The beeping was so loud, and Charlie was yelling quite a bit. I didn't care much, I didn't care much about anything, but I did give a half-hearted "Yes," When Charlie asked if I could hear him.
I felt like all of this had happened before, like the most intense deja-vu I'd ever experienced. None of this was a surprise or even particularly interesting. It would all end up in the same place anyway, so why intervene. It was like I was on a train, and everyone was yelling about trying to turn a colossal machine, even though I knew it was just on tracks, but none of them seemed to grasp that.
Soon, the helmet was removed from my head by a woman in white scrubs. She and a man lifted me onto a rolling hospital bed, and they rolled me out of the Room of Ra. My hands were twitching and shaking, and I felt sore all over, like the one day I tried CrossFit.
The chair they had put me in stabbed me with every part of its texture and every piece of information it radiated. I knew everything about it, the atomic structure of the materials, that the steel which made its frame was made in china, and that the man who'd driven the truck that delivered these blankets was a struggling alcoholic.
The lights passing above me were so bright, I considered squinting away from them, but it wouldn't matter. The light was everywhere. And anyway, I knew I wouldn't. None of this was new.
I looked over at the woman who was pushing the cart, I knew her name and that she had a dog named Scruffles she'd been allowed to keep even in Athena for her anxiety, I knew tomorrow she'd meet a man she'd later marry, and that, he'd die of lung cancer, and that her grandchildren would love her dearly, and upon her death her granddaughter would name an essential discovery in the field of biology after her.
If I'm being a hundred percent honest, trying to remember this part is not very much fun and gives me headaches, so I'll just give you the basic overview.
In the hospital room, they tried to talk to me, and I gave very few helpful responses, and then, they stuck a needle in my arm, which hurt, but didn't care too much, and as the drug entered my body, the feeling of intense brain splitting awareness faded, and I lost consciousness.
I awoke in a deep bed, covered in heavy blankets. I opened my eyes and stared up at the cracked white plaster ceiling. In my peripheral vision, I saw four wooden, intricately carved bed posters. The room was warm but not stiflingly and smelled of freshly cut grass and old books. I sat up. Sunlight was streaming in through the open window, as well as a slight breeze. I was back in my room in the chateau. Lillian, my phycolgist, was sitting on a chair in the corner of the room, eyes on a book. Next to the window, Myke was standing, leg tapping impatiently.
He let out a sigh of relief as I looked at him, "Good Morning, sir. How do you feel?"
I smiled, and slowly, memories of the past couple of days wandered back into my head. "Good…" I said.
The Caribbean neuroscientist stood up, stretched, yawned, and then glanced at me. "Sounds like my work is done, for now. Good day, Mr. Meyers." She said unconcernedly and then walked out. I felt a pang of anger at the disrespect, and then I remembered I was the one who reprimanded her for warning me of this. What had she warned me of? What is this? I wondered as I smacked my lips.
"Would you like your breakfast?" Myke asked. I nodded, realizing I was quite hungry. Myke called Margret, who brought in a tray with some pastries, eggs, and black sausage. I began to eat.
"What happened?" I asked, still a bit foggy.
"You went under destiny's Touch, and it completely overwhelmed you. The Ethos overloaded you, and you almost had a seizure. Charlie was able to shut it off, but you were still in a bad state. It was like you were somehow still pulling the particles through, and even when that the connection was broken, Ethos was still cycling around in your mind. It was almost like you were still in the Touch. The doctors think you were too aware of reality itself, and it was over stimulating your brain. So, they gave you a ton of oxymorphone and put you to sleep. You've been sleeping ever since, and your brain activity leveled out a little bit after 2 in the morning."
"What day is it?"
"It's the morning of April Third."
The date sounded like the toll of a funeral bell. The words brought back the weight of the inevitably.
So, of course, I scooped a mouthful of scrambled eggs because no amount of fate can stop me from having a good meal.
"Your family arrived this morning, sir. If you are feeling well, we thought you could spend the day with them," Myke said. "Josh decided that after yesterday you should get a day off and a week off from the Touch. So all you have tomorrow are meetings."
I nodded, barely listening. The inevitable couldn't be real. It had to be from my mental state breaking down from destiny'sTouch. Some time off will fix it. It's irrational, really.
Oooh chocolate baguette.
"Why am I back in the chateau?" I asked around a mouthful of the baguette.
