The Cottage

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i dont write that much fiction really, i tend to write poetry more. Here is an attempt of mine, just a section from a story i'm writing.
i would appreciate constructive criticism please!



:)





The cottage

The car journey was long and awkward. George drove fast, but carefully, sitting far forward in his seat, his hands clenched tightly around the steering wheel as if his life depended on it. Neither one of us attempted to make conversation, for the loud drone of the engine would have drowned out any speech. George’s eyes were constantly focused on the road ahead, burning onto the tarmac lying before us as far as I could see. We were alone on the country roads, never passing a single car. Our only companions were the foxes, darting across the roads stealthily, surprised to see an audience to their nightly events.
After an hour or so of driving, George turned left onto a narrow lane surrounded by conifers. The lane seemed to continue perpetually, meandering and winding as George’s old escort jolted up and down over every crevice and bump in the road. Finally, we approached a drive leading up to a small building, no bigger than one floor of my house. The cottage emerged wholly as the headlights scanned it. George backed the car onto a rectangular section of brick, which I assumed had been laid for use of a parking space. I didn’t see the point of a designated parking space when the grounds of the house were so vast, but I didn’t question the logic of George’s mind. I guessed that to truly understand a mind like his, years of arduous study were required and I definitely wasn’t prepared to do that.
The cottage was broad, but lacking in height, I doubted if George, in all of his six foot three glory, would be able to stand up inside. Bordered by a low picket fence, the house was double-fronted with a little red door in the middle with two leaded windows either side. The left half of the house was covered in deep red ivy, tinted by autumn and the woodland behind provided the perfect backdrop, the leaves divine colors of gold and burgundy. It was the kind of house my mother had always dreamt of living in, a perfect, secluded retreat in the country. She could slouch in a deckchair in the garden sipping lemonade whilst Jude and I climbed trees and played tag in the woodland. She’d bake cakes in the kitchen with the windows wide open, the smell wafting across the fields as I roamed the woods, picking wild flowers…
This house could’ve been like that, but it had an air about it that made me uncomfortable. It was unloved, neglected, and almost sinister, as if it were withholding a secret. Beneath the beautiful exterior was something less inviting, I just couldn’t put my finger on what it was.
George stopped the car abruptly, pushing his foot down on the brake violently. He yanked the keys out of the ignition and flung the door open, swinging both legs and heaving himself out.
“Are you going to get out then?” he glared at me through the window and slammed the driver’s door shut.
I hauled myself out of the car reluctantly, watching George rummage through the pockets of his jeans in search of the front door key. The cold air hit me like a hundred knives, all stabbing at once and I shivered. George looked back at me, not with consideration but with disgust. He had a way of belittling people with just one glance and this particular look wasn’t an exception.
“It’s not that cold, for god’s sake.” he spat the words out aggressively and looked away. For a moment, I could’ve sworn that I saw remorse upon his face, an emotion that George never portrayed.
“Let’s get inside,” he brandished the key in front of my face and then put it into the lock, the hinges squeaked and he had to kick the door before it would open.
“After you.” He stood back and held out an arm, insinuating that I should go first. I scanned his face for sarcasm, but I couldn’t detect any. His expression softened, almost as if he was trying to fight back a smile. I’d never seen him smile before, it would’ve been a refreshing change from the constant grave look always glued to his face. The corners of my own mouth turned up into a slight smile as I passed him in the doorway. Almost as soon as he realized that his serious front was dropping, he straightened up and frowned again.
“Hurry up.” He demanded with a sense of threat in his tone. He closed the door behind us with a bang and we were inside.
Last edited by helenelizabethclarke on Sun Dec 28, 2008 5:37 pm, edited 4 times in total.
"When I listen to poetry and music, then I can live. You see, darling, the rest of the time it's just me. And that's not enough"- Educating Ritahttp://liveloveliterature.tumblr.com/




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Hi, Helen I'm Peanut. For some one who doesn't normally write fiction this was really good.There really wasn't much wrong with it.

The car journey was long and awkward. George drove fast, but carefully, sitting far forward in his seat, with his hands clenched tightly around the steering wheel as if his life depended on it.


Here you can start a new sentence by making the comma between seat and with a period and taking out the with. Or just keep it one sentence just take out the with.

Finally, we approached a drive leading up to a small building, no bigger than just one floor of my house.


You can take out the just. I think it would sound better without it.

The cottage was broad, but lacking in height, I doubted if George, in all of his six foot three glory would be able to stand up inside.


There needs to be a comma after glory.


That was all I found, good job! Hope to read more.
~peanut~
There is a light in you, a Vision in the making with sorrow enough to extinguish the stars. I can help you.
~And The Light Fades


The people down here are our zombies, who should be dead or not exist but do.
~Away From What We Started


P.S Got YWS?




