open. Chills erupt on my skin. I shake my head; I hear
leaves whispering at the back of my mind—
And then everything settles. I’m back among the tar-trees, seeing
them, smelling the cloying scent of the roses. The faer is on his feet,
frowning down at me.
“What did you see?”
My voice comes out thin. “A tree.”
“What kind of tree? Where?”
“I- I don’t know. It was a hawthorn, a huge one.”
His frown deepens. “No sign of your sister?”
It takes me a moment to even register the words – a sister, my sister,
the one I’m supposed to be searching for. My thoughts are scattered. The
hawthorn’s gaze has punched a hole through them. I can only shake my head.
The faer huffs. He crouches down at my level once more, untangling two
knotted roses, his brows narrowed.
“We’ll try again, then.”
*
Three roses
later, and I’m shaking so badly that I can’t even stand upright, my skin alight
with gooseflesh and the sense of being watched. The faer paces this way,
that way, back again, his shoulders squared in his jacket.
“Is it you?” he snaps. “Are you doing
this deliberately?”
I press my hands to my face,
smearing blood on my cheek. “I shook your hand.”
He grits his teeth. “What of your
other family? Is any of your blood in the Faerlands?”
“I had a cousin taken—”
He spits. “Not close enough. Your
parents?”
“My mum’s dead as a dodo, so that’s
a no on that one.”
He looks at me oddly. “What of your father?”
“In Winchester, last I heard.”
He grounds his heel into the soil,
scowling. “The roses show you the path to your blood. Your sister—”
“She’s not a full sister,” I say,
pushing myself up. A tremor runs up both arms. “Different dads.”
“That shouldn’t matter.”
“Maybe you did it wrong, then.” I grimace and spit into the mud. Now
the shivers are subsiding, I just feel sick. “Maybe it’s your gross
fingernails, contaminating the pollen.”
“Maybe you didn’t take it properly. Did you swallow it?”
I raise my eyebrows. “You ask a lot
of people that?”
He kicks me in the chest, knocking me flat on my back. The breath
stutters out of me. In the stark daylight, his thorn-teeth are eerie and bared,
his eyes little slits.
“Do you think this is funny?” he breathes.
I stare up at him, thinking of the voice in my head, and the bruises
on my face, and the illusion of a hawthorn shimmering beyond my vision. I think
of how I should be back in London, moaning about history coursework and eating
fish finger sandwiches for every meal, but instead I’m here, in a faerie
forest, with an Adidas trainer planted on my chest. It’s hilarious, I want to say. It’s
the funniest fucking thing in the world.
The faer’s eyes scorch me. He turns away, moving towards one of the
black-trunked trees. I watch him touch his fingers to the bark in a constant,
frenetic rhythm – it almost looks like Morse code.
“What’re you doing?” I ask. “Telling the trees I’m a bitch?”
He turns back around. His mouth is set in a line, but some of the
tension has left his shoulders. “They say the hawthorn is important.”
I miss a beat. “The trees do?”
“Can you think of any relationship between your sister and the
hawthorn you saw?’
The cheese seller’s words come back to me: the town with twin
hawthorns. I bite them back. If I’m no help to him, he’ll renege on the
deal, let me go—
“A relationship?” I say. “No. She might’ve had a one-night stand with
it, though.”
The tree’s branches crack and whistle – there’s a great chittering of
leaves, and the faer’s eyes narrow.
“The trees say you’re lying to me.”
“About my sister fucking a hawthorn? Perceptive of them.”
“There’s a connection. Tell me what it is.”
I close my eyes for a moment, but the pull in my chest is too great. I
agreed. I agreed. I shook his hand.
I tell him.
*
And so the new
plan is the old plan.
He knows the town the cheese seller spoke about. More importantly, he
knows how to get to it. The forests of the Faerlands don’t work in a
straightforward fashion. Strictly speaking, the town might have been north of
the first settlement I came to, but that doesn’t mean the best way to reach it
was by going north. The routes and roads are jumbled up in the woods,
overlapping and doubling back on themselves. You can walk in the same general
direction and end up in different places, depending on the landmarks you fix
your attention on.
The faer seems to know the signs. He tells me to look for vivid orange
mushrooms, particularly ones that mottle tree trunks. He also tells me to keep my
mouth shut, but I don’t know if that’s part of the process.
“Focus on your sister,” he says. “The forest will take us to her.”