"We thought it would probably be a good idea for you to get some time off from Athena as a whole. Just to relax and let your mind recover. Charlie theorized that among the other stresses, Athena still might not have a perfect seal. You were being exposed to Ethos 24/7. He says the amount you were exposed to in the Room of Ra might have made you like a lightning rod for the stray particles around the project, but maybe at this distance, you'd be safer."
Safer.
A funny word. If they wanted me to be safest, they'd call this whole thing off and start testing Ethos more slowly and scientifically. They don't want me to be safe. They want me to be just healthy and happy enough they could keep using me.
They were just trying not to break the weapon they were building. I had kinda known that before, but now I was realizing I wasn't just building a weapon for them, I was their weapon, but I still wasn't sure how they planned to use me.
After breakfast, Myke left me to get ready, Avery was going to come to pick me up at noon, and then I'd go spend the day with my family.
See, you'll be with Adam, so there's no way you could be in that car. If I am in a car, Avery will be driving it. Why would he run into a truck? I told myself.
I stared at my wardrobe, which now was much more extensive than just the clothes moved from Charlotte.
I could wear my most expensive suit, with my Rolex, and very nice leather shoes. Then Adam would really know I was successful.
But what kinda uncle would that make me? Nobody wants their uncle dressed like an Orchestra director.
I pulled on a nice pair of jeans, a button-up, my favorite leather belt, and a pair of comfortable yet expensive tennis shoes.
There, the nice shoes would be what would prove to him I had wealth. Oh, and the Rolex.
I stopped and looked in the mirror. The clothes looked nice. But it was still the same old Matt. The same one who'd never beat Adam at a physical contest, who didn't get into Duke, and who isn't a wealthy engineer with a large happy family.
I sighed, but I was going to be the first man to time travel.
I caught myself. No, some part of me had assumed that the Inevitability would occur. But it couldn't. It made no sense. Fate didn't exist. Charlie's theory had proved that. You could always choose where your line intersected the points. No points were set.
I made my way down the spiral staircase, keeping my hand on the rail for support. I wandered into the library, where I thought I could wait for Avery. I was surprised to find Maria in the library. In my time away from the Chateau, I'd almost forgotten about the British housekeeper.
She was sitting in a chair next to a window. She was staring out at the backyard, with its little church, the stone walls, and large trees. Maria had a book on her lap, but she was staring out at the grass lawn in front.
"Good morning," I said tentatively.
"Good morning Mr. Meyers. Glad to have you back in the Chateau," She said, still staring out the window. Her voice was rough, like she'd been crying.
I sat down on the couch, not knowing what else to do. "Glad to be back, much better than an ugly windowless apartment."
"Much better," Maria said quietly and then sniffed and seemed to begin crying quietly.
I blinked, my face going red. I was never good at dealing with people who were crying. On my first real date with Jenna, she'd cried during the movie we were watching, and I'd almost panicked before I realized I should probably just put my arm around her. That didn't feel like it would work in this context, though.
"Is everything okay, Maria?" I asked, standing up and stepping towards her.
She chuckled, "Yeah, sorry." She sniffed and wiped her eyes. "It's just that this place will be gone soon."
I stepped forward and sat in a chair next to her. Now I felt like crying, though I didn't particularly know why.
"What do you mean?" I asked.
"I got the email this morning. They'll be tearing the Chateau down next month and building a big facility here for employees to live in. It's much more modern and cost-efficient." She said but didn't sound so convinced.
"I'm sorry, that's terrible. The Chateau is beautiful." I responded, trying to say what I think a nice person would say.
"No, don't be sorry. It's no surprise. I watched them cut down the forest around here and clear out the other villages and houses. I know we'd be next eventually. And it's not even my house. It's my husband's, it has been in his family since the war, but it's become mine in the past couple of decades. I'd hope to raise my kids here, but that didn't happen either. But I'm rambling, the house will come down, they're paying me an awful lot for it, they'll build their housing facility, and I can go purchase a nice mansion in Paris or on the coast or in California or something."
I joined her in staring out at the grounds. "There were others here?"
"Yeah, whole villages, less than other places. But the government told them they had to move, and they did. They all got a lot of money, but I'm lucky really, I got to stay here longer than any of them. It's probably because Robert was one of the scientists, so they were nice to me and let me run this little hotel thing. So really, I should be grateful. I just don't know where I'll go after. My life was Robert, and when he died, it was this house, and this house will be gone soon too. It's silly, really. I'm just one old British woman, I can't expect them to stop the march of progress for me, but it's no fun to get marched on."
