Everywhere You Go
When Aspen knocks on the door about half an hour later, Genevieve springs to her feet, nearly knocking over the coffee table, with all its newly-decorated cookies. Noelle jumps up after her, and they both run to the door. I stay by the cookies, clutching the edge of the jittery coffee table. It can't fall over.
Genevieve appears at the door of the living room, her green eyes bright with excitement. "Molly, are you coming?" Aspen knocks on the door again, and the sound bounces around my head, along with her question.
Knock. Molly, are you coming? Knock. Molly, are you coming? Knock. Molly, are you coming? Kno---
"Yes. Yeah, I'm coming." I edge past the coffee table and move to Genevieve. She takes my small hand in her long-fingered one, and we go to the door. Noelle turns the bolt, and it swings open suddenly.
"I come in search of a Molly Hope Morissey and a Genevieve Iris Branagan!" Aspen sweeps through the doorway, flinging his hands into the air, flamboyantly. "And, here! I see them! The fair damsels!"
We laugh--we can't help but laugh. It's Aspen, after all.
"Hey, what about me?" Noelle asks, putting a hand to her heart in a gesture of mock offense.
Aspen gasps exaggeratedly. "What do I see here? A crone! An old, warty hag with one eye and a club foot. Tell me, witch, what do you call yourself!"
"I call myself your doom!" cackles Noelle, grabbing Aspen by the neck and shaking him a bit. Aspen and Noelle are both fifteen, and they were in the same grade at school when Aspen still lived in Lazarus. He was always more my friend than Noelle's, though, even though they were closer to the same age. I think that Noelle had a bit of a crush on Aspen when they were younger. She thought that he was a wonderful guy, but as we all grew up, it became apparent that Aspen wasn't really the person for her. I still think that she's a little into him, though, which is kind of weird because, after all, he's my best friend.
"Take it easy, you two!" Mom yells from the living room.
"Move, peasants!" commands Aspen, shooing Noelle, Genevieve and me out of the way before striding past us. "I must address the queen!" We follow him into the living room, where he kneels before Mom, head bowed. "My liege, Queen Savannah of Lazarus!"
"Oh, Aspen," Mom clucks, blushing. "Get over here and give me a hug."
Aspen smiles, crosses to her, and kisses her on the cheek. "Hi, Mrs. Morissey."
"Aspen," she sighs, contentedly, pulling him onto the couch next to her. "It's Savannah, remember? Mrs. Morissey was my mother."
Aspen gives us a smug smile. "Savannah likes me the most."
"No, I don't!" exclaims Mom, pushing Aspen's shoulder. "I like Zeke the most."
"Hey!" Aspen protests, sitting up.
Noelle strides over to him and pulls him back onto the couch, her arm around his waist. "Don't worry, Aspen---you're still my favorite."
"Thanks, Noe," Aspen says, letting out a sigh of mock relief.
"What about Genevieve!" I exclaim, putting a hand on her shoulder.
Genevieve laughs and sits down, cross-legged, by the Christmas tree. "It's fine, Molly. I know I'm your dad's favorite. Savannah, where is James, by the way?"
"Oh, out running errands. Being a parent, and all that."
A silence falls, and I look at Aspen, who's usually the one to break it. His face has changed since I last saw him---he has less baby fat on his cheeks, and although I'm sure I'm imagining it, his eyes look even grayer. It's funny how you notice these things when you're apart for so long. Fascinated, I turn to Genevieve. Sure enough, she looks different as well. She's always been thin, but she looks bonier all of a sudden, and, at the same time, less girlish. Her cheekbones are more pronounced, and she holds herself with a grace that I hadn't seen in her when she still lived in Lazarus.
"Molly, stop staring at me," she suddenly laughs, hitting me playfully on the shoulder. "You're freaking me out."
Her laugh hasn't changed--that's nice. We sit in silence for another few moments, which is unusual for Genevieve and Aspen. I think it's the room, with the rickety sound of the heater lulling us into a sense of contentment. However, this doesn't last for long, and I'm glad because it feels extremely unnatural, just sitting there without talking next to Genevieve and Aspen. There is a knock on the door, and I bolt to the hall. Genevieve and Aspen are both chanting "ZEKE! ZEKE! ZEKE! ZEKE!" at the tops of their lungs as I open the door.
