Principle's Death

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They don't know what's so fun about shooting an empty can of beans with a rifle--is it the way the can jumps into the air on a successful hit, the soft plink of the bullet punching through the can? Or is it the knowledge that despite the naturally violent nature of the gun, they are doing no harm?

The two boys are miles away from Ashville, from any human contact, really. They'd driven out into the country by themselves, as they had countless times before; but this time is different. This is the first time they've been without their parents. Cameron's 21st birthday was only three days earlier. They've brought their rifles with them, Kev with his 17 HMR Savage and Cameron with his 30.06 Mossberg.

PLINK!

"Nice shot man," Cameron says as the can falls yet again. As Kevin works the bolt on his rifle, ejecting the still-smoking cartridge from the receiver, Cameron walks out into the field to retrieve the can and set it back up onto their favorite stump. It is chipped and riddled with old bullet holes from a time when they were kids, a time when they couldn't hit the can any time, every time.

Kevin stands up from his kneeling position, tentatively picking up the spent cartridge and dropping it into his pocket. They never litter the ground with their garbage, for they hold this land close to their hearts. It is part of their childhood, and therefore part of them.

Cameron walks back to Kevin and replaces him behind the line they had drawn in the dirt, with the same stick they'd used the past dozen or so times they'd been out there

The crack of the 30.06 is much louder, but no more gratifying, than the soft plink of the 17.

Kevin laughs. "Not getting old on me, are you man?" The can remains perched atop the stump, mocking Cameron after the glancing shot that took it in the side, nevertheless demolishing the majority of it.

"Must be," Cameron says without so much as a smile. Kevin is the jokester of this dynamic duo; Cameron merely enjoys it with a quiet contentment. He works the bolt on his rifle and effortlessly catches the shell out of the air as it flies from the rifle's receiver.

Kevin reaches into the canvas sack they bring with them each trip and withdraws a new can. "Care to try again?" he asks his brother.

Cameron smirks. "Set 'er up."

Kevin does so, gathering as many pieces of the previous can as he is able to find. He drops them all into the canvas sack and stands by as Cameron sets up to fire again.

Cameron's finger tightens on the trigger, his left eye squints shut as he looks down the barrel of the rifle, and he exhales audibly. The rifle cracks. The can explodes.

A man screams.


Kevin awoke with a start, the sound of the man’s scream still fresh in his memory. He sighed. Swinging his legs over the edge of the bed, he dropped his head into his hands. He let his toes grip the carpet, which was soft and inviting, like pillows for his feet.

“Fuck you too,” he said to the darkness. The memory was all to clear in his mind–he wouldn’t be sleeping anytime soon. The glowing blue numbers on his clock taunted him, and he turned it around; they burnt his eyes. Besides, he didn’t want to know how long he had till work started.

He climbed to his feet, tentatively feeling his way to the door, trying to avoid the weights, clothes, and books that littered his floor. He stumbled only once, his foot catching on a particularly malicious magazine.

“And you too, Guns and Ammo. Fuck you.”

He staggered out of the bathroom, his legs still numb with sleep. Even in the middle of June, the kitchen floor was freezing. Pizza and Beer. Pizza. And. Beer. Kevin smiled at the thought. The fridge was bright, and he squinted into the sudden, blinding light. He found what he needed mostly by touch, his fingers unerringly finding the cold, inviting glass bottle of DosEquis. The pizza box was slightly more evasive, since nearly half the containers in the fridge were tupperware filled with leftovers from the last week. He tossed the pizza box on the kitchen table and then popped the top on the DosEquis as he had a thousand times before.

Taking a long swallow, he set the bottle down reluctantly and opened the pizza box. He considered the sausage and olive slices a moment, then placed them all into the toaster oven with great care. Kevin believed that toaster ovens were one of the best inventions in the history of mankind, right up there with indoor plumbing and women’s thongs. Toaster ovens combined the ease and convenience of a microwave with the practicality and home baked taste of an oven. Plus it cooks a mean slice of frozen pizza.

As he waited for the pizza to cook, Kevin plopped down into the couch he’d bought only a few days earlier. He wasn’t sure how he felt about it, yet. It was comfy to be sure, with plush cushions that practically sank to the floor, a reclining back complete with footrest, and even a cup holder for his Dos. The problem, however, lay in the fact that this couch reminded him of Cameron. It resembled the couch he and his brother had spent countless hours playing video games on while they spilt crumbs on the cushions and soda on the carpet.