I nodded and looked at the stone church, which was probably older than my country. After the Chateau came down, I'd be moved to a new facility with a very expensive room and a housekeeper who talked less and wouldn't waste my time as much. The march would keep pushing me up, up closer and closer to fame and power.
"Are you religious, Maria?" I found myself asking, my throat now a little raw as well. I was surprised by the question, I generally avoided that topic, but I also generally avoided seizures, so it had been a weird week.
"Yes, I'm Jewish. My family was actually from France, but they left for England in the war, their house was taken and all. Robert wasn't anything when I married, but he died Jewish," Maria said, "Are you religious?"
"My dad was a Christain pastor. " I said, dodging the question, and then paused again, "Maria, do you believe in fate? Like do you think God sometimes makes it so no matter what we do something will happen to us?"
She paused, "I think He respects our choices completely. He's never going to force us to choose anything, but sometimes He will make things happen to us. Only ever for our good, so we come back to Him or grow. And he knows what's best for us, so he'll put things in our path. I didn't have to marry my husband, but The Almighty One knew that it'd be best for me, so he put Robert in my path, and even if I'd made a minor mistake and not noticed, he would put Robert there again and again, until I'd made a real decision."
"So sometimes, you think He'll put something there, so there is no way to avoid it? Even bad things?"
Maria paused to consider this, "Yeah, sometimes. But He never makes an Actually bad thing happen. We, and other people, in our brokenness, can do that to each other, but not him, but he might do things that appear to be bad. He wants to give us every chance to take the right path, so he'll put us in situations where we have to choose. Sometimes we can get stuck on paths that may seem good by worldly standards. They might bring wealth, power, or even amounts of happiness, but since they seem pretty good, we might not realize they are missing the most important things, so He, in His infinite wisdom, might do something that looks bad. That brings pain and hardship, but really He's just trying to get us to turn back to Him."
I opened my mouth. I had a million arguments against that. A million ways, I didn't want that to be true. But then I closed it. Maria would know those arguments better than anyone. Her family had been driven out of their country by Nazis. Her husband had died and left her alone. She was being kicked out of her home by an unquestionable government power yet again. Maria knew that what God dealt didn't always seem nice.
So instead, I asked, "Do you own a gun, by chance?"
She looked at me blankly, "Umm, yes, I have an old revolver, it was Roberts, why?"
Well, because there is a chance that tonight, I will be transported back 8 thousand years, and this strange prescience I had gained from breaking my brain is telling me that it was vitally important, I have a gun when that happens.
But I couldn't say that, so I said a slight fib.
"I'm going back to Paris again, to visit my brother, and last time I went, someone tried to kill me, so it would be really comforting to have a way to defend myself, so I was wondering if I could… borrow it?"
Points:
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Canary word: Present
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Hi MaybeAndrew,
Mailice here with a short review!
We are at an interesting time in the plot here, where Matt is realising more and more what he can be used as and it seems like he is now planning ahead himself to play it safe. I'm curious to see where you'll take us with the story.
So, the chapter read wonderfully. First of all, kudos for using a very good style to get all the different moments right. I compare it now with one of your previous chapters, after the shooting in the restaurant in Paris, where everything seemed a bit more hectic. Here you managed to describe the whole aftermath very well. I especially like the writing style at the beginning, how you described this uncertainty and terror through Matt's thoughts. Apart from one section, which I'll mention later, I think it read really well.
And this style of writing changed well when he was in the hospital and later in the chateau, where things became calmer. I especially like the tone of voice there. I don't know why, but it always gives me the feeling that when the images are in my head, I can experience them much more quickly.
Something that struck me in the second half was also the understanding that Matt develops for the work he is doing, and when he eventually got into conversation with the woman where they were talking about the villages that were being demolished. It gives me the feeling that this also has a very special impact on Matt and his next tasks.
One thing where I think you could change that a little bit is when you're talking to the characters, or when they're there and Matt gives them slightly longer "nicknames", that you still mention somewhere that he still knows that he or she is called this or that. In the end, as a reader, you lose the overview and it can happen that you suddenly see two different people as one.
I like that description. If you take it out of context, you can also read into it a bit that Matt is the only one who could turn the train. If you see time and life as a train where everything is on tracks, he is the only one so far who can jump back and forth as he pleases.