There he is--and, boy, does Zeke look different. For some reason, everything seems quiet as he steps into the hall… until, suddenly, Aspen lets out a whoop, pushes past me, and tackles Zeke, who laughs and tousles Aspen's free-for-all blonde waves. We tramp into the living room, where Mom is still sitting on the couch.
"Zeke!" she exclaims. "My favorite!"
When Aspen makes a pout-y face, Noelle laughs so hard she nearly falls off the sofa. Zeke runs over to Mom, and flops down next to her.
"I missed you, Savannah," he says, laying his head on her shoulder. "A lot."
Mom laughs. "You mean you missed my cookies!"
She swats away Aspen and Genevieve's hands as they reach for the freshly-decorated ginger snaps. Zeke looks like he's going to reply, but before he can, the front door opens again.
"Hey, I'm home!" Dad's voice rings through the house, and everyone's heads snap to the hall.
"James!" Genevieve exclaims, running to the door. Aspen, Zeke, Noelle and I follow her, and find her wrapping Dad in a hug so tight he can barely breath.
"Who's this?!" he says in false surprise. When his eyes land on Aspen and Zeke, he makes his face twist into a mask of over-exaggerated suspicion. "Ah-HA! Those two rascally neighbor boys!"
At the mention of "boys," I swear I can see Zeke start glowing.
Dad holds open his arms. "Come here, all of you---I may not be the father of anyone but Molly and Noelle, but I can darn well pretend to be for the next two weeks!" We all pile into him. I have one arm around Genevieve, and my face buried in Dad's chest. Aspen and Zeke are behind me, pressing me into Dad as they hug him, too, and I think Noelle's hand is on the back of my head. It's only later that I'll realize it, but in that moment there were no pounding thoughts, no fluttering nerves, no ache of anticipation. That moment put an end to all the anxiety surrounding my three friends coming back, and, if only for a moment, I think I was fine; it was them, and me, and my parents, and I don't think I would've traded it for anything. Although I'm burdened with an extremely debilitating anxiety disorder, it somehow makes times like this feel almost more lovely because they come in contrast to the stress of everything else.
Thinking about this, I stand there, feeling Aspen's hair tickle the side of my face. I am completely and totally comfortable right now, and it's going to be like this for a whole two weeks--then, of course, one thought sneaks in: how much worse will it be when they leave?
End of chapter
Continue to next chapter A Lot Like Christmas: Chapter ThreePoints:
Time spent:
IP address:
Canary word: Present
Possible AI signals:
Original Text:
Are you sure you want to delete this comment? This cannot be undone.
Mark this comment as a review? Points will be awarded to the poster.
Your comment was posted, but it wasn’t long enough to count as a review. Reviews need about four complete sentences (at least 250 characters). Try writing another review that explains your thoughts in more detail — the author will appreciate it, and you’ll earn points for it.
Hello again!!


Okay! I spy some conflict!
It took me a second to figure out exactly what was going on here and why her friends were coming and why everyone was so excited and why everyone looked different to her - she hasn't seen them in a while! And now she's anxious about what's going to happen when they leave again! That's the conflict. Fabulous. Now we need to make that stand out a little more.
Her anxiety needs to be much more prevalent, and the key to this will be to show it in her actions rather than telling us about it. I don't want her to tell me she has anxiety, I want to figure out she has anxiety based on how she responds to the world around her. This will need to start in the first chapter. I don't know if you yourself suffer from an anxiety disorder (and no pressure to say either way if you're not comfortable sharing!). If you do, disregard the next few sentences :p I think of anxiety as like endless spirals of "what if..." and fearing the worst in every situation. It can cause stomach aches and GI issues, headaches, body aches, heart palpitations, sweaty palms, racing thoughts, etc. (but not necessarily all of these at once!) So for all of her actions, SHOW us her anxiety reaction in that moment.
Also, I would like a little more clarity on why she hasn't seen her friends in a while and why this is going to be a short term visit situation. Where were they (or where was she) and where are they going?
Like I said in the last chapter, I'm really enjoying all of the positive energy you're putting into this story so far. Everyone is so joyful and supportive and it's just fun to read a story about teens (they're teens right?) that's not full of angst!
I'm going to go get chapter 3 out of the green room! Let me know if you have any questions or if you'd like feedback about something I didn't mention!
