Cold tile prodding at shoulder blades. A feeling that no human would rate as particularly comfortable, but one that most have experienced at least once. The urge to lie down on a very possibly unsanitary, most definitely not cozy bathroom floor is provoked by a surprisingly high number of scenarios. A man wakes up at an ungodly hour with the stomach flu, and ends up staked out, intermittently spending his time leaned over the toilet bowl and lying on the ground hoping the chill will break his fever. There’s a sleepover in the dead of August, and to escape the heat that even the best AC can’t beat, a group of giggling girls end up in the master bath carrying pillows and reading the corny jokes that came on their popsicle sticks. In a house with 6 children, the floor of the bathroom is the one place where they can get solitude, where he goes after a little one breaks his Xbox, or where she goes when her first serious boyfriend breaks up with her, and she’s sure one more game of house will kill her. Siblings always assume if one’s spent enough time with the door shut, they must be taking a deuce, which keeps the coast clear long enough for the chill to numb the hurt. But out of the all the needs, physical or mental, that could incite a person into a position that screams of lacking composure, the one of the people that crave the cold and solitude to rouse the opposite of numbness, the ones who crave the awareness of that unpleasant prodding, is the saddest.
Feeling is a diverse thing. It can be an emotion that sweeps over you, or a sensation your body experiences, or the texture of an object you touch. A person can feel so many different things, in so many different ways. “Too much of anything is a bad thing,” is a common proverb often thrown around. One that is written off as cliche, despite it being far too often true. Feelings can be exquisite. Joy, ecstasy, and relief can all be felt deeply, and can alter a person in such a positive way. Unfortunately, rage, pain, and grief can strike into the core of someone as well, and they can leave a person in their wake that is nothing but a physical shadow of who they were before. An outward appearance that itself is still susceptible to changes made by this new person inhabiting it.
What a menace the human psyche can be! The very thing that we need to have a fulfilling life, is also the most challenging enemy. They can’t be seen, they have constant access to their prey, and they can’t be destroyed without destroying their target in the process. The war waging inside, the balance between positive and negative, is enough to overwhelm anyone, and some, it does. The person goes into panic mode, drops a nuclear bomb, and instead of waking up to peace, they have a world of smoke and white noise.
It’s been scientifically proven that loud sounds, such as blaring music, damages our vision when looking at distant objects. The buzzing in the heads of those who have self-destructed has a similar effect. The numbness is all-encompassing, leaving no ability to concentrate on anything but the nothingness inside. Every goal is faint and short-term, performed by muscle memory, and directed by by simple, clipped commands. Get up. Clean. Eat. Sit. Shower. Sleep. Long-term goals are forgotten, obscured by the haze. Thoughts are still made, but they hold no emotions or strong opinions. Just obvious facts and general observations. Colors are dull, sounds are muted, and taste is bland. The body is receptive to the world around it, but the person inside rarely takes notice.
The living human body is warm, if it were to lose too much of that warmth, it would die. So, it seems that when heated skin comes into contact with a temperature that threatens its own, the body involuntarily sends a reminder of one’s humanity, and consequently, how fragile that makes us. If someone walks outside in the middle of winter, their breath typically gets labored, blood rushes to the surface of any exposed skin, eyes water as they’re assaulted by the bitter air, and then, after a while, fingertips and noses begin to prickle, as the beginning stages of frostbite before the numbness kicks in. Most make it inside before any damage is done.
Those sharp, basic reminders of life, are imitated on a smaller scale when a human body lies on a tile floor. Chill bumps are called upon, the pressure of gravity makes breathing a chore, and the parts of a body that touch the ground scream in protest. The shock the body experiences when put in contact with the chilled stone makes the thump of one’s heartbeat obvious in the quiet room. These unavoidable signs of life are what call the barren of sentiment to the solitude of a claustrophobic room. To feel again, even if all they can bear to concentrate on in those few minutes of clarity, before their body heat warms the floor under them and the mist gathers again, is the feel of their body doing physically what they failed to do for themselves emotionally.
