12+

Have Some Champagne

Step into the glimmer, my friend,

where dreams spin like glinting coins,

and promises dance in the spotlight,

each note a siren's song,

sweet on the tongue,

a melody of fame.

Ah, you with the spark,

the light in your eyes

that could ignite the dark alleys of despair;

let me draw you closer,

let me paint visions

of red carpets unfurled,

of whispers warming the air

in rooms we’ll never see.

Taste the glamour,

sip the nectar of applause!

A mere breath away from grandeur,

and the world will hoist you high,

a trophy on the pedestal of our making,

your name carved in glittering stone.

They'll promise you the moon,

a horizon where every wish blooms,

like a garden of unending accolades,

but dear heart, heed the shadows

that grow behind those dazzling lights,

where giants loom

and dreams can shatter

like glass cast to the floor.

It’s a game of illusion,

a kaleidoscope of flashing smiles,

but behind the velvet curtain

lies a truth unvarnished—

worth is fickle as the wind,

promises curl up like cigarette smoke,

vanishing before they take form.

But come,

let me be your architect of dreams—

together we’ll build a façade,

a mirage in the desert of despair,

you as the star,

and I the maestro pulling strings,

twisting tales until they gleam.

In this realm of bright deceit,

perhaps you’ll forget,

or perhaps you’ll find,

that in the chase for glitter,

you might just lose yourself completely—

a spectre in the spotlight,

lost in the echo of applause,

a phantom of potential,

wandering the corridors

of what could have been.

So take my hand,

let’s leap into the fray,

and dance with dreams

that shine yet darken;

for in the heart of every star

lies the promise,

and the peril,

of being adored,

and utterly alone. 

Comments & reviews · 2
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User avatar
lilian Review
lilian wrote a review · Tue Jan 21, 2025 4:33 pm

Greetings! Just popped in for a quick review.

First impression, I liked the picture you painted. It reminded me of Willy Wonka. A slightly insane/sinister/charming host. You step into the grandeur of his chocolate factory, all the while skipping past some of the darker sides.

As I read it, however, It reminded me of the book 'Caravel' by Marissa Meyer. A world of pretty lies and well covered up deceit. A world that promises much, but delivers nothing. In the words of Marissa Meyer, "Take note, don't get lost in the deceit."

Overall, this piece has a lot of strengths:
- Your imagery is vivid. It's quite easy to picture the world you're painting.
- The tone is quite unique. Almost like a siren's call. Persuasive with the call
of fame, but also has an undertone of danger.
- Structure helps with engagement. The ideas flow really well from one stanza
to the next.

Some (minor) things I noticed:
- Pacing. The poem maintains a relatively steady pace. Varying the lines with
shorter lines and breaks could help build up to hit on certain ideas harder.
- Imagery. Maintaining a consistent thread might be of some benefit. This is
purely a suggestion, nothing wrong with your current setup.

Overall, I really liked the poem, and I hope to see more of your work in the future.

User avatar
Liminality
Review

Hello Ardor! Lim here with a review.

I got quite sucked into your poem. The speaker/narrator seems to take the role of an agent of some sort trying to get new talent to sign on, while simultaneously giving ominous tidings of what future that talent might have. It reads to me like the public and private thoughts of this agent are blurred together, for example:

but dear heart, heed the shadows
that grow behind those dazzling lights,

On the one hand, they warn the addressee.

But come,
let me be your architect of dreams—

On the other hand, they urge the addressee forward, and it’s really interesting how both of those things are being voiced by the same speaker - it’s like they know the industry is bad, yet they're entangled in it and keep doing what they do anyway?

There seems to be a motif of darkness and light - the addressee’s talent benefits society by lighting up the darkness, but by playing their part they expose themselves to darkness as well.

Something I like about your writing is how you keep developing the central idea with each line. You don’t just say in generalities what the problems are, but a lot of the lines add interesting nuances, such as:
the light in your eyes
that could ignite the dark alleys of despair;

On one level, it sets up that young, hopeful talent may lose the “light” in their eyes by working in the entertainment industry - but the next line adds another layer, which hints at society’s need for such light and how people at large in a sense contribute to this entertainment complex with their need for something to cure the “despair” of day to day life. So despite the poem being relatively long I didn’t feel like it got redundant at any stage.


I had a couple of line suggestions for you, if you’re looking for something like that:

you as the star,
and I the maestro pulling strings,
twisting tales until they gleam.

I wonder if a word other than “gleam” could fit the “pulling strings, twisting tales” image better there? “Pulling strings” in particular makes me think of puppetry, whereas “gleam” seems to imply the maestro is doing some polishing/ something related to light.

In this realm of bright deceit,
perhaps you’ll forget,
or perhaps you’ll find,


“Perhaps you’ll forget” felt a bit like a loose end to me. What is it the addressee might forget? Their sense of self? The reason why they like to do what they do?

Finally, another thing I like is how you’ve woven the different threads of imagery together. I like how the “garden” images are subtly peppered in: accolades wouldn’t typically be described as a “garden”, I don’t think, but you’ve made that link with “sip the nectar of applause” in the previous stanza and using “blooms” for wishes within the same stanza, so it feels more natural.

a spectre in the spotlight,
lost in the echo of applause,
a phantom of potential,


I also like how you build up on the illusion/mirage group of images over many stanzas, and then culminate in this spectre/phantom line. A “phantom” or “spectre” feels a lot more eerie than a “mirage”, so there is a sense of escalation and dramatic tension through the poem.

Overall, I really enjoyed this poem. It’s got a good balance of pursuing nuance and fleshing out the premise of ‘the dark side of the entertainment industry’ while still having that strong central message of ‘all that glitters isn’t gold’. My main feedback if you’re planning to revise this would be to consider parts where you might want to get the word choices to cohere more together, such as the two lines I mentioned.

Hope this helps, and keep writing!
-Lim

Thank you for taking the time to review my poem. I agree with your suggestions, it could do with some minor revisions with word choices.



Il faut imaginer Sisyphe heureux (One must imagine Sisyphus happy).
— Albert Camus, The Myth of Sisyphus