Hey Sasha!
I enjoyed the first chapter of this piece, and because I saw the third chapter of this kicking around the Green Room, I thought I'd circle back and take a look at this second chapter.
I can tell that you've put a lot of thought into these characters, because they definitely come alive and I love the way that they all interact. Christmas is my favorite time of year, and I love Christmas books and Christmas movies, so I was very into your piece when I saw it. I wan to echo Pan's comments about there being a lot of characters to juggle, and it being hard to keep track of them all. I'm almost wondering if a slower approach would work well to introducing them all.
I also wanted more of a sense of Christmas itself permeating in the air. Are certain movies on TV? Songs on the radio? Really bring the reader into this environment, and make us feel like it really is Christmas. Those are the main suggestions I have.
There are also some moments where you "tell" more than you "show". For instance:
This line is really interesting since it essentially tells us they're a blended family, but I'm not sure if a stepfather would say this outright. Maybe it can be implied in other ways? Overall, you did a nice job with this, and I can't wait to read the next part.
Hope this helps! Don't hesitate to reach out if you have any questions. Keep writing!
Regards,
Elinor
Hiya, sasha_bumble_bee! I haven't read the first chapter of this, but I thought I'd still drop in for a review.

I really, really enjoyed this. You have such a strong narrative voice, and your dialogue is truly excellent. You captured the banter between these characters beautifully, making me believe wholeheartedly in their friendships. Friendship is something that some writers struggle to convey accurately. They often don't capture the amount of laughter that underpins close bonds, but you haven't fallen into this trap at all. They joke around, they make fun of each other, they bounce off one another. It's so believable.
Aspen particularly stood out to me as a character. He made me laugh, and I so want to know more about him. I really appreciated the more sombre moment in the middle of the chapter, where the MC reflects on how much has changed since she last saw her friends. It's subtle, something I can relate to, and there's something almost uneasy about it.
Like Asith points out, probably the biggest weakness of this chapter is the sheer volume of characters you're trying to juggle. While your dialogue is good, there are so many personalities coming in and out that only the particularly dominant ones - like Aspen - actually stayed in my mind. Your narrator was sadly rather lost amongst them. I didn't get a strong sense of her at all, because she felt more like an onlooker than an actual active participant in the scene. Given that she struggles with anxiety, it's perhaps not surprising that she stayed fairly quiet, but her personality still shouldn't fade into the background. She shouldn't just be a vehicle for the narrative.
The scene is also pretty dialogue-heavy. I've not really got much sense of where the characters are actually situated. Don't go overboard on the description, but give us a few more establishing details. Given that you're coordinating a lot of characters, it would also be helpful to know where they're all positioned, just so I can picture the scene better.
Overall, though, this was lovely to read. You conjured up such a sense of cosiness and affection, I felt like I was a part of it, and I wanted to step fully into the scene with them. You could do with more description, but you have a light touch with your sentence structure which makes the writing flow with ease. And, as I've mentioned before, your dialogue bristles with personality.
Keep writing!
~Pan
Thanks so much! These characters are very close to my heart, so I'm glad people enjoy them
Lots of love,
Yorrick
Some nice character work in this chapter! And I really like the hint at Zeke's past paired with the name mess-up from the previous chapter

The one thing you might have to worry about in this chapter is the sheer amount of characters. It's a damn congregation, and you probably do want them all to be here at this moment, so removing any of them won't do. However, balancing them will be a challenge that you'll have to pay attention to. Everyone's always doing something, so it's important that you never leave a character unspoken about for too long, or it'll feel jarring when they're eventually referenced. I will say that you've done a pretty good job at this so far.
Even if you do perfectly balance the characters in your story-telling, there's still another hurdle: the reader needs to recognize all these characters. That can be hard, since we're introduced to so many at once and only have their names and general personalities to go of off. Even the most diligent reader may get confused. One trick that I've heard helps with this is description. It's far easier for readers to latch on to a character they can visually imagine. Physical attributes -- especially specific details that are unique to a character -- could make the reader's life a little easier.
That is pretty much my only advice for this chapter. I will say that not a lot happens, but maybe that's not inherently a problem. I continue to adore your characters, so you've got that going for you
Thank you! I can assure you that things do start heating up farther down the line
Very grateful for the review,
Yorrick