The girl usually focusses on just that on the nights where she finds herself staring up at the complicated network of lights, that her past self often complained were too expensive to waste on a bathroom. She’s found herself here increasingly often as the commands that kept her busy began to not be enough anymore. Clean. Sit. There is only so much to clean, if it’s being done every day. Her mind works so simplistically now. If there’s something to do, it gets done. Procrastination doesn’t exist when the person is blind to distractions, and distractions would be nearly impossible to find even without the mental wall with a routine as unwavering as the girl’s.
The downside to letting her body control her actions rather than thoughts, was that it was entirely focused on keeping itself in the best order it could manage. Meaning that she couldn’t spend all of the time that was left over sitting on the couch, watching colors flash across the plasma-screen, an activity deemed by herself to be safe not to pick at the scab in her head. Her shell consisting of bones and muscle and skin, one the other hand, only allotted a certain amount of time in front of the TV before it forced her stagnant mind to produce an alternate plan.
Once, a couple weeks after the girl’s… transformation, she had came upon her first period of free time, and tried to occupy it with a jog. It was a bad idea. It was already a warm day in September, and her body, which had until recently been regularly exercised, heated up quickly, building with sweat. Her heart rate sailed through the roof, her muscles ached, and she was forced out of her alternate reality for the first time. It was like her mind was a bathtub, the haze was the soapy water, and the plug had just been yanked from the drain. It was only a second, but her senses were ravaged. The shriveled leaves cascaded down from the trees, crinkling and poking holes in her vision with their vivid color. The ever-existing traffic blared in her ears, as if she could hear every vehicle in a half-mile radius. A biker sped by her, the blast of air and shouted apology making her jump. The smell of exhaust mixed with sweat burned her nose. Panic set in, and before the real dangerous things could pop up, the memories with their unwanted emotions attached, her body reset itself. She passed out.
The biker helped her back to her townhouse he’d seen her come out of before, mumbling about how sorry he was and how she hadn’t made it that far from home and once, at the end, about recognizing her from somewhere. The boy, that had at one time been her boy, had been coming home for lunch, a rare occurrence, when they approached. She didn’t remember much, by that point she was concentrating on the mist that was building up, and in the moment, she felt a tiny flash of annoyance at it’s slow arrival, before it once again buried her. Her memories did contain a faint clip of him picking her up fully, sending off the biker with a distracted thank you, and a brief picture of him giving her a look that would’ve roused curiosity in her, in earlier days.
When she later on discovered herself on the bathroom floor, she recognized the clarity coming on that she had experienced in that first, horrible incident, but it wasn’t nearly as jarring, so she didn’t move. It wasn’t nearly as bad in the enclosed space in her own home, where there was no unexpected movement or sound. She could be content in those minutes of being alive, of being awake. The girl’s body apparently welcomed the break also, because again and again, she began finding herself back in that position. Although she never acknowledged it, on some subconscious level, she knew that these moments were simply for contentment. She could never risk trying to feel anything else, because feelings are a package deal, good and bad, with too high a cost. She never tried to prevent her mind from reverting back when the contentment started to fade. She preferred the cold over the heat, any day.
Once a week she went to the same grocery store, and once a month, she visited the same gas station. Her answers were polite, but short when the curious check-out attendants tried to strike up a conversation at the register. She never questioned in return. She nodded back and smiled when waved at by the workers who recognized her, some from her frequent visits, some knew who she was before. Occasionally, a customer in the store would see her and compliment her old work, ask what she’d been doing lately, sometimes even get a picture. The girl always thanked them, and gave vague answers. It didn’t give her any personal satisfaction, but she never said no to a picture either. Who knew what people were going through, and who’s to say her rejection wouldn’t be the straw that broke the camel’s back, and turned the person into a shell like her. None of this meant anything, just like everything else she did, the reactions were muscle memory, and the appearances routine.