It takes us to her very slowly. We walk until the sun hangs low
in the sky, and I’m sweating and filthy and aching all over. The faer’s own
feet drag, and I can see the raw skin on the backs of his ankles, but he
doesn’t let up the pace. I eat Rolos and oat biscuits from my backpack, washing
it down with tepid water. I offer him a bit of everything, but his nostrils
pinch and he backs away.
“It’s not poisoned,” I say, chewing. “Even I can hear your stomach going.”
He doesn’t say anything, just walks. Shadows dip in the hollows of his
cheeks.
When we do leave the forest, it happens abruptly. The sky opens above
us, a valley opens below. I’m struck by how ordinary it looks – the streets are
stone, not pounded dirt, and the buildings red-brick and arranged in lines.
It’s leafier than most human towns, but not by much.
“This is the place?” I ask.
Without pupils, it’s hard to determine the path of the faer’s eyes,
but he seems to be drinking the town in. Not as you’d drink milkshake or good
cider – more like he’s supping lemon juice.
“Yes.”
So we begin our descent. I’m thinking only of a soft surface and
somewhere to wash my face – maybe real food, not days-old crackers – so I don’t
notice the thronging strangeness until the town has grown up around us. The
streets are full, blocked by smouldering campfires and makeshift shanties,
tattered tents and stacks of blankets and endless moving bodies. Some of those
bodies look human – smell human, from the dry sweat in the air – but not all.
Two feathered cats wind around my legs, sniffing at my shoes. Whenever I turn
my head, the air thickens and blurs, full of things I can’t see properly.
“What’s going on?” I hiss. “Faerie Glastonbury?”
He doesn’t say anything, probably because he doesn’t want to admit
that he doesn’t know. He eyes the late-afternoon sky, frowning, and pulls me on
down a few more streets. Eyes follow me, and so do the wails of child-formed
things.
We head towards the centre of the town, but the crowds thicken and
blockades rise up at the end of every street, guarded by silhouettes and
blank-faced abair. Someone throws something through the crowd – a lump
of stone – and a gunshot cracks the air.
“What the fuck is going on?” I say.
The faer takes hold of my shoulder and pulls me into the shadow of an
alleyway. It stinks of piss and smoke and dogs.
“Don’t even think about wandering off,” he says, tightening his grip.
And then we’re in darkness.
It’s just the same as what happened in the forest. Profound blackness
wraps around everything, so that I’m left only with his blazing eyes and the
lightness of his hair. We’re still in the alley, because I can still feel the
bricks at my back, still smell the piss. But the colour has been knocked out of
the world, and I can barely see a handspan before my face.
He keeps his grip on my shoulder. He says something – the sound
reaches me, but without being able to see his mouth, I can’t make sense of it.
I go where he drags me – back down the alley, stumbling on the ruts in the
cobbles.
We’re back on the main road, but the crowds are gone. No, not gone – I
see fluttery outlines of hands and arms and shoulders, but they have no more
weight than smoke. The boulevard is chequered and inconsistent. Parts seem to
have been torn or smeared away, to reveal a nothing-colour underneath.
The faer pulls me along the left side of the road, where the ground is
solid. We pass through the misty crowd, making our way towards the blockade. It
must’ve been rigged up by abair, because it’s made of wooden struts,
nailed together and sanded down. The faer drags me up and over, his nails
digging hard into my hands.
The other side of the blockade is a wash of nothing-colour, and the
space where the road should be falls away into an endless gulf. We stick close
to the buildings for as long as we can, but eventually the ground runs out
beneath us. I can see a smear of almost-shapes in the distance, but can’t make
sense of any of them.
The faer grips my shoulder again, and—
—and we’re back.
The light spears my eyes. I throw a hand up against it, waiting for
the colour to bleed through the cracks in my fingers and feel normal. What
was that? I start to think, start to say, but then I drop my hand and the
words dry up.
We're at the centre of the
town, where the twin hawthorns should be. Mum described them to Violet once –
two great trees, one with red berries, one with white, but so grown together
that they seem to be one plant. Their roots extend for miles in opposite directions,
carving unseen faerie roads into the north and south. Nobody tends them.
There’s no turning of the soil, no pruning, no gardeners. They have never
needed it.
But now I see figures clustered around the base of one of the trees.
Hands stuck in the earth, fingers dancing over the trunk, voices crooning old
songs. It leaves are curled up at the edges, its berries dried to grey bullets.
Nonetheless, I still feel its attention on me – just the lightest touch, like a
hand grazing my cheek.
Its twin lies slumped on the ground, trunk torn, berries bloody in the
dying sun. No figures surround it. When I look to it, it doesn’t look back.
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