The Tower Girls- 2.1

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Summary of Ch 1 and what I'd like your opinions on:
Spoiler
Mirzi and Punzi (Rapunzel) have been trapped in a tower outside the village of Redbrook by Mirzi's mother, a witch. Prince Henry, who began visiting them a year ago and is in love with Punzi, was caught by the witch a month ago and hasn't been seen since. The witch cut off Punzi's hair and they're stuck. Both are majorly upset about Henry and the fact that they're soon going to starve to death.

I realise that I'm prone to infodumps, especially in this story so please point out anything too dumpy- but also try and tell me how to get rid of it. Also, the history at the start isn't necessary right now, but I want to give the history in bitesize chunks and I'm not sure how to do it. And then the personal background that follows just before the flashback of Henry's arrival- too much, or necessary? So all comments appreciated, but especially on the infodumping!


CHAPTER TWO- RUSS

The tower must have been more than three hundred years old, built, as Redbrook village was, before the Deadwoods were replanted. They had been burnt down during a war with Polleda to the south- the only war Aldira had ever had with that country. Ten years later, the country starved of wood, King Helan used the money in his own pocket to buy seeds and saplings from neighbouring kingdoms-even Polleda itself- and had the royal gardeners come and install the widest variation of trees that would grow here. Magic, the natural magic that Aldira has such rich deposits of, helped and the Deadwoods were filled with life.
The woods engulfed many villages, places that now lay abandoned, but not Redbrook. A flow of pilgrims came through the village on account of the temple. It was called Mirzia’s Temple and was the place where my namesake, the Beloved Traitor, supposedly once took her rest, a place now blessed with her own magic and luck. But none of the pilgrims ever noticed the old watchtower, or learnt the secret of the girl locked inside it.
I had been coming to the tower for as long as my memory reaches back. I couldn’t remember ever meeting Punzi, ever telling her my name or finding hers. We had just known each other, been a fact in the other’s life, for seventeen years. I did remember countless visits to “the girl in the tower,” with my mother as I grew up. Sometimes she would leave the two of us there all day. As I got a little older and saw how the Redbrook mothers treated their children, it made me wonder how Punzi and I never hurt ourselves as she locked us in and went about her business. Perhaps she put a spell on us.
Whatever way it came about, Punzi and I had been best friends our entire lives, she in the tower and I in the cottage with my mother in Redbrook. Or at least I did, until when all of a sudden, at the age of fourteen, I found myself up here with her, and there were two of us.
I could have escaped. Punzi’s long rope of hair would have served me just as well as my mother. I suppose, in the end, my mother knew I didn’t have the heart to. Just as I didn’t have the heart to do a lot of things. So I stayed. My mother appeared once a week or thereabouts to give us food and other necessities. On one of her visits Punzi mentioned a toothache and the very next day she returned with a poultice. But there was never any news of the outside world, no hint of what she had left us for. I was too afraid to ask. So we simply continued, I cooked, Punzi cleaned and every so often we undertook the mammoth task of washing her hair.
It was all normal, regular, standard, when Prince Henry arrived, on a white horse and everything, and turned our lives upside down.
Later, I would be driven made by the call used by suitors (though at the same time it was the only thing keeping me sane). But right then, his voice was like a spring wind, fresh and young.
“Rapunzel, Rapunzel, let down your hair!”
It was possibly the biggest shock since I was that tear-soaked fourteen year old watching her mother brick up a doorway. Punzi dropped her embroidery, her eyes widening.
“What will we do?”
Of course, if I had any sense at all I would have told her to pretend we weren’t here, to stay silent until they left. Who knew what they would do to us? If you’ll forgive me, it was the first new voice I had heard in a long time. I stood up and ran to the window before Punzi did.
There were two boys at the bottom of the tower, two horses beside them, both heads adorned with the soft brown curls that so many Aldirans had. I wondered if they were brothers. “Please, lady,” said one- the larger of the two. “Please. We won’t hurt you.”
I nodded to Punzi and we began throwing loops of hair to him and he climbed up. My heart fluttered. My mouth hung open.
“Hello,” he said, hoisting himself through the window and taking Punzi’s hand. “I’m Henry.”
From my spot in the shadows I took a moment to observe him. Broad, tall, with a wide, open flat face and deep blue eyes.
He did not look like danger.
He jerked his head down towards the bottom of the tower. “Russ will keep watch,” he said.
“Your brother?” I voiced my question.
He turned, stunned at the sound. “There are two ladies up here.”
Punzi was staring at him, taking in every stitch of clothing, every inch of skin, and her mouth moved without her recognition of it. “I’m not a lady,” she said.
“Then please, who might you be?”
She seemed too stunned by his existence and her last statement to speak, so I did instead. “I’m Mirzi Crackledawn. This is Punzi.”
“My pleasure. And to answer your question, Russ isn’t my brother. He’s, uh, my servant, as a matter of fact, though I count him amongst my friends.”
My eyes widened. In Redbrook nobody had servants, the closest I knew to one was, well, myself.
“We just happened to be here with the hunt,” he explained, “when I saw the woman, and your hair, and forgive me, I couldn’t help but be intrigued.”
“Where are the hunt now?” I checked. I had seen them stampeding through the Freesons’ fields, yapping and yelling. I didn’t want them all here. Solitude was not ideal, but all those dogs and horses, watching us, waiting as if we were their new prey was even worse.
“I sent them back,” he said simply, as if it was the most normal thing in the world. He looked back at Punzi. “You don’t talk much, Lady Punzi who is not a lady.” He smiled wryly.
“I-” and I’ve always wondered what she meant to say here, perhaps, “I’m not a lady” again or “I’ve never seen a man before” but instead she bowed her head and said, “I don’t have anything to say.”
Henry put two fingers under her chin and lifted it up. “Then we’ll soon change that.”
Change that and everything else besides. Henry didn’t keep his secret long, his next visit confessing that he was the Prince of Aldira. Slowly, I watched Punzi open up to him. He brought her presents, was patient and sweet to her. I have to admit I wasn’t sure- when was I ever?- but he made her happy and so I allowed him. I liked Henry and when he wasn’t being romantic with Punzi I found myself joking and laughing with him. We were friends. So when I caught him laying that first tentative kiss on Punzi’s lips, it didn’t frighten me as much as maybe it should have.
Now though, we were as abandoned by him as we were by my mother, plagued by suitors who were worse than the hunt. I had no idea who had told them we were here, no idea why none of them offered us any real escape. Henry would have given us an actual way of getting out of the tower, had offered before, though something had made us decline or put it off every time.
The fact he wasn’t doing anything worried me. Because it suggested that something terrible had happened to him. I was haunted the thoughts of him dead, of Russ and his other friends and family grieving, the country in mourning, and the two girls who had caused it clueless, starving and alone. Probably as they deserved.