Today, though, something was different. Despite her careful depersonalization of everything around her, she couldn’t escape facts. There are always loopholes. That’s a fact. 6 months. A simple fact. Today is 6 months. She forgot that some facts can be tied in with personal things. The exact personal things she tries to avoid. She’s had slip ups before. None nearly as bad as the jogging incident, but still, they were there. Walking outside to her car, a smell from a nearby restaurant wafts by. Before she can figure out what it is or why it stuck out, she’s back to “normal,” and blindly following her simple commands. Shop. Gas. Or again, watching TV. A baby cries on screen, the sound sharp in the girl’s ears, but there’s no time for her pulse to spike or to place the reason for her anxiety, as her eyes glaze right back over. I will sleep and today will no longer be 6 months. Another fact. But what she forgot to account for was the inevitable, predictable future. If the fuzz hadn’t damaged her ability to see what was coming next, if she hadn’t repressed her ability to think, if she hadn’t given up control to her body and muscle memory, maybe the girl could’ve prevented what happens next. But then again, what happens next wouldn’t have happened if those things had been present in the first place.
She lies down once again, not apprehensive in the least, not able to anticipate that her months of careful composure and building barriers has all been in vain. The familiar steps take place. The pressure in her head starts to slowly fade, like a balloon deflating. The buzz in her ear dulls. The lights above turn from a blurry mass to a defined mix of art and appliance. When the last of the smoke evaporates, instead of leaving the barren wasteland that has become a familiar getaway for the girl, it leaves behind the sinister disguise for the ticking time bomb that has been laying in wait in the depths of her mind. 6 months. The shock wipes away her disposition go numb, and instead she feels something. Desire. Desire to escape what she now knows is fast approaching. She scrambles to the sink, but the time is takes her to get there was all she had. No time to even attempt to prevent the pain, no matter how in vain that attempt may have been. It explodes at with all the force that has built up over the course of 6 months. Each and every memory, feeling, thought hits her hard, like a physical blow to the stomach. So she stands there, arms clutching the counter for dear life, bearing the onset of what she senses is only the beginning. And despite the newfound revival of her senses, the girl is unable to place if the Second World War to rage inside her mind will ever come to an end. Despite the complex pain writhing through her, she manages to, in the very edges of her mind, despair not over the memories, but of what it will mean if he finds her like this.
Points:
Time spent:
IP address:
Canary word: Present
Possible AI signals:
Original Text:
Are you sure you want to delete this comment? This cannot be undone.
Mark this comment as a review? Points will be awarded to the poster.
Your comment was posted, but it wasn’t long enough to count as a review. Reviews need about four complete sentences (at least 250 characters). Try writing another review that explains your thoughts in more detail — the author will appreciate it, and you’ll earn points for it.
I like it! I like it a lot!
I feel like you could break this up a little. Your paragraphs are monolithic in their size, challenging me to climb them, but sometimes I can't, you know? I'm just one sad lonely can of beans.
I think a good amount of meat for a paragraph is maybe four or five sentences tops. If a character is telling a story in quotes, I think that's acceptable. But for exposition, any more than that is a little daunting.
Other than that, I really like this. Your descriptions and imagery are top notch, and the way you describe things I can almost feel what you're writing about. The frostbite part, in particular.
I also like how we don't know who the girl is yet. Good job at keeping things mysterious and interesting.
Thank you so much!
Excellent story, Please keep up the great work.
Thank you!
Hi, I'm sorry it took me a while to get to this, but I'm here as promised!