I understand that the text here is coming from Matt's mouth or his thoughts, but it seems too hectic to reflect the actual content of what is being told. I would try to describe it in shorter sentences, with full stops, to give the effect that Matt tells more and more. Like a magician who pulls more and more things out of the cylinder.
I guess that´s a typo here.
I would write the 2 out here.
I think you have to decide her, if you want to give Matt one day or a week off.
It was a nice chapter in the end with a good aftermath of what Matt experienced.
Have fun writing!
Mailice
Thanks so much for the review! I literally changed my mind in editing so that's a symptom of that XD!
I'll be sure to edit those mistakes!
Good Morning/Afternoon/Evening/Night(whichever one it is in your part of the world),
Hi! I'm here to leave a quick review!!
First Impression: Okayy...this is interesting, I was expecting something that would build more on where the previous bit ended, but it seems, in a twist that I think is actually helpful, we have a much more sedate scene here that appears to just be trying to get us to process what's happened upto this point. I think that can come in quite useful with the kind of scenario we have here.
Anyway let's get right to it,
Okayy...so, it seems that actually did some proper damage potentially, judging by what appears to be somewhat of an emergency situation going down here. It definitely makes things a lot more interesting here. Let's see where this ends up going.
Oooh this is a cool example here. I love moments like these in stories when they're important, but here when its presented as a side note that Matt just happens to have been forced to learn as a consequence of what happened to him, it has a new air to it to see him being subjected to that situation that comes with knowing a little more about the world than he'd ever wanted to. Its an interesting effect, because with the sense of power it radiates, it also gives off a rather clear sense of general terror here and that let's you know just how powerful this situation happens to be.
Okayy...well it looks like they pulled the plug on that whole situation in time to at least prevent him from suffering any kind of immediately noticeable permanent damage, although clearly he's got some pretty serious issues there mentally judging from the descriptions that we are getting here.
Well...not sure where this one might be going...it is a bit hard to read where this particular interactions wants us to go, but there is certainly something happening there and I guess, we're soon going to know more about what Matt is currently suffering through and potentially will be suffering through for the foreseeable future.
Okayy....well, it seems he's been asleep for some time and that explanation is pretty nice and to the point, also pretty believable, so well, this is a solid moment here to show how that whole side of things has gone...now I suppose we'll see what the more permanent effects are fairly soon.
Okayy...well these little thoughts there, while very subtle and adding a nice little touch of humor, are troubling to see. They seem to suggest that there is more at work behind the scenes here than what was at first apparent, and that could lead to some potentially troublesome moments in the not too distant future. Things have definitely gotten risen up a couple of notches here.
Okayy...well this little dressing crisis moment is an oddly grounding moment in this story. We've had so many sci fi aspects getting tossed at us, that this is a nice little reminder of the general human factor surrounding this story.
Okayy...I'm going to hazard a guess and say something is about to happen to this area somehow if Maria is crying, I cannot fathom any other reason for that...perhaps due to this whole fiasco she's about to be fired for some random reason, maybe I should just read and find out..xD
Okayy...Matt having to work hard to pretend to be a nice person is a moment I didn't think I'd see, but its an oddly fitting detail to slide in there...and well, it seems our suspicions were somewhat correct, something is about to happen to this place, although it sounds like maybe this doesn't have anything to do with Matt specifically, but rather is just a step in a larger plan that has been happening for a while.
Hmm...well, this is interesting, and I find myself somewhat torn as well. On one hand, this is a bit of a terrible thing to do to so many people to be displacing them, but then also it appears there isn't anything outwardly underhanded happening, besides the whole dangerous weapon situation inside Athena, these people do seem to be getting proper warning and compensation, so...ehh, doubtful there.
Okay...not the conversation I expected we'd run into right after a full on crisis situation here with time and everything, but then considering what Matt just experienced, it would make sense that he'd be thinking in a direction like this one.
Well that's not the silliest way someone has tried to obtain a gun in a story, at least this is semi legalish sounding and not completely out of the realm of possibility...and if I remember the scenes we were seeing earlier, that is quite possibly going to be coming in very handy.
Aaaaand that's it for this one.
Overall: Overall, we're off to a pretty interesting new direction I think, where if I had to guess, we potentially have one more chapter before this situation that Matt sees as inevitable becomes a reality. At any rate, I'm very excited to see what comes next.
As always remember to take what you think was helpful and forget the rest.
Stay Safe
Harry
Thanks so much for the review! Sorry for the late thanks, notifications got away from me!
You're Welcome!!

And no problem