[This is all flashbacky. But because the chapter was so long I broke it here. And it's still really long. Sorry! But if I put the next part up, it literally just goes back into the story. Or do you think the flashback isn't working at all. Tell me!]
"Stella. You were in my dream the other night. And everyone called you Princess." -Lauren2010




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Hey, Stella(: I’m going to review this. I’m warning you now I didn’t read the first half, I just read the summary so I hope that’s okay.

Nitpicks:
Ten years later, the country starved of wood, . King Helan used the money in his own pocket to buy seeds and saplings from neighbouring kingdoms-even Polleda itself- and had the royal gardeners come and install the widest variation of trees that would grow here.

Holy cow, what a sentence. Also how does a country “starve” of wood? First off, I don’t know which country you are talking about (Polleda or Aldira; also is Redbrook village in Aldira?) There should be a full stop after wood, if I am reading this correctly. You might also want to put which kingdom Helan ruled in because I think it’s Aldira but it could be anything. And I don’t think that itself is necessary
ever telling her my name or finding hers.

Finding out her’s? Apostrophe, dear(:

Or at least I did, until when all of a sudden, at the age of fourteen, I found myself up here with her, and there were two of us.

Did what? I know it’s saying that she did live in the village until she was fourteen but the wording doesn’t fit in with the sentence before it.

I suppose, in the end, my mother knew I didn’t have the heart to.

Heart to escape or the heart to leave Punzi behind?
On one of her visits Punzi mentioned a toothache and the very next day she returned with a poultice.

On one of her visits(comma) Punzi…

So we simply continued, I cooked, Punzi cleaned and every so often we undertook the mammoth task of washing her hair.


Maybe put a full stop after continued and add living on our own? I think that would add a little bit more to this. Then put a semi-colon after cooked(:


It was all normal, regular, standard, when Prince Henry arrived, on a white horse and everything, and turned our lives upside down.

Okay, you are introducing a new character here, or just mentioning him. Either way this sentence doesn’t do that justice. It’s confusing and I think that it would be okay with just one of those synonyms at the beginning. And instead of when maybe try putting until? That would be a little cliché but it would get the point across and one little cliché won’t never killed anyone (well…it could have but this one won’t).

Later, I would be driven made

Mad(:

If you’ll forgive me, it was the first new voice I had heard in a long time

This is the first time Mirzi has talked to the reader directly. Either you want to do that or you don’t but I would try to start doing it early on if it is going to continue.

From my spot in the shadows I took a moment to observe him.

Comma after shadows.
In Redbrook nobody had servants, the closest I knew to one was, well, myself.

Semi-colon after servants.

“when I saw the woman, and your hair, and forgive me, I couldn’t help but be intrigued.”

What woman? Punzi? How could he have seen her if they are in a tower?

Overall:
I love this! I was wondering how you were going to do this because Rapunzel has been redone so many times but I enjoyed the fact that Mirzi was added (plus I love the names). I'm going to have to go back and read the first chapter now; although, I may have already...I don't remember. On the info-dumping, you only really did it at the beginning of this chapter. I noticed I was getting a little confused with the story of the forests and such because I wasn't familiar with the kingdom names. I know you're probably going to think I'm crazy, but maybe if you spread it out more, described it more it would be easier to understand. If I was reading this on paper, like in book format I would enjoy like a page of backstory every so often. But make sure that's it's relevant to what's going on in the immediate future. I can't wait 'til you post more; please PM me when you do(:

~peanut~
There is a light in you, a Vision in the making with sorrow enough to extinguish the stars. I can help you.
~And The Light Fades


The people down here are our zombies, who should be dead or not exist but do.
~Away From What We Started


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Hi Stella! I really liked this because I love the story.

You are correct though. You have a few info dumps in here. Especially the history in the beginning. The reason it is so bad because it is just that; it feels like I am reading out of my history book. You don't show any emotion. What does the girl think about the history? What does she feel about the history? Does she wish it was different? If you answer these questions as you go along it will make the history become more interesting and it will make people feel like there is a reason she is telling them and there is a reason why the character would be thinking about it. Just give a personal (like the character) spin on things. Give some attitude. If the character thinks women should be treated better, add in something where she is angry at how she was treated. If the character has something against pollution and wrecking the earth show her anger that the trees were cut down.

That leads me to another thing. I know this is flashback and the girl is just telling the story, but I don't get any feel of the characters at all. I don't know if Henry is funny or serious. Does he like to have long deep talks or is he the type of person who always keeps things lively and fun? It really only takes a sentence or two to add some spice to the characters. Right now I am afraid they all seem pretty boring. For example, because the girl is telling the story you could say,

"Even though I had some misgivings about Henry having a servant at first I realized that he treated everyone like they were his equals." Or something. That would show us that he was kind and not high and mighty. And through saying that you would also show some of the narrator's character as well. Without being told I would realize that she is wary of 'royalty' and so on.

And that brings me to another thing. XD I feel like in this you tell, tell, tell. That is another problem with your info dumps. There is really know good way to explain how to tell. It just takes practice. For example, if this Henry dude is funny instead of saying:

Henry was a handy man even though he was a prince. He knew his way around almost everything and he was hands on.


Say:

"Even though Henry was with us for a while he still made time to fix things up. Within a years time the sink was fixed, our lights worked better, and we had a bigger tub installed. and bla bla bla"

But do you get what I mean?

Overall this is good, but I think you need to work on making your writing style and characters a little more spicy. Make it and them more original. Live dangerously. If you have any questions P.M. me.

I hope I helped,

A. S.




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Hi Stella,

I actually quite enjoyed the "info dump". Info dumps enjoy a pretty bad reputation by virtue of being regularly misused in useless prologues, but all stories require some info dumpoing at some point. There's subtle ways to be sure, but sometimes you just gotta put the info down somehow. And in a first-person narrative, it does make sense that our narrator is gonna tell us about the world at some point.

One point, though:

They had been burnt down during a war with Polleda to the south- the only war Aldira had ever had with that country.


Not sure how pertinent the bit after the dash is. Why does it matter how many times they fought? Does it have some later significance?

Anyway, I enjoyed the thing about importing saplings and such. Nice details.