Kevin frowned, sighed, and took another swig of his Dos. He set the bottle in the cup holder, then leaned back into the couch, reclining comfortably. He closed his eyes and leaned heavily into the couch, waiting for the ding of the toaster’s timer.

”Jesus Kev, this is a lot of blood...this guy’s fucked up–“ Cameron is crouched beside the man, gently peeling the ratty, bloodstained jacket away from the man’s skin. Crimson rivers trickle from his nose, mouth, and chest as Kevin watches in horror from behind his brother, using Cameron as a shield. He watches as the man’s eyes focus on his shooter and savior, only partially conscious.

“You shot me! You killed me, you sonofabitch! Bastards! Bastards both’a yeh,” the man mumbles with conviction, through bloodied teeth. Kevin wonders if it would be better to just leave the man to die. He is obviously a hobo, a vagabond, living on the road with no one to miss him but the squirrels on the side of the road.

“Cam...we can just go...we can leave him here and–“ Cameron turns to him, and the look on his face silences Kevin as efficiently as any punch would have.

“Fuck that, Kevin. We did this–suck it up and take responsibility. Do what has to be done. ‘Evil thrives in the inaction of principled men,’” Cameron says, quoting his philosophy class. He tears open the dying man’s shirt to get to the wound. He is an EMT in Ashville–even as a kid, Cameron had always shown a strong interest in helping those in need. Whenever they are in the same room, Kevin feels like an ant in Cameron’s shadow. He idolizes him and envies him. His movements are so assured, so confident and coolly competent.

“Get my phone, Kev. Call 911, and–now listen carefully–tell them we’re fifteen miles South, that’s SOUTH, of Ashville, on County Road 102. Tell them to send help ASAP. Answer their questions as best as you can. Do exactly what they say.”

Kevin scrambles to his feet, then runs toward Cameron’s dirt covered Bronco, at the side of the road.

He fumbles with the phone laying on the dash, then dials 911. The dispatcher picks up immediately.

“Please help–my brother shot somebody, he–the guy’s bleeding all over the place and–“

“Son, calm down–where are you?”

“We’re fifteen miles South of Ashville, on County Road 102, please hurry, the guy’s dying, my brother, he–“ Kevin realizes that the call has been terminated. He isn't sure how much of the call had gone through. He looks at the phone, dumbfounded. It's still on, there just isn’t any reception.

He hurries back to his brother.

“Did you get ahold of them?” Cameron asks.

“I–yeah, yeah they’re coming.”

For fifteen excruciating minutes the brothers wait, Cameron doing what he can for the injured man and Kevin merely sitting in the dirt, his arms wrapped around his knees as he watches the man’s chest, praying for some sign of breath. When help arrives, it is hardly what the brothers expect–three black and white police cars pull to the side of the road, two blocking Cameron’s Bronco in and one facing the two brothers. Six police officers climb out of the cars, guns drawn and raised toward the kids. They hide behind the bulletproof doors of their squad cars, and one raises a bullhorn to his lips.

A blast of feedback as the cop turns on the horn is enough to make Kevin cringe in discomfort. Cameron stares the police down with a grimace.

“Kick your weapons away from you and step away from the body!”

Kevin looks to Cameron; he may be the more outgoing of the duo, but Cameron was the leader, no contest.

“What do we do?” Kevin asks. Cameron grits his teeth together, his jaw muscles clenching behind his cheeks. He is flushed an angry red.

“We didn’t do anything wrong! Get an ambulance over here, this guy’s hurt bad!” Cameron yells to the cops, three of which have left the safety of their barriers to advance on the youths.

“Kick the fucking guns away!” The bullhorn yells, “and step away from the goddamn body!”

Kevin slowly takes a step away from the man on the ground, despite a look of betrayal on Cameron’s face.

“Fuck that man, we haven’t DONE anything! Call an ambulance, damn it! ‘The fuck is wrong with you pigs!”

With that, the world is thrown into chaos. Cameron drops to one knee to put pressure on the injured man’s wound, Kevin’s mouth opens in a scream of denial. The ranking cop yells something into the megaphone.

And one rookie cop gets overeager, his finger tightening on the trigger. The resulting explosion propels a bullet that takes Cameron in the right temple.

The metal slug, nearly half an inch in diameter, enters and exits Cameron’s skull in a fraction of a second. His blood sprays onto the ground, onto the hobo’s body, and onto Kevin, who still stand behind his brother, his arms high in the air in a futile attempt to disarm the situation.