Grammar & Wording
My first wording comment is rather broad but I thought of it quite a few times while reading you piece. You should try to avoid adverbs if at all possible and try if possible to avoid multiple ones in sentences because they're distracting and end up not being as descriptive. For more reasons why to not use adverbs (mostly words ending in -ly) you may want to read Stephen King's "On Writing: a memoir of the craft" I highly recommend. An example where you really overused adverbs in this sentence:
" In a house with 6 children" Here you should spell out "6" ( or any number lower than ten I think is the rule )
It should be "where he goes after he breaks his Xbox.." for pronoun agreement
I like this sentence "But out of the all the needs, physical or mental, that could incite a person into a position that screams of lacking composure, the one of the people that crave the cold and solitude to rouse the opposite of numbness, the ones who crave the awareness of that unpleasant prodding, is the saddest." it does a good job establishing mood already from the first paragraph. There is something grammatically wrong though and I'm not sure how it could be better edited so you'll have to play around with that one's wording.
Another "thing" to avoid besides adverbs is using the word "thing" if at all possible. It comes off as a little childish and very undescriptive, just a placeholder word. So in this sentence "Feeling is a diverse thing." If at all possible try to change the word "thing".
These two sentences also need to be edited a little too It doesn't quite flow right and itsn't grammatically correct.
Maybe change to "Unfortunately, rage, pain, and grief can strike the core and leave in their wake a person who is nothing but a physical shadow of who they were before. They remain with an outward appearance that remains susceptible to changes made by this new person inhabiting the shell of the body."
This does not quite make sense to me "The buzzing in the heads of those who have self-destructed has a similar effect." and "has" should be changed to "have". (4th paragraph)
Also in 4th paragraph you have an extra "by"
5th paragraph has a few extra commas.
Not really a grammar issue but I think you should maybe italicize "transformation" in this sentence: "Once, a couple weeks after the girl’s… transformation, she had came upon her first period of free time, and tried to occupy it with a jog. "
There are certainly not a lot of grammar issues, but I would suggest rereading your work out loud next time before you post as this can be a good way to catch a lot of them and will make your reader's really happy if they can't find any grammar mistakes. Overall it makes it look more polished and shows how hard you worked on a piece if there are few grammar mistakes. As far as wording, I felt like I could understand what you were saying the whole time and could follow the story, so good job there.
Other Observations
In the 2nd and 3rd paragraph I start to hear a almost philosophical teacher like narrator. Then the 4th and 5th take a more scientific approach. This is an very unique and interesting way to start a story.
I have a hard time she passed out from just going on a jog, I find this a little unbelievable does she have a health condition? or is she just emotionally deprived?
Overall I think this is a good prologue, it seems incredibly vague so far so I hope the reader's figure out some things about the main character's appearance and maybe have some dialogue when you get into the chapters. Also something to consider for the chapters is editing out every word that is redundant or not needed in the story, just because you can say something doesn't mean you should. Although saying "the sparkly but dirty comb that I once used for my hair, a tool that could be used to hit someone, lay on the shelf that was 3 shelfs from the bottom which happened to also be the shelf closest to the top" is more descriptive it's not exactly interesting and if your piece isn't about the comb you might as well just say "the used comb lay on the top shelf". Think about how each sentence furthers character development, plot, action, foreshadowing etc. rather than just "painting a picture".
Overall Impression
Well, this is a prologue so, so far as a reader I'm confused as to what this girl's problem is and I feel like I know nothing about her except she lies on the bathroom floor sometimes, met a biker guy, and is sad or in pain a lot of the time. While this is an okay amount of information for a prologue and makes the reader want to read more. I hope you reveal a little more about the character in the first chapter. You have an interesting philosophical way of writing though that I found very unique. I'll be interested in reading more of your work in the future. And again, welcome to YWS!
~alliyah
Thank you so much! I definitely will be providing some more answers in the next chapter. You've definitely given me a lot to work on when I go back and edit this, and I need that! Additionally, thank you for being so positive and encouraging with this. Unfortunately, someone who wasn't as nice as you reviewed my story on a different website, which made this all the more appreciated. By the way, I'm sorry if any of my posts came off passive aggressive about reviews. I meant for them to be humorous, but I've been informed that they weren't perceived that way. Thanks again!
You're very welcome for the review, I'm glad it was appreciated.