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helenelizabethclarke wrote:The car journey was long and awkward. George drove fast, but carefully, sitting far forward* in his seat, his hands clenched tightly around the steering wheel as if his life depended on it. Neither one of us attempted to make conversation, for the loud drone of the engine would have drowned out any speech. George’s eyes were constantly focused on the road ahead, burning onto the tarmac lying before us as far as I could see. We were alone on the country roads, never passing a single car. Our only companions were the foxes, darting across the roads stealthily, surprised to see an audience to their nightly events.

*: This sounds funny to me. Maybe try something like 'sitting on the front of his seat' or 'sitting on the edge of his seat'.
That was the only thing I could find that I didn't like about this :)

helenelizabethclarke wrote: The cottage was broad, but lacking in height, I doubted if George, in all of his six foot three glory, would be able to stand up inside. Bordered by a low picket fence, the house was double-fronted with a little red door in the middle with two leaded windows either side. The left half of the house was covered in deep red ivy, tinted by autumn and the woodland behind provided the perfect backdrop, the leaves divine colors of gold and burgundy. It was the kind of house my mother had always dreamt of living in, a perfect, secluded retreat in the country. She could slouch in a deckchair in the garden sipping lemonade whilst Jude and I climbed trees and played tag in the woodland. She’d bake cakes in the kitchen with the windows wide open, the smell wafting across the fields as I roamed the woods, picking wild flowers…

Awesome description here! Seriously, I can visualize this house perfectly :)

I really liked this. You have very good language skills and have a very wide vocabulary which is awesome. I loved the description in this, it was done very well.
The only thing is that, to me, it wasn't super exciting. It kind of dragged out and I don't know the characters at all. George just seems like a complete ass to me, maybe he is, I don't know, but I'd like to know why he is like he is and why are they even going to the cottage?
Nice work though, I'm giving you a gold star! :D

-Carly
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Hello Helen xD My reviewing system might seem quite strange at first, but it's easier once you get used to it :) The numbered parts are mentioned at the bottom, they're the bits I comment on. Confusing? It's so I don't make huge long comments on the quote and then I lose where I am etc. You'll get it eventually ;)

The cottage


The car journey was long and awkward. 1 George drove fast, but carefully, sitting far forward in his seat, his hands clenched tightly around the steering wheel as if his life depended on it. Neither one of us attempted to make conversation, for the loud drone of the engine would have drowned out any speech. George’s eyes were constantly focused on the road ahead, burning onto the tarmac lying before us as far as I could see. We were alone on the country roads, never passing a single car. Our only companions were the foxes, darting across the roads stealthily, surprised to see an audience to their nightly events. 2

After an hour or so of driving, George turned left onto a narrow lane surrounded by conifers. The lane seemed to continue perpetually, meandering and winding as George’s old escort jolted up and down over every crevice and bump in the road. Finally, we approached a drive leading up to a small building, no bigger than one floor of my house. The cottage emerged wholly as the headlights scanned it. George backed the car onto a rectangular section of brick, which I assumed had been laid for use of a parking space. I didn’t see the point of a designated parking space when the grounds of the house were so vast, but I didn’t question the logic of George’s mind. I guessed that to truly understand a mind like his, years of arduous study were required and I definitely wasn’t prepared to do that. 3

The cottage was broad, but lacking in height, I doubted if George, in all of his six foot three glory, would be able to stand up inside. Bordered by a low picket fence, the house was double-fronted with a little red door in the middle with two leaded windows either side. The left half of the house was covered in deep red ivy, tinted by autumn and the woodland behind provided the perfect backdrop, the leaves divine colors of gold and burgundy. It was the kind of house my mother had always dreamt of living in, a perfect, secluded retreat in the country. She could slouch in a deckchair in the garden sipping lemonade whilst Jude and I climbed trees and played tag in the woodland. She’d bake cakes in the kitchen with the windows wide open, the smell wafting across the fields as I roamed the woods, picking wild flowers… 4

This house could’ve been like that, but it had an air about it that made me uncomfortable. It was unloved, neglected, and almost sinister, as if it were withholding a secret. Beneath the beautiful exterior was something less inviting, I just couldn’t put my finger on what it was. 5

George stopped the car abruptly, pushing his foot down on the brake violently. He yanked the keys out of the ignition and flung the door open, swinging both legs and heaving himself out.

“Are you going to get out then?”6 he glared at me through the window and slammed the driver’s door shut.

