i'm trying to get into spoken poetry, and this is my first attempt on writing something meant to be performed. this is the first complete draft, and i know i still have a lot to learn, but i can't wait for feedback..
When
it occurred to me that everybody thinks I left you
I read all your
letters again,
the ones in my bedside drawer waiting to be
showered with dust—
the ones I left hanging on threads of
silence.
I reread them: from the how are you's and where have you
been's?
to the words I know you would've spoken calmly no matter
how belligerent,
words that entail your bitter accusations of my
absolutely horrible decision of vanishing.
I was the best thing
that's ever happened, you wrote;
at least some at some point of
his life.
It's
true: I didn't grab the chance to say good-bye,
and knowing you,
maybe you still think of me
when
you open your eyes to the mist of the morning,
or when
you recite the names of angels on idle afternoons,
or when you sit
at dinner tables covered in a feast of chips and carton packs of
juices
that can only nourish bones and brains with too much salt
and sugar;
maybe you're still wondering why there's no longer a
bubbly girl to sing you a happy day;
and someone would catch a
glimpse of you—
(I'm not sure anymore if your reveries of me
would revel your face with a smile,
or if these reflections would
only tighten your mouth, stern),
but either way I'm sure your
countenance will tempt a mouth to open,
prompting dozens of other
mouths,
spreading my unforgivable atrocity throughout the town:
I
have left you! they say,
unashamedly, unreasonably ruining
something they're too shy to pronounce,
but it's something
beautiful all right—
something almost almost perfect.
I'm
not surprised to watch everybody come to your sympathy:
people
love to scratch the surface of truth.
But a peek cannot tell our
whole story.
A peep through the whole cannot tell that you came to
me
because I was your only hope, your only rope out of your
cistern of misery;
that I was the only shovel down the tunnel of
your romantic loneliness
(and
you willing to break my neck against a stone,
to rust me out as
long as you save yourself and see light);
that
I was the crutch you held onto as you flail around with two well
feet.
No; a glance cannot tell everybody that I was the pills you
consumed at night,
but only temporarily relieving the pain,
lacking the power to heal,
and by morning you would've pissed me
off your systems
I
admit that in my foolishness I accepted to be these things: because I
thought I could do it.
I thought I could be your heroin(e)—
I
thought I could hunt down the pieces of your heart and put them back
together;
I thought I could make you forget the girl who shattered
your heart in the first place
so you could love me back,
but if
some genie were to appear right now and grant you one wish
of
being with someone, I knew it wouldn't be with me
because the only
thing I could do was to make you fall in love
with the impossible
possibility of us mutually falling for each other.
Maybe
you still remember that dawn, the first time I let you hold me,
when
I said I would do anything to make you happy.
I was careful to
make conditions because I thought my intentions
were beautiful;
but I realized that the question is not
whether I would keep my
promises or not;
but if there really was anything I could do to
make you happy.
We
sat our day away, soon both
tired of the frustration,
and as the sun set you hummed a poem to
me about the pebble and laws of gravity
as you rest your head on
my shoulder,
the sleeve of my shirt getting wet with your
tears;
you were whispering
(hums:
some enchanted evening...)
you
were whimpering
once
you have found her, never let her go..
And
I knew, of course, you haven't.
I felt the distance between our
hearts widen,
and in moments like this I told myself:
it
didn't matter if everyone would think I left you,
because I was
certain in moments like this, I knew:
you were the one who kept
abandoning me
for another place,
for another time—
for
another universe...
so
I'm sorry if the last straw has been drawn
and I had to burn our
bridge down
I don't think I can survive another one of your
desertions;
I don't want you back in my life just so you could
leave me again.
Points:
Time spent:
Canary word: Present
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Original Text:
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Ayoooo porcupinestrongwill! Aleta here for a brief review on your poem. I'll go through my first impressions and maybe some critiques if I find any. This first line, "When it occurred to me that everybody thinks I left you", I felt was a bit lengthy. I think it would do better if you maybe said something instead like 'When I was feeling like I was the one to blame". However this is only a suggestion so you don't have to change your work over it. I thinking this is in an older time period because she's reading letters he wrote asking where she was where in this age yo could've just sent a text. As I progress further into this, I admit these lines were my most favorite: "and knowing you, maybe you still think of me
when you open your eyes to the mist of the morning,
or when you recite the names of angels on idle afternoons,
or when you sit at dinner tables covered in a feast of chips and carton packs of juices
that can only nourish bones and brains with too much salt and sugar;
maybe you're still wondering why there's no longer a bubbly girl to sing you a happy day;"
Not sure why exactly, I just like 'em. Cheers! I enjoyed reading your poem.
This truly is a very nice poem, with the bare minimum of glitches. That said, there are a number of points I wish to make about the first verse, which is obviously the most important verse of the poem. I shall take it line by line if I may, offering constructive criticism as I go.
Line one, I always prefer "the world" over "everybody", particularly in poetry, I'm not entirely sure why, I guess it gives it more of a single judging body feel.
Line two, you may wish to change that comma at the end to a semicolon, but I'll leave that to your discression if I may.
Line three, insert a comma after draw to slow the pace of the reader.
Line four, beutiful imagery here, well done.
Line five, you are missing some quotation marks here, insert them to make it obvious when spoken that these are to be done as a supposed seperate narrator.
Line six, fine.
Line seven, "absolutely horrible" conveys very little emotion. Try using some more adventurous words here.
This is all I have to offer in terms of criticism here.
I am a tad wondering as to why you single this out as spoken poetry, when, as far as I think, all poetry (save that with formatting) is in its best form spoken.
Overall well done, I'd give this 7 out of ten!
Yours in reviewing,
The Fiend.
The one thing I don't quite agree with, and I mean this in the kindest way possible, is that it doesn't come off like a true poem.
Perhaps it fits in with some 'new age' form... but it's a bit too lengthy, and story-ish for me.
Although, removing the lengthiness and story-ness (?) from the image, it's not to bad a work.
Over all, I like it. I just think it'd make a better poem if it was split into more than one piece.
Good Luck To You.
well, the common response of people who are used to written poetry on the first time they read something meant to be performed is that it is story-ish; so i guess i'm on the right track. i agree: it is rather lengthy. thank you for the review. porcey x
well, the common response of people who are used to written poetry on the first time they read something meant to be performed is that it is story-ish; so i guess i'm on the right track. i agree: it is rather lengthy. thank you for the review. porcey x
Hello!
It sounds like something I would learn at school. It has a sense of timelessness to it which poetry should be [in most cases] timeless. I think with just a little editing and a little more flow revising, this could be really something! Good job 
I will tell you first my concerns for the piece.
"Something almost almost perfect."
Almost twice? confusing. If you're trying to add depth to that line add a comma in between the two words. If not? Take out the repeated word.
"were beautiful; but I realized that the question is not
whether I would keep my promises or not;"
I think you're too caught up on keeping a good line length here instead of the flow. Edit please.
Okay. Now what I liked:
This is so close to perfection. This is really amazing
With Love,
Kammies <3
thank you very much for the review, Lylas. will fix those parts. porcey x