Kevin didn’t even realize he’d fallen asleep. Cameron was killed instantly. No pain. Except the pain it left Kevin with. He got up from the couch, picking up his beer as he went, and walked over to the toaster oven, which was ringing shrilly in his ears. If it was one thing he didn’t like about his toaster oven, it was the alarm on it.

After Cameron died, the cops had rushed forward and taken Kevin down; they handcuffed him, threw him in the back of the squad car, and took him to the station. He was fifteen years old.

He reached into the oven, ignored the searing pain in his fingertips, and plopped the pizza slices onto a plate.

According to Cameron, they say that evil thrives in the inaction of principled men. What they don’t tell you, Kevin concluded, is that the first thing principles did was get you killed. All the better to live without them.

Kevin took a bite of pizza--

That's life.

–and swallowed the last of the beer.

Life. Yeah, fuck THAT shit.
Last edited by Ego on Fri Sep 14, 2007 6:30 am, edited 12 times in total.
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Freaking Amazing Mate.

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Yay! :D Thanks a lot! So... awesome and stuff. Emphasis on the stuff! :D

Okay, okay, very morbid stuff. As in OMG, SUPERMORBID. Still!

What I liked:

I loved the present tense/past tense variations!

I liked the characters! Cameron gets kudos because he's so awesome!

Pizza... this story makes me want to eat pizza! :D

In Which Snoink Inflicts DEATH:

I find it slightly unrealistic that the call gets terminated. I mean, if anything, I would think that they would want more clarification. If they're evil and all that jazz, they have to have a reason for it. So that's like... a huge gaping plot hole. It doesn't eat up the story, fortunately, but it definitely makes the impact that the story can create.


But yeah. You're just getting better and yeah. You can definitely get published if you put your nose on the grindstone and write your heart out. ;)
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Hunter wrote:They don't know what's so fun about shooting an empty can of beans with a rifle--is it the way the can jumps into the air on a successful hit, the soft plink of the bullet contacting the can? Or is it the knowledge that despite the naturally violent nature of the gun, they are doing no harm.


I think the last sentence should end in a question mark, too.

The two boys were miles away from Ashville, from any human contact, really. They'd driven out into the country by themselves, as they had countless times before; but this time was different. This was the first time they'd been without their parents. Cameron's 21st birthday was only three days earlier. He'd driven them out there. They'd brought their rifles with them, Kev with his 17 HMR Savage and Cameron with his 30.06 Mossberg.


I think you should use present tense for the italicized parts -- makes it more consistent, then.

Swinging his legs over the edge of the bed, he dropped his head into his hands as his bare feet touched the carpet. He let his toes grip the carpet, which was soft and inviting, like pillows for his feet.


The last sentence just sort of expands on the last part of the first sentence I quoted here. I suggest ending the first sentence after "he dropped his head into his hands" and then letting the second sentence speak for itself.

Taking a long swallow, he set the bottle down reluctantly and opened the pizza box. He considered the sausage and olive slices a moment, then placed them all into the toaster oven with great care. Kevin believed that toaster ovens were one of the best inventions in the history of mankind, right up there with indoor plumbing and women’s thongs. Toaster ovens combined the ease and convenience of a microwave with the practicality and home baked taste of an oven. Plus it cooks a mean slice of frozen pizza.


Hah, I love this random injection of humor. It breaks up the morbidity and really gives a glance at what Kevin has become, possibly out of necessity?

I absolutely love this. You've done an excellent job with the characters, especially how Cameron steps up as the protective older sibling and Kevin panics.

Snoink, I believe the call cut out due to bad reception. ;)

Great job. Very powerful work, and the perfect background to Kevin. I can definitely see how the event changed and shaped him from the innocent boy he used to be. Well duh, I suppose you are a psych major and would know stuff like that... ;) Excellent, excellent. :)
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Wow this is really good, Dono. From the beginning to the end I'm totally interested. You've made a great character out and the background was done very well. I already feel a connection and sorrow for your character and that's just in one post :). I also like the semi-comedy you added when he was getting breakfast, just the right touch. Great moral as well and descriptive words. When Cameron was shot it was expected but at the same time exciting because of the description. I can tell you have a great mind for guns ;) .

*Kevin believed that toaster ovens were one of the best inventions in the history of mankind, right up there with indoor plumbing and women’s thongs.

**Lol, one of my favorite funny parts.

Great job on this. I'll be looking for an update on this one for sure.

