Transition

by Ardor

Published January 19, 2025

E - Everyone

In Magic, Dreams and the End of the World

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She wears the dawn as a shroud,

casting shadows across suburban streets,

Where streetlights bow in reverence to her rebirth.

Every step is a stitch,

sewing her identity back into the tapestry of life,

Translucent threads of courage and pain weaving her memoir.

In mirrors she finds fragments,

splintered reflections of battles won,

Emerging like a phoenix from the ashes of rejection.

Her voice—an echo in the wind—challenges the silence,

A testament to existence in a world that often forgets.

Comments & reviews · 2
User avatar
avimoon
Review
avimoon wrote a review Review · Feb 3, 2025

Hello, there! Avi with a review :)

I'm reviewing using the YWS S'more Method today!

Top Graham Cracker - What I Know
This poem uses beautiful wording and metaphors, twisting them together artfully. You have a gift, Ardor <3

Slightly Burnt Marshmallow - Room for Improvements
The only part of this poem that was slightly confusing/off-putting to me was the capitalization of the third lines when they had commas in the previous line. For example;
"She wears the dawn as a shroud,
casting shadows across suburban streets,
Where streetlights bow in reverence to her rebirth."
I would just uncapitalize that because the sentence hasn't stopped yet. And that goes for the rest of the lines that don't have a period at the end of the previous line (the line that this happens with is normally the third of each 1,2,3, but it's also in the last line). While I understand capitalization can be an important, influential, and visually pleasing thing we add to our poems, I found the capitalization there unnecessary.
The only other part I was itching to fix was
"In mirrors she finds fragments,"
to turn it to
"In mirrors, she finds fragments,"
due to the separation of the action of the finding and what she finds the fragments in itself.

Chocolate Bar - Highlights of the Piece
This piece is really incredible. Phoenix transitions (tying in with the title), playing with the idea of dawn and light (which was beautiful), and reflections and mirrors- incredible. Not to mention, phoenixes have a piercing cry (as most birds do), so it fits perfectly with the second-to-last line. Gosh, this is an incredible piece.

Closing Graham Cracker - Closing Thoughts
This is a great poem, and you are an incredible poet, not just with the way you weave words together, but also with the way the readers feel from your poem so rawly. If that doesn't make sense, it feels like we're seeing right into the barest parts of your soul and we're showing you ours back. (That probably doesn't make sense, sorry.) I can't wait to read more of your writing!

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User avatar
zursida Review
zursida wrote a review Review · Jan 20, 2025

hi!

I forgot this place existed xD

for me, one of the standout strengths here is your use of metaphor. the idea of sewing identity, courage, and pain together feel like a lot at first, but it ends up mirroring the narrator's journey. I assume with identity?!? everything carries so much emotional weight while still feeling light and delicate.

I think there’s a lot of potential to explore sensory details. when describing her voice as "an echo in the wind," what does that echo sound like? echoey, yes, but there must be more to it! similarly, when "streetlights bow in reverence to her rebirth," how does that reverence feel in the setting? you could expand on those and make this poem more immersive to outsiders.

if anything, you might consider tightening the final stanza so that it ties back to the imagery in the opening. that would make a full-circle effect :D

Zhana :)

Ardor replied · Jan 20, 2025

Thank you for the feedback



Everything has to be taken on trust; truth is only that which is taken to be true. It's the currency of living. There may be nothing behind it, but it doesn't make any difference so long as it is honoured. One acts on assumptions. What do you assume?
— Player (Rosencrantz & Guildenstern Are Dead by Tom Stoppard)