I hauled myself out of the car reluctantly, watching George rummage through the pockets of his jeans in search of the front door key. The cold air hit me like a hundred knives, all stabbing at once and I shivered. George looked back at me, not with consideration but with disgust. He had a way of belittling people with just one glance and this particular look wasn’t an exception.

“It’s not that cold, for god’s sake.” he spat the words out aggressively and looked away. For a moment, I could’ve sworn that I saw remorse upon his face, an emotion that George never portrayed.

“Let’s get inside,” he brandished the key in front of my face and then put it into the lock, the hinges squeaked and he had to kick the door before it would open.

“After you.” He stood back and held out an arm, insinuating that I should go first. I scanned his face for sarcasm, but I couldn’t detect any. His expression softened, almost as if he was trying to fight back a smile. I’d never seen him smile before, it would’ve been a refreshing change from the constant grave look always glued to his face. 7 The corners of my own mouth turned up into a slight smile as I passed him in the doorway. Almost as soon as he realized that his serious front was dropping, he straightened up and frowned again.

“Hurry up.” He demanded with a sense of threat in his tone. He closed the door behind us with a bang and we were inside.


Okay; I liked this, but I take it it's got a second chapter? Otherwise, it seemed kind of pointless :lol: I want to know what's in the house and why they're there. I did like it though, but you need to improve a few things:

:arrow: Character development.

As this is just the first chapter, I don't think there's too much of an issue. George was beginning to develop, but it wasn't long enough for him to fully do so. If this piece is added to you should work more on character development.
Show your characters in different situations. How would they react? Would they question themselves? etc. Also, make up a character sheet with information on your characters. Give them quirks, without quirks we are nothing. Differentiate them, we don't want flat people. Characters are real. They are, so make them real. Are they partial to cheescake? Do they love socks? Have a tendency to perfect everything? Tell us. Make them leap off the page.

Plot development.
Make it different from the rest. This does not mean it has to be wickedly original or anything. After all, lots of geniuses have lived before us, and come up with all the plots that most stories today are based on. Take for example, a story about two children who's parents die and they are sent out on the streets. Bla bla bla, I don't want to read it already, it sounds boring and cliched and the same as a million other stories. Okay, so what if one of the children was severely disabled and the other rejected reality and spent their days dreaming? Still boring? What if strange men walk the streets at night? What if there is a girl following them? Only, the girl isn't real. You get me? Even the crappiest plot can be made interesting.

Imagery and description.

Don't be afraid of over describing things. To name and shame someone who does so but her stories are absolutely and utterly some of the best you will ever read <castlesinthesky> read anything by her. Ask her for some tips. She describes things a lot, and will admit it, but this doesn't make her writing bad, it makes it even better. Just be careful about how you do this. Sarah rocks :)

Now, onto those strange numbered things :lol:

1. I don't really know why, but I like this as a start. It's not explainable, but I do like it.

2. The first paragraph is good, but I think you need some more imagery. This would benefit your story.

3. heheh that reminds me of something someone said about me the other day, I apparently have a such a deep mind that it would take years to begin to understand me, even still you wouldn't be able to fully do so. That's another story entirely though.

4. I like the part about her mother's dream home. It shows good insight.

5. Good insight again.

6. He should be capatilized.

7. I don't think glued is the right word here.

~ Lost ~
for what are we without words and stories?




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Wow, for a poet you write some gewd fiction. One problem for me is that George's relation to the persona is hard to grasp.

“Are you going to get out then?” he glared at me through the window and slammed the driver’s door shut.


There should be a comma between "out" and "then".

The cold air hit me like a hundred knives, all stabbing at once and I shivered.


If it hits them like a hundred knives, that indicates all at once anyway, so the "all stabbing at once" can be removed completely.

“It’s not that cold, for god’s sake.” he spat the words out aggressively and looked away.


Capitalise God, and there should be a comma, not a period, after "sake".

I’d never seen him smile before, it would’ve been a refreshing change from the constant grave look always glued to his face.


Glued? How about "the grave look he constantly wore" or something along those lines...?

Great descriptions. This has potential!
Does anyone else smell books when they read them?




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Hey there! June here!

So! Everyone else has basically covered your grammar issues that lay up there, so I won't do the broken record move and repeat them. Instead, I'll just give you... a review!

So, this was good! I liked it alot. It held that tense air from the beginning and kept it until the end. Very well done. I could see that you are a poet in this. Your usage of description and imagery are very much like the ones used in poetry. And that's a good thing.

There were a few places that could use a touch here, a touch there, but on the whole it was good. Nicely written and all. I liked it; the lack of character interaction was done brilliantly. Normally it would irk me, but here, it was done well.

I would love for you to continue this! If you do, please PM me!

Great job!
June
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