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Re: dead at 19
lin night, This is a bunch of navel-gazing that goes nowhere fast. The association to used rags and crooked smiles established in the opening strophe is abandoned almost before it's ...
Nov 14, 2007 -
Re: Lost At Sea
Kim... Good God. "Standing on ground that is not sure Crying out even though You’ve been silent for so long" This is enough to make experienced readers vomit. Consider dropping ...
Nov 14, 2007 -
Re: a poem for her
jwoot14, "Pure instinct" is not a veritable excuse for murder, theft, adultery or sloppy writing. The magnitude of grammatical errors (riddling it from L1) make me wonder why I, or ...
Nov 14, 2007 -
Re: Sunsets and Sorrows
azure, The tense-shift that occurs throughout this is enough to undercut its legitimacy as a serious attempt. Either you don't understand tenses or you were simply grabbing for rhymes that ...
Nov 14, 2007 -
Re: In the Night, Under the Moon
Lil_Pau, I, for one, would like to see more quality than quantity. All four of the poems you have just posted suffer from a rhyme scheme that render the poems ...
Nov 14, 2007 -
Re: Earl Grey
Dear abbisnall, Suzanne's suggestion isn't the solution: grammar is not going to save this. If there were one interesting turn-of-phrase, one less-than-clichéd caricature of modern life a la coffee s
Nov 14, 2007 -
Re: Cardiacide
Kylan-- A nice idea here behind the writing. Notice, though, that S1, like the strophes that follow, is weighed down with a bunch of useless adjectivial description. Fat-trimming will help. ...
Nov 5, 2007 -
Re: Listen to the Rain
alleycat13, As an exercise in rhyming, this was a decent attempt. There weren't any new rhymes I found particularly engaging or exciting, but nothing dismally worrisome, either. As for an ...
Nov 5, 2007 -
Re: The Dark Room
Lucifer, The first chunk of this reads like overmodified prose. I assume "twine" is the descriptor you've chosen for "hair"--a metaphor that simply clunks to its death almost before it's ...
Nov 5, 2007 -
Re: Poem of a Soldat
Edward Scissorhands, I think this qualifies as a disaster. The presentation on the page adds nothing. The structure of the first sentence is a jumbled run-on that seems carelessly thrown ...
Nov 5, 2007 -
Re: even oak angels molt
Sara - Dried palms crumple to the soil of these streets, blazing fields of sunsets on every **'blazing' is unnecessary and throws off the sonics. I'd combine this line with ...
Oct 22, 2007 -
Re: Invisiblity's Benefits
xhalcyonx128, This is at best poor poetry. I think we've all seen this kind of poem condemning materialist lifestyle a hundred times before and suspect we'll see it hundreds of ...
Oct 22, 2007 -
Re: I Am The Mediterranean Sea
TheBluePoet, This starts out flat with the first line being demonstratively self-referential and never gaining momentum henceforth. A better medium for this might be a fiction narrative where you can ...
Oct 22, 2007 -
Re: Wide Awake in a Dream
Sureal, Oh my goodness, no. 1. An overabundance of first-person references, much in the form of a diary entry. 2. Arbitrary linebreaks. 3. Over-modified imagery notable only for its length. ...
Oct 20, 2007 -
Re: The Coward
Lindsaroo. This is a tired narrative (e.g. The Lovely Bones ) rehashed in tired verse. Please make an effort to write from yourself, not from fictionalized/serialized accounts of other people. ...
Oct 20, 2007