Keep it up!
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Hi there. I liked this when you posted that first part on Necropolis and now that I've seen the whole story it's even better. Your characters are believable and there's a lot of tension and action. Very good.
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the soft plink of the bullet contacting the can?


contacting is such an odd word to use here. It definetly halted the flow for me, and so early on, thats not good, eh. Try something else, maybe 'punching through the can' or somesuch.

PLINK!


You dont really need to change this, just happens to be a pet peeve of mine, I dislike such onomatopoeia, description is so much better. But no matter, thats just a nit-pick.

from a time when they were kids, a time when they couldn't hit the can [s]any time, every time[/s].


time, time, time.-- Repitition irritates. Where I've stricken, replace with 'at all.'

jokester


Is that a word? I'd have thought 'joker' would fit better..

set it back up onto their favorite stump. It is chipped and riddled with old bullet holes from a time ...

with the same stick they'd used the past ...

the canvas sack they bring with them each trip...


Okay. We get the point. The first two pointers that this is something they do often, a ritual if you will, are good and can stay. Its the third that you should get rid of. You've set it up nicely, now let it flow without now unnecessary add-ons.

with the same stick they'd used the past dozen or so times they'd been out there


forgot a period.

In any case, I agree with Snoinkus, this was really well constrcuted and it flowed well. You are indeed getting better. I couldn't help but feel that Kevin was closely modelled on you lol, hahaha. But yeah, very nicely done. Ah, I'm afraid my flash fiction won't hold against this; but I shall return to form in the next Duel.

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Oooh, morbid. But good. *sighs* Too good. I entered the Duel as well! Don't be so good!!

I didn't see any corrections - other peeps have done that anyway. :)
There was just this:

Hunter wrote:“Get my phone, Kev. Call 911, and–now listen carefully–tell them we’re fifteen, miles South, that’s SOUTH, of Ashville, on County Road 102. Tell them to send help ASAP. Answer their questions as best as you can. Do exactly what they say.”


That comma makes it sound like they're fifteen, like fifteen years old? Nix the comma?


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Hunter wrote:
“Fuck that man, we haven’t DONE anything! Call an[s]d[/s] ambulance, damn it! ‘The fuck is wrong with you pigs!”


Well. That was absolutely Brilliant! I love it and hate it cause it's all sad but well written amazing descriptions and a very good display of police retardedness and selective hearing.

Love it. I wouldn't be suprised to see it in a literary magazine. :D
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Hunter wrote:They don't know what's so fun about shooting an empty can of beans with a rifle--is it the way the can jumps into the air on a successful hit, the soft plink of the bullet punching through the can? Or is it the knowledge that despite the naturally violent nature of the gun, they are doing no harm


Starting with the ambiguous, the universal, then drawing us in with specifics.Good opening. I like plink, onomatopoeia is your friend. Ironic to that you use the word 'naturally' in relation to the gun, perharps reflecting that though the object is manmade, brutally synthetic, it is the product of very primal, natural human traits, fear, jealous, anger, pride etc. etc. etc.
Doing no harm an oblique reference to the hippocratic oath, again it's the whole technology vs humanity thing, speculative, almost gothic as a theme.

"Nice shot man," Cameron says as the can falls yet again. As Kevin works the bolt on his rifle, ejecting the still-smoking cartridge from the receiver, Cameron walks out into the field to retrieve the can and set it back up onto their favorite stump. It is chipped and riddled with old bullet holes from a time when they were kids, a time when they couldn't hit the can any time, every time.


To the individuals and characterisation. This paragraph is quite functional, almost hypnotic in it's mechanics. Not self indulgent. Good.

Kevin stands up from his kneeling position, tentatively picking up the spent cartridge and dropping it into his pocket. They never litter the ground with their garbage, for they hold this land close to their hearts. It is part of their childhood, and therefore part of them.


Continuing the idea of the shots as ritual, as religion, it reminds me a little of the short story "Sredni Vashtar" by Saki. Nice details here.

The can remains perched atop the stump, mocking Cameron after the glancing shot that took it in the side, nevertheless demolishing the majority of it.


I like the way you portray destruction, and the creating by destruction within masculinity, through the personification of the can. Nice.

Kevin is the jokester of this dynamic duo; Cameron merely enjoys it with a quiet contentment.


I thought this was a little formulaic in its archetypes, though I think there is complexity to your characterization, this does not reflect it so deftly.

Swinging his legs over the edge of the bed, he dropped his head into his hands.


I like this bit of action, it's succinct and specific.

The glowing blue numbers on his clock taunted him


I like the repetition of the personified object ridiculing, and that this time, as it's 'taunting', there's a darker edge, a hounding, rather than the shiacking child's play of 'mocking'.

a particularly malicious magazine.


extending upon this. V good.

Even in the middle of June, the kitchen floor was freezing.


Clever, vivid observation.

he squinted into the sudden, blinding light


This too, your action is quite masterful.

Kevin believed that toaster ovens were one of the best inventions in the history of mankind, right up there with indoor plumbing and women’s thongs. Toaster ovens combined the ease and convenience of a microwave with the practicality and home baked taste of an oven. Plus it cooks a mean slice of frozen pizza.


The bleakness of this, the restrain, the portrait of the heady mundane, this is very fine characterization, not syrupy or saccharine, just natural, real, stark, raw.

peeling the ratty, bloodstained jacket away from the man’s skin


That's strong, v good. Was that my gut you busted? Yes, yes it was.


TBC...




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Nice i love it
can't wait to read some more by you!




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Nice. The tension build up was especially good, and the scenes of the present were well placed, adding to it. Climax was very well done. :)


A man screams.

Kevin awoke with a start, the sound of the man’s scream still fresh in his memory. He sighed. Swinging his legs over the edge of the bed, he dropped his head into his hands. He let his toes grip the carpet, which was soft and inviting, like pillows for his feet.


Nice transition. From a man being shot to Kevin waking up a few years in the future. The way you mentioned the couch and the two brothers held the reader's thoughts on screaming man, but kept them in the present as well. Very well done.

He is obviously a hobo, a vagabond, living on the road with no one to miss him but the squirrels on the side of the road.


Repetition. Get rid of one, perhaps? I suggest the second one:

He is obviously a hobo, a vagabond, living on the road with no one to miss him but the squirrels.


Re-wording could work, too. :)

Kevin realizes that the call has been terminated. He isn't sure how much of the call had gone through. He looks at the phone, dumbfounded. It's still on, there just isn’t any reception.


Interesting, but it isn’t explained later. What happened that made the call suddenly end? Even if it’s just bad connection, you could have Kevin think about it or something. However you do it, it needs to be explained. Otherwise, it’s unrealistic in that the police would let it end without trying to call back, or otherwise resume communication.

The ending was good. It wrapped it all up and gave a definite conclusion to the piece. When the current Kevin is thinking about what happened in the past, wrapping it up, I think that's where you could fit in the cell phone bit. Other than the wacky cell phone, the pieces came together nicely. The tension wasn’t overdone, but it wasn’t nonexistent; just enough to keep the reader engaged.

And now, a nit-pik:


“Did you get ahold of them?” Cameron asks.

Two words? :)

:D Luck!

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Hey, Dono! :D I've never actually critted anything by you, but it feels weird critting a mod's work. XD Ya'll should be better than I. :P However, I shall review as you have asked. ^^ Forgive me if anything is repeated. So many people before me have critted very well. :)

Or is it the knowledge that, despite the naturally violent nature of the gun, they are doing no harm?


This is the first time they've been without their parents. Cameron's 21st birthday was only three days earlier. They've brought their rifles with them, Kev with his 17 HMR Savage and Cameron with his 30.06 Mossberg.


I read this sentence...I lost track after two times. ^^; It seems awkward with 'they've' repeated so closely together. Maybe it's because the second sentence seemed random without more action, like Kev raising his 17 HMR Savage and aiming at the can. I dunno, I could be insane and stating something completely idiotic as I usually do. :D

"Nice shot, man," Cameron says as the can falls yet again.


I do believe a comma should be there because Cameron is calling Kev 'man' as a title. You could replace man with Kev and you would place a comma there, correct? :wink:

Cameron walks back to Kevin and replaces him behind the line they had drawn in the dirt, with the same stick they'd used the past dozen or so times they'd been out there


I do believe that comma is not necessary. ^^

"Not getting old on me, are you, man?"


Again, my theory earlier. Up to you if I'm insane or have some sort of smart. :wink:

Kevin is the jokester of this dynamic duo; Cameron merely enjoys it with a quiet contentment.


I was trying to decide if this was considered telling, rather than showing. I found that it was worth pointing out. You can certainly point this out with dialogue and actions.

The pizza box was slightly more evasive, since nearly half the containers in the fridge were tupperware filled with leftovers from the last week.


I'm thinking 'previous' would sound better in this instance.

He wasn’t sure how he felt about it, yet.


Don't think that comma is necessary since 'yet' isn't used as a conjunction here.

“Get my phone, Kev. Call 911, and–now listen carefully–tell them we’re fifteen miles South, that’s SOUTH, of Ashville, on County Road 102.


I don't think 'south' should be capitalized? Also, if this wasn't in italics, would you put the "SOUTH" in italics? If so, maybe, since this is all in italics, put "SOUTH" in normal font? "--tell them we're fifteen miles south, that's south, of Ashville..." Ja? Nein?

Kevin scrambles to his feet, then runs toward Cameron’s dirt covered Bronco, [no comma needed] at the side of the road.


“Kick the fucking guns away!” The bullhorn yells, “and step away from the goddamn body!”


Would an officer curse like that? :?

‘The fuck is wrong with you pigs!”


A question? :wink:

...and onto Kevin, who still stands behind his brother, his arms high in the air in a futile attempt to disarm the situation.


Overall comments: I'm feeling pretty prepared since I've read this before. I really like this story. It's amazing! ^^ You are an amazing writer, Dono. :wink:

Like I said earlier, it feels awkward critting a mod's work. :lol: You have every write to deny my suggestions above.

I really do like how you ended the story. Loverly, 'twas! All I really pointed out were possible punctuation issues and possible formatting. Nothing wrong with plot at all. It was very well written and was a wonderful read. :D

Keep writing!

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As you ordered, Sir Dono. =P

Lol. You and your obsession with guns.

The memory was all to clear in his mind–he wouldn’t be sleeping anytime soon.

All too* clear.

The fridge was bright, and he squinted into the sudden, blinding light.

The rhyming of this line bugs me, but that's just personal preference.

He wasn’t sure how he felt about it, yet.

The comma there bothers me, but it's not blatantly incorrect.

Holy crap. Talk about a twist at the end. O_O

Dono, you never cease to amaze me. A story featuring guns, but a good story! I have no real complaints to register. This is a very good story. A very well-written short story. I really enjoy your writing -- it's reasonably paced and features the right mix of exposition and mystery. The action never slows but feels natural, and you don't tell. You show. Which is a relief, because I've read enough telling pieces today. xD

Much love. <3

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Okay, so here's the review I promised.

I hope it's useful. And please don’t *kill* me if I make comments you disagree with =P You and your guns... sheesh.

The two boys are miles away from Ashville, from any human contact, really. It feels like there is a word missing between the first and second half of this sentence. It doesn't work too well like this.

They'd driven out into the country by themselves, as they had countless times before; but this time is different. This is the first time they've been without their parents. Cameron's 21st birthday was only three days earlier. Noticeable repetition of “time” that you may want to do something about.

PLINK! Just a suggestion: No caps, but italics? Plink! looks nicer, and suits the sound more ^^

It is chipped and riddled with old bullet holes from a time when they were kids, a time when they couldn't hit the can any time, every time. I like the way you’ve structured this sentence. Worth a positive mention.

Cameron walks back to Kevin and replaces him behind the line they had drawn in the dirt, with the same stick they'd used the past dozen or so times they'd been out there Er… there's something odd about this sentence; it’s slightly confusing. He replaces the other boy? How? Show us, don’t tell us.

General note: Be careful with repeptition. You repeat "time" a lot, as well as twice "Set up" one after the other. Repetition is one of my pet peeves, so I'm being nitpicky, but... just be careful with it.

"tupperware." needs a capital T.

I found it confusing how you use italics for the memory, and then stop using the italics; it made it more difficult to separate the boys' past from the present. You tell us the story of how Cameron was killed, and then you suddenly say that Kevin didn't realize he'd fallen asleep, right after which you seem to flash back to the past again. Maybe say "Cameron had been killed instantly" rather than the "Cameron was killed instantly" that it is at the moment. Just a suggestion.

If it was one thing he didn’t like about his toaster oven, it was the alarm on it. Try rephrasing this sentence.

I like this piece; it's well-written, and draws the reader in. It's interesting, and it's sad - and I really hate those damn cops; they seem mean.

You've got some very good description in this piece, especially when it comes to how the boys handle the guns.

Hope this helps.

XxxDo



With great power... comes great need to take a nap. Wake me up later.
— Rick Riordan, The Heroes of Olympus