I remember reading the first chapter of this (I think, anyway) and complaining that I literally had no idea what was going in. So it's nice to be in a place where I can be like, okay, I know who she is and who she is and why he's here. It's info dumping but it's neccesary. Although I am somewhat confused why Mirzi stayed there. But maybe that's just her character. If so, I'd like to see that shown to me, rather than being told. Something that shows me she is scared of going against her mother or whatever.

“My pleasure. And to answer your question, Russ isn’t my brother. He’s, uh, my servant, as a matter of fact, though I count him amongst my friends.”


I sort of groaned in my head here, because I get a bit bored of the fantasy trope whereby a "good guy" treats his servants as his friends. Assuming this is a medievalistic culture, it wouldn't really happen, even with the best of people. Sure, Russ might be in Henry's confidence, or be one of his favourites, but I doubt he would describe him as a friend, ever.

As for the ending info-dump, I really disliked it. It killed the set up you had. I understand it being "flashbacky" but that doesn't mean you should rob us of the tension of seeing Henry admit he is the "Prince of Aldira" (whatever that is, it sounds quite important though). And we also miss the development of their relationship. It bummed me out because I thought the chapter was going somewhere but it was just sorta "oh yeah, and then this happened and this happened and that's where we are now!". If you're going to flashback, at least let us see it properly like.

Now though, we were as abandoned by him as we were by my mother, plagued by suitors who were worse than the hunt. I had no idea who had told them we were here, no idea why none of them offered us any real escape. Henry would have given us an actual way of getting out of the tower, had offered before, though something had made us decline or put it off every time.


This struck me as particularly poorly constructed/written. There's a lot of commas and a lot of confusing statements (to the reader). The second sentence is a mess and the third seems to be missing words. I'd work on this or remove it, because right now it's not great.

So, basically, I enjoyed the beginning but hated how it ended. Although, perhaps the rest of the chapter that you haven't shared might save it as it's not a natural ending, just the one you've given us. I'd worry less about info dumping and more about not actually letting us see the characters interact. The history stuff is fine -- it's bad if you start info dumping things that have happened between characters rather than actually writing the scenes. It loses the impact, the tension, the importance that they might have had and turned them into one sentence footnotes.

Good luck with it.
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Princess Stéllanine Samara of the Winchester Court of Luxembourg!

This story makes me so happy. I have to admit, most often I only read stories on here because their author asks me to review them, but this I've read and will read because it makes so happy and amuses me. I agree that the first part of the chapter could do with some dialogue, but it's not fatally crucial because you've written it entertainingly. And despite what I said in chapter 1, I love it that I can hear your voice in Mirzi's. xD (Two voices, one song story :oooo)


I couldn’t remember ever meeting Punzi, ever telling her my name or finding hers.


Finding out?


“Please, lady,” said one- the larger of the two. “Please. We won’t hurt you.”



In Redbrook nobody had servants, the closest I knew to one was, well, myself.


this is such a Stella sentence, except the first comma should be a semi-colon or a colon or a dash.


“We just happened to be here with the hunt,” he explained, “when I saw the woman, and your hair, and forgive me, I couldn’t help but be intrigued.”


Yes, proper dialogue punctuation YES.


Henry put two fingers under her chin and lifted it up. “Then we’ll soon change that.”


<3


I suppose I have to wait for a long time until you post more D:


Cordially yours,

Princess Demette Deanna of the Winchester Court of Monaco.
"Your jokes are scarier than your earrings." -Twit

"14. Pretend like you would want him even if he wasn't a prince. (Yeah, right.)" -How to Make a Guy Like You - Disney Princess Style

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I told you I would review this! :D

First, a typo!

Later, I would be driven made by the call used by suitors (though at the same time it was the only thing keeping me sane). <-- made should be "mad"

I'm not quite sure I like this bit... I mean, it wasn't written badly at all and in fact was very enjoyable! I agree with Firestarter with this. Besides, info dumps aren't that bad, if you're telling a story, which you are! However, juxtaposed against the first chapter, it seems like you're repeating yourself on many of the particulars in the first chapter, but in a less interesting way, save for the part where Russ and Henry are talking with the girls. See if you can talk about the new information without having to repeat the old information a second time. That way, it'll seem a lot smoother.

Hope this helps! :D

Also, I demand more. And have you made a club for this novel yet?
Ubi caritas est vera, Deus ibi est.

"The mark of your ignorance is the depth of your belief in injustice and tragedy. What the caterpillar calls the end of the world, the Master calls the butterfly." ~ Richard Bach

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