Blank World

by Liminality

Published July 12, 2024

In Poetry (2024)

You wake up
looking at a sky
like blank paper.

At the bottom
a river is torn
into the white.

You follow
with your eyes
to your feet

where you stand
ankle-deep
in folded rivulets

and before you
the waterfall
swims with diamond fish.

And below
you see a boatman
waving.

He points
at the water
which suddenly becomes

a flight of folded stairs
and you descend
into his boat

and the sides heave
the floor turns inside out
to become a sailboat

and you descend
into his boat
the clumsily folded sail

and the prow’s tip crushed
suddenly filling with words
printed words

and the photo of a street
you remember well.

You sail on grey
and old brown
streetlamps

and at the edge
of the convenience store
the sky begins to rip
and the pieces fall.







___

Author's note: Some questions for reviewers, if you'd like!

1. How does the blank world described in the poem make you feel? Would you want to be there? Why or why not? Do you prefer the blank world or the printed world?
2. Do you like the way the poem ends?
Comments & reviews · 4
User avatar
WinnyWriter
Review
WinnyWriter wrote a review Review · Jul 13, 2024

Hello, I'm here to review (what else lol)!

First off, let me respond to the suggested questions you left. I understand the title is "Blank World," but there is enough description even fairly soon into the beginning that it doesn't feel like we as readers are dealing with much of anything blank at all. That being said, I can see where your idea is coming from, as you literally start by saying "you wake up looking at a sky like blank paper." Then from that point, you begin to add details one by one, so it's like the story or the surroundings are falling into position with each additional description and sensory detail. But I got the impression that the "blank world" was supposed to be everything before you mention printed words, and seeing as you don't mention printed words until the 11th out of 14 "stanzas," I felt that I had already gotten plenty of imagery to fill the "blankness" before the "printed words" section even arrived. But having said all that, I don't mean to imply that this is a flaw; it's just something that I perceive as something to consider for possible revision.

So that can fall under the category of how the blank world made me feel. Adding to that, I'd say that what you've put forth as the blank world is actually kind of interesting for being presented as "blank." One by one, the details form a fuller picture, and I think the image it paints is quite lovely. The way you specifically mention "you follow with your eyes" gives more to the concept that we're beginning with emptiness and observing details as they unfold into a visual picture. I particularly liked the lines "before you the waterfall swims with diamond fish." First of all, it gives the impression that the waterfall is kind of sparkly/shimmery. But on a deeper level, the way it says that "the waterfall swims" rather than "the fish swim" gives a life and animation to the water/waterfall itself, and I think that adds an interest that exceeds the ordinary "diamond fish swim in the waterfall." Overall, this visual imagery builds the impression of being in an exciting new place that's beautiful and peaceful but holds a sense of unknown as well. For these reasons, I think I'd definitely like to be there. It just sounds like a lovely place.

Now that I've commented on the "blank world," I'll move on to the "printed world." To initially answer the suggested question, I'd say that I prefer the blank world, actually. Like I said above, the blank world ends up being not so blank by the time it has all unfolded. The way the waterfall seems to transform into a flight of stairs is unique and adventuresome. In contrast, it seems that the printed world to which the reader travels in the boat appears startingly normal and even drab. Words like "grey" and "old brown lamps" convey that idea.

I got the impression that the setting the narrator travels to is a time and place they once knew. Looking back, this impression most likely comes from the words "and the photo of a street you remember well." To my mind, I guess I am interpreting this whole journey as sort of a walk down memory lane. Maybe the man in the boat is memory itself, or just the phenomenon that transports your mind to a memory, and perhaps it is the printed words that are the memory itself. Whatever the case, the way you describe the scene falling apart so suddenly seems to convey the idea that the narrator is torn away from the memory by some present-world experience or sensation that interrupts their musing. It feels like their train of thought gets derailed abruptly.

I have mixed feelings about the way this poem ends. Even though the ending comes on really swiftly compared to the long build-up, I think the wording you used is pretty appropriate for a swift ending, or at least for a change of mood on the spot. The way you said "the sky begins to rip" is thematically in keeping with the overall thought of printed words and paper, which you introduced in the opening. However, like I mentioned, the whole ending is kind of abrupt, and also rather vague. Vague endings are not always a bad thing, and are often used in powerful literary productions, but by nature of being vague, they tend to leave a cognitive dissonance or lack of emotional resolve, similar to a piece of music that ends on a chord that leaves the listener with a funny feeling that it either hasn't really ended or hasn't ended right. So I think by nature of the type of ending you used here, mixed feelings are to be expected. We don't get any insight into which world the narrator prefers, so with this somewhat inconclusive closing, we aren't sure whether to decide this conclusion was positive or negative for the narrator.

A further comment I have is that it seems you've written this with some intentions of putting the *reader* as the one experiencing this poem (evidenced by wording like "you wake up," "your eyes follow," "you see," etc.) However, the poem appears to depict a very particular memory that would not be specific to any generic reader, which makes the poem feel like it's being expressed by a *narrator* sharing their experience. Maybe this is what feeds into the uncertain emotional response to the poem's ending. The reader may not be sure whether they are supposed to be seeing this as their own experience or someone else's; and if it's someone else's, we get no suggestion of how *they* feel after that ending. I am not saying this is a flaw, just an observation, or maybe just me being overly critical of inconsequential elements.

My last comment is more on the structure of the poem. For the first several stanzas, you consistently used three lines for each. Then in the 12th, there are only two lines, and in the 14th there are four. (I think I counted stanzas correctly.) Since I didn't notice an especially distinct rhyme scheme or rhythm here, you may be able to get by with this easier, but I would suggest aiming for consistency in the number of lines per stanza, even if you don't stick to anything hard-and-fast when it comes to syllables per line and all that. To my mind, this gives a cleaner, less distracting structure to a poem.

Well, that's all for this review. Good work, and thanks for sharing! I had fun reviewing this, and I actually saw a lot more in it once I took time to examine it. Keep up the good work! :)

Hi there! Thanks so much for the detailed review!

That's a fair point about the irony of calling it a "blank" world. I think when I wrote "diamond" fish I'd been thinking more of diamond-shaped fish because in my mind I was imagining they were origami fish made of paper (which is why the world would've still been 'blank') - but I can totally see that they're interpretable as being in a shimmery waterfall!

Like I said above, the blank world ends up being not so blank by the time it has all unfolded. The way the waterfall seems to transform into a flight of stairs is unique and adventuresome. In contrast, it seems that the printed world to which the reader travels in the boat appears startingly normal and even drab. Words like "grey" and "old brown lamps" convey that idea.


That's a cool interpretation!

The reader may not be sure whether they are supposed to be seeing this as their own experience or someone else's; and if it's someone else's, we get no suggestion of how *they* feel after that ending.
Yeah, I can see why that would make the ending a little confusing. My thought had been to immerse the reader into the world, kind of like a first-person video game might, but I hadn't considered the elements of the speaker and implied figure/ character that readers might be picking up on - so thanks for pointing that out!

The stanzas with a different number of lines are that way to try and signal a shift in tone or make the reader pay more attention to them (so that's the realisation of the photo being something they "remember well" and also the ending of the poem where the blank world gets torn apart). But if it seemed distracting rather than informative, I would need to look into it and see if there's a better way to foreground those elements :)

Thanks again for sharing your thoughts and interpretations! I enjoyed reading them c:

User avatar
SylvanusGrace
Review
SylvanusGrace wrote a review Review · Jul 13, 2024

Thank you for sharing this poem! I must admit that this poem seemed like one interesting ride throughout this world that was made from letters and words.

Poem shows strong constructing and deconstructing momentums like this one: "a flight of folded stairs
and you descend
into his boat

and the sides heave
the floor turns inside out
to become a sailboat

...

and at the edge
of the convenience store
the sky begins to rip
and the pieces fall."

I really like this unexpected change of worlds. In this poem you showed beauty of change, imagination and poet's inner creative strength. Thank you very much for that.

And please, continue to create.

With kindness,

Sylvanus Grace

Thanks for the review! I like your phrase "constructing and deconstructing momentums" - I hadn't noticed the way my poem included something being constructed (the sail) and something being deconstructed (the sky), so thanks for pointing that out :D

User avatar
Plume
Comment
Plume commented Comment · Jul 12, 2024

Lim poem Lim poem!!

Absolutely love the imagery in this one; not sure if this is going to make sense but it gave stop-motion animated short film vibes in the best way possible. The consistency in stanza length was also marvelous, and the second person point of view added so much depth. Thanks so much for sharing <3

Thanks so much, Plume! <3

LunarAirPollution wrote a review Review · Jul 12, 2024

Hi and thanks for sharing this piece! This was a super interesting read and I always enjoy any poem that makes me have to reread it and try thinking about it from different perspectives, as this piece did.

Reading this felt to me like a strange dream that seems normal at the time but makes no sense when you wake up. The world you created here with your descriptive imagery is very interesting and vivid yet open to interpretation.

This is such an interesting concept, and I would love to know how you came up with the idea for this unique piece of writing. I was also wondering if there was any purpose to the way you split stanzas and lines. In some places it seemed very natural but at others it seemed to interrupt the flow of the scene setting and I wondered if there was a reason for it which took me out of the poem momentarily.

To answer your wonderful question prompts; the blank world made me feel a sense of foreboding, as if there were something coming or hiding in the blankness. I would love to see an artistic depiction of this world, but I do not think I would like to be there because of the previously mentioned sense of foreboding (perhaps this is also my ADHD brain knowing the under-stimulation would cause anxiety).
Your poem's ending is mysterious and vague in meaning but descriptive in imagery. It leaves me wondering what has happened and what will happen next, which I enjoy. An ending that causes readers to keep thinking about a piece of work after they have finished reading it is, in my opinion, a strong finish and a sign of good writing.

Overall,
nice job and
Keep on writing!

Hey there! Thanks for reviewing my poem!

This is such an interesting concept, and I would love to know how you came up with the idea for this unique piece of writing.
Hmm I think i began with an emotion, maybe a kind of desolation? But I wanted to turn it around by giving it its own odd beauty, so I chose something ambiguous as an image - blank white paper.

I was also wondering if there was any purpose to the way you split stanzas and lines. In some places it seemed very natural but at others it seemed to interrupt the flow of the scene setting and I wondered if there was a reason for it which took me out of the poem momentarily.


Oh I can definitely see what you mean! I guess for the whole poem I was trying to make each line as short/ small as I could so the voice felt quieter? And I was also focusing on developing the imagery. Because of that, and because I ignored ordinary rules for making complete sentences at points, it doesn't flow very much like natural conversation or prose. I could definitely see an aesthetic benefit for making the poem feel more 'natural' in that way, but perhaps for this 'unnatural/ unearthly' landscape the fragmentedness could be more fitting.

Thanks for sharing your responses to the question prompts! I can definitely see how a blank white space would have ominousness and foreboding attached to it.

Thanks again!



I'm tired of books having villains who are just villains for no reason.